Re-examining Meta’s antitrust test with serial witness Mark Zuckerberg

Seven years ago, Meta Chief Executive Mark Zuckerberg testified for the first time in Congress. After a two-week boot camp by lawyers, he answered questions at three consecutive Buck-to-Buck hearings in two days of baptism by fire to prepare him.

Zuckerberg, 40, has been practicing more since. He made eight appearances before Congress and testified at least twice in court. He defends his company, previously known as Facebook, on issues such as privacy, child safety, and the spread of disinformation.

As early as Monday, Zuckerberg will once again be in a hot seat. This time, as a marquee witness in a landmark federal committee lawsuit accusing Meta of breaking antitrust laws. Regulators sued the US District Court company in the District of Columbia over the acquisition Instagram And WhatsApp says it used “buying and boring strategies” to maintain its monopoly on social media.

Zuckerberg’s turn as a serial witness has become a powerful symbol of Washington’s growing frustration with the power Silicon Valley holds, spurring attempts to curb the tech industry. Under President Trump, the technology chief is welcoming with the administration in hopes of regulators taking softer hands, but his appointees have shown continued scrutiny.

At Capitol Hill, lawmakers have stepped down as Zuckerberg, accusing him of lying and are personally responsible for various social harms. Legal experts said previous tough questions could help him during the expected seven-hour testimony defending Meta in antitrust law.

“He seems to be more aware of the audience he’s talking about compared to his previous years,” said Adam Sterling, Associate Dean at Stanford Law School. “Whether it’s a deposit, a lawsuit, or in front of the Senate, he can actually create a message to that recipient.”

Meta and the FTC declined to comment.

It’s a far cry from Zuckerberg’s start in his Harvard dorm room 21 years ago. After building “Facebook,” he dropped out of school and moved to Silicon Valley to build a social network. His successes and failures were publicly scrutinized.

In 2021, he renamed his efforts to cut some of the company’s packages to Meta. He recently courted Trump. This month he visited the White House to try and persuade the president and his aides to settle the FTC lawsuit.

Government scrutiny and legal challenges did not inflict permanent damage on the company. Meta’s stock price has more than doubled since Zuckerberg first appeared in Congress.

Zuckerberg is likely to face tougher times in the stands in antitrust trials, legal experts said. Congressional hearings feature spectacular features by lawmakers, each limited to a few minutes. The FTC lawyers plan to bake Mr. Zuckerberg for hours. They also have a chunk of his emails and other communications and will ask him to defend documents that prove his company’s maliciousness.

“Trials are another beast as the other counsels are well prepared, ask better questions and keep focused on their cases,” said Nu Wexler, former policymaker for Meta and principal of Four Corners Public Relations.

In 2017, Zuckerberg testified in Dallas in a trial by video game company Zenimax Media about intellectual property theft claims. He also testified in 2023 during an FTC trial in San Jose, California to block the acquisition of Meta’s Virtual Reality Company.

Now, the FTC is asking Judge James E. Boasberg to convict Meta of antitrust violations, which is “exposed to more in danger,” said Katie Harbus, former public policy director for Meta and chief executive of consulting firm Anchor Change.

For the first half of Meta’s history, Zuckerberg has stepped away from the unscripted public appearance. In 2010, he groped through interviews at a technology conference and struggled to answer privacy questions as sweat beads ran through his face.

Most of his public witness experience came before Congress.

Zuckerberg faced a major backlash from Washington State Senators after the 2016 presidential election. Reports have emerged that Facebook has given political consulting firm Cambridge Analytica access to people’s social networking data without consent.

That led to Zuckerberg’s appearance at a packed hearing in Congress in April 2018. His lawyers guided him to calm down when interrupted and to postpone answering harsh questions.

“My team will be back to you,” he said multiple times during the hearings.

The following year, Zuckerberg was faced with questions from the House Financial Services Committee on the security and security of the plans of a cryptocurrency company called Libra.

Rep. Alexandria Ocasio-Cortez, a New York Democrat, interrupted Zuckerberg about misinformation in political ads. He frowned at times, sometimes he struggled to find the answer.

California’s president Maxine Waters, who was then Democratic chairman of the committee, accused Zuckerberg of leading the company’s fate to users.

“You’re going to step into your competitors, women, people of color, even our democracy,” Waters said.

“I don’t think I’m an ideal messenger for this right now,” replied Zuckerberg. “We certainly have the work to do to build trust.”

Zuckerberg has been better with the next two appearances, said a legal expert and former employee, showing that he will control more Poland and his answers. He and the chiefs of Apple, Amazon, and Google were summoned in 2020 during the pandemic when the House Judiciary Committee was summoned for a hearing on the power of big technology. In 2021, Zuckerberg, who joined the CEOs of Twitter and Google, spoke to a House committee about disinformation.

Last year, Missouri Republican Sen. Josh Hawley requested at a child safety hearing that Zuckerberg would apologize to parents who lost their children due to bullying and other harms accused of refueling Instagram.

“I’m sorry for everything you’ve gone through,” Zuckerberg told parents in attendance. “No one should experience your family suffering.”

Holy said it is important to keep Meta and Zuckerberg accountable.

“This was my whole goal of enforcing a moment of truth,” Holy said in an interview. “But the truth is that he will continue to sail first and do so until there is a real outcome in Congress and in court next week.”

Source: www.nytimes.com

Find out why this TV serial is gripping viewers on their phones

I stumbled upon my homeless billionaire husband for Christmas, the quarterback by my side, XXL’s wife’s revenge, and my secret agent husband.

These may seem like whimsical fantasies, but they are actually part of a genre known as “vertical drama.” This innovative format for episodic television has captured the attention of millions of people worldwide.

Originating from China, the genre, often referred to as “Tiktok generation television,” consists of short episodes designed for viewing on smartphones. By 2027, the market for vertical drama is expected to reach a value of $14 billion (£11 billion).

“The growth of this genre signifies a demand among audiences that is not being met by the current media landscape,” explains Zhou Yuan, the founder of content Republic, a Beijing-based vertical film production company, as reported in a recent interview with a Hong Kong cinema.

Micro-dramas, known as Duanjus in Chinese, have made a significant impact on the Chinese audiovisual market before expanding globally, transforming the industry. Chinese companies are collaborating with foreign production firms to export this format, supported by a range of new streaming apps such as Reelshort, ShorttV, Dramapops, and FlextV.

In November of last year, California-based Reel Short, backed by Chinese investors, surpassed Tiktok as the most popular entertainment product in the Apple App Store in the US.

“Some skeptics questioned the willingness of audiences to pay for this content,” remarked Joey Jia, the CEO of Crazy Maple Studio, the company behind Reelshort, in an interview with the Washington Post.

Romantic soap opera posters feature titles like “Love is Sin” and “I’m Going to Hell.” Photo: Reel Short

Viewers are captivated by the familiar tropes found in Booktok readings, such as secret billionaires, forbidden love, and supernatural enemies. They are hooked by catchy titles, suspenseful cliffhangers, and dramatic moments. Typically, these apps offer a few free episodes before requiring a paid subscription. Similar to video games, Reelshort allows users to purchase “Coins” to access additional episodes.

Jen Cooper, the UK-based founder of Vertical Drama Love, has a passion for romantic films and comedies, which drew her to this format.

“Last April, during a challenging personal time, I found it difficult to focus on full-length dramas,” Cooper shared. “One day, I stumbled upon a vertical drama ad on Tiktok that piqued my interest.”

She delved into her first vertical drama, a captivating tale of a woman torn between her ex and uncle, titled “You Belong With Me.” “It embodies classic themes but at its core, it’s a beautiful love story with genuinely entertaining moments,” she remarked.

Cooper fell down the rabbit hole, creating an Instagram account to share reviews, connecting with industry insiders, and fostering a community of enthusiasts. The response was overwhelming, with over 16,000 votes from around the globe within a week of launching a fan award.

She discovered that many individuals turned to vertical dramas during challenging periods in their lives. “I’ve heard stories from family members, fans battling serious health issues or caring for loved ones. The audience ranges from women in their early 20s to their 60s. I’ve spoken to a Pakistani student, an elderly Italian woman bedridden, and a mother who lost her husband while doing household chores,” she shared.

The universal appeal lies in escapism, offering a quick dose of dopamine when life becomes overwhelming. “People yearn for satisfying outcomes, and let’s be honest, who doesn’t enjoy seeing incredibly attractive individuals fall in love?

Defne Turan, a production manager at London’s Seastar Productions, believes that vertical drama is the way forward.

She noted a surge in interest from filmmakers and actors eager to be part of this burgeoning genre. “It’s a new frontier, and we must approach it with the same level of care as traditional productions. Just because it’s different and fast-paced doesn’t mean we compromise on quality,” she emphasized. “We utilize industry-standard equipment, and many experienced production crews and makeup artists from major productions are involved.”

For many actors like Teig Sadana, vertical dramas offer a lifeline in a competitive industry. They provide consistent work amidst strikes and cutbacks. Verticals are typically shot in just 7-10 days, with two cameras capturing scenes in a single take.

Australian and British actor Teig Sadana credits the format for providing him with steady work opportunities. Photo: Jennifer Cooper

Teig Sadana, a 29-year-old Australian British actor based in New York, transitioned to vertical dramas after completing his studies at Stella Adler Studios.

“I responded to a rather standard acting job ad on a website, not fully comprehending what ‘vertical’ entailed. I needed the paycheck,” he admitted. After a brief conversation with the supervisor, he found himself on set a few days later filming “Glory of Pennsylvania’s Revenge.”

“Since then, I’ve worked on 10 films across various major vertical platforms, collaborating with talented professionals and experiencing the joy and stability of consistent work,” Sadana shared.

Initially challenged by the format’s constraints on character development, Sadana learned to embrace its unique style, preventing him from “overindulging.”

Nick Westway, a former star of the Australian soap opera “Home and Away,” currently stars in “The Double Life of Hitmaster President.”

According to Zhou, Content Republic plans to produce 400 vertical dramas annually, with 200 intended for the domestic Chinese market and 200 for international audiences.

While it remains to be seen if the novelty of the genre will fade (some platforms have ceased operations within six months), even established media companies are taking note of the trend and striving to engage younger audiences. In 2023, Paramount Pictures released a series of 23 snippets from “Mean Girls” on Tiktok.

“This is a space that resonates with audiences and offers valuable insights into how creators and viewers embrace it,” remarked Sacha Kari, Channel 4’s digital commissioning manager.

Source: www.theguardian.com

Adam Buxton’s Podcast: A True Crime Story Combining Elements of ‘Serial’ and ‘Twin Peaks’

This week’s picks

in the smoke
Wide range of weekly episodes available

Adam Buxton’s new podcast is being billed as Serial meets Twin Peaks, bridging the gap between fiction and true crime. May Mac is Kay McAllister, a former tabloid journalist who launches her own pod to find out what happened to a missing man. Buxton plays a modest role as DCI Roy Burgess, who worked on the case. Although told in a true-crime style, there is no doubt that this is glossy, high-quality fiction, and is an engaging, slow-burning tale. Hannah Verdier

The Burden: Avenger
Wide range of weekly episodes available
When Miriam Lewin was 19 years old, she was kidnapped from the streets of Buenos Aires and tortured for her political beliefs. However, she survived, became a journalist, and continued to bring her perpetrators to justice. The Handmaid’s Tale’s Alexis Bledel tells Lewin’s powerful story based on in-depth interviews. HV

Julia Louis-Dreyfus in “You Hurt My Feelings.” Photo: Jung Park/AP

The Madman’s Hotel
Audible, all episodes now available
Niall Breslin grew up in the shadow of an Irish “mental hospital” and has been haunted by it ever since. But when he meets Julie Clark, whose great-grandmother was imprisoned at St. Roman’s Hospital until her death, he uncovers a story of abuse even more horrifying than he could have imagined. HV

my so-called middle age
Wide range of weekly episodes available
“You’ve read All For, right?” Reshma Saujani asks as she introduces the podcast. “Where’s my hotel room?” Even if that didn’t convince her target audience, her first guest wisdom would agree. Julia Louis-Dreyfus (above) is as stunning as ever, opening up about the ups and downs of midlife, including the joy of posing naked for Rolling Stone. HV

super sensual
Apple Podcasts, full episodes available to Apple TV+ subscribers on Mondays
If you were glued to last year’s Ghost Story, here’s a winding investigation into a creepy old family secret. This time I have a question about reincarnation. Will Sharp spoke to a woman who was involved with two girls who were hit and killed by a car on their way to church in the 1950s. However, the father says he will be reborn, and his wife gives birth to twin girls… Holly Richardson

There’s a podcast for that

Kirat Assi in the Netflix documentary series Sweet Bobby. Photo: Provided by Netflix

this week, Ammar Kalia We choose the 5 best podcasts shocking developmentfrom unsolved murders to traumatic stories of catfishing.

Source: www.theguardian.com

How scientists leverage your surname to apprehend serial offenders

In the realm of crime-solving, Forensic Detective Genetic Genealogy (FIGG) has emerged as a powerful tool, ushered in by the guilty plea of Joseph James DeAngelo, also known as the Golden State Killer, nearly four years ago. DNA testing has long been used to match crimes to perpetrators, but when a suspect is lacking, FIGG steps in to fill the gap.

According to Dr. Tuli King, who spoke at the Cheltenham Science Festival, “With DNA databases, we can find people who are genetic relatives of DNA found at a crime scene.”


By creating family trees through DNA matches, police and experts are able to track down potential suspects, as was the case with DeAngelo, whose crimes in California during the 1970s and 1980s were solved with the help of DNA uploaded to consumer ancestry websites like GED Match.

Since then, over 500 cases have been solved using FIGG, showcasing the potential for DNA data to be a valuable tool in criminal investigations. However, concerns about ethical implications remain, with the importance of informed consent and privacy being emphasized by experts like Dr. King.

Where is this all leading?

Looking ahead, Dr. King believes FIGG will continue to play a crucial role in solving serious crimes, with the potential for DNA technology to be utilized in more innovative ways in the future. One intriguing possibility she discusses is the use of surnames and Y chromosome types in crime-solving scenarios.

While the link between surnames and genetic markers may provide valuable leads, Dr. King acknowledges the complexities and challenges of such an approach, highlighting the need for extensive databases and further research.

About our experts

Tuli King is a respected scientist in the field of genetic genealogy, known for her work in solving forensic DNA cases and exploring the relationship between Y chromosomes and British surnames. Her groundbreaking research has paved the way for new insights into the intersection of genetics and criminal investigations.


read more:

Source: www.sciencefocus.com

Utilizing Last Names to Capture Serial Killers: A Scientist’s Method

Joseph James DeAngelo, also known as the Golden State Killer, pleaded guilty to various crimes almost four years ago, marking the beginning of a new era in crime-solving known as Forensic Detective Genetic Genealogy (FIGG).

While DNA testing has been used for years to link crimes to suspects, cases can come to a standstill when there are no suspects to test DNA samples on. This is where FIGG comes into play.

Dr. Tuli King, speaking at the Cheltenham Science Festival, explained that DNA databases can help identify genetic relatives of DNA found at a crime scene. Investigators use DNA matches to create a family tree and track down potential suspects based on evidence and relatives related to the DNA sample.

For DeAngelo, the turning point was when a genealogist uploaded their analysis of crime scene DNA to consumer ancestry websites like GED Match, leading to his capture and sentencing in 2020.

Since DeAngelo’s case, over 500 cases have been solved using FIGG, with more people uploading their DNA to databases, increasing the chances of catching criminals.

However, the use of publicly available DNA data for crime-solving raises ethical concerns, with the importance of informed consent and privacy being paramount.

Despite the ethical implications, FIGG is expected to continue playing a crucial role in solving serious crimes, potentially expanding to utilize genetic markers like surnames to aid investigations.

As technology advances, the use of DNA in solving crimes may evolve further, with possibilities including tracing surnames to narrow down suspect lists and aid investigations.

While the use of surnames in crime-solving is an interesting concept, it may require a large database and further research to be implemented effectively.

Experts like Tuli King, who have extensive experience in genetic genealogy, are at the forefront of utilizing DNA technology to solve complex cases and communicate the science to the public.

Source: www.sciencefocus.com