The New Scientist Book Club’s Take on Our Brains, Ourselves: A Blend of Praise and Worry

The New Scientist Book Club took a departure from science fiction in October, focusing instead on the winners of the Royal Society Trivedi Science Book Prize. This timely announcement aligned perfectly with our next literary venture.

Among the award nominees were six works by Daniel Levitin, including music as medicine and Vanished: The History of Unnatural Extinction. The jury ultimately selected Masud Hussain’s Our Brains, Ourselves: What a Neurologist’s Patients Tell Us About the Brain. They praised the book as a “poetic exploration of how neurological conditions affect one’s identity,” noting that Hussain cleverly weaves his immigrant experience in 1960s Britain into his medical narratives.

It’s worth mentioning that our book club members tend to be more critical than the Royal Society judges. While there was enthusiasm for exploring non-fiction, several issues emerged throughout our discussions.

Starting with the positives, many of us found the later chapters, where Hussain contemplates the concept of self, particularly thought-provoking regarding the historical evolution of identity and how various brain conditions influence a patient’s self-perception.

Katherine Sarah echoed this sentiment, remarking, “This offers an engaging insight into brain function and the essence of ‘self,’ along with the crucial social skills that enable our integration into society.” Her perspective resonates with those in our Facebook group. As someone who relocated to a new country without knowing the local language, she felt particularly connected to the text.

She reflected, “It struck me how language is integral to our identity, and the challenges of expressing ourselves without it can be profound,” noting parallels to a patient in the book with suppressed motivation due to language barriers. “I, too, felt shy and hesitant when I couldn’t communicate effectively.” She found it fascinating to read about patients with selective cognitive impairments, emphasizing how interconnected our mental faculties truly are.

Gosia Furmanik also appreciated this exploration of identity and migration. “Overall, I enjoyed the book’s engaging style and insightful examples. The reflections on identity toward the end really resonated with me, especially as someone who has migrated multiple times,” she noted.

Judith Lazell enjoyed the humor and readability of the text, calling it a “fantastic choice.” Jennifer Marano valued the chapter about Wahid, a bus driver with Lewy body dementia who begins experiencing hallucinations. “This shifted my understanding of perception and hallucinations,” she remarked. “The world feels solid, but it’s amazing to think that our brains construct the visual stimuli we perceive. I wonder what others might be experiencing.”

When I spoke with Hussain, I was curious about his narrative approach, especially moments that felt a bit contrived. For instance, when he notices a monument to Samuel Johnson while thinking about a patient: “That irony made me smile,” he said, as he connects the great lexicographer with a patient struggling with word recall, diving into a lengthy discussion about lexicography.

Hussain explained he felt it necessary to fictionalize some scenarios to protect patient identities, a technique that makes narrative sense. However, I found some instances a bit forced.

Niall Leighton shared similar criticisms, focusing on the perceived stiffness in Hussain’s patient interactions. “I couldn’t help but think these encounters seemed overly scripted, which became increasingly frustrating,” he noted.

Gosia expressed relief that she wasn’t alone in feeling these aspects detracted from the narrative. She pointed out that Hussain’s admission in interviews about substantial fictionalization might explain some discrepancies. “Perhaps a significant amount was imagined,” she suggested.

Some members expressed irritation with Hussain’s ornate language at times. Jennifer commented, “It felt as if he was attempting to craft a ‘great British novel’ with descriptions ill-fitting for a science book.”

Judith and Niall found Hussain’s habit of defining terms like “vertebrate (animal with a backbone)” redundant. “Everyone reading this book likely understands these concepts,” Judith remarked.

Niall added, “It feels patronizing to repeatedly define terms like ‘atrophy’ and ‘neuron.’ It made me question who the author perceived his audience to be.”

This raises a valid dilemma. While our book club consists of well-informed readers, balancing helpfulness with potential condescension is a challenging line to navigate.

A significant concern for some members was Hussain’s use of the term “normal” in relation to brain function. For instance, he mentioned a patient’s behavior, stating, “Like any normal person, he began to take risks.”

Gosia expressed frustration with phrases labeling healthy individuals as “normal,” questioning, “Who determines what ‘normal’ is? It’s crucial to recognize that illness is also a standard part of our human experience. For a book steeped in philosophy, this viewpoint seemed surprisingly simplistic.”

Niall voiced similar sentiments, stating, “As a neurodivergent individual, the label ‘normal’ irks me. The ambiguity surrounding it is quite bothersome,” he said.

Jennifer, despite her critical views on Our Brains, Ourselves, mentioned she felt more understanding after watching an interview with Hussain in New Scientist magazine. “While some aspects were challenging, I have to commend him for his dedication to his work and the effort it took to bring this book to fruition,” she reflected. “I can appreciate that passion, given I’ve never written nor published a book myself.”

Never say never, Jennifer! Perhaps one day, we’ll see your book featured in the New Scientist Book Club! For now, I’m excited to dive into another read in November that examines the intricacies of the brain through the lens of science fiction. Join us for Grace Chan’s Every Version of You, set in a ravaged world where humanity has migrated to a digital utopia in search of solace from a dying Earth. How do these virtual minds contrast with what remains of our physical selves?

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Source: www.newscientist.com

Saturn’s Moon Titan Could Harbor an Unforeseen Blend of Hydrogen Cyanide and Hydrocarbons

Titan serves as an intriguing subject for in-depth investigations of organic chemistry under unusual conditions. This Saturnian moon is abundant in nonpolar hydrocarbons like ethane and methane, alongside hydrogen cyanide (HCN), a highly relevant small polar molecule in prebiotic chemistry. Recent studies show that these notably polar compounds can mix at low temperatures, creating structures that challenge traditional chemical theories.

Artistic rendering of Kraken Mare, Titan’s extensive ocean of liquid methane. Image credit: NASA’s John Glenn Research Center.

Hydrogen cyanide is commonly found in the astrochemical landscape and has been detected in numerous celestial bodies, including the interstellar medium, comets, planets, moons, and dwarf planets.

This molecule ranks as the second most prevalent product anticipated from Titan’s atmospheric chemistry.

Dr. Martin Rahm, a researcher from Chalmers University of Technology, stated: “These remarkable discoveries enhance our understanding of something vast—a moon comparable in size to Mercury.”

In laboratory experiments, Rahm and his team combined hydrogen cyanide with methane and ethane at temperatures as low as 90 K (around -180 degrees Celsius).

At this temperature, hydrogen cyanide forms crystals, while methane and ethane exist as liquids.

Using laser spectroscopy to analyze these mixtures at an atomic level, researchers found that while the molecules remained intact, changes were still occurring.

To uncover what was happening, they conducted extensive computer simulations to explore thousands of potential molecular arrangements in the solid phase.

Ultimately, they discovered that the hydrocarbons infiltrated the hydrogen cyanide crystal lattice, leading to the formation of a stable new structure termed a cocrystal.

“The identification of unexpected interactions between these substances may influence our understanding of Titan’s geology and unique features such as lakes, oceans, and sand dunes,” Dr. Rahm explained.

“Moreover, hydrogen cyanide could be crucial in the abiotic synthesis of some life-building blocks, like amino acids for proteins and nucleobases for genetic material.”

“Consequently, our research offers valuable insights into the pre-emergent chemistry of life and the potential for life to evolve in extreme environments.”

of result Published in July 2025. Proceedings of the National Academy of Sciences.

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Fernando Izquierdo Ruiz and others. 2025. Hydrogen cyanide and hydrocarbons mix on Titan. PNAS 122 (30): e2507522122; doi: 10.1073/pnas.2507522122

Source: www.sci.news

Review: Grunn – A Unique Blend of Gardening Sim and Survival Horror Thriller Game

ILooks like it’s going to be a fun vacation. A week spent tending to the absentee landlord’s garden in a remote village in the Netherlands. Birds chirping in the trees, a picturesque church just across the path. But there’s something wrong with designer Tom van den Boogaart’s surreal and quietly creepy puzzle game. All the tools are missing and the villagers are strange and have been warned not to go out at night. Additionally, the sky is a hallucinogenic red and orange haze, and you can sometimes see someone watching you from behind a door or through a window. What the heck is going on?

Grunn is somehow part gardening sim, part point-and-click adventure, and part survival horror thriller. Once you’ve found your scissors and trowel, you can spend your time sorting hedges and digging up molehills, but you can also explore small hamlets and their lonely haunted places. You can often find discarded Polaroid photos that provide photo clues as to where the next tool is. You may find tools and puzzle items. There is a day/night cycle in the background, and as you venture out into the darkness, strange glitches and ghostly beings can be glimpsed at the edge of your vision. As you explore, you will have to fight against dangers that can cost you your life. Then I start all over again, relying only on my memories and photos.

As a result, you feel like you’re trapped inside an Alejandro Jodorowsky movie. Ominous and strange, yet beautiful and compelling. Everywhere you look, there are eerie images, from skeletons lying on riverbanks to strange children sitting alone in bus stops and ferry cafeterias. The puzzles are clever and challenging, and the blocky, discordant visuals make the entire environment feel like the uncanny valley of the mind. If you’re looking for a completely different kind of challenge in a decidedly unnatural open world, Grunn offers more than the gentle rural idyll it was initially promised.

Grunn is available now on PC (priced at £12)

Source: www.theguardian.com

Finding solutions to global issues demands a blend of hope and caution.

This year, from the first civilian moon landing (see “Elon Musk-led private missions boom, space is on sale in 2024”) to the first pig kidney transplant into a living human. It will be remembered for many pioneering events. Unfortunately, another dark first looms in 2024. Although the numbers will not be officially confirmed until next month, it is very likely that this will be the first year in which the totemic climate goal of 1.5 degrees Celsius of global warming is exceeded. (see “For the first time in 2024 reached 1.5°C, accelerating climate disruption.”)

Let’s clarify what this means. This number is generally considered to refer to a 20-year average, so it does not violate the 2015 Paris Agreement, the world’s most important climate change treaty. Under the agreement, each country commits to limiting long-term temperature rise to below 1.5°C. Nor is this a sign that the world is doomed and that we should give up all hope of combating climate change. Because if we lower temperatures even a little bit, billions of people will be better off than they would be if we didn’t do so. But reaching this level of warming, even in just one year (so far), is undoubtedly a global failure.

Breaking through 1.5°C also comes as the world enters a new and uncertain phase of climate change. As we have reported throughout the year, extreme warming in 2024 (which will only be matched by 2023) has scientists increasingly concerned about changes in major ocean currents, leading to unexplained levels of warming. They are desperately trying to understand what’s going on with the decline of Antarctic sea ice.

If you start the new year with a feeling of anxiety, you will inevitably feel pessimistic, but that may not be a bad thing. Next year will mark 10 years since the Paris Agreement came into force, and even then it was clear that the 1.5°C target had reached its achievable limits. As we wrote in our year-end leader at the time: “An odd call to action. The goal of capping global warming at 1.5°C looks almost completely unattainable.” In fact, greenhouse gas emissions Reshaping the modern world to stop and achieve net-zero emissions is the most ambitious goal ever set by humanity.

You can’t take good photos if you’re pessimistic. Ask, “What happens if I fail?” “What if we’re wrong?”

Given the scale of the challenges we face, such ambition is essential, but it is not sufficient. It’s easy to set ambitious and optimistic goals like the Paris Agreement, and politicians can line up to take pictures, smile and shake hands. It feels warm and fluffy.

However, to achieve such a goal, pessimism must prevail. You can’t take good photos if you’re pessimistic. The question is, “What happens if we fail?” and “What if we are wrong?” – Issues to be addressed include grappling with deep uncertainties in the green transition, whether technological, social or economic. Failure to do so will lead to failure.

There are lessons to be learned from success in 2024. Space engineers and surgeons alike tend to assume mistakes when considering the complexity of moon landings and complex surgeries. To alleviate this, they use a simple tool: the Humble Checklist. By identifying points of failure and taking steps to avoid them, you greatly increase your chances of success.

Although it makes less sense to have a “climate checklist” given that we are talking about ongoing global processes rather than a single operation or space mission, the underlying spirit still applies. Masu. One of the major failings is the annual United Nations climate change talks. At the 29th COP Summit held in Azerbaijan this year, organizers hailed fossil fuels as “God’s gift.”

COP30, scheduled to be held in Belem, Brazil next November, will be an opportunity to reset attitudes. Brazilian President Luiz Inacio Lula da Silva is already making noise in this direction, promising a “COP to change direction,” but will he be able to make it happen? Perhaps the most powerful message he can send is to take to the stage, stand aside unsmiling world leaders with clear plans to do better, and publicly acknowledge the failures of the COP process so far. That’s probably true. However, Santa doesn’t necessarily grant your wishes.

A degree of repentance and pessimism could also help with another problem that is quietly brewing in 2024: the imminent threat of an avian influenza pandemic. ). The H5N1 virus has spread to U.S. dairy herds despite minimal surveillance and mitigation efforts by U.S. health officials. As a result, the number of people infected there has also increased, reaching more than 50 people at the time of our reporting.

The virus has not yet adapted well to humans and is not known to be transmitted from person to person so far, but random mutations may change the situation with each new infection. increases. Optimistically rolling the dice and hoping for a double six is ​​not good health policy. In an ideal world, the United States would already be planning for the possibility of a pandemic and sit back and watch it never materialize. We do not live in an ideal world as President-elect Donald Trump endorses vaccine skeptic Robert F. Kennedy Jr. for Secretary of Health and Human Services. That means other countries will need to come up with their own plans. This is the only rational response to uncertainty.

Obviously, this pessimism doesn’t stem from any particular holiday spirit. However, through these two issues, new scientist From the science of believing in Santa (see ‘Believing in Santa Claus doesn’t guarantee children will behave well at Christmas’) to the quest for the world’s largest snowflake (see ‘The plan to create the world’s snowflake’), there lies a world of festive feasts. The biggest snowflake was humbled by nature”).

Looking ahead to next year, I’d like to thank researchers and companies who are developing new ways to tackle climate change, from sucking carbon dioxide out of the air to genetically modifying food to make it more environmentally friendly. Raise a glass of water too. For more information, see the next issue’s 2025 preview). And we hope that the uncertainty caused by this year’s climate news will be a catalyst for change.

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Source: www.newscientist.com

Review of Thank Goodness You’re Here!: A blend of pure vibrancy and dark charm

IIt’s a classic British comedy setup: an unknown young salesman from a major company is sent on a seemingly mundane trip to an eccentric town, and chaos ensues. This excellent game from small studio Coal Supper makes it clear from the start that it intends to stuff this setting with as much slapstick and surrealism as possible. Leaving the opening sequence set in a 10-storey office, the player is forced to climb out of a window, his fall prevented by the bus he must board for the rest of the journey.

When you arrive in the fictional northern English town of Barnsworth, a sort of gloomy reincarnation of early 1980s Barnsley, you’re supposed to meet the Mayor, but he’s busy, so you go out into the city. Here you encounter a bevy of odd characters, drawn in eerily bright colors and a deceptively childlike style. They usually greet you with a “nice to see you” and gather you together to deal with an absurd crisis. This might be a fat gentleman with his arm stuck in a drain, a fries shop owner whose fryer has broken, or an aging admiral who asks you to gather up some seagulls. But wherever you go, through the market, across the rooftops, down the lanes, you’ll encounter eccentrics doing odd jobs. The strange logic and spiraling…

A seemingly childish style…Thank you for having you here! Photo: Cole Sapper

As for comedic influences, the creators name-drop Reeves and Mortimer and The Mighty Boosh, but the interplay of slapstick, surrealism, and pop art also brings to mind Monty Python, Yellow Submarine, and the slightly subversive 1980s comics Whoopi and Wither and Chips. But don’t worry, you don’t need to know any of that to enjoy the game’s sheer exuberance and dark charm.

What might help is a little knowledge of northern working-class stereotypes: the number of shops with rhyming names (Doug’s Rugs, Nick’s Bricks and, my favorite, Raj’s Chargers, a mobile phone market stall), the unhealthy food offerings (fast food trucks selling Porky Nobbers, carts selling “Oily Bops”) and the almost psychotic competition between pie bakers.

An almost psychotic rivalry between pie makers…I’m so glad you’re here! Photo: Coal Supper/Panic Inc

But overlook these and plenty of other jokes emerge as you find keys and hammers, get a shy boy to beg for milk, or just enjoy the contributions of Matt Berry’s voice actor, who brings these eccentrics to life alongside the rest of the talented cast. In between the main quests, which build on top of each other like dominoes like the puzzles in Codemasters’ old Dizzy games, there are downright bizarre sequences that have you exploring the surface of a steak or collecting bubbles on a spirit level.

There’s also some light satire towards the games industry: graffiti on a wall depicts a man urinating on the word “Ludnarrative,” and in a filthy sewer area between the two locations is a sign that reads “Liminal spaces may not be as appealing as they seem.” Indeed, the game as a whole, with its relentless string of fetching tasks, could be interpreted as pasting the tedious conventions of open-world side quests.

The game’s three-hour runtime is packed with so many ideas, visual gags, wordplay, plants and rewards that you’ll need to play a few more times to take it all in. It’s great fun to play such a completely uncompromisingly silly game, but like a lot of the most ridiculous British humor, there’s also a quiet undertone of angst and despair in this one. The pie seller, the town drunk, the milk-scared child – they’re all trapped in their own quiet personal hells that just happen to be funny to the rest of us.

In the future, when the topic of the funniest comedy games of all time comes up, the usual names will likely pop up: Monkey Island, The Stanley Parable, Death Stranding (just kidding), etc. But now a new game will join them: Coal Supper has created perhaps the 21st century’s first fantastic abstract cartoon puzzle game set in Yorkshire. Thank goodness.

Source: www.theguardian.com

My life was consumed by a terrifying blend of solitaire and poker

I
I’m the type of person who wants to cry when the rules of a board game are explained to me, so I generally don’t like card games. In real life poker, you get bored after a few rounds, go all-in, and crash spectacularly, but something can happen. However, real-life poker is not a varsity game. Balatro may be the best card game you’ve ever come across. Especially this morning I left the steam deck at home. It’s to avoid sitting at your desk and playing Ballatro instead of doing other not-so-fun things you should be doing at work, like staring regretfully at your constantly overflowing email inbox. I think it will be one of the breakout games of this year. Join us and you’ll be hooked too.

Here’s how to play: You are dealt a regular hand of 9 cards, from which you play your best 4- or 5-card poker hand (flush, straight, three-of-a-kind, etc.). Then, a satisfying “Ding!” sound determines the hand’s score and moves on to the next score. The only person you play is yourself. Once you reach your point goal (perhaps a few hundred points to begin with), you advance to the next round.

In between games, you’ll find mystical features such as holographic, steel, and gold versions of cards that give multipliers or extra chips, planet cards that increase points to increase the value of certain hands, and tarot cards that transform cards. You can add things to your deck. A bunch of interesting ways and strange jokers that can completely change your strategy. It’s poker, but a little trippy.and you Assumption Bending the rules.




This madness is ideally what your deck will look like in a few rounds. Photo: LocalThunk/Playstack

By the fourth or fifth series of the game, hearts gained additional multipliers, playing face cards earned double points, and planets gave modest pairs huge multipliers. You’ll end up with a deck of quirky lucky cards. You can rely on it to help you reach your point goals. You are abandoning the ace in hopes of drawing his three diamonds for a special steal that will add valuable points to your score. Every three rounds, a boss appears that makes horrible modifications to your play, such as limiting your cards to his five, drawing cards face down, or randomly disabling entire suits. You have to adapt round by round, hope your luck holds out and keep things in your favor.

Apparently, he can beat Balatolo by completing an eight-round match. I googled this question and came across a thread on the Steam forums where someone was brazenly claiming to have won 2 rounds and was still winning 80% of the time. I hate this person.

It went to the final stage twice and was successfully bottled. Once, I forgot that I hadn’t actually leveled up my hand and went for a rare straight-to-his flush, but I ended up getting fewer points than I could have with a few pairs. Several times I’ve grossly miscalculated my hand and discarded a card in hopes of drawing a replacement card that was mathematically very unlikely to appear. One time, I encountered a boss right before the final stretch. Only allow one type of hand to be played.




Watch your hands…Balatoro. Photo: LocalThunk/Playstack

Baratolo may feel terribly cursed when something like this happens, but the thing is, this isn’t entirely a game of chance. Although you have to have good luck from the cards and the belief that a decent joker will appear in the shop between rounds, do Decide where to spend your money on new cards, which hands to go for, and which risk opportunities to take. So, like all good roguelikes, each failure resets your progress so you can feel like you’ll be fully successful next time.

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And then 2 hours disappear. I find the slightly mesmerizing chillwave music and pixel psychedelic illustrations, the naughty Joker card illustrations and retro TV scanlines disturbingly calming. If Baratolo was trying to extort money from you, that would be pure evil. But the good news is that once you’ve paid £12.79, all your gambling is done virtually and all you’re spending is your time.

I imagine that perhaps after I achieve that elusive victory, the spell will finally be broken. In the meantime, now life is baratolo and baratolo is life. I’m dreaming with clubs and spades.

Source: www.theguardian.com