New Scientist Book Club Review: ‘Red Mars’ by Kim Stanley Robinson – Strong Praise with a Few Key Concerns

What did the New Scientist Book Club think of Red Mars by Kim Stanley Robinson?

I set an engaging challenge for the New Scientist Book Club this April: reading through Kim Stanley Robinson’s epic novel Red Mars, a detailed 600-page journey into the complexities of colonizing Mars. In just 30 days, our members shared their thoughts on this literary masterpiece during our vibrant discussions on Discord.

There’s a personal element to this as well; Red Mars is one of my all-time favorites. After reading a compelling article by critic George Bass about the story’s beginning in 2026, I was motivated to revisit this captivating world with our passionate community of 25,000 readers. Robinson masterfully captures the vast, alien beauty of Mars, and I loved experiencing the narrative from multiple perspectives, particularly the character Anne — a passionate advocate for preserving Mars’s natural state — and Sacks, who is determined to terraform the planet swiftly. I found the perspective of Nadia, a pragmatic engineer, especially engaging, though I admit the love triangle between John, Frank, and Maya felt somewhat repetitive.

Some members returned to Red Mars for a second read, while others picked it up for the first time, and some were inspired to finally dive into a book they had long overlooked. DavidC reflected on his initial draw to the book, stating, “I found the phrase ‘but it all happened in the mineral unconscious’ really appealing right on the first page. Now I’m ready for the next 600 pages!”

However, Zagosia expressed dissatisfaction with the dramatic opening that resulted in an important character’s demise, stating, “I don’t like the concept of spoiling the ending in the first chapter. You don’t want to know where this is going?” I, along with other members, reassured her to continue reading.

My conversation with Robinson during a video interview shed light on his intriguing narrative choice: “This is a flash-forward. It creates a sense of tension as we learn that John is dead, but we don’t yet understand why. This adds depth to every seemingly mundane detail of the town’s development.” The suspense enriches the story.

Robinson recently reread Red Mars and found it resonated well, apart from some “laughable gaps” in his knowledge of 2026 and beyond. He discussed the current misguided dreams of colonizing Mars, critically stating, “These people don’t think through the implications.” He dismissed Elon Musk’s notion that colonizing Mars would “save Earth” as unrealistic.

Reactions from our readers varied; many praised Robinson’s beautifully crafted writing about Mars while some found it hard to connect with the characters. Zagosia noted, “The portrayal of nature and scale was remarkable, yet I struggled to empathize with the characters and often felt situations lacked logic.”

Annie Greenwood enjoyed the book but craved something more relationship-driven afterward, saying, “I wanted an injection of character complexity after ‘Red Mars.’ I felt the narrative leaned heavily on ideas more than deep interpersonal dynamics.” The high-quality writing is undeniable, yet it lacked the emotional engagement she sought.

Discussions arose about the fragile state of affairs on Mars and whether a better selection of astronauts could have prevented chaos. Barbara Howe noted, “I anticipated a tale of scientific triumph over adversity, but what I encountered was a melodrama rife with human politics and flaws.” Despite personal frustrations with the plot dynamics, she appreciated the vivid descriptions of the Martian environment and found a few characters, like Nadia and Arkady, compelling.

Overall, our book club members enjoyed the rich experience of reading, discussing, and analyzing this classic sci-fi novel. Personally, I was thrilled to rediscover Red Mars as one of my enduring favorites.

Join the New Scientist Book Club today and participate in the conversation! Visit us on Discord.

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Explore Kim Stanley Robinson’s ‘Red Mars’: Exclusive Excerpt from New Scientist Book Club

A pale cloud of water ice drapes over the Tharsis volcano on Mars

NASA/JPL/MSSS

Before humanity ventured to Mars, the planet was desolate. Yet, it underwent significant geological activity, with processes of accretion, melting, and cooling, creating its distinctive features like craters, canyons, and volcanoes—all occurring in silence, without witnesses. Aside from those observing from afar, only in the most recent chapters of its history has Mars witnessed consciousness.

The allure of Mars has captivated humanity throughout the ages. This planet, a prominent celestial body for prehistoric civilizations, displayed red hues and variations in brightness, hinting at a story. Its ancient names—Nirgal, Mangala, Aukak, and Harmakis—echo with a weight that transcends time, almost fossilized from an era long past. For millennia, Mars has symbolized profound forces, representing blood, conflict, and passion.

The advent of the telescope revealed a small, orange disk with polar ice caps and shifting dark markings, shaped by seasonal changes. Yet, these early observations led to fantastic tales of a dying world, enriched by the imagination of astronomer Percival Lowell, who spun stories of desperate Martians constructing canals to combat encroaching deserts.

This compelling narrative captivated the public. However, with the Mars Mariner and Viking missions, our understanding of the planet transformed dramatically. We now possess a wealth of knowledge about Mars, far surpassing any previous understanding, revealing an unexpected world full of new possibilities.

Despite the excitement, Mars appeared lifeless. Researchers sought any evidence of life, from microbial forms to ancient civilizations, but none was found. Just as in previous eras, stories proliferated to fill this void—tales of microfossils obscured by geological layers, ruins buried within sandstorms, and mythical figures that emerged from the Martian lore. These narratives help animate Mars, a cherished symbol echoing humanity’s innate curiosity and storytelling instincts.

Thus, we came to Mars. What began as an abstract concept now stands as a tangible destination.

This excerpt is from Kim Stanley Robinson’s thought-provoking book, Red Mars, featured in New Scientist Book Club’s latest recommendations. Join us and delve into the world of literature together here.

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Why Kim Stanley Robinson’s ‘Red Mars’ Remains a Timeless Masterpiece After 34 Years

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Kim Stanley Robinson, author of Red Mars

Terese Loeb Kreuzer/Alamy

2026 marks a significant milestone as humanity embarks on its bold journey to colonize Mars.

Later this year, NASA’s ESCAPADE rover is set to launch towards Mars, laying the groundwork for future manned missions. For more details, read about the rover’s objectives here.

Future settlers aim to create self-sustaining cities on Mars, transforming its harsh landscape and opening new possibilities for humanity beyond Earth. This endeavor also has the potential to extend the survival of human consciousness.

Elon Musk has expressed his ambition to land on Mars within two years, as noted in 2024 on X. He has often referenced Kim Stanley Robinson’s acclaimed novel, Red Mars, published in 1992.

Set in 2026, Robinson’s narrative doesn’t rely on extraterrestrial conflicts or futuristic technologies. Instead, it delves into the ethical dilemmas faced by humans, highlighting debates surrounding the sanctity of intelligent life versus the need for solar system exploitation.

Robinson’s prophetically accurate depiction of the future includes a world dominated by powerful multinational corporations, overshadowing the United Nations. The author suggests that the UN operates as a mere tool for these corporations, predicting a future where corporate interests dictate global affairs.

His vision resonates with early predictions by Pulitzer Prize-winning science writer David Dietz, who forecasted rampant resource overexploitation and an increase in competition, leading to rising prices and a decline in luxury goods.

Robinson’s Red Mars illustrates how future generations will navigate environmental challenges. Climate change is a key factor motivating humanity to leave Earth, and the protagonist, Anne Claiborne, views Mars as a new beginning rather than a mere resource. “You can’t simply erase the surface of a planet that’s 3 billion years old,” she notes during discussions on terraforming.

The character Frank Chalmers reflects on past ecological disasters on Earth, drawing parallels to today’s ambitious “climate megaprojects,” such as glacier stabilization and large-scale re-greening efforts.

Red Mars also continues the tradition of classic speculative fiction, focusing on human conflict and societal division as the settlers grapple with how best to cultivate their new home. This central theme is further developed in Robinson’s sequels, Green Mars and Blue Mars.

Anne’s concerns about the ethical implications of creating breathable air on Mars echo a profound respect for potential undiscovered native life. “It would be unscientific and, worse, immoral,” she asserts.

The depth of Robinson’s characters and narratives makes Red Mars a treasured work, earning both the Nebula Award and the British Science Fiction Society Award, and has been subject to numerous attempts at a screen adaptation, including interest from director James Cameron before he focused on the Avatar universe.

The prequel, Green Mars, was also included in NASA’s Mars rover Phoenix lander in 2006 as part of an interplanetary library, a nod to Robinson’s influence on the genre to this day.

Outside of his Mars Trilogy, Robinson has expressed caution regarding future technological advancements and governance in his works. His novel, 2312, published in 2012, envisions a world facing extreme heat and rising sea levels while reflecting on humanity’s slow response to climate issues.

In the same year, he addressed the future of technology and society at the Humanity+ conference, emphasizing the need for inclusivity in tech advancements, stating, “[It] has to be for All People Plus,” hinting at underlying societal tensions.

The New Scientist Book Club is currently reading Red Mars by Kim Stanley Robinson. Join us for a collective reading experience here.

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