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Oona Chaplin portrays Valan in 20th Century Studios' AVATAR: FIRE AND ASH. Image credit: 20th Century Studio, 2025. Unauthorized reproduction is prohibited.

Oona Chaplin as Varang in Avatar: Fire and Ash

Image credit: 20th Century Studio, 2025. Unauthorized reproduction is prohibited.

Bethan Ackerley
Deputy Editor, London

No one crafts blockbusters quite like James Cameron. Avatar: Fire and Ash, the highly anticipated third installment set on the enchanting moon of Pandora, is both spectacular and visually stunning. The narrative unfolds with captivating themes ranging from interspecies conflicts to deep family dynamics.

Around 15 years after the ex-Marine Jake Sully was embraced by the Na’vi, he now resides on Pandora with his partner Neytiri and their children, having played a crucial role in defeating the human invaders and merging with their Na’vi bodies.

However, they now face the heart-wrenching loss of their eldest son, Neteyam. Their arch-nemesis, Colonel Quaritch, has allied himself with an influential Na’vi tribe that inhabits a volcano and is led by the formidable Varan (as depicted above).

Shakespeare may not measure up (the dialogue is rather crude, to say the least), but the allure of this intricately designed universe is undeniable.

Prepare to be mesmerized by the breathtaking visuals and the story of Payakan, a member of the sentient whale-like species known as the Tulukun, who serves as the emotional core of the film.

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Source: www.newscientist.com

I Conversed with the AI Avatar of a Leeds MP: How Did It Handle My Yorkshire Accent?

aAnyone with even a hint of local dialect can attest to the challenge of dealing with parking fines, as voice recognition systems often struggle with various accents. Currently, individuals in Mark Seward’s Leeds constituency may encounter similar issues as his AI counterpart.

A chatbot, touted as the first AI representation of an MP, will respond in Seward’s voice, providing advice, support, or forwarding messages to his team, but only if it accurately comprehends your input.

The website, which serves as a virtual representation of the Leeds Southwest and Morley MP, features animated Pixar-style cartoons, and was launched by a local startup to address queries from constituents.

I wanted to test how “Sewardsbot” engages in discussions with someone just outside my constituency borders.

Adopting my “home” voice—one I had before attending university, combined with years spent in London and countless chats with colleagues from East Sussex—I initiated the conversation.

“Hello. I’m a Labour MP from Leeds Southwest and Morley. How can I assist you today?” the character replies in Seward’s voice.

“Now,” I respond. My text appears on the screen, but the bot seems unable to interpret it as a greeting. Here, “now” is commonly understood as “hello” in much of Yorkshire. It continues the dialogue, asking for my name and contact information.

The AI version of Seward faces criticism for recording all interactions and allowing his team to determine which topics are deemed significant based on constituents’ input.

Speaking of pressing issues, I move directly to what many are concerned about: the harrowing reports and footage emerging from Palestine. “Will you be addressing the situation in Gaza?”

Sewardsbot manages this query well, recognizing that I’m referencing Gaza in a broader context but does not elaborate on the government’s stance.

The message displayed on the website states, “AI Mark is a prototype digital assistant. This is a work in progress and should not be construed as fact. All responses are generated by AI.”

I experiment with a few more phrases to see if casual language trips it up, asking if someone could give me a call. However, since I’m at work, I phrase it as “out of 9 people, not calling out 5 people,” mentioning that I had a chip butty in the delightful bread cake from his constituency.

The bot’s interpretation of my accent is poor, and many phrases come through as gibberish. Unlike humans, it doesn’t grasp that the glottal stop before certain words often signifies “the,” which could have clarified my point.

Deciding to address concerns likely relevant to the constituency MP, I say, “My young neighbor hasn’t returned the old chief, yet he knows nothing about it. If no one comes for it, it’s not going down the road.”

I assume Seward would advise me to reach out to Leeds City Council regarding fly-tipping, but the AI suggests consulting with the police to report abandoned vehicles instead.

MPs’ aides will surely breathe a sigh of relief—there’s still plenty to worry about.

Source: www.theguardian.com

Synthesia’s AI Avatar Generator to Partner with Shutterstock for Video Trading

The UK startup, valued at $20 billion (£1.6 billion), is utilizing artificial intelligence to create lifelike avatars. They have recently partnered with Shutterstock, a stock footage company, to enhance their technology.

Synthesia is paying Shutterstock undisclosed amounts to access their video library for training their AI models. By incorporating these clips into their models, Synthesia aims to improve the realism, vocal tones, and body language of their avatars.

Synthesia has licensed the actors’ portraits for a three-year period and compensates them for up to six hours of filming work. Illustration: Synthesia.io

In a statement, Synthesia expressed their goal of enhancing the realism and expressiveness of AI-generated avatars through this partnership with Shutterstock. They aim to bring these avatars closer to human-like performance standards.

The collaboration has sparked discussions around the use of copyrighted material by AI companies without proper permission. The UK government’s proposal to relax copyright laws has faced criticism from creative industry experts.

Synthesia creates digital avatars using human actors, which are then utilized by various companies including clients like Lloyd’s Bank and British Gas. Their technology is also employed by organizations like the NHS, the European Commission, and the United Nations for different purposes.

Recently, Synthesia announced that they would provide stock options to the actors featured in their popular avatars. The company licenses the actors’ portraits for three years and compensates them for filming work.

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Synthesia prohibits the use of stock avatars for political or news-related purposes. Illustration: Synthesia.io

Synthesia does not allow the use of stock avatars for political or news-related purposes. Instead, they utilize Shutterstock footage to enhance their models’ understanding of body language and workplace settings. This helps in creating more realistic scenarios for the avatars.

Established in 2017 by two Danish entrepreneurs and two academics, Synthesia, based in London, reached a valuation of $2.1 billion this year through a funding round that raised $180 million.

Beeban Kidron, a vocal critic of the government’s copyright policies, highlighted the significance of the Shutterstock agreement as an indication of the government’s flawed stance on copyright issues.

The government argues that current copyright regulations need to evolve to support the full potential of AI and technology in the creative industry, media, and technology sectors.

Source: www.theguardian.com

‘Avatar’ and ‘Jurassic Park’ animatronics company collaborates with Boston Dynamics

Since its inception as an MIT spinoff, Boston Dynamics systems have consistently provided entertainment value. The Hyundai-owned company has long embraced this by releasing dozens of highly viral videos over the decades.

However, with a few exceptions, entertainment was more of a side benefit than the ultimate goal. But that will change in the near future. just announced the deal A collaboration with Singapore-based entertainment brand Neon.


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Specifically (at least for our purposes) Neon is the parent company of Animax Designs. The Nashville-based company has created theme park and exhibit animatronics for some of Hollywood’s biggest franchises, including Avatar, Jurassic Park, Marvel, and Harry Potter.

No actual details have been revealed about the deal, other than the fact that it is “scheduled to culminate in late 2024 with an announcement that will captivate, inspire and surprise viewers.” Whether this means theme park robots or something else is completely unclear at this point.

A big advantage for Neon/Animax is that Boston Dynamics can produce robust, untethered autonomous systems at scale. The world of theme park robots has changed in recent years, with Disneyland’s Star Wars Galaxy’s Edge featuring robots that interact with park visitors.

“We are excited to collaborate with Neon and Animax on the development of a fully untethered entertainment robot,” Mark Thurman, Boston Dynamics’ chief strategy officer, said in a release. “These highly interactive creatures are poised to captivate consumers through novel and exciting initiatives. By partnering with Neon, a pioneer in immersive storytelling, we are proud to share our cutting-edge technology and the company’s ’s expertise in engaging storytelling.”

The agreement marks another step in Boston Dynamics’ commercialization roadmap, which began with Spot, a quadrupedal robot, and Stretch, a truck-unloading robot. But the company’s entertainment roots go back even further.mark lybert and team I also made a robot For the set of the 1993 Sean Connery/Wesley Snipes/Michael Crichton film Rising Sun.

Source: techcrunch.com