How Capitalism Distorts Our Understanding of Ecology and the Origins of Life

2JKWR5N nuclear cells, derived from the union of multiple bacteria

The expression “survival of the fittest” is so closely linked to Darwinism that many mistakenly attribute it to Charles Darwin himself. However, this phrase was popularized by his contemporary Herbert Spencer. Nonetheless, it holds an element of truth. In On the Origin of Species, Darwin stressed competition as a key driver of evolution, shaped by the environments in which organisms develop.

Darwin characterized nature as a fierce battle for survival, not merely because he believed this to be true, but to resonate with an audience influenced by the era’s imperialistic and industrial narratives. During this time, thinkers like Thomas Malthus and Thomas Hobbes painted humanity as innately competitive and ruthless. Darwin’s critique of this viewpoint was valid. Over time, Darwinism has been misused to rationalize humanity’s darker actions.

Yet, viewing Darwin’s theories through alternative lenses can be enlightening. Even before the term “ecology” was introduced, Darwin recognized the importance of interconnectedness in natural systems. This perspective might hold keys to unraveling one of science’s biggest enigmas: the origin of life itself.


Darwinism cited as scientific justification for humanity’s worst sins

A promising pathway to elucidating how life emerged from non-life draws on concepts from microbiologist Carl Woese. He proposed that life likely evolved within a co-culture, consisting of loosely interconnected molecules.

Intriguingly, contemporary research indicates that essential elements and processes of life—including metabolism and genetic coding for proteins—can arise spontaneously through chemical reactions. Rather than perceiving life as a solitary victor emerging from “some warm little pond” (a phrase coined by Darwin), it may be more accurate to say that cooperation has been foundational to life’s development from its inception.

Source: www.newscientist.com

Clipping, Daveed Diggs’ Sci-Fi Rap Trio, Discusses Constant Conflict in Capitalism: “We’re Always at War”

aSA Child, Dave Diggs and his school friends William Hutson were inspired by the space age album covers of Funk Legends. Drawing pictures filled with sparkling UFOs and quirky interplanetary travelers, Diggs went on to become an actor. He won a Tony Award for his roles in Hamilton as the Marquis de Lafayette and Thomas Jefferson, and later portrayed Sebastian’s crab in a live-action remake of The Little Mermaid. He also appeared in the Nickel Boys, which received two Oscar nominations this year. Despite his success in Hollywood and on Broadway, he still dreams of a fantastic sci-fi world with Hutson.

Another college roommate of Hutson, Jonathan Snipes, who had similar childhood experiences and was also inspired by otherworldly paintings, formed a friendship with Diggs. Together, they formed clipping in Los Angeles in 2010. Through Hutson and Snipes’ productions, Diggs weaved a bloody horror story about racial violence and the fatalisms of enslaved people in the universe. Their latest album, Dead Channel Sky, features Diggs rapping with mechanical precision over distorted Rave Music, creating a cyberpunk world for hackers, club fans, and future avatars.

Their music has earned them nominations for the Hugo Awards, the highest honor in science fiction. What sets them apart is Diggs’ decision to avoid using the first person in his lyrics, creating a unique storytelling experience akin to film or musical theater. By leaving out personal pronouns, their songs allow listeners to project themselves onto the characters and make connections between songs that weren’t initially intended.

Hutson criticizes mainstream hip-hop for its narrow constraints and emphasis on individualism, while clipping remains adaptable and authentic. Their music, described as “a CD compilation found in a future bin” by Hutson, is filled with storytelling where Diggs embodies different characters in each song, highlighting societal issues through vivid narratives.

Touching on themes of war, capitalism, and technology, clipping’s music draws inspiration from classic sci-fi tropes, creating parallels with life in the West today. Their latest work, Dead Channel Sky, is influenced by William Gibson’s Cyberpunk novel Neuromancer and explores the relationship between physical and digital realities.

Dead Channel Sky will be released on March 14th via Subpop

Source: www.theguardian.com