Consume Me Review: A Game That Offers More Than Just Empty Calories

IIf you accept the notion that the Game Awards serve as an interactive industry Oscar, then it’s reasonable to liken the Independent Game Festival to Cannes, with the Sumas MacNary Grand Prize being the equivalent of Parmedollar. Hence, one might expect that this year’s winner would receive significant attention upon release. Surprisingly, that’s not the case. Apparently, it’s an overwhelmingly early sale and I’m astonished by the absence of reviews. This highlights ongoing challenges regarding discoverability and the issues faced by critics during the busy fall season, rather than focusing on the game itself. Truly, it’s an absolute delight.

It’s certainly easy to sound like you should play this game rather than expressing a desire to want to play it. Crafted over a decade by Jenny Ziao Fusia in collaboration with Ap Thomson, Jie en Lee, Violet WP, and Ken Snyder, this semi-autobiographical narrative follows an Asian American high school student navigating weight loss amid the challenges of adolescence. It’s infused with effective energy and time management mechanics. Content notifications inform players of themes such as bullying, fat phobia, and dietary restrictions. Notably, it’s also one of the most humorous games of 2025.




The pizza date leads to watching her eat for the rest of the week… consuming me. Photo: 66

Consumes adeptly navigates a complex emotional landscape. The main character, Jenny, experiences meal times interpreted as puzzles. Reminiscent of Leon’s attachment case in Resident Evil 4, groceries shaped like Tetris blocks must fit into a grid symbolizing Jenny’s stomach. L-shaped kale and S-shaped tomatoes help her stay within her daily targets (notably, she focuses on “bites” instead of calories). Junk food, with its appealing form, can lead to regret as filling it results in precious time being consumed and potentially using up one of her limited cheat days. Any gaps in her stomach notification mean she might need a snack later.

Beyond merely managing her hunger, Jenny must also oversee her energy and mood levels, which is initially simple. Participating in chores, studying, and applying makeup turns into an enjoyable mini-game akin to Nintendo’s Warioware series, though it rarely presents a challenge. Items created or purchased with in-game currency help maintain Jenny’s happiness and health. However, time is relentless, making it increasingly tough to balance needs against wants. For example, reliance on energy drinks often leads to caffeine headaches. This creates unhappiness during activities other than resting.




A contest on the sinkside with an overwhelming mother… consumes me. Photo: 66

Regardless of whether things are going smoothly or not, the observations are artfully portrayed. The foreboding music accompanies weekly weigh-ins, physically pulling Jenny towards the scale. After cleaning the bathroom, her critically evaluating mother is there to inspect her work, even pressing a finger on the sink to confirm cleanliness. When Jenny first meets Oliver’s affluent parents, even the simple introduction of anxiety meters raises the heart rate, especially as she imagines her own mother as a detective in a trench coat. During their first outing, their awkwardness on-screen guides players toward a sweet kiss.

Love quickly transforms into another responsibility, creating tension that evolves in each chapter. Jenny must prioritize potential dates in her calendar, yet a visit to a pizzeria forces her to strictly monitor her meals for the week ahead. As Oliver heads off to college, their long-distance relationship means that every night brings the potential for “poison damage” as she struggles to prioritize valuable text messages or video calls. (By night, she presses her face against the glass, tearfully observing the rose petals falling from inside, brilliantly encapsulating the path of all adolescents during such times.)

Although it’s a game centered on routines, the continual repetition never makes me feel fully settled. It continually finds creative ways to utilize the system to convey themes without sacrificing humor. If you grapple with food-related issues or fitness, there are moments that resonate deeply. It’s about more than just what you consume or how much you exercise; life’s essentials often take precedence over personal desires.

Again, I’m cautious about framing this as a mere obligation to consume. This thought-provoking, engaging, and boldly original game provided an evening filled with laughter and tears, leaving me with lasting memories.

Consume Me is available now for £12.79

Source: www.theguardian.com

Our universe is so empty that it defies the laws of cosmology.

Ryan’s will.Klaus Wedfeld/Getty Images

Have you ever felt like you’re stuck in a hole? Newsflash: Yes, you are. Astronomers call it a “local hole,” but that’s quite an understatement. It’s vast, it’s gigantic, it’s gigantic – but the truth is, adjectives are inapplicable when it comes to this expanse of nothingness. It is the largest cosmic cavity known to us, spanning 2 billion light years. Our galaxy happens to be near its center, but the problem with this hole is not that it poses any immediate danger, but rather that it shouldn’t exist.

The question is whether one of our most firmly held beliefs about the universe is true. This assumption, known as the cosmological principle, states that matter in the universe should be uniformly distributed on the largest scale. It is the foundation upon which much of modern cosmology is built. If the void were real, the stone might have collapsed.

Because of this, few people dared to believe that the void could be real. But as evidence has grown in recent years, astronomers have moved from suspicion to reluctant acceptance. They discovered other similarly huge structures. So now the question is being asked with increasing urgency: If we are indeed living in a vacuum, do we need to significantly revise our cosmological model? That may include rethinking the nature of gravity, dark matter, or both.

The idea that the universe has the same properties from beginning to end can be traced back at least to Isaac Newton. He claimed that the motion of stars and planets could be explained…

Source: www.newscientist.com