New Scientist Book Club Review: ‘Red Mars’ by Kim Stanley Robinson – Strong Praise with a Few Key Concerns

What did the New Scientist Book Club think of Red Mars by Kim Stanley Robinson?

I set an engaging challenge for the New Scientist Book Club this April: reading through Kim Stanley Robinson’s epic novel Red Mars, a detailed 600-page journey into the complexities of colonizing Mars. In just 30 days, our members shared their thoughts on this literary masterpiece during our vibrant discussions on Discord.

There’s a personal element to this as well; Red Mars is one of my all-time favorites. After reading a compelling article by critic George Bass about the story’s beginning in 2026, I was motivated to revisit this captivating world with our passionate community of 25,000 readers. Robinson masterfully captures the vast, alien beauty of Mars, and I loved experiencing the narrative from multiple perspectives, particularly the character Anne — a passionate advocate for preserving Mars’s natural state — and Sacks, who is determined to terraform the planet swiftly. I found the perspective of Nadia, a pragmatic engineer, especially engaging, though I admit the love triangle between John, Frank, and Maya felt somewhat repetitive.

Some members returned to Red Mars for a second read, while others picked it up for the first time, and some were inspired to finally dive into a book they had long overlooked. DavidC reflected on his initial draw to the book, stating, “I found the phrase ‘but it all happened in the mineral unconscious’ really appealing right on the first page. Now I’m ready for the next 600 pages!”

However, Zagosia expressed dissatisfaction with the dramatic opening that resulted in an important character’s demise, stating, “I don’t like the concept of spoiling the ending in the first chapter. You don’t want to know where this is going?” I, along with other members, reassured her to continue reading.

My conversation with Robinson during a video interview shed light on his intriguing narrative choice: “This is a flash-forward. It creates a sense of tension as we learn that John is dead, but we don’t yet understand why. This adds depth to every seemingly mundane detail of the town’s development.” The suspense enriches the story.

Robinson recently reread Red Mars and found it resonated well, apart from some “laughable gaps” in his knowledge of 2026 and beyond. He discussed the current misguided dreams of colonizing Mars, critically stating, “These people don’t think through the implications.” He dismissed Elon Musk’s notion that colonizing Mars would “save Earth” as unrealistic.

Reactions from our readers varied; many praised Robinson’s beautifully crafted writing about Mars while some found it hard to connect with the characters. Zagosia noted, “The portrayal of nature and scale was remarkable, yet I struggled to empathize with the characters and often felt situations lacked logic.”

Annie Greenwood enjoyed the book but craved something more relationship-driven afterward, saying, “I wanted an injection of character complexity after ‘Red Mars.’ I felt the narrative leaned heavily on ideas more than deep interpersonal dynamics.” The high-quality writing is undeniable, yet it lacked the emotional engagement she sought.

Discussions arose about the fragile state of affairs on Mars and whether a better selection of astronauts could have prevented chaos. Barbara Howe noted, “I anticipated a tale of scientific triumph over adversity, but what I encountered was a melodrama rife with human politics and flaws.” Despite personal frustrations with the plot dynamics, she appreciated the vivid descriptions of the Martian environment and found a few characters, like Nadia and Arkady, compelling.

Overall, our book club members enjoyed the rich experience of reading, discussing, and analyzing this classic sci-fi novel. Personally, I was thrilled to rediscover Red Mars as one of my enduring favorites.

Join the New Scientist Book Club today and participate in the conversation! Visit us on Discord.

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Source: www.newscientist.com

The New Scientist Book Club’s Take on Our Brains, Ourselves: A Blend of Praise and Worry

The New Scientist Book Club took a departure from science fiction in October, focusing instead on the winners of the Royal Society Trivedi Science Book Prize. This timely announcement aligned perfectly with our next literary venture.

Among the award nominees were six works by Daniel Levitin, including music as medicine and Vanished: The History of Unnatural Extinction. The jury ultimately selected Masud Hussain’s Our Brains, Ourselves: What a Neurologist’s Patients Tell Us About the Brain. They praised the book as a “poetic exploration of how neurological conditions affect one’s identity,” noting that Hussain cleverly weaves his immigrant experience in 1960s Britain into his medical narratives.

It’s worth mentioning that our book club members tend to be more critical than the Royal Society judges. While there was enthusiasm for exploring non-fiction, several issues emerged throughout our discussions.

Starting with the positives, many of us found the later chapters, where Hussain contemplates the concept of self, particularly thought-provoking regarding the historical evolution of identity and how various brain conditions influence a patient’s self-perception.

Katherine Sarah echoed this sentiment, remarking, “This offers an engaging insight into brain function and the essence of ‘self,’ along with the crucial social skills that enable our integration into society.” Her perspective resonates with those in our Facebook group. As someone who relocated to a new country without knowing the local language, she felt particularly connected to the text.

She reflected, “It struck me how language is integral to our identity, and the challenges of expressing ourselves without it can be profound,” noting parallels to a patient in the book with suppressed motivation due to language barriers. “I, too, felt shy and hesitant when I couldn’t communicate effectively.” She found it fascinating to read about patients with selective cognitive impairments, emphasizing how interconnected our mental faculties truly are.

Gosia Furmanik also appreciated this exploration of identity and migration. “Overall, I enjoyed the book’s engaging style and insightful examples. The reflections on identity toward the end really resonated with me, especially as someone who has migrated multiple times,” she noted.

Judith Lazell enjoyed the humor and readability of the text, calling it a “fantastic choice.” Jennifer Marano valued the chapter about Wahid, a bus driver with Lewy body dementia who begins experiencing hallucinations. “This shifted my understanding of perception and hallucinations,” she remarked. “The world feels solid, but it’s amazing to think that our brains construct the visual stimuli we perceive. I wonder what others might be experiencing.”

When I spoke with Hussain, I was curious about his narrative approach, especially moments that felt a bit contrived. For instance, when he notices a monument to Samuel Johnson while thinking about a patient: “That irony made me smile,” he said, as he connects the great lexicographer with a patient struggling with word recall, diving into a lengthy discussion about lexicography.

Hussain explained he felt it necessary to fictionalize some scenarios to protect patient identities, a technique that makes narrative sense. However, I found some instances a bit forced.

Niall Leighton shared similar criticisms, focusing on the perceived stiffness in Hussain’s patient interactions. “I couldn’t help but think these encounters seemed overly scripted, which became increasingly frustrating,” he noted.

Gosia expressed relief that she wasn’t alone in feeling these aspects detracted from the narrative. She pointed out that Hussain’s admission in interviews about substantial fictionalization might explain some discrepancies. “Perhaps a significant amount was imagined,” she suggested.

Some members expressed irritation with Hussain’s ornate language at times. Jennifer commented, “It felt as if he was attempting to craft a ‘great British novel’ with descriptions ill-fitting for a science book.”

Judith and Niall found Hussain’s habit of defining terms like “vertebrate (animal with a backbone)” redundant. “Everyone reading this book likely understands these concepts,” Judith remarked.

Niall added, “It feels patronizing to repeatedly define terms like ‘atrophy’ and ‘neuron.’ It made me question who the author perceived his audience to be.”

This raises a valid dilemma. While our book club consists of well-informed readers, balancing helpfulness with potential condescension is a challenging line to navigate.

A significant concern for some members was Hussain’s use of the term “normal” in relation to brain function. For instance, he mentioned a patient’s behavior, stating, “Like any normal person, he began to take risks.”

Gosia expressed frustration with phrases labeling healthy individuals as “normal,” questioning, “Who determines what ‘normal’ is? It’s crucial to recognize that illness is also a standard part of our human experience. For a book steeped in philosophy, this viewpoint seemed surprisingly simplistic.”

Niall voiced similar sentiments, stating, “As a neurodivergent individual, the label ‘normal’ irks me. The ambiguity surrounding it is quite bothersome,” he said.

Jennifer, despite her critical views on Our Brains, Ourselves, mentioned she felt more understanding after watching an interview with Hussain in New Scientist magazine. “While some aspects were challenging, I have to commend him for his dedication to his work and the effort it took to bring this book to fruition,” she reflected. “I can appreciate that passion, given I’ve never written nor published a book myself.”

Never say never, Jennifer! Perhaps one day, we’ll see your book featured in the New Scientist Book Club! For now, I’m excited to dive into another read in November that examines the intricacies of the brain through the lens of science fiction. Join us for Grace Chan’s Every Version of You, set in a ravaged world where humanity has migrated to a digital utopia in search of solace from a dying Earth. How do these virtual minds contrast with what remains of our physical selves?

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Source: www.newscientist.com