Stop motion adventure Out of Words was one of the standout announcements during this year’s Summer Game Fest. Unlike traditional games crafted from code, Out of Words is uniquely made from clay, fabric, and glue. It’s genuinely a hand-crafted love story that even caught the attention of Metal Gear creator Hideo Kojima, who expressed, “This is the biggest compliment we can imagine,” according to game director Johan Oettinger.
Oettinger has aspired to create stop-motion video games since he was 12, when he experienced the ’90s point-and-click claymation gem, The Neverhood. After years immersed in film, commercials, and installation art, Out of Words emerged as a project that flawlessly merged these two lifelong passions.
A world of handmade things…I can’t even put it into words. Photo: Epic Games
The process of giving life to clay is as exceptional as the game itself. With a robust team of 40 in Aarhus, Denmark, they have developed a custom scanner and photogrammetry pipeline to capture these artisanal assets. The Unreal Engine is fused with stop-motion cutscenes where animators maneuver puppets at 12 to 24 frames per second. “Something magical happens when real materials embody a character… [it] offers an authenticity that renders the characters more relatable than any other storytelling medium,” says Oettinger.
This implies the studio is as immersed in glue, wood, and clay as it is in coding. “Absolutely! We’re more likely to be humming our favorite Disney songs than working in pin-drop silence,” adds game developer Mariano Pugliese. “There’s a shared passion among the puppeteers who transform wood and steel into characters, just like the CG artists who refine game settings.”
The narrative of Out of Words revolves around two young characters, Kurt and Kara, on the brink of discovering their first love. “I aim to narrate a story that reflects the moments when you crave the right words to convey to someone you love, which is almost impossible, especially in your early teens,” Oettinger shares. “That moment transforms into a profound inner journey of light and shadow… In our tale, that journey is mirrored between two characters as they seek the right words, ultimately hoping to emerge from the game hand in hand.”
Castings made from clay…it’s beyond words. Photo: Epic Games
Out of Words is a collaborative two-player adventure that can be played either in person or online, with the protagonists’ journey mirroring the players’ evolving relationships.
“The cooperative element is fundamental to the game design,” emphasizes design lead Jeff Sparks. “Players will guide Kurt and Kara through a world filled with unexpected challenges, experiencing every high and low together.” While trust is central to the theme, the cooperative gameplay reflects the growth of the bond between the characters.
Even the most unusual puzzles are rooted in emotion. One distinct puzzle features a giant clay face, which Sparks elaborates on: “When Kurt and Kara near his mouth, they wiggle around, almost as if they are tickling his lips. While it serves as a rather elaborate door, the creativity and mechanics layered on top of it breathe life into it like I’ve never witnessed before.”
Ultimately, Out of Words is not just a game but an exploration of human connection. “You must treasure the incredible experience of expressing your love to someone for the very first time,” Oettinger remarks. “Our dream is for this experience to forge a deep connection between the two players.”
Their aspirations are high: “We want this experience to be memorable for a lifetime.” And what could be more fitting for a hand-crafted game than the moment you finally reach out and pick it up?
Relief from the palace of Ashbanipal showing him in a tank
British Museum/Odey Hussein
It is one of the oldest and greatest stores of knowledge. This is a huge library of texts accumulated by Assyrian king Ashrbanipal, who ruled ancient Mesopotamia around 2,700 years ago. However, after his death it was plundered and burned to the ground. Luckily, the text was written on clay tablets, so it was burned and preserved by heat.
Fragments of Gilgamesh’s Epic
British Museum/Cumringed
When the library ruins were discovered in today’s Iraq during the Victorian period, the incredible wealth of this lost world became apparent. New book, Ancient Wisdom Library Serena Wysnom of the University of Leicester in the UK can create vivid portraits of Mesopotamian life from the shattered remains of around 30,000 tablets in the library in Ashbanipal.
Royal Board Games
Camlin is good
Written in Cuneiform, the world’s oldest form of writing, the tablet not only brings back the kings and queens to life, but also brings to the lament of priests, traders and professionals. It also includes magic spells and letters of complaints. Our lives are influenced by ripples of this ancient world, with 60 minutes of time, mathematical discoveries and the invention of constellations.
Clay Prism with an account for Ashurbanipal’s military campaign
Anthony Huan/CC by-sa 2.0
Photo from above: Relief from the palace of Ashrbanipal shows him in a tank. Fragments of Gilgamesh’s Epictells the story of the Great Flood. According to a letter by his brother, the royal game of Urboard games that Ashrbanipal enjoyed as a boy. Clay prisms containing descriptions of Ashurbanipal’s military campaign. And a letter in which his sister blames his wife for her poor mucus.
A letter in which his sister criticizes his wife for poor mucus.
Odey Hussein
Ancient Wisdom Library It is currently being released in the UK and will be released in the US on May 12th.
Human Origin: Neolithic and Bronze Age Turkeys
embark on a fascinating journey through Türkiye. Turkey is a land rich in historical treasures that illuminate stories of human origin.
“Alien Clay sends some serious criminals to a labor camp on a remote planet.”
Shutterstock / Space Creator
They say you shouldn’t start a story by waking up, but when you’ve been in a deep sleep for 30 years, you don’t know where else to start.
It may begin with awakening and end with awakening.
I’ve heard that hard sleep is a technical term. It’s hard because you’re shut down, dry, and frozen for your journey from star to star. They make it into art – it takes 11 minutes like clockwork. The whole ship is full of villains and they are dry to the point of being able to do anything. . . Well, I was going to say that you can survive indefinitely, but of course that’s not the case. you don’t survive. You die, but you’re flash-frozen in a very specific way, allowing you to more or less pick up where you left off on the other side. After all, a detour about it would kill any body that is not withered – a permanent and irreparable kind of killing.
They are full of things that re-expand you to more or less previous dimensions – you will notice that there are many more or less In this process. It’s an exact science, but it doesn’t bother you exactly. The thought process does not pick up where it left off. Short-term memory is not stored. The mental path these days doesn’t work. Therefore, start by waking up. Because until you can establish a connection with an old memory, that’s all you have at that moment. I know who I am, but I don’t know where I am or how I got there. It sounds scary, but let me tell you, when you wake up, you’ll find yourself in a real hell. The roar of massive structural damage echoes as ships are destroyed around you. The jostling impact when the little translucent plastic bubble you’re riding on loosens and starts rolling. A cacophony of vibrations that travels through the curved surface to you. The death knell of the vessel that carried you here, carried you out into the void, and is now fragmenting. At that time, there is a world below that is not in your head and that you know nothing about. And above you there is only a cosmic murder field. The fact that there is a bottom and a top indicates that the earth has already won a certain battle for your soul and you are falling. The oldest fear of apes is the fear of involuntarily clenching a baby’s rubbery hand. It is a fall from grace that neither mankind nor apes ever imagined.
You can also see other people around you, through the celluloid walls of the prison. Because there can be no hell without fellow sinners to suffer. Each in its own bubble, torn from the collapsing ship. His face was contorted with fear, he screamed and banged on the wall, his eyes were like wells and his mouth was like the gate of a tomb. Please excuse the excessive explanation. I’m an ecologist, not a poet, but mere biology isn’t enough to appreciate the horrific spectacle of 500 humans being brought back to life at once and no one understanding why. you For reasons unknown, the ship falls apart in the cracks, and the world below is the hungry mouth of a gravity well. oh my god! When I remember that, my stomach hurts. And above all, in the midst of that confusion, I remember that I’m an ecologist. A universe without even an ecosystem. Has any self-knowledge ever been so useless?
Some of us have not yet woken up. I see at least two bubbles flying past me. Inside, the crew was left as desiccated corpses, and the systems malfunctioned. “Acceptable waste” is a technical term, but it’s also a concept you don’t want to suddenly remember. Because there will always be people at the end who will not wake up. They say this is an inevitable violation of entropy on a very long journey. Maybe so. Or maybe those who don’t wake up are the worst troublemakers. It’s hard to tell who it is when the skin clings to the skull without any familiar flesh intervening, but I notice my old colleague Markein El whirling past. I think I saw it. She was transported all the way from Earth here at minimal cost with a boiled-down process, but it might have been better to throw her in an incinerator to achieve the same effect.
Another piece of knowledge comes from remembering minimal costs. Another couple of my neurons resume a severed acquaintance, bringing with it a related but unwelcome understanding. This is intentional. Not the traumatic wreck of the Hesperus. It’s a feature, not a bug. Sending people into space used to be expensive, and it’s still expensive for anyone interested in space. It is recommended to provide practical medical care and life support, waking up from time to time to check on your very sensitive physical and mental health to ensure you stay alive while on the move. And, noticeably, it is recommended to arrange means of bringing them. return After completing the mission, return home. Large, expensive ships capable of complex maneuvers such as refueling, decelerating, accelerating, and turning.
But if you just want to send felons to a labor camp on a remote planet, it’s literally cheaper and easier than having a machine do the same job, so you don’t have to worry about them coming back. Because they don’t. It’s a life sentence, a one-way trip. Even as my head falls into the temptation of Imno 27g along with the rest of me, further unwelcome revelations fall upon my head.
I should have smashed my newly revived fist into the inside of the bubble, but it was falling from the collapsing ship and swirling around, the world below growing larger and larger. The void became a yellow-blue sky. Do you have yellow and blue? This is not the earth, but this is the sky of Immuno. Blue represents the oxygen that the planet’s biosphere pumps into the atmosphere as a byproduct of metabolic pathways, just like on Earth. Yellow is a diffuse cloud of aerial plankton. Alternatively, it is actually yellow-black due to its dark photosynthetic surface. Blue, yellow, and black should not be colors, and above all, should not be the color of the sky.
we fall At some point the chute will open. It is a film-like transparent plastic that is biodegradable the moment it comes into contact with the atmosphere. Like a ship, it is designed to last for the minimum amount of time possible to accomplish its mission. The ship is just a nameless piece of plastic junk printed as a single piece in Earth’s orbit, with a single engine and a pod to hold us all like peas. Probably an egg case. It is designed to carry a cargo of corpses across space to one of what the Mandate’s expansion division calls one of its current “active planets.” It carries us up to Immuno 27g and then breaks us apart in the upper atmosphere. Single-shot medical units reanimate their cargo from the dead, crushing lost souls as they scream and tumble to our doom. Some people don’t wake up, and even if they wake up, others don’t survive the descent. Destruction is certainly something we all face, but for some it lasts less than for others. Every time the chute unfolds, the bones tremble, and while I see others similarly torn from the teeth of the ground, I also watch a handful of bones fall as the chute fails. They’re still screaming because they remember just knowing that they’re going to die all over again.
You won’t die by not waking up, and you won’t die by falling off the edge of the atmosphere. I am not recorded in the ledger as acceptable waste. They will have to calculate very carefully the exact level of expense required and the exact proportion of delivery failures, or deaths, that this will entail. After all, who would want to spend a penny more than necessary to send a death row inmate to a concentration camp in a faraway world? People who rebelled against the system and now have to pay their dues for the rest of their lives. Some people are like me. You’ll hear the numbers later, but acceptable waste is 20 percent. If that sounds like an absurd loss of investment, you don’t know the history of people transporting others from place to place against their will.
They loaded the pods with maneuver jets. small plastic thing. One shot. It seems like it will take a lot of time to fall! – I see them firing. Each injects a bottle of gas, destroying itself in the process. If you can land where you need to land, that’s fine. Even if I end up far away from the work camp, they aren’t going to waste the labor time it takes to retrieve me. I would die trapped in a bubble or trapped outside a bubble because Immuno 27g is full of things that will kill you. Especially when you’re alone and only half your brain is with you. There was nothing in my head that would help me survive in this other world.
But that doesn’t happen to me either. I land at the same spot with everyone else who is not subject to waste regulations and they are waiting for us there. The camp commander sent a large crowd in case we managed to form a revolutionary subcommittee during our descent. When I saw riot control armor and guns – the “minimally lethal” security equipment I (now) remembered from Earth, that only killed an acceptable percentage of the time – I I remembered it there. had I was on a revolutionary subcommittee. Of course not on the ship. Because we were all flash-frozen corpses. And it wasn’t on the way down. Because we were too busy shouting. But back on Earth, before they invade our networks, track our contacts, and arrest everyone we know for betraying our friends and family, I actually I got this because it was part of the problem. When I returned to Earth, I was stubbornly proud of that fact. In the cramped orbital quarters of a prison attached to a spaceport, yes, I knew I would be deported to a concentration camp, but even a junior scholar like me could at least do what I could. I’ve been trying to do that. .
Now, after plummeting to this fate and then watching the Death Slash Welcome Committee, I regret everything. If a political official magically appeared and offered me a pardon if I signed a confession, I would reach for a pen. Quite unlike this song, I regret every single choice in my life that led me to this point. This is a moment of weakness.
Bubbles deflate around me. I struggled to fight it off for a minute to avoid choking on the sticky plastic before it cut me off. They have special tools, such as heated knives, to do this. I got a shallow glowing cut along my thigh, which attests to their general carelessness in handling it. One more person will be wasted when the last one is released and by then it will be too late. Everything is within tolerance, you understand. That’s it. I’m depressed. Look up at the foreign sky.
This is an excerpt from alien clay by Adrian Tchaikovsky (Tor, £10.99);New Scientist Book Club’s latest book recommendations. Register here and read along
The origins of the world’s oldest known writing system may be traced back to painted decorated cylinders used for indicating ownership. Some symbols found on these cylindrical seals match those used in Protocuneiform, a form of protowriting utilized in Mesopotamia.
This finding suggests that the development of writing in Mesopotamia was a decentralized process, with numerous people from different regions contributing to the collection of symbols used.
“There have been various reconstructions over the years regarding the emergence of writing in Mesopotamia, but this is likely the earliest instance of writing invention in the world,” mentions Silvia Ferrara from the University of Bologna, Italy. “We are following a more vibrant and less constrained trajectory.”
The oldest confirmed writing system, cuneiform, was developed in Mesopotamia around 3200 BC. This was preceded by the introduction of a simpler writing system known as Protocuneiform, which was in use from 3350 to 3000 BC.
Proto-cuneiform texts lack grammatical rules, making them incapable of conveying complex meanings, as highlighted by Amy Richardson from the University of Reading, UK, who was not part of the research. For example, while proto-cuneiform can label something as “7 bushels of wheat”, only a sophisticated script like cuneiform can express “7 bushels of wheat are being delivered to you.”
The inception of proto-cuneiform is often associated with clay tokens, which were tokenized in various shapes like disks and spheres, engraved with patterns, and pressed into wet clay to create symbols. Some token symbols bear resemblance to those found in proto-cuneiform, as noted by Dennis Schmandt-Becker in a publication at the University of Texas at Austin in 1992 (before writing).
There is evidence supporting the role of tokens in the genesis of proto-cuneiform, according to Ferrara. However, as she mentions, not all signs can be explained by tokens.
Ferrara, along with her colleagues Kathryn Kelly and Mattia Caltrano, researchers at the University of Bologna, took a different approach by investigating another source of symbols: cylinder seals. These cylindrical artifacts, inscribed with patterns and images, when rolled over wet clay, imprint a set of rectangular symbols, often signifying the goods being transported or the individuals involved in the transaction, as described by Caltrano.
Both sides of the original cuneiform dial
CDLI
The researchers analyzed cylinder seals from the period between 4400 BC and 3400 BC across a vast region of southwest Asia, including Mesopotamia, and identified several symbols corresponding to those in proto-cuneiform.
“One prominent example we encountered was the depiction of fringed cloth and containers inside netting,” mentioned Caltrano. These symbols hold well-defined meanings related to goods transportation and are common in both cylindrical seals and proto-cuneiform tablets.
The concept that symbols on cylinder seals influenced those in proto-cuneiform had been previously proposed by scholars like Holly Pittman in a 1994 book chapter at the University of Pennsylvania in Philadelphia, with further developments in subsequent publications (link to publication). Pittman expressed satisfaction with the increasing recognition of her ideas among newer scholars with expertise in cuneiform.
“There seems to be a compelling correlation in the specific examples described in this article,” remarked Richardson. She cited her own research findings on the use of cylinder seals in recording interactions between cities.
This does not undermine the potential role of tokens. Richardson noted that there are still valid arguments suggesting the foundational importance of tokens, particularly in the development of counting systems.
If proto-cuneiform indeed originated from a mix of sources like tokens and cylinder seals, it sheds light on the diverse origins of this writing system. Ferrara pointed out that the evidence supports the argument that writing invention in Mesopotamia was more widespread and decentralized than previously thought. While the elites in the metropolis of Uruk played a crucial role, other administrators, as well as merchants scattered throughout the region, might have also contributed. “There is a growing body of evidence suggesting a broader and diversified impetus for the development of writing,” she added.
Initially, writing served administrative purposes rather than narrative ones. Richardson commented, “Early written records were primarily focused on organizing materials, goods, people, and things, aiming to establish social systems.”
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