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Imagine looking up at the night sky 1,000 years ago; you would likely see an additional point of light compared to today. Back then, Chinese astronomers referred to these phenomena as “guest stars,” believing they foretold significant changes.
Today, we understand these were likely supernovae—spectacular explosions from dying stars—one of many serendipitous discoveries made by astronomers observing at opportune moments.
In the modern era, the quest for these “transient” events has evolved into a strategic approach, revolutionizing the field of astronomy. We have since identified numerous fleeting events that span from mere nanoseconds to durations longer than a human lifetime.
“Astronomy considers both spatial and temporal scales, yet the latter remains largely unexplored,” states Jason Hessels from the University of Amsterdam.
To capture these ephemeral occurrences effectively, astronomers are innovating by synchronizing telescopes into a cohesive unit, akin to a well-oiled machine, as evidenced by the Palomar Temporary Factory project from 2009 to 2012. One significant flash observed by a telescope in San Diego prompted immediate follow-up investigations by others. “It was orchestrated like a conveyor belt,” Hessels remarked.
More specialized telescopes are emerging, focusing on time, rather than just space. Notably, the Zwicky Temporary Facility has taken over from Palomar, and the Pan-STARRS survey amassed 1.6 petabytes of astronomical data—recording the largest dataset ever captured from Hawaii.
These advanced telescopes have generated extensive data that unveil the twinkling and fluctuating events of the cosmos, including gamma-ray bursts, fast radio bursts, gravitational waves, and stars that either explode spontaneously or are ripped apart by black holes.
Transient astronomy is reshaping our perception of the universe. “We’ve progressed from painting to photography, and now to some form of stop-motion film,” Hessels describes. He continues, “We’re approaching a complete narrative. Each adjustment in my perspective of the sky feels as though the cinematic experience expands further.”
<p>Meet our central figure: a female polar bear. Driven southward by retreating Arctic ice, she journeyed deep into Canada's Northwest Territories. There, she encountered a pair of striking grizzly bears, and fell in love with both. From these unions, she gave birth to three daughters known as "growler bears" and a son, marking the inception of an extraordinary lineage echoing Shakespearean drama.</p>
<p>The next chapter took an unexpected turn. When one of her daughters matured, she mated with her biological father and another grizzly, her stepfather, resulting in a litter of four—siblings, children, and cousins all at once.</p>
<p>In 2006, a hunter in the Canadian Arctic produced a hybrid specimen with both polar and grizzly traits. Later genetic evaluation confirmed this was a growler, part of this emerging hybrid family. A decade later, scientists were intrigued to observe unusual behaviors among these creatures. Typically, hybrids are not fertile, yet these were. Researchers began to ponder whether this heralded a new apex predator for the Arctic. Could these hybrids exemplify resilience in the face of climate change, or signal impending ecological crises? Current studies promise further insights.</p>
<p>As global temperatures increase, the Arctic warms four times quicker than the rest of the globe, pushing polar bears (<em>Ursus maritimus</em>) south in search of sustenance. Their primary diet of fatty seals hinges on sea ice, which is disappearing rapidly, forcing them inland. They frequently encounter their brown bear relatives, the grizzly bear (<em>Ursus arctos horribilis</em>), which is edging northward. Warmer Arctic conditions enhance hunting and breeding opportunities, boosting hybrid occurrences, including growlers and "pizzly bears" (polar bear fathers and grizzly mothers). Some researchers express concern that polar genes may infiltrate grizzly populations, jeopardizing polar bear survival.</p>
<p>Yet, the discovery of the Grolar lineage hints at a more optimistic scenario: polar bears might be adapting to a rapidly changing environment. Recorded growlers exhibit traits of gray-brown polar bears, with slightly larger limbs and skulls reminiscent of grizzlies. These hybrids might exploit a broader diet on land, potentially allowing them to forage without relying on diminishing sea ice. Larissa DeSantis, a paleontologist at Vanderbilt University, notes that these adaptations could be a bittersweet necessity amid rising temperatures, as discussed in a <a href="https://www.livescience.com/pizzly-bear-hybrids-created-by-climate-crisis.html">2021 interview.</a></p>
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<h2>One Happy Family</h2>
<p>However, <a href="https://link.springer.com/article/10.1007/s12686-024-01359-1">extensive genomic research</a> presented in a recent book reveals alternative insights. In a study led by <a href="https://www.macewan.ca/academics/academic-departments/biological-sciences/our-people/profile/?profileid=millerj253">Joshua Miller</a> at MacEwan University, researchers uncovered that genetic sequences of 371 polar bears, 440 grizzlies, and the Grolar clan showed no other hybrids in nature apart from the known Grolars. The rarity of this mating pattern has led experts to conclude that hybrids may lack the essential skills required for survival in either parent's ecosystem. Recent studies corroborate that hybrids may be unfit for Arctic life, lacking polar bears' specialized "non-slip" foot structure and not fully inheriting grizzlies’ powerful forelimbs and shoulders. Essentially, Growlers and Pizzlies are suboptimal versions of both bears rather than well-adapted hybrids.</p>
<p><figure class="ArticleImage"><div class="Image__Wrapper"><img class="Image" alt="Two pizzly bears in a stream at the zoo" width="1350" height="900" src="https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg" srcset="https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=300 300w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=400 400w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=500 500w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=600 600w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=700 700w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=800 800w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=837 837w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=900 900w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1003 1003w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1100 1100w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1200 1200w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1300 1300w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1400 1400w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1500 1500w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1600 1600w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1674 1674w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1700 1700w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1800 1800w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=1900 1900w, https://images.newscientist.com/wp-content/uploads/2025/11/05152243/SEI_273018522.jpg?width=2006 2006w" sizes="(min-width: 1288px) 837px, (min-width: 1024px) calc(57.5vw + 55px), (min-width: 415px) calc(100vw - 40px), calc(70vw + 74px)" loading="lazy" data-image-context="Article" data-image-id="2503195" data-caption="Pizzly bears in a German zoo, born from a polar bear father and grizzly mother in the same enclosure." data-credit="Molly Merrow"/></div><figcaption class="ArticleImageCaption" wp_automatic_readability="27"><div class="ArticleImageCaption__CaptionWrapper" wp_automatic_readability="34"><p class="ArticleImageCaption__Title">Pizzly Bear Born from a Polar Bear Father and Grizzly Mother</p><p class="ArticleImageCaption__Credit">Molly Merrow</p></div></figcaption></figure></p>
<p>Short-term, such hybrids may remain uncommon, with new species unlikely. However, what about the long-term evolutionary prospects for polar bears? Insights from the past might illuminate the future. The habitats of polar and brown bears once coexisted during the Pleistocene epoch, defined by recurring glaciation over the last 2.6 million years. Researchers at the University of California, Santa Cruz discovered that brown bears currently inhabit three Alaskan islands. <a href="https://pubmed.ncbi.nlm.nih.gov/23516372/">During that time, gradual male brown bear mating with local polar bear populations resulted in hybridization.</a> If this pattern recurs, the polar bear species could face extinction, leaving only grizzly bears.</p>
<p>However, the Pleistocene was characterized by gradual environmental changes and slow adaptation. Today’s climate change, driven by human activity, is happening at an unprecedented pace, potentially leading us down an alternate path. “The far more significant threat to polar bears today is the loss of ice habitat due to climate change, occurring much more swiftly than any concerns related to hybridization,” states Fiona Galbraith, a geneticist and climate change consultant currently leading a natural habitat expedition into the Canadian Arctic.</p>
<p><figure class="ArticleImage"><div class="Image__Wrapper"><img class="Image" alt="Icebergs are melting at the North Pole" width="1350" height="900" src="https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg" srcset="https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=300 300w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=400 400w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=500 500w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=600 600w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=700 700w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=800 800w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=837 837w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=900 900w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1003 1003w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1100 1100w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1200 1200w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1300 1300w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1400 1400w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1500 1500w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1600 1600w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1674 1674w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1700 1700w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1800 1800w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=1900 1900w, https://images.newscientist.com/wp-content/uploads/2025/11/05152237/SEI_273019037.jpg?width=2006 2006w" sizes="(min-width: 1288px) 837px, (min-width: 1024px) calc(57.5vw + 55px), (min-width: 415px) calc(100vw - 40px), calc(70vw + 74px)" loading="lazy" data-image-context="Article" data-image-id="2503193" data-caption="The Arctic is warming four times faster than the rest of the planet" data-credit="Adisha Pramod/Alamy"/></div><figcaption class="ArticleImageCaption" wp_automatic_readability="26"><div class="ArticleImageCaption__CaptionWrapper" wp_automatic_readability="32"><p class="ArticleImageCaption__Title">The Arctic is Warming Four Times Faster Than the Rest of the Planet</p><p class="ArticleImageCaption__Credit">Adisha Pramod / Alamy</p></div></figcaption></figure></p>
<p>In conclusion, while the Grolar dynasty is fascinating, it serves as a harbinger of ecological distress on Earth. Similar <a href="https://pmc.ncbi.nlm.nih.gov/articles/PMC10674025/">climate-induced mating</a> has been documented elsewhere, including a **bobcat-lynx hybrid** in North America and the emergence of the **coywolf**, resulting from interbreeding between coyotes and eastern wolves. Like Arctic bears, these hybrids are born from habitat disruption caused by rapidly changing environments. Their ability to adapt is situation-dependent; many hybrids struggle to thrive in new areas, often leading to biodiversity loss and eventual ecosystem collapse. "When both species fulfil similar roles in their ecosystems, increased contact and interbreeding can occur without significantly affecting ecological functions," shares <a href="https://polarbearsinternational.org/what-we-do/our-team/">John Whiteman</a> from Polar Bears International. Neglecting this could lead to dire consequences. For instance, while grizzly bears frequently leave carrion for scavengers, polar bears do not, posing hazards to food webs and disease dynamics.</p>
<p>Reflecting on our initial question about the Grolar dynasty as the next chapter in polar bear evolution, the resounding answer is a grim "no." This phenomenon showcases not adaptation but the tragic decline of a species amid drastic environmental fluctuations. However, this festive season, let’s contemplate the potential for a different outcome, where polar bear tracks continue to mark the Northern landscapes for winters yet to come. It hinges on our actions.</p>
<section class="ArticleTopics" data-component-name="article-topics"><p class="ArticleTopics__Heading">Topic:</p></section>
Mel Brooks and Carl Reiner had a nightly movie ritual, often indulging in cheesy films where phrases like “ensure you have boundaries!” get thrown around. So, why bring this up in relation to Foundation? This adaptation of Isaac Asimov’s work started with provocative ideas but has since become a formulaic experience—something like a ticking clock.
It’s been two years since the last season of Foundation, so if you’re a bit hazy about the plot, here’s a quick recap: the empire has long been governed by genetic dynasties. Three clone emperors—representing dawn, day, and dusk—come to rule, under the watchful eye of Demerzel (Laura Birn), the last existing robot. Approximately 150 years after Season 2, the first Foundation, conceived to replace the empire, now governs the outer planets.
Hari Seldon (Jared Harris), with the ability to foresee the empire’s fall through the mathematical theory of psychohistory, has uploaded his consciousness to a secure location just before the impending “Seldon Crisis.” These crises signify pivotal moments that can plunge the galaxy into epochs of darkness. Meanwhile, the second Foundation—a secretive colony with telepathic prowess—operates covertly, aiming to prevent the third Seldon crisis, led by a version of Seldon and his protégé, Dornik (Rurbell).
Visually stunning—an array of exquisitely rendered planets render the cosmos seemingly infinite.
That’s the essential backdrop as we venture into Foundation‘s third season. There’s much to unpack, especially with new characters joining the narrative. There’s Quento (Cherry Jones), the inaugural ambassador of the Foundation, navigating a complicated rapport with the Empire; Han Pritcher (Brandon P. Bell), a spy operating between the two Foundations; and Toran Marrow (Cody Fern), a descendant of Wily Hober Marrow from Season 2.
This ensemble is designed to create a rich and intricate universe filled with well-crafted characters. The show skillfully merges drama with grand concepts, particularly involving DeMerselle, giving it a visually spectacular quality as numerous planets are rendered beautifully.
However, herein lies the paradox: while Foundation strives for intellectual stimulation through its lore and epic scope, many of its plotlines come off as ridiculous and superficial. The most captivating elements—the two Seldons, the potential alliance between the Foundation and the Empire, and the intrigues among the three emperors—remain largely unexplored. The narrative often feels intellectually shallow at times. And don’t get me started on the awkward dialogue; phrases like “we have a partnership” made me cringe, not to mention the repeated insistence to “ensure you have boundaries!”
It’s disheartening to watch a promising show decline while retaining traces of its former brilliance. After viewing nine episodes, I’m hopeful the tenth episode will tie everything together, much like Seldon’s Vault, with its buried secrets finally unearthed. Until then, whether you can overlook its shortcomings may determine your enjoyment of Foundation, which feels a step removed from the television gems it once resembled, at least offering some form of unsatisfactory entertainment.
Recommendations for Further Viewing…
Andor Disney+ Foundation caters to historical enthusiasts intrigued by civilization’s cycles. For a similar experience, check out this Star Wars series that chronicles key figures in a very different empire’s downfall—something quite rare.
The Rise and Fall of the Galactic Empire Chris Kempshall While still rooted in Star Wars, this narrative of Emperor Palpatine’s 24-year reign, depicted from an in-universe historian’s viewpoint, makes for an engaging read.
The Art and Science of Writing Science Fiction
Engage in the craft of science fiction writing this weekend by creating new worlds and artistic creations.
Juan Salvo (Ricardo Darín) Faces the Deadly Snowfall in Buenos Aires
Mariano Landette/Netflix
Forever Netflix
Creating impactful art comes down to specificity. While this notion might undermine broader statements, it’s a guiding principle for me. The focus isn’t on appealing to the lowest common denominator; rather, it’s about the unique elements of artists that resonate and captivate audiences.
Perhaps that explains the surge of TV apocalypse narratives. Forever offers a refreshing perspective. This new Netflix series is inspired by a beloved comic book series from 1957, crafted by the renowned Argentinian writer Hector German Oesterheld.
The show draws upon themes from Oesterheld’s 1969 story reboot, echoing his growing anti-imperialist sentiments. This narrative, intertwined with the realities of violence linked to the Argentine military dictatorship, deserves greater recognition globally.
On a summer evening in Buenos Aires, Juan Salvo (Ricardo Darín) and his friends congregate in a basement for a game of Traco. Amidst laughter and whiskey, they experience an unusual phenomenon: the snow that has only fallen thrice in Buenos Aires’s recorded history turns lethal, killing anyone who touches it almost immediately.
Trapped indoors, Juan is uncertain about the fate of his ex-wife Elena (Carla Peterson) and daughter Clara (Mora Fiss). Dressed in a waterproof suit and gas mask, he braves the treacherous streets as panic rises in the community, igniting debates on resource sharing among survivors.
This narrative is rooted in genuine violence and delusions, yet it deserves greater fame.
Though I haven’t read the original comics due to limited availability in the UK, the modern adaptations seem effective. A notable update involves the protagonist’s backstory as a soldier from the 1982 Falklands War, enriching his role as a leader among survivors while his unresolved trauma contributes to the haunting visions he faces.
The storyline of Forever echoes that of many apocalyptic dramas, albeit with distinct nuances that elevate it within the genre. The Spanish series maintains authenticity by preserving its Argentine context rather than setting the drama in the typically overused NYC or London backdrop, making room for unique elements ranging from architecture to societal issues.
Before watching, I was unaware of Argentina’s history and how Oesterheld and his four daughters (two of whom were pregnant) vanished during the 1977 military dictatorship. The significance of this new series sheds light on the families affected during that tragic time. An Updated Search suggests that he may have been connected to other families due to his missing grandchildren’s plight. This tragic backdrop imbues the adaptation with depth, far surpassing its peers.
Some weaknesses in Forever do exist: the pacing of the initial three episodes feels sluggish and the treatment of female characters is somewhat lacking. Nonetheless, it remains a deeply engaging survival drama, with the narrative complexity increasing in the latter half. Plus, here’s a pleasant surprise—the series has been renewed for a second season following its sleeper success on Netflix.
I Also Recommend:
The Mist Directed by Frank Darabont When a mysterious fog envelops the town of Bridgeton, residents are forced to either stay indoors or confront a deadly threat. This Stephen King adaptation offers a surprising twist with a new ending.
I’m Still Here Directed by Walter Salles Elsa Sanchez, the widow of comic book writer Hector German Oesterheld, seeks justice against the Argentine military regime. Her journey parallels Eunice Paiva’s story, captured in this remarkable film about her husband’s assassination under a Brazilian dictatorship.
Bethan Ackerley is a sub-editor at New Scientist. She has a passion for science fiction, sitcoms, and all things eerie. Follow her at @inkerley
The Art and Science of Crafting Science Fiction
Engage in science fiction writing this weekend, focusing on the creation of new worlds and innovative artworks.
I stumbled upon my homeless billionaire husband for Christmas, the quarterback by my side, XXL’s wife’s revenge, and my secret agent husband.
These may seem like whimsical fantasies, but they are actually part of a genre known as “vertical drama.” This innovative format for episodic television has captured the attention of millions of people worldwide.
Originating from China, the genre, often referred to as “Tiktok generation television,” consists of short episodes designed for viewing on smartphones. By 2027, the market for vertical drama is expected to reach a value of $14 billion (£11 billion).
“The growth of this genre signifies a demand among audiences that is not being met by the current media landscape,” explains Zhou Yuan, the founder of content Republic, a Beijing-based vertical film production company, as reported in a recent interview with a Hong Kong cinema.
Micro-dramas, known as Duanjus in Chinese, have made a significant impact on the Chinese audiovisual market before expanding globally, transforming the industry. Chinese companies are collaborating with foreign production firms to export this format, supported by a range of new streaming apps such as Reelshort, ShorttV, Dramapops, and FlextV.
In November of last year, California-based Reel Short, backed by Chinese investors, surpassed Tiktok as the most popular entertainment product in the Apple App Store in the US.
“Some skeptics questioned the willingness of audiences to pay for this content,” remarked Joey Jia, the CEO of Crazy Maple Studio, the company behind Reelshort, in an interview with the Washington Post.
Romantic soap opera posters feature titles like “Love is Sin” and “I’m Going to Hell.” Photo: Reel Short
Viewers are captivated by the familiar tropes found in Booktok readings, such as secret billionaires, forbidden love, and supernatural enemies. They are hooked by catchy titles, suspenseful cliffhangers, and dramatic moments. Typically, these apps offer a few free episodes before requiring a paid subscription. Similar to video games, Reelshort allows users to purchase “Coins” to access additional episodes.
Jen Cooper, the UK-based founder of Vertical Drama Love, has a passion for romantic films and comedies, which drew her to this format.
“Last April, during a challenging personal time, I found it difficult to focus on full-length dramas,” Cooper shared. “One day, I stumbled upon a vertical drama ad on Tiktok that piqued my interest.”
She delved into her first vertical drama, a captivating tale of a woman torn between her ex and uncle, titled “You Belong With Me.” “It embodies classic themes but at its core, it’s a beautiful love story with genuinely entertaining moments,” she remarked.
Cooper fell down the rabbit hole, creating an Instagram account to share reviews, connecting with industry insiders, and fostering a community of enthusiasts. The response was overwhelming, with over 16,000 votes from around the globe within a week of launching a fan award.
She discovered that many individuals turned to vertical dramas during challenging periods in their lives. “I’ve heard stories from family members, fans battling serious health issues or caring for loved ones. The audience ranges from women in their early 20s to their 60s. I’ve spoken to a Pakistani student, an elderly Italian woman bedridden, and a mother who lost her husband while doing household chores,” she shared.
The universal appeal lies in escapism, offering a quick dose of dopamine when life becomes overwhelming. “People yearn for satisfying outcomes, and let’s be honest, who doesn’t enjoy seeing incredibly attractive individuals fall in love?
Defne Turan, a production manager at London’s Seastar Productions, believes that vertical drama is the way forward.
She noted a surge in interest from filmmakers and actors eager to be part of this burgeoning genre. “It’s a new frontier, and we must approach it with the same level of care as traditional productions. Just because it’s different and fast-paced doesn’t mean we compromise on quality,” she emphasized. “We utilize industry-standard equipment, and many experienced production crews and makeup artists from major productions are involved.”
For many actors like Teig Sadana, vertical dramas offer a lifeline in a competitive industry. They provide consistent work amidst strikes and cutbacks. Verticals are typically shot in just 7-10 days, with two cameras capturing scenes in a single take.
Australian and British actor Teig Sadana credits the format for providing him with steady work opportunities. Photo: Jennifer Cooper
Teig Sadana, a 29-year-old Australian British actor based in New York, transitioned to vertical dramas after completing his studies at Stella Adler Studios.
“I responded to a rather standard acting job ad on a website, not fully comprehending what ‘vertical’ entailed. I needed the paycheck,” he admitted. After a brief conversation with the supervisor, he found himself on set a few days later filming “Glory of Pennsylvania’s Revenge.”
“Since then, I’ve worked on 10 films across various major vertical platforms, collaborating with talented professionals and experiencing the joy and stability of consistent work,” Sadana shared.
Initially challenged by the format’s constraints on character development, Sadana learned to embrace its unique style, preventing him from “overindulging.”
Nick Westway, a former star of the Australian soap opera “Home and Away,” currently stars in “The Double Life of Hitmaster President.”
According to Zhou, Content Republic plans to produce 400 vertical dramas annually, with 200 intended for the domestic Chinese market and 200 for international audiences.
While it remains to be seen if the novelty of the genre will fade (some platforms have ceased operations within six months), even established media companies are taking note of the trend and striving to engage younger audiences. In 2023, Paramount Pictures released a series of 23 snippets from “Mean Girls” on Tiktok.
“This is a space that resonates with audiences and offers valuable insights into how creators and viewers embrace it,” remarked Sacha Kari, Channel 4’s digital commissioning manager.
WWhat happens when you ask a few British TV stars to critique TV on a podcast? A moment of painful awkwardness – Joanna Page’s critique of an up-and-coming comedian’s new show as ‘Unbearable.’ was the harsh criticism.
If you missed the headlines from last week, Page and her off the telly Co-host Natalie Cassidy discussed Lucia Keskin’s BBC Three comedy series Things I Should Have Done.
“You know what I should have done? I’m not going to watch it,” the Gavin and Stacey star surprisingly commended the “talented” Keskin for managing to produce the show in the current industry climate. “It’s rare for something not to be seen,” she added. “I thought, ‘Oh my God, this is unbearable.’ I’m so bored. I’m just really bored. I’m bored.”
Perhaps this serves as a lesson on the risks of the increasingly blurred line between celebrity and critic on podcasts.
Speaking of celebrities, Charlotte Church’s inaugural series, “Kick Back with the Cardiffians,” is this week’s highlight and pays homage to her hometown. Find out more about this article and other favorites, and explore our top 5 controversial podcasts.
Holly Richardson television editor assistant
This week’s picks
Charlotte Church is a Cardiff-born host of a new Cardiff-focused podcast. Photo: Karl Cote/Getty Images
Kickback with Cardiffians BBC Sounds, weekly episodes “I was born in Cardiff, I grew up in Cardiff, and when I die I will die in Cardiff.” And so begins Charlotte Church’s new show, offering listeners an inside look into her hometown. However, it also delves into her family, love, and working-class life through interviews with her relatives, friends, and local pub owners. Expect a lively and heartwarming listening experience of “We’re pretty shrewd – that’s who we are” with all our heart. Alexi Duggins
finally!show Wide range of weekly episodes available This podcast promises to be “a show about women that isn’t a thinly veiled wishful nightmare,” and it presents itself like a reality show to the listeners. Each 30-minute episode provides insight into a different life, with highlights including a crematorium worker, an 83-year-old nude model, and a singer by profession. Hannah Verdier
she has a name Wide range of weekly episodes available “When the police don’t listen, journalists are the next best thing,” says Tonya Mosley, but she’s more than just a cold-case podcaster. Instead, she shares a brave and personal story, recounting the disappearance of her young Detroit mother in the ’80s, and coincidentally, the sister she never knew. HV
your home history Wide range of weekly episodes available Ever wondered about the history of wallpaper? From the origins of laundry to refrigerators, this podcast offers a fun, narrative-driven exploration of everyday objects. Did you know that wallpaper was inspired by bees? Or that Oliver Cromwell banned wallpaper? You’ll think so if you tune in to this show. advertisement
George Orwell’s 1984 Audible, all episodes now available While you may think there’s no need to retell a perpetually relevant surveillance thriller, this classic storytelling with a star-studded cast and direction is worth the listen. Andrew Garfield portrays Ministry of Truth employee Winston, Cynthia Erivo plays Julia, Tom Hardy is Big Brother, and Andrew Scott is O’Brien. Plus, Matt Bellamy from Muse is composing the score. Holly Richardson
There’s a podcast for that
Renu, the eldest sister of British girl Shamima Begum, holds a photo of her younger sister while giving a media interview in central London. Photo: Laura Leen/AFP/Getty Images
this week, Hannah Verdier choose the best five controversial podcastfrom Michael Jackson’s masterpieces to a sit-down with Shamima Begum
please reconsider How can Michael Jackson fans reconcile their love for the singer with the controversies surrounding him? Slow Burn’s Leon Neyfakh, alongside knowledgeable co-host Jay Smooth, delves into modern history storytelling, using archival audio, interviews, and detailed reporting to engage listeners in thought-provoking discussions. While some believe Jackson’s complex legacy should remain untouched, Neyfakh skillfully presents a nuanced explanation of our fallen heroes without imposing a specific viewpoint on the audience. This podcast aims to open conversations rather than change minds.
missing richard simmons Retro fun, quirky characters, and mysterious disappearances. Dan Taberski’s work on the search for flamboyant fitness guru Richard Simmons became an instant hit upon its release. While initially captivating, the podcast sparked controversy over Taberski’s public pursuit of Simmons. The New York Times labeled the podcast “morally bankrupt,” leading Taberski to take a step back and reassess his approach after producing six episodes.
i am not Monster: The Story of Shamima Begum Joshua Baker’s podcast takes listeners on a journey from East London to Syria to meet Shamima Begum, shedding light on her controversial story. Her accounts of life in Syria and responses to her experiences sparked debates and controversies among listeners.
CEO diary “Happy Sexy Billionaire” Stephen Bartlett delves into the lives of successful individuals, causing a stir with his candid discussions. Love Island alumna Molly-Mae Hague’s comments on time management and privilege led to backlash and debates on the treatment of successful women in the media.
walker’s switch Lauren Peters and Augustine Cerf explore the debate over Walkers potato chip flavors in this podcast, prompting discussions on food culture and memories of classic snacks.
Why not try it…
Sam Campbell and Lucy Beaumont, known for their appearances on Taskmaster, team up for the podcast Sam and Lucy’s perfect brains.
Voices from the Dales offers a glimpse into the lives of Yorkshire shepherds in six 15-minute episodes capturing a disappearing culture.
Jeff Shreeves combines football and music in his aptly named podcast football, music and me, featuring interviews with former pros like Gary Neville and Vinnie Jones.
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