New Scientist Endorses Jeff Beall’s New York Etudes Volume 2: A Must-Read!

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Jeff Beal’s New Album Performance at Intercession Church in NYC

Kana Hoshino

During the premiere of New York Etudes Vol. II, I was unsure of what to expect. The venue was quaintly tucked away in the basement.

Although I knew little about Jeff Beal at the time, I quickly realized I was familiar with his work. An acclaimed composer and jazz musician, Beal boasts five Emmy Awards, one of which was for the political drama House of Cards. Since being diagnosed with multiple sclerosis (MS) in 2007, he has continuously inspired others with his artistry.

MS is a chronic illness where the immune system attacks the protective nerves, leading to symptoms like muscle spasms and blurred vision. Many of Beal’s lesions impact the corpus callosum, a vital area of the brain responsible for transmitting signals between hemispheres, an essential function for music performance.

On March 26, he debuted his album at the Intercession Church in NYC, coinciding with MS Awareness Month. The candlelight performance was organized by Death of Classical, an organization dedicated to performing classical works in unique and atmospheric venues.

Before his captivating piano performance, Beal expressed gratitude for music’s role in managing his MS. He believes that engaging with music and maintaining an active lifestyle may have slowed the progression of his condition, inspiring him to push creative boundaries, particularly in the album’s challenging piece, New Leaves.

This poignant album captures the essence of life and loss. Many compositions were inspired by his mother’s passing, resonating with my own experiences of loss. When he performed the emotionally charged Last Breath, I was transported back to my farewell with my grandmother earlier this year.

Beal’s music transformed the intimate space, evoking deep emotions. As the final note resonated in the church, I was not alone in shedding tears.

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Source: www.newscientist.com

New Scientist Endorses Jamie Bartlett’s Essential Guide: ‘How to Talk to AI’

Curious about Jamie Bartlett’s compelling book, How to Talk to AI? Even if you’re not an avid user of AI chatbots, this essential guide is packed with insights.

Bartlett argues convincingly that despite the rise of chatbots, many users struggle to communicate effectively with them. Most people lack the training needed to maximize their interactions with AI, which can lead to misinformation and unintended emotional dependence.

This book emphasizes that understanding the technology behind chatbots is about more than just using AI; it’s about self-awareness. How familiar are you with its workings? How do your questions and inherent biases shape the responses you receive?

Personally, I still approach AI with caution, but this book has equipped me with valuable knowledge to navigate these encounters when they arise. It highlights that whether you engage with chatbots daily or avoid them altogether, maintaining a skeptical mindset is crucial in our increasingly AI-driven world.

Bethan Ackerley
Deputy Editor, London

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Source: www.newscientist.com

New Scientist Endorses ‘Molly vs. the Machines’: Must-Watch Documentary

Molly vs The Machines

Molly vs The Machines Stills

Channel 4

In 2017, Molly Russell tragically passed away in her bedroom in Harrow, London. The thought-provoking film
Molly vs The Machines chronicles her father’s quest for truth, unveiling that the inquest ruled Molly’s death as a suicide, heavily influenced by harmful social media content related to self-harm.

This powerful documentary highlights Molly’s life amid the rapid rise of social media, revealing whistleblower testimonies that expose the industry’s knowledge of the associated risks, yet their reluctance to implement necessary safeguards.

Society has normalized Big Tech’s intrusion into our private lives, even within the sanctity of our own homes. This critique resonates deeply as we listen to Molly’s friends reflect and ponder, “How can we reclaim our bedrooms as private spaces?”

Thomas Luton
Features Editor, London

If you need support, please reach out: British Samaritans at 116123 (samaritans.org); U.S. Suicide and Crisis Lifeline: 988 (988lifeline.org). Visit bit.ly/SuicideHelplines for resources in other countries.

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Source: www.newscientist.com

New Scientist Endorses Cirque du Soleil’s OVO: A Must-See Insect-Themed Spectacle

Exciting performance at Cirque du Soleil's Ovo in London

Cirque du Soleil Ovo Show

Joseph Okpako/Getty Images

Insects certainly deserve more acclaim, which is why I was thrilled to experience a circus performance focused on these fascinating creatures at London’s Royal Albert Hall before heading to a venue in Europe.

OVO, a production by Cirque du Soleil, translates to “egg” in Portuguese. The show features a whimsical narrative about an eccentric fly that, with the help of an insect clown, navigates a bustling ecosystem to win the affection of a ladybug. While the storyline might be simple, the breathtaking acrobatics are nothing short of spectacular.

One memorable scene showcases an acrobatic spider balancing a stick in its mouth, while another features an ant juggling fruit with its legs. The thrilling finale of the first act includes acrobats throwing each other high into the air with impressive precision. A standout moment also includes a cricket performing trampoline jumps over a wall.

This performance promises to captivate audiences of all ages and foster a greater appreciation for the remarkable insects with whom we share our planet.

Carissa Wong
London Reporter

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Source: www.newscientist.com

New Scientist Endorses Liminals: Explore Revolutionary Quantum Soundscapes

Pierre Huyghe's Artwork

Artist Pierre Huyghe

Photo by Ola Lindal

A century ago, the advent of quantum mechanics left physicists gazing into the unknown. Long-held beliefs about reality were called into question. Today, we delve into the enigmatic realm of quantum probability clouds and their peculiar behaviors, even at a distance.

Liminal is a profound installation by artist Pierre Huyghe (featured above) that captures many poignant concepts. Set in Halle am Berghain—formerly an East Berlin power station and now a renowned techno club—this exhibition features immersive video projections and soundscapes that resonate deeply within the gritty remnants of the concrete structure.

Huyghe’s art emerges from the collapse of atoms transitioning between quantum states, creating soundscapes that reflect the universe’s fundamental language. Some interpretations suggest that reality is not constructed from quantum fields; instead, the quantum state only represents our knowledge, implying that the external world may not truly exist. Huyghe’s depiction of faceless figures intertwined with the landscape powerfully encapsulates this concept, transcending simplistic explanations.

Thomas Luton
Features Editor, London

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Source: www.newscientist.com