New Scientist Book Club Review: “Forbidden” – A Challenging Yet Rewarding Read

New Scientist Book Club just read Ursula K. Le Guin’s novel The Dispossessed

Gollancz; Benjamin Brink/Oregonian/AP/Alamy

Alex Foster’s reading experience, after shifting our perspectives in a circular motion, led the New Scientist Book Club into two contrasting worlds in Ursula K. Le Guin’s novel The Dispossessed. This authentic sci-fi classic from 1974 oscillates between two timelines. One follows physicist Chebek as he departs from the barren moon Anar to study at the university on Uras, a more prosperous planet, while he simultaneously grows within the anarchist society of Anar.

I first encountered The Dispossessed during my second year of university. At that time, I was captivated by the novel’s structure and the anarchist principles shaping Chebek’s hometown. After all, what better time to dive into radical fiction than as a budding student? On this subsequent reading, however, I found myself more attuned to the human aspects of the narrative. I now have a deeper understanding of Chebek’s character, albeit one I didn’t always sympathize with.

Many club members expressed excitement when we announced The Dispossessed as our next reading. “This is my favorite Le Guin book, though it’s truly hard to choose,” remarked Kelly Jensen. In Rachel Hand’s corners of reading on our Facebook Group, it had been a long-awaited selection for some. For others, it marked their first encounter with Le Guin’s work. New Scientist describes it as a “dive into the deep end.”

Despite its daunting reputation, some readers relished how The Dispossessed brims with concepts surrounding politics, physics, and language. “It’s absolutely spectacular that Le Guin tackles physics on the ‘time’ side of the space-time continuum,” said Laura Akers. Elizabeth Drummond Young appreciated the exploration of “sudden engagement,” examining linguistic and behavioral references, such as how individuals name themselves, paralleling notions introduced by Einstein in the novel.

However, a consensus emerged: few would wish to inhabit Anar, despite its egalitarian ideals. As Laura noted, “They can’t genuinely evaluate life as we do on Earth.” They hold a profound awareness of their ecosystems, yet remain focused on their operational realities.

Gosia Furmanik expressed ambivalence: “On one hand, it’s tremendous that there’s no exploitation, and they can, in principle, do as they please.

This notion came up during a conversation with Marcus Gipps, editor at Le Guin’s publisher, Gollancz. “Everything really comes down to perspective,” he told me. “I’m fascinated to learn about East Germany’s depiction prior to its fall in relation to this book, and I will continue to explore this!”

Perhaps the most contentious aspect of the novel is its portrayal of women. Some readers found the book’s gender ratios frustratingly outdated, feeling that our views of Anar and Uras are filtered through a biased human lens. “I perceived the book’s viewpoint as an internalized bias from the author, which is perhaps expected given its time of writing,” Gothia remarked. “The portrayal of relationships, such as Chebek’s interactions in the planting camp, presents a significant distortion of cis-heteromonogamy—despite the absence of marriage!”

Conversely, others interpreted the novel’s gender politics as more deliberate. “Le Guin aimed to provoke thought about the status of women within Anar’s framework,” Neil Leighton stated. “I don’t agree that we should assume she’s advocating a particular vision of utopia based on the characteristics of Anar’s society.”

With so many intricate ideas woven throughout, it’s no surprise not everyone found the book easy to digest. Phil Gurski had to stop reading around 160 pages in due to confusion, while Steve Swan remarked on needing patience during the initial chapters. Judith Lazelle echoed this sentiment.

I resonate with Phil, Steve, and Judith’s experiences. There are indeed peculiar moments where the book overwhelms with ideas. However, “Ursula Le Guin is an absolute literary master, and I’m a tremendous admirer. I understand why this work has garnered so many accolades.” Yet, I question whether the extensive philosophical deliberations detract from the narrative itself—though as usual, the maestro concludes in a deeply satisfying fashion.”

Fortunately, many members of the book club genuinely enjoyed The Dispossessed. “I adored this book,” exclaimed Neal. “I read it as a teenager and believe it to be one of the most influential texts in my thinking.” Rachel shared, “The ending was my favorite part,” while Terry James found the final 50 pages to be a “fantastic imaginative ride.”

We are now transitioning from a fantastical science fiction realm to the intricate world of neuroscience with our next book club selection: an award-winning nonfiction work. We are thrilled to explore the winners of this year’s Royal Society Trivedi Science Book Award, Our Brains, Ourselves by neuroscientist and clinician Mazood Hussain. Through seven captivating case studies, Hussain illustrates how various neurological conditions impact identity and belonging. This book is sure to engage fans of Oliver Sacks, as Grace Wade termed it “engaging and informative” earlier this February for those eager to delve into neuroscience.

You can find excerpts from this book as well. Additionally, Sandra Knapp, a plant taxonomist at the Museum of Natural History in London and head of the Jury Committee, offers unique insights into the award selection process. She shares what makes Our Brains, Ourselves stand out among other exceptional entries and highlights learnings from this “incredibly compassionate” work. Share your thoughts with us in our Facebook Group, and let us know if you’re excited for our next read.

Topics:

  • science fiction/
  • New Scientist Book Club

Source: www.newscientist.com

Ursula Le Guin’s Son Explains Why Her Sci-Fi Classic “Forbidden” is His Favorite

Ursula K. Le Guin in 2005

Dan Tuffs/Getty Images

When a newcomer to Lugin asks where to begin, I seldom suggest It Was Confiscated. I do not encourage strangers to plunge into the deep end of the pool. The narratives intricately navigate the complexities of the mind, not just in terms of intellect if you’re astute, but also in how we engage mentally while reading. (Things can get tricky, especially if the author is your mother.) Other Lugin works are more grounded in the psyche, making them a safer recommendation for beginners. However, if pressed for my favorite Lugin book, It Was Confiscated, published in 1974, is frequently my response.

The writing decade kicked off in the early 1960s, encapsulating the essence of Earth’s narratives. The Left Hand of Darkness sits alongside It Was Confiscated. A bibliographic account cannot adequately convey the exhilaration and exhaustion of that period. She authored novels while juggling family obligations, giving birth to her third child (me), coordinating everything (plus cats), and even spent a year in London. Ursula later confided that even with a supportive environment, one can underestimate the toll that writing a novel takes on one’s physical state. I haven’t ventured into novel writing myself, so I can only squarely reflect on her last decade and say, yes, I can envision it.

It’s certainly true that Ursula had a preference for the genre structures of the era. It Was Confiscated. Indeed, we have a rocket ship, but also cultural nuances within both Urla and Anar, from attire to social customs. Ursula’s lifelong intrigue with the natural sciences is evident in her depictions of Shebeck’s profession and the theories leading to the existing technologies. Her academic background enriched her portrayal of institutional pettiness. Above all, political philosophy and practicality emerge—a framework for radical collective reimagining and a nuanced utopia, as indicated in the full title of the book.

This framework has remarkably resonated over 50 years. I would like to acknowledge at least one generation in gratitude, alongside certain academic circles, recognizing The Left Hand of Darkness and It Was Confiscated as foundational texts in discussions on gender, anarchism, and anti-capitalism. I consider these works akin to my cousins. They are distinct yet consistently challenge my preconceptions. However, in my view, The Left Hand of Darkness addresses gender politics without being a purely “political” narrative. I can imagine myriad political systems serving as the backdrop for Geten. Indeed, Ursula remarked in a 1997 interview, “Politics is [The Left Hand of Darkness] is not thoroughly considered.” Conversely, political philosophies and systems are at the forefront. It Was Confiscated may be considered a superior work—The Left Hand excels in alternative important aspects. Yet for those who appreciate the blend of intelligence, ethics, poetic expression, and the merging of mind and heart, It Was Confiscated is hard to surpass.

For a generation whose reading may pivot on this duo of texts, the perception of the author’s legacy as an early radical thinker is enhanced by viewing her 2014 National Book Foundation speech video, with anti-capitalist themes crystallizing across both novels. I do not mind this view of my mother, nor did she—being labeled a radical thinker is preferable to being called “The Grande Dame of SFF” or any other gender and genre bias. Nonetheless, the idea of Ursula as an eternal radical oversimplifies her life’s intricacies and condenses her journey of reconciling early romantic capitalist ideals with an understanding of the intersection of art, ethics, justice, and politics. The period I’ve mentioned in Ursula’s life, from her early 30s to early 40s, profoundly shaped this reconciliation.

As a young child during that time, Ursula seldom discussed her work, leaving me to ponder the process of her artistic evolution. With her triumphs and a supportive partner, her life finally allowed for deep introspection and exploration. The roles of child, spouse, and mother transformed dramatically after her father’s passing. The U.S. engagement in the Vietnam War, which Ursula fervently opposed, crystallized her thoughts on pacifism and systemic inequality. Much had shifted in the world—and in Ursula—from The World of Locanon (1966) to It Was Confiscated as she became ready to delve into alternatives to ongoing cycles of human injustice and brutality.

The New Scientist Book Club is currently reading Ursula K. Le Guin’s It Was Confiscated. Sign up and read with us here.

topic:

  • science fiction/
  • New Scientist Book Club

Source: www.newscientist.com

Spiral Galaxies Emitting “Forbidden” Emissions

This image from the Hubble Space Telescope shows MCG-01-24-014. It is a spiral galaxy with an active galactic nucleus located 275 million light-years away and is classified as a Type 2 Seyfert galaxy. Seyfert galaxies are often closer to Earth than quasars and are distinguished by their unique spectra, especially the “forbidden” emission of type 2 Seyferts.Credit: ESA/Hubble & NASA, C. Kilpatrick

this swirl hubble space telescope This image shows a bright spiral galaxy known as MCG-01-24-014, located about 275 million light-years from Earth. MCG-01-24-014 is called an active galaxy because, in addition to being a well-defined spiral galaxy, it has a very energetic core known as an active galactic nucleus (AGN) .

More specifically, it is classified as a Type 2 Seyfert galaxy. Seyfert galaxies are home to one of the most common subclasses of AGNs, along with quasars. The exact classification of AGNs is nuanced, but Seyfert galaxies tend to be relatively nearby where the host galaxy can be clearly detected alongside the central AGN, whereas quasars are always very distant AGNs and their Its incredible brightness exceeds that of its host galaxy.

Understanding Seyfert galaxies and their spectra

Both Seyfert galaxies and quasars have further subclasses. For Seyfert galaxies, the main subcategories are type 1 and type 2. They are distinguished from each other by their spectra (the pattern created when light is split into its constituent wavelengths). The spectral lines emitted by Type 2 Seyfert galaxies are particularly associated with certain so-called “forbidden” emissions.

To understand why synchrotron radiation from galaxies is thought to be forbidden, it helps to understand why the spectrum exists in the first place. Spectra look the way they do because certain atoms and molecules absorb and emit light very reliably at very specific wavelengths.

The reason is quantum physics. Electrons (tiny particles orbiting the nucleus of atoms and molecules) can only exist at very specific energies, so electrons can only lose or gain very specific amounts of energy. These very specific amounts of energy correspond to specific wavelengths of light that are absorbed or emitted.

Discharge prohibition phenomenon

Forbidden emission lines are therefore spectral emission lines that should not exist according to certain rules of quantum physics. However, quantum physics is complex, and some of the rules used to predict quantum physics use assumptions that are appropriate for laboratory conditions on Earth.

Under these rules, this release is “prohibited” and ignored because it is unlikely. But in space, in the midst of incredibly energetic galactic nuclei, those assumptions no longer apply, and “forbidden” light has a chance to shine towards us.

Source: scitechdaily.com