Exploring Eurovision: Scientists Analyze 1,763 Songs for Nostalgia and Emotional Impact

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Eurovision 2026: Are You Ready?

The highly anticipated 2026 Eurovision Song Contest is fast approaching, with the grand finale set for Saturday, May 16th. Whether you’re a fan or not, get ready for an entertaining spectacle!

Coinciding with this buzz, a comprehensive study published in Royal Society Open Science delves into the rich history of Eurovision. Researchers analyzed data from every contest between 1956 and 2024, totaling 1,763 songs. They categorized entries by various musical attributes, including language, themes, lyrics, and genre, utilizing AI tools for analysis. It’s hard to ignore the auditory implications of such a massive dataset!

The analysis unearthed intriguing insights, revealing that past research identified 12 major themes prevalent in popular songs, such as desire, heartbreak, and pain. However, only 11 themes are reflected in the Eurovision entries, as researchers excluded the theme ‘Jaded’ for being underrepresented.

The data also shows a significant decline in songs expressing nostalgia, while themes of pain, rebellion, despair, confusion, and escapism have become more prominent over the years. The 1970s marked a notable rise in songs depicting disorder and escapism, reflecting the societal crises of that era. However, the increase in ‘pain’ themes began not until the 2000s, post-Great Recession, suggesting a correlation.

Interestingly, songs have shifted from acoustic to electronic styles, with a growing prevalence of English lyrics over national languages. This trend indicates that Eurovision participants are deliberately aligning their entries with the winning formula established by past champions.

There are notable exceptions, as countries like France, Italy, Portugal, and Spain continue to champion their native languages, suggesting a deeper cultural rationale beyond mere competition.

The researchers conclude by emphasizing the notion of “organizational learning” among Eurovision participants, reflecting an ongoing adaptation to the competition landscape. Feedback sees this as a testament to the enduring allure of the contest.

Moss Appeal: A Niche Attraction

In a previous article, we discussed a park filled with intricate foraminiferal carvings and pondered the existence of niche science-themed attractions. This inspired reader John Wilson to share information about the Serenity Moss Garden in North Carolina.

Spanning about 900 square meters, this moss-covered mountainside offers visitors a unique experience, though John humorously described it as “more like a climate-controlled box” rather than a traditional museum.

Feedback realizes that our quest for niche appeal may have been too limited. Are there any other unique attractions, such as a museum dedicated to Plecopteran (stoneflies) or specialized exhibits featuring beach pebbles?

New Math? A Logical Dilemma

Regardless of our professional backgrounds, math can sometimes overwhelm us. Navigating concepts like converting square kilometers to square meters can be perplexing.

Recently, U.S. Secretary of Health Robert F. Kennedy Jr. faced scrutiny for claiming a 600% decrease in drug prices, an assertion deemed mathematically implausible by rival politicians.

Feedback believes RFK Jr. has been misled. A 100% drop suggests prices have plummeted to zero, a mathematical limit. In theory, this could even lead to negative pricing, but the complexities of rate changes should ideally be left to mathematicians.

In a curious twist, RFK Jr. stated, “If that drug goes from $100 to $600, that’s a 600% price increase.” This form of reasoning feels like a new, perplexing brand of logic—while the premises hold, the conclusion is unmistakably flawed.

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Why Watch Eurovision When We Can Dance for Your PhD Contest?

Feedback brings you the freshest updates on science and technology. To share intriguing items that you think will pique the interest of our readers, please email Feedback@newscientist.com.

Exciting News!

The grand finale of this year’s Eurovision Song Contest is set for Saturday, May 17th. However, there seems to be a lack of interest in this year’s Feedback JR, making it easier for some to skip the event altogether. We fully support the contest’s welcoming spirit, though many of the entries may be quite challenging for our ears.

But why bother with Eurovision when we have a winner from this year? The Dancing PhD contest invites researchers to present their findings through interpretive dance, and it has been a tradition since 2008. It might provide valuable inspiration for countries struggling to engage participants for Eurovision.

This year’s winning choreography was crafted by Slo Lucca from the University of Helsinki, who focuses on chemical research. Lucca’s work explores diverse sensations related to taste and smell, such as the heat of chili peppers and the coolness of menthol. A video showcases a performance set to an energetic tune reminiscent of “Lady Gaga,” highlighted by the recurring phrase “Hot! Hot! Hot!” The routine creatively incorporates laboratory settings, costume changes, acrobatics (with Lucca being lifted a la Kylie Minogue), and vibrant colors.

What on earth happened with the UK’s Eurovision entry?

What’s surprising about this routine is that it hasn’t competed in Eurovision yet. The only hurdle is that the song was inspired by Dr. Slo Lucca, Sanpo Marjama, and Ai Shaman Jami Piecilla, hinting at a potential AI composition, which might provoke concerns from Eurovision officials.

If Eurovision isn’t feasible, perhaps “dance your PhD” could make its debut on TikTok. Science recently shared a snippet of Roukka’s performance on their TikTok account, but the contest is largely absent from the platform, which is typically known for singing and dancing trends.

Is Watts in Charge?

An email from John Harper from Wellington’s Victoria University in New Zealand brought our attention to an intriguing case of “double nominal determinism.” The country’s Minister of Energy is Simon Watts, who sounds like he has his work cut out for him. Simon Watt.

“Both figures need more than just two watts to keep the lights on,” John observes.

Can you imagine their kids’ wedding?

The World’s Top Polymers

I view feedback as encompassing a wide array of interests: science, history, music, films, video games, and ASMR videos, unless they involve chewing sounds. It captures a blend of the vastness that occupies our minds. Naturally, this means that feedback isn’t truly an expert on anything aside from elongating simple concepts to fill paragraphs, regardless of clarity.

Yet, Bruce Dury certainly stands out. “I recently found out that I’m considered quite a significant polymer expert internationally,” he remarked. This revelation comes from receiving numerous invitations to conferences covering a wide range of topics, from chemistry to social studies.

For clarity, Bruce is undoubtedly a polymath. He is a genealogist and author who presents on BBC radio. What connects him to fields like chemistry and cancer research is a mystery to both him and us.

But that’s not all. His “Encyclopaedic Eminence” has led to invitations for submissions to many journals “aiming to feature the best contributions from noteworthy individuals just like you,” and to describe him as “one of the leading experts in the field” with “somewhat hyperbolic praise.”

Bruce provided a comprehensive list of these journals. Initially, we considered sharing his full list, but given the multitude of complex terms, it would have filled the columns. (Our lawyers advised against it.) They ranged from archaeology and family medicine to infrastructure and posthumanism.

Lastly, Bruce was offered yet another academic distinction: “I am ‘very invited’ to become the editor-in-chief of a new but obscure journal from the EuroAsia Academic Alliance. I could even start my own journal – a feat accomplished by 58 academics just last month.

Don’t overlook the molecular biologists like Richard Sever from the Cold Spring Harbor Institute in New York, who has been invited to join the editorial committee for the journal Behavioral Neuroscience Dance. As he noted on BlueSky: “I can’t envision anyone less qualified than myself – except perhaps those managing the journal…”

We are indeed in a remarkable new era where scientific journals and conferences are marketed much like Nigerian princes and cryptocurrencies.

As Bruce says, “Publication without oversight is one thing, but at least such predators should be subtle?”

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