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Top 6 Sci-Fi Series to Watch in 2025

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In “Common Side Effects” Marshall makes an important discovery

Warner Bros. Discovery

2025 has brought many captivating sci-fi shows showcasing themes of chaos, intrigue, and resistance. This unrest may mirror our world’s current state, but it certainly has led to some incredible television. Here are six series you should consider adding to your watch list.

Two of the standout shows have returned with new seasons. Initially, when Andor (Disney+) premiered in 2022, it felt somewhat unreal. Was it just a fun ride for both loyal fans and newcomers? A prequel focusing on Rebel Alliance spy Cassian Andor, written and performed with Shakespearean intensity? The question lingered in my mind.

However, it truly is fantastic. Remarkably, the second and final season (sadly) of Andor is even better than the first. Now centered on the battle against the Galactic Empire, Cassian, under the direction of a shadowy spymaster Lusen, steals a ship to rescue operatives, amidst a larger conflict. A timely and beautifully narrated tale amidst an era of rising authoritarianism, Andor undoubtedly stands out as the year’s finest show.

Another worthy contender from 2022 is Severance (Apple TV), which presents a starkly different set of rebels. Nestled within the enigmatic Lumon Industries, it showcases employees who opt for “separation.” Their professional memories are cut off from their true selves, generating a new entity known as “innie,” who knows nothing outside their work existence.

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The instability present in numerous 2025 sci-fi series negatively portrays our reality, yet translates into remarkable television.
“

These innies endure relentless horrors orchestrated by Lumon’s middle management, while the “outies” who cast them into this predicament remain blissfully unaware. Their only escape? Resigning to death. The second season takes a spine-chilling turn, unveiling deeper aspects of Lumon’s bizarre operations. Severance is a thoroughly satisfying mystery, intelligently unraveling its plot while adequately addressing the intricacies behind it.

James Marsden as President Cal Bradford in Paradise

Disney Copyright: Disney/Brian Roedel

Now, let’s talk about shows that may seem ordinary at first glance. New Scientist suggests Paradise (Disney+/Hulu), which skyrocketed to popularity in January. Initially a standard political thriller, the casting of Sterling K. Brown as U.S. secret agent Xavier Collins and James Marsden as Cal Bradford, a suspected presidential murderer, proves clever. Their on-screen chemistry is outstanding, and the fast-paced plot keeps viewers guessing.

What seemed like a light binge-watch took a captivating turn towards sci-fi by the end of an unforgettable first episode. Paradise brilliantly transitions from mere entertainment to something truly engaging. Without giving away spoilers, it casts an eerie shadow over the investigation, preventing the narrative from spiraling into absurdity. Absurdity is present—many pivotal moments are underscored with airy renditions of 1980s power ballads—but it’s just the right touch.

Every year, numerous end-of-the-world narratives unfold on screens, but inevitably, some stand out more than others. Among the top shows of 2025 is El Eternaut (Netflix), which breathes life into the classic comic by Héctor Germán Oesterheld.

As heavy snow descends upon Buenos Aires, former soldier Juan Salvo dons a gas mask and waders, venturing out to locate his family. It quickly becomes clear that the snowfall is just the tip of the iceberg. Juan and other survivors must unravel the mystery of what’s happening and how to thwart it.

Delve into the grim historical backdrop of Argentina’s late 1970s military dictatorship and the assassination of Oesterheld. El Eternaut pays appropriate homage to its source material, crafting a haunting series. One of the standout scenes this year takes place in a confined apartment where survivors must huddle together and strip Juan’s clothing, realizing their survival relies on outside elements.

If you lean towards warmer dystopian narratives, consider Pluribus (Apple TV), written by Breaking Bad’s Vince Gilligan. Set against the backdrop of sunny New Mexico, it follows the tale of jaded romance novelist Carol Starka, who is anything but a hero. In a world where most of humanity becomes overwhelmed by a sudden wave of happiness, everyone clamors to serve Carol, one of the few unaffected individuals.

What if a utopia existed, but not all could bask in its light? Carol is uninterested in participating in this enforced joy, yet discovering a path to normalcy proves challenging, especially considering how lovely a world free of conflict and selfishness can be.

Pluribus exhibits excruciating confidence and leads you through unexpected twists, anchored by an impressive central performance.

Surprises Await

Let’s shift to a more uplifting topic about joy. Common Side Effects (Channel 4/Cartoon Network) has been the biggest surprise for me this year, not just for its quality—thanks to co-creator Joe Bennett, known for the remarkable Scavenger’s Rain—but because it garnered enough viewers to warrant a second season.

This animated series follows fungi expert Marshall, who stumbles upon a shocking finding—a mushroom that seems to possess the power to cure various ailments. Unsurprisingly, this mushroom, dubbed Blue Angel, quickly becomes a sought-after commodity that nefariously falls into the hands of Leutical Pharmaceuticals, a company whose newest employee is Frances, a childhood friend recently reconnected with Marshall.

With enemies in pursuit, the show transcends mere conspiracy thriller tropes or critiques of Big Pharma. Common Side Effects weaves a thoughtful, engaging narrative about envisioning a brighter future. Let’s take inspiration from this for 2026.

Topics:

  • Science Fiction/
  • TV Shows

Source: www.newscientist.com

Pluribus Review: Breaking Bad Showrunner Explores Happiness in New Sci-Fi Series

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Rhea Seehorn stars in ‘Pluribus’, debuting on Apple TV+ on November 7, 2025.

Anna Kooris, Apple TV+

Pluribus
Vince Gilligan, Apple TV

When posed with the question of the greatest episode in TV history (a regular discussion among my patient friends), “Ozymandias,” from Breaking Bad, often comes to mind. This episode, a pinnacle in storytelling, acting, and direction, encapsulates the harrowing tale of a chemistry teacher turned meth producer after a cancer diagnosis.

Being part of a flawlessly executed episode is a substantial legacy. Creating two monumental series like Breaking Bad and its companion Better Call Saul has entirely revolutionized television. Vince Gilligan, the brilliant showrunner, has proven his mettle and with Pluribus, his intriguing new sci-fi series for Apple TV, there’s little left for him to prove.

Having viewed the first six episodes of this nine-part season, I can affirm that the series is crafted with remarkable confidence, maintaining an engaging grip through its intricate plot twists and immersive world.

Carol (Rhea Seehorn, veteran of Better Call Saul) is the writer behind Waikalo Wind, a popular series of pirate-themed novels. While her successes afford her a comfortable living, she’s plagued by creative stagnation. However, her life is about to take a darker turn.

During a book tour with her agent and partner Helen (Miriam Shor), a strange incident occurs—everyone around Carol suddenly experiences a seizure. Once the episode subsides, they find themselves in an entirely different reality, leaving her as one of the few unaffected. This anomaly may be connected to a peculiar radio signal that was detected 439 days earlier, pulsating a base-4 rhythm every 78 seconds from 600 light-years away.

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Can a society become utopian without the consent of its citizens? Even if one person feels trapped, is it still a utopia?
“

Unbeknownst to Carol, the rest of humanity revels in liberation from trivial grievances and desperately wishes for her to join them.

I understand their obsession with her. Even prior to her becoming the world’s unhappiest individual, her cantankerous demeanor is captivating. She reminds me of Paul Sheldon in the film Misery, though disturbed by adoring fans, Carol is scrutinized by billions. Her fellow humans serve her unwaveringly as they seek to decipher her differences and remedy her situation. Eventually, she begins to navigate the rules of this new world and discovers she possesses more agency than she initially believed.

Pluribus poses many compelling questions. Can a utopian society exist without the agreement of its members? Is it still utopia if one feels isolated? Besides Seehorn’s stellar performance, the series is commendably character-focused, noticeably dedicating time to moments like a character attempting to conceal a body. There’s an organic pacing to the story development, leading to unexpected turns.

Despite having seen the majority of the first season, the direction of Pluribus remains enigmatic. Some viewers may find this ambiguity off-putting, and its deliberate pace could polarize opinions. However, I find it exhilarating, as it subverts typical big-budget sci-fi conventions.

With a second season assured, it’s certain to cultivate its own “Ozymandias” moment if it gains traction.

I also suggest:

Breaking Bad
Vince Gilligan

Need more proof of Vince Gilligan’s prowess? Check out his debut masterpiece. The tale of a chemistry teacher turned meth manufacturer is a gripping five-act tragedy, illustrating one of television’s most remarkable antiheroes.

Outlander
Adapted by Ronald D. Moore

There are significant moments in Pluribus reminiscent of character dynamics in Outlander, where rearranging a bookstore serves to provide characters interaction through literature. Diana Gabaldon’s Outlander may not be as visually depicted in the books, but the TV rendition is exceptional.

Bethan Ackerley is an associate editor at New Scientist. She enjoys science fiction, comedy, and anything creepy. Follow her at @inkerley

Topics:

  • Science Fiction/
  • Television

Source: www.newscientist.com

Apple Watch Series 11 Review: Extended Battery Life Lets You Push Your Limits without Worry

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The Apple Watch Series 11 introduces a highly requested feature: extended battery life.


Aside from that, the new model serves as a direct successor to the Series 10, retaining its design, dimensions, and features. Most enhancements are software-based, solidifying its position as one of the top smartwatches available, despite limited physical changes.

Starting at just 369 pounds in the UK (449 euros/$399/$679), the Series 11 sits below the watch SE at the low end and 749 pounds Ultra 3 at the high end.




The Series 11 is available in Space Gray, a hue first seen with the iPhone 5s in 2013. Old trends make a comeback. Photo: Samuel Gibbs/The Guardian

Similar to last year’s Series 10, this new version is only 9.7mm thick, making it comfortable to wear at night and easily tucked under cuffs. It’s lightweight and user-friendly.

The vibrant 2,000 knit OLED display is bright for indoor and outdoor use, and remains legible from various angles. The glass is reportedly twice as scratch-resistant as its predecessors, though it doesn’t quite match the hardness of the sapphire used in more expensive titanium models.

The new watch incorporates the same S10 chip as previous versions, now with optional 5G connectivity, ensuring strong reception for outdoor activities. Battery capacity has increased by 9% for 42mm models and 11% for 46mm models.

In sleep tracking tests without exercise, the 46mm version lasted two days. Most users can expect around two days and nights before needing a recharge, which takes 66 minutes with a power adapter over 20W (not included), reaching about 70% in just 30 minutes. During a run, it tracks for roughly eight hours—enough for one or two marathons.

Specifications

  • Case Size: 42 or 46mm

  • Case Thickness: 9.7mm

  • Weight: Approximately 30g or 37g

  • Processor: S10

  • Storage: 64GB

  • Operating System: WatchOS 26

  • Water Resistance: 50 meters (5 ATM)

  • Sensors: HR, ECG, SpO2, Temperature, Depth, Microphone, Speaker, NFC, GNSS, Compass, Altimeter

  • Connectivity: Bluetooth 5.3, WiFi 4, NFC, UWB, Optional 5G

WatchOS 26




The Flow Watch face is engaging, though reading the time at a glance can be challenging. Photo: Samuel Gibbs/The Guardian

The Series 11 ships with WatchOS 26, compatible with all models from the Series 6 onward. A new liquid glass design introduces semi-transparent elements and two additional monitoring interfaces: a large digital face called Flow that reacts to movement, and an Analog Face that segments hours, minutes, and seconds into custom dials.

One of the standout features is the wrist flick gesture. This allows you to quickly twist your wrist to dismiss notifications and return to the watch face without lifting your wrist to look at it, enabling you to silence alarms with a satisfying motion.

Hypertension, Sleep, and AI Workouts




Hypertension alerts utilize the optical sensor located on the back, the same one used for heart rate and blood oxygen readings; no pressure cuffs needed. Photo: Samuel Gibbs/The Guardian

The Apple Watch retains the extensive health monitoring tools of its predecessor while introducing new features and a revamped training app.

Hypertension alerts now observe potential high blood pressure over 30 days, notifying users if heart rate data indicates possible hidden issues.

The updated sleep score metric simplifies Apple’s sleep tracking, akin to offerings from competitors like Google and Samsung. Each morning, users receive a score out of 100 based on factors such as duration, bedtime, and interruptions, all easily understood within the iPhone health app.




A sleep score helps you gauge sleep quality, allowing for detailed assessments as needed. Photo: Samuel Gibbs/The Guardian

Workout Buddy acts as an AI coach, leveraging past training data to offer motivational talk before and after workouts. It tracks your training frequency and effort level, providing audible updates during your exercise, including alerts for milestones like pace, heart rate, distance, and time.

Three voice options deliver updates through Bluetooth headphones in any of the 12 supported activities, including walking, running, and cycling. However, functionality may depend on being in proximity to an iPhone 15 Pro or later to avoid interruptions while training.

Sustainability




The recycled aluminum frame offers a premium, slim, and comfortable fit. Photo: Samuel Gibbs/The Guardian

Apple states that the battery should last for 1,000 or more charge cycles while retaining at least 80% of its original capacity, and can be replaced for £95. Repair costs range from between £295 and £389, depending on the model.

The watch comprises over 40% recycled materials, including aluminum, cobalt, copper, glass, gold, lithium, rare earth elements, steel, tin, titanium, tungsten, among others. Apple provides trade-in options and free recycling of devices, addressing the environmental impact of its products.

Price

The Series 11 is available in two sizes (42 and 46mm) with options for materials and 5G support, which necessitates a compatible phone plan for eSIM. Prices start at £369 (€449/$399/$679), with the 5G model requiring an additional £100 (€120/$100/$170).

For reference, the Apple Watch Ultra 3 retails at £749, while the Apple Watch SE 3 starts at £219, and the Google Pixel Watch 4 is priced at £349. The Samsung Galaxy Watch 8 is available for £294.

Verdict

The Series 11 keeps the successful Apple Watch formula intact, enhancing it with improved glass and longer battery life.

With its slim profile, quick charging, and two-day battery life, it proves convenient for sleep tracking and silent alarms. The wrist flick gesture stands out as a feature every watch should embrace, and compatibility with earlier Apple Watch straps and chargers is a significant advantage. Price drops in the UK are also appreciated.

Users may need time to adjust to the glass-like appearance of WatchOS 26, but the software operates similarly while introducing valuable additions like hypertension alerts. The Workout Buddy proves particularly useful, offering positive experiences though reliant on mobile exercise.

Overall, the Series 11 ranks among the finest smartwatches for iPhone users. Those with older models, like the Series 6, can expect a substantial upgrade. However, this year, it faces competition from the revamped Watch SE 3, which serves as a compelling alternative.

Pros: Exceptional screen visibility, sleek design, double tap and wrist flick gestures, top-notch health monitoring, impressive activity tracking, AI coaching via Workout Buddy, 50m water resistance, two-day battery life, optional 5G connectivity, long software support, eco-friendly materials, and backward compatibility with previous Apple Watch straps.

Cons: Premium pricing, limited to iPhone users, lacks customizable faces for third-party watches, and maintains a similar aesthetic to prior models.

Source: www.theguardian.com

Kentucky Appalachians Face Challenges in Recovering from a Series of Disasters

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Historically, Eastern Kentucky has faced significant flooding issues. As moist air ascends the Appalachian mountains, it releases moisture into the valleys. However, during extreme rainfall, this water quickly flows into lowlands, causing many local streams to be overwhelmed. A study revealed an alarming number of fatalities during the catastrophic flood of 2022, which occurred near Troublesham Creek, a 168-mile tributary of the North Fork Kentucky River, impacted by historical mountaintop removal mining.

For numerous residents of Hazard, the increasing frequency of flooding has transformed lives. Once a thriving hub for coal production, the town’s economic prospects have drastically declined over recent decades, burdening long-time residents with both financial struggles and flood damage.

Eastmon, who has faced flood dangers since 2007, describes the trauma left by these events.

“Whether it’s witnessing someone stuck in a tree or seeing someone underwater, it affects you,” Eastmon shared. “Everyone here has been influenced in some capacity.”

Local volunteer firefighter Ronnie Dillion assisted in rescuing Craig, a flood victim near Trouble Creek in 2022. Dillion’s family has deep roots in Hazard, yet he plans to relocate to London, a sizable city approximately 60 miles west of Hazard. He mentioned that the recent flooding has been a breaking point for many residents who are already struggling.

The flood devastated Dillion’s home, creating a cave-in in part of the ceiling. He noted that rebuilding is particularly challenging due to the limited job opportunities available locally.

“This place is my home, but there aren’t many opportunities for younger people here,” Dillion lamented. “We can’t pursue our dreams or do what we love in this environment.”

In February, part of Ronnie Dillion’s home was destroyed by a massive flood. A volunteer firefighter, Dillion has few employment opportunities in flood-covered dangers and struggles to repair his home.
NBC News Studio

According to the latest Census data, over 25% of Perry County residents live below the federal poverty line. At its peak in 1990, the coal industry employed over 29,000 individuals, but since then, Kentucky has lost approximately 85% of those jobs, as reported by Kentucky Statistics Center. In Perry County, employment fell by 23% in 2023.

Jason Naylor, a researcher at the University of Louisville focusing on climate change in Kentucky, points out that Eastern Kentucky is particularly susceptible to climate impacts and increased flooding.

“There are numerous social vulnerabilities,” Naylor noted.

Eastmon shares that some neighbors believe governmental actions contributed to the 2022 flood, and there’s a significant loss of faith in public officials within the community following the disaster. Eastmon herself has applied for a home-buying program in Perry County, hoping it will bring her closer to her children.

“I keep sharing our story, hoping someone will hear it and help us escape our situation,” she expressed.

Source: www.nbcnews.com

Is This the Solution to the Housing Crisis? YouTube Series Spotlights Chic, Compact Abodes

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I received invitations to experience the homes of an architect in Buenos Aires, a Vogue designer in Hong Kong, a community organizer in Sydney, and a writer in Paris.

In reality, I spend my time watching episodes of “Never Too Small” on YouTube. Never Too Small is a media company that produces magazines and online documentaries focused on “designing and living with small footprints.” For me, “Never Too Small” equals “the source of my favorite TV shows.” I enjoy watching while snacking on toast.

https://www.youtube-nocookie.com/embed/xfXMoGmb74w?wmode=opaque&feature=oembed" title="NEVER TOO SMALL Paris Architect’s Micro Apartment – 31sqm/344sqft" height="480" width="854" allowfullscreen="

New episodes are released every week, totaling over 100. Their duration, usually under 10 minutes, is just right. The calming visuals of historic architecture and busy urban streets exude charm. The gentle background music envelops you like a warm bath. As you dive into these videos, you realize you can’t have just one; suddenly, over 100 episodes feel like just a handful. It’s reminiscent of that moment when you first taste chocolate and are told it’s simply an “occasional” treat.


At its core, this series aims to illustrate that one doesn’t need a grand cathedral to feel comfortable as a human being. This appeals to the Australian mindset, often suggesting that without property—taking up a day and a half of each day—we might as well be dead. (Just blame Banjo Patterson or McLeod’s Daughters.) Even a participant in “Grand Designs” hinted that his fixation on grand Aussie homes was somewhat rebellious! He might not have used those exact words, but you get the drift. Rarely do we see people worldwide transforming tiny townhouses and pint-sized apartments into remarkably cozy homes—more so than the dreams spun by the girls from McLeod’s.

Now, I’ve come to love the concept of “too small.” I adore compact spaces. I dream of curling up to the 16th, slipping into an envelope, and surrendering myself to a petite mail slot belonging to a small beret-wearing rabbit. That said, I must admit: some of these dwellings don’t feel small at all!

https://www.youtube-nocookie.com/embed/daL7TkzyW7k?wmode=opaque&feature=oembed" title="NEVER TOO SMALL 24sqm/258sqft Micro Apartment – Boneca" height="480" width="854" allowfullscreen="

“Is this small?” I sometimes ask my partner while enjoying toast. “Is this truly small?” he returns, as we both get lost in the ambiguity. Which one is “smaller”? Is it simply a trick of perception? These spaces even feature courtyards!

The viewing area—so crucial at the start of each episode—is undeniably charming. “I live in a tiny house, and I don’t complain about it,” you might think, but do you have a Wes Anderson-inspired décor? Or perhaps a community library with great ventilation? What about a cabin where you can sleep under the stars (while still in bed; after all, you’re not a caveman)? If not, then these diminutive homes are uniquely special.

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It’s intriguing how these spaces evolve. (It’s disheartening when an owner describes their previous space as “monotonous,” as it resembles their current apartment closely.) The bus is often the first to go, and I find myself in the way. If they enjoy dining out, the oven might also be sacrificed. Occasionally, there’s neither a bathtub nor an oven, but rather a climbing wall instead.

The hosts are always impeccably dressed, stylish sneakers on their feet, engaging in fascinating activities. Even their pets seem to have a deeper understanding of life (you can just tell by the raised eyebrows). “When hosting dinner parties, we pull out this custom bench seat to accommodate 8-10 guests,” they boast. Can you imagine being someone who hosts a dinner party? Picture knowing 8-10 people!

The renowned writer, scientist, and sage Johann Wolfgang von Goethe once mused about life’s complexities. Yet, I find tranquility in observing others’ clever homes via video. We’re all just a recycled wooden dining table or a small piano away from pure bliss. Let’s not shy away; embrace the beauty of being too small.

Source: www.theguardian.com

GTA 6 Delivers: Will the Notorious Cynical Action Series Finally Embrace Romance?

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something exciting is coming to Grand Theft Auto Universe next year. This isn’t just about stunning graphics or uncharted territories in Rockstar’s version of the US; it goes much deeper. If you caught the recently released second trailer for GTA6, it was unveiled mercilessly just days after the announcement that the game won’t be available until May next year. What’s new is romance.

The main characters in this latest gangster saga are Lucia Caminos and Jason Duval, two young lovers from rough backgrounds. He’s a former attire turned drug runner, while she’s just out of prison and determined to create a better life for herself and her beloved mother. Their paths cross as they devise plans to escape their gritty surroundings. However, when a seemingly straightforward robbery takes a dangerous turn, they find themselves entangled in a sprawling criminal conspiracy. If Rockstar is telling a love story, you can bet it includes an Underworld Kingpin, gang members, conspiracy theorists, and a horrifying array of corrupt politicians.




Slazy Rider…Grand Theft Auto 6. Illustration: Rockstar Game

But how do writers create a couple that resonates with the series’ tone and lore? Traditionally, it has focused on deeply flawed, solitary characters like the PTSD-afflicted veteran Nico Bellic and the volatile Trevor Phillips. There was a brief romantic subplot in previous games—Mercedes Cortes, CJ’s short affair, the entanglements of Catalina in San Andreas, and the flirtations woven throughout Tommy Vercetti’s escapades. Even Trevor’s odd interactions with Patrice in GTA5 featured sparse love stories filled with Stockholm syndrome. Yet, in these narratives, emotional dynamics often took a backseat to violent heists and adrenaline-fueled car chases. The GTA universe has been largely nihilistic, emphasizing individualism often accompanied by a façade of camaraderie before brutal betrayal. However, the new GTA trailer hints at a fresh integrity. “Rather than superficial fantasies, Lucia is prepared to seize control. A life with Jason could lead her to new horizons.”

Writers still look to cinema for inspiration. With its themes of violence and luxury cars under the sun, Vice City drew from Scarface and Miami Vice. GTA: San Andreas channeled the cinematic essence of early ’90s South Central LA through films by John Singleton and the Hughes brothers. GTA 4 took cues from French crime dramas and Russian gangster films. Already, GTA6 is drawing comparisons to Bonnie and Clyde, another tale of troubled lovers willing to risk everything for love. Yet, Rockstar seems to have delved deeper, studying the true romance depicted in Sam Peckinpah’s classics and Terrence Malick’s Badlands—a story of a thrilling but ultimately discontent couple. Even Natural Born Killers may provide surreal inspiration for this new arc.

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Regardless, this is timely. With all its satire and moral ambiguity, GTA titles have often lacked subtlety. Relationship dynamics have traditionally been tied to the honor code of dysfunctional families and the hypermasculine gangland ethos. This series has never featured a female lead protagonist until now. We’re witnessing the emergence of new dynamics.

Perhaps GTA will approach romance similarly to how it has explored friendship in the past. Take Roman and Nico in GTA 4, who embody contrasts of darkness and violence alongside meaningful risks. Expect minimal player influence in the relationship’s development since GTA isn’t a strict role-playing adventure. Story progression hinges more on actions rather than dialogue. However, I’m curious about what the writers have observed about human behavior from the increasingly popular multiplayer spinoff, GTA Online, where dedicated role-playing servers have fostered virtual relationships.

In any case, I’m rooting for Lucia and Jason. They represent some of the most intriguing characters we’ve seen in the series—already generating buzz online as fans have shipped them. While Rockstar’s art team typically depicts characters as reflections of internal decay, these two are undeniably attractive and share a strong chemistry. Perhaps Rockstar recognizes that the current state of the world—and perhaps our desires—yearns for genuine romantic connection. Next May, expect both love and bullets to fly.

Source: www.theguardian.com

Find out why this TV serial is gripping viewers on their phones

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I stumbled upon my homeless billionaire husband for Christmas, the quarterback by my side, XXL’s wife’s revenge, and my secret agent husband.

These may seem like whimsical fantasies, but they are actually part of a genre known as “vertical drama.” This innovative format for episodic television has captured the attention of millions of people worldwide.

Originating from China, the genre, often referred to as “Tiktok generation television,” consists of short episodes designed for viewing on smartphones. By 2027, the market for vertical drama is expected to reach a value of $14 billion (£11 billion).

“The growth of this genre signifies a demand among audiences that is not being met by the current media landscape,” explains Zhou Yuan, the founder of content Republic, a Beijing-based vertical film production company, as reported in a recent interview with a Hong Kong cinema.

Micro-dramas, known as Duanjus in Chinese, have made a significant impact on the Chinese audiovisual market before expanding globally, transforming the industry. Chinese companies are collaborating with foreign production firms to export this format, supported by a range of new streaming apps such as Reelshort, ShorttV, Dramapops, and FlextV.

In November of last year, California-based Reel Short, backed by Chinese investors, surpassed Tiktok as the most popular entertainment product in the Apple App Store in the US.

“Some skeptics questioned the willingness of audiences to pay for this content,” remarked Joey Jia, the CEO of Crazy Maple Studio, the company behind Reelshort, in an interview with the Washington Post.

Romantic soap opera posters feature titles like “Love is Sin” and “I’m Going to Hell.” Photo: Reel Short

Viewers are captivated by the familiar tropes found in Booktok readings, such as secret billionaires, forbidden love, and supernatural enemies. They are hooked by catchy titles, suspenseful cliffhangers, and dramatic moments. Typically, these apps offer a few free episodes before requiring a paid subscription. Similar to video games, Reelshort allows users to purchase “Coins” to access additional episodes.

Jen Cooper, the UK-based founder of Vertical Drama Love, has a passion for romantic films and comedies, which drew her to this format.

“Last April, during a challenging personal time, I found it difficult to focus on full-length dramas,” Cooper shared. “One day, I stumbled upon a vertical drama ad on Tiktok that piqued my interest.”

She delved into her first vertical drama, a captivating tale of a woman torn between her ex and uncle, titled “You Belong With Me.” “It embodies classic themes but at its core, it’s a beautiful love story with genuinely entertaining moments,” she remarked.

Cooper fell down the rabbit hole, creating an Instagram account to share reviews, connecting with industry insiders, and fostering a community of enthusiasts. The response was overwhelming, with over 16,000 votes from around the globe within a week of launching a fan award.

She discovered that many individuals turned to vertical dramas during challenging periods in their lives. “I’ve heard stories from family members, fans battling serious health issues or caring for loved ones. The audience ranges from women in their early 20s to their 60s. I’ve spoken to a Pakistani student, an elderly Italian woman bedridden, and a mother who lost her husband while doing household chores,” she shared.

The universal appeal lies in escapism, offering a quick dose of dopamine when life becomes overwhelming. “People yearn for satisfying outcomes, and let’s be honest, who doesn’t enjoy seeing incredibly attractive individuals fall in love?

Defne Turan, a production manager at London’s Seastar Productions, believes that vertical drama is the way forward.

She noted a surge in interest from filmmakers and actors eager to be part of this burgeoning genre. “It’s a new frontier, and we must approach it with the same level of care as traditional productions. Just because it’s different and fast-paced doesn’t mean we compromise on quality,” she emphasized. “We utilize industry-standard equipment, and many experienced production crews and makeup artists from major productions are involved.”

For many actors like Teig Sadana, vertical dramas offer a lifeline in a competitive industry. They provide consistent work amidst strikes and cutbacks. Verticals are typically shot in just 7-10 days, with two cameras capturing scenes in a single take.

Australian and British actor Teig Sadana credits the format for providing him with steady work opportunities. Photo: Jennifer Cooper

Teig Sadana, a 29-year-old Australian British actor based in New York, transitioned to vertical dramas after completing his studies at Stella Adler Studios.

“I responded to a rather standard acting job ad on a website, not fully comprehending what ‘vertical’ entailed. I needed the paycheck,” he admitted. After a brief conversation with the supervisor, he found himself on set a few days later filming “Glory of Pennsylvania’s Revenge.”

“Since then, I’ve worked on 10 films across various major vertical platforms, collaborating with talented professionals and experiencing the joy and stability of consistent work,” Sadana shared.

Initially challenged by the format’s constraints on character development, Sadana learned to embrace its unique style, preventing him from “overindulging.”

Nick Westway, a former star of the Australian soap opera “Home and Away,” currently stars in “The Double Life of Hitmaster President.”

According to Zhou, Content Republic plans to produce 400 vertical dramas annually, with 200 intended for the domestic Chinese market and 200 for international audiences.

While it remains to be seen if the novelty of the genre will fade (some platforms have ceased operations within six months), even established media companies are taking note of the trend and striving to engage younger audiences. In 2023, Paramount Pictures released a series of 23 snippets from “Mean Girls” on Tiktok.

“This is a space that resonates with audiences and offers valuable insights into how creators and viewers embrace it,” remarked Sacha Kari, Channel 4’s digital commissioning manager.

Source: www.theguardian.com

Review of Apple Watch Series 9 and Ultra 2: Improved chip speed and screen brightness

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With brighter screens, new hands-free gestures, and faster speeds for the first time in years, Apple’s smartwatch has firmly established itself as the market leader.


The Apple Watch Series 9 will be available in a variety of sizes and materials, with prices starting at £399 (€449 / $399 / AU$649), a £20 reduction in the UK. It will launch alongside the Ultra 2, which costs £799 (€899 / $799 / AU$1,399), £50 cheaper than last year’s model.

Both watches look similar to their predecessors on the outside, with the Series 9 sporting a slimmer, pillow-shaped shape and available in 41mm or 45mm size options, while the 49mm Ultra 2 sports a chunkier look with a sturdy titanium shell and oversized buttons.

New this year are significantly brighter screens. The Series 9 is twice as bright as last year’s Series 8, with a maximum brightness of 2,000. LiceThat puts it on par with rival Samsung’s Galaxy Watch 6, and it has the same maximum brightness as the iPhone 15 Pro Max. A brighter screen makes it easier to read in direct sunlight, which is especially important for a watch.

The Ultra 2 goes even further, with a screen that can hit an impressive 3,000 nits at peak, which is 50% brighter than last year’s model. The super-bright screen is almost overkill unless you’re hiking through the desert, but you can unleash maximum brightness with the built-in torch mode to better light your way.

New, faster chips


Siri requests for apps, timers, and other simple actions are now much faster and more reliable, even when you’re out of range of your iPhone. Photo: Samuel Gibbs/The Guardian

The new S9 chip in both watches is the first to offer a significant speed boost since the S6 in 2020. The 30% performance increase isn’t dramatic for everyday activities, except for interactions with Siri, many of which are now handled on the watch. Setting timers, taking calls and other simple interactions are quicker without an iPhone or data connection. Voice input for messages and notes is also up to 25% more accurate, making it faster to send replies without a phone call.

Battery life for both models is around 36 hours for the Series 9 and 70 hours for the Ultra 2, enough for a full day and night, or nearly three days, on a single charge.

Double Tap is coming soon


The double pinch gesture is simple and easy to perform, making it especially useful for quick actions like silencing a timer when your other hand is occupied. Photo: Samuel Gibbs/The Guardian

Apple also added a new gesture for hands-free use of the Watch: “Double Tap,” which recognizes pinching your finger and thumb together twice, which is a simplified version of one of Apple’s existing gestures. AssistiveTouch accessibility features It’s for watches, but it’s faster and has become a standard part of every interface.

A double pinch will silence alarms and timers, start or end calls, and perform other basic actions. This feature only works when the screen is active, so the watch is facing you and can’t be accidentally activated. This feature requires the watchOS 10.1 update. It’s currently being tested in the public beta, but is working very well and should be fully rolled out by the end of October.

Sustainability

Apple doesn’t disclose the expected lifespan of the battery, but it is expected to last for more than 500 full charge cycles, retain at least 80% of its original capacity, and is replaceable. £95Repair costs Between £309 and £509 Varies by model.

They contain recycled aluminum, titanium, cobalt, copper, gold, plastic, rare earth elements, tin, and tungsten. Apple offers trade-ins and free recycling for its devices, and the report details the environmental impact of each watch.

price

The Series 9 comes in two sizes (41 and 45mm), a choice of materials, and a 4G option that requires an e-SIM-compatible phone plan add-on. Prices start from £399 ($399/AU$649), with the 4G model costing an extra £100 ($100/AU$160). The Ultra 2 costs £799 ($799/AU$1,399).

By comparison, the Apple Watch SE costs £259, the Samsung Galaxy Watch 6 costs £289, and the Google Pixel Watch 2 costs £269. £349The Garmin Venu 3 costs £449, while the Garmin Epix Pro costs £829.

verdict

Apple’s smartwatch didn’t need much to keep it in the top spot, but both the Series 9 and Ultra 2 look the same but with small but meaningful updates that are hard to beat.

The significantly brighter screen makes a big difference when you’re outside and want to see the time, alerts, and activity stats at a glance, and the faster chip means this watch will stay fast for years to come, making interactions with Siri super-fast, even when your phone isn’t nearby.

The upcoming double-tap gesture is also a handy addition, making tasks like checking train times a little easier when you’re rushing with your luggage.

If you want the best smartwatch for your iPhone, it’s hard to beat the Apple Watch, either model.


When the double-tap gesture is recognized, the watch vibrates and a notification pops up, here we are scrolling through widgets on the watch face. Photo: Samuel Gibbs/The Guardian

Source: www.theguardian.com

Feeling blue when your beloved TV series concludes? You’re not the only one.

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When the Australian soap opera Neighbours was canceled in 2022, it signified the end of a cultural institution that had been on air for 37 years. The show’s fictional suburban setting and beloved characters were suddenly gone, leaving fans in mourning.

Adam Gerace, a senior lecturer in psychology at Central Queensland University in Australia, conducted a study to understand the grief experienced by about 1,300 Australians following the show’s conclusion.

Fans expressed genuine feelings of sadness and loss, as outlined in a study authored by Gerace and published in the journal PLOS One.

Gerace’s survey asked fans about their emotions after the final episode aired in 2022, finding that many struggled to accept the show’s cancellation. Despite their anger over the end, fans were grateful for the connections and experiences the series had provided them.

The study also delved into the concept of “parasocial breakups,” where viewers mourn the loss of their favorite characters as if they were real. This emotional attachment was found to be similar to the grief experienced after the end of real relationships.

Gerace noted that people developed strong emotional bonds with Neighbours characters, leading to significant sadness when the show concluded. This phenomenon is not exclusive to TV shows, as people can also experience similar emotions after finishing a book series or video game.

Fans’ deep connection to Neighbours was further emphasized by the show’s long history and multi-generational viewership. Many fans had been watching for nearly 40 years, with the series playing a significant role in their daily lives.

Psychologists like Dara Greenwood from Vassar College explain that the length of time spent with characters can strengthen emotional bonds, leading to a profound sense of loss when the show ends.

While grieving a quasi-social relationship is a common human response, experts are still exploring how parasocial grief differs from real-life loss of a loved one. Some studies suggest that the intensity of grief may vary depending on individual personality traits and life experiences.

Ultimately, forming bonds with fictional characters can have a positive impact on empathy and understanding, helping to challenge stereotypes and prejudice.

However, becoming overly attached to TV characters may have negative consequences if it interferes with real-world relationships, as Gerace warns.

Source: www.nbcnews.com

Press the button: The Fallout series is a true gamer’s creation in both appearance and gameplay | Games

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I I've been watching the last few episodes of the Fallout series on Prime Video. It's funny and gory, sometimes sentimental, and sometimes silly. In other words, it's exactly the kind of game that oscillates between quiet, tragic moments in which you explore traces of America and scenes in which you run out of ammunition and are chased down a hill by an irradiated scorpion.

Fallout's ensemble cast – highlighted by Walton Goggins' near-immortal ghoul and Ella Purnell's wide-eyed vault-dweller – deftly compartmentalize the different facets of the game's personality. As director Jonathan Nolan pointed out in an interview last week with Bethesda's Todd Howard, game director, this is a common device in television storytelling, but rare in games. Grand Theft Auto V does it well. Each of the three main characters represents a different part of his DNA in GTA (Trevor of violent chaos, Michael of authoritative crime drama, and Franklin of Compton realism).But in most games we play One Or we shape the character so that it becomes unique to us.

It makes it difficult to adapt the game to the screen. But instead of trying to convey the experience of playing a game, Fallout takes a step back to let the broken yet strangely optimistic world of Fallout take center stage, with each character exploring different aspects of that world. is showing.

“Even if you say you're adapting Fallout 3, whose Fallout 3 are you talking about? Because the way you play that game is very different from the way I play it. Because it could have been different,” Nolan told me. “That's the beauty of this kind of game.” [Bethesda] I'm drawn to the types of games that make the most of the medium and decide who your character will be within that world. Obviously, it doesn't lead directly to the series. ”

I was interested: how did Will Nolan play Fallout 3? “I always play as a Boy Scout first because I think my parents are watching,” he said. “So I'm going to make the smart decision and try again and play as a complete heel. But then I get weird, I get uncomfortable, I end up falling into a morally compromised middle ground.” It's a little pitiful.




Aaron Moten, right, one of the stars of Fallout. Photo: Jojo Wilden/Prime Video

I can relate. chaotic good In most games where it's allowed, I'm willing to cause chaos wherever I go, and happily align myself with characters and factions in power, but I’d never do anything to hurt people. I know it’s a game, but Assumption I want it to be a no-consequences place where I can experiment with morality, but I can’t bring myself to play the villain. This is in contrast to many players I know. They immediately start causing chaos in the game world just to see what happens. The kind of person who shoots horses in Red Dead Redemption.

“Every time I get a game and test it, I immediately think, “What will this game be able to do?” No matter what we do, every time we hand the player a weapon, the first thing they see is I’m going to shoot anyone who does,” Todd Howard said with a laugh. “It could be their mother. They’ll shoot whoever it is. Then they’ll be like, ‘Well, I’ll reload.’ ”

Trying to design a choice-based game based on the random whims of the players must be a nightmare, but Howard and Bethesda have decades of experience with it. When I interviewed him over the years, he talked about how players and systems interact to create new stories, and how games make what they do in-game real and meaningful. He spoke eloquently about the unique mechanism that makes you feel as though you are in the dark. You can’t do that with TV or movies. But as the Fallout show proves, if it’s made by people who really understand it, can We tell unique stories that still capture the essence of the games people love.

Fallout is great because, while this is also true of other successful game-to-movie adaptations in recent years, Appearance Yes, the sets are perfect, and they nail the game’s retro-future, nostalgic aesthetic. That’s because Nolan and screenwriters Geneva Robertson-Dworet and Graham Wagner actually played Fallout, understood it, and felt the power of its storytelling for themselves. Rather than trying to clumsily adapt the game’s story into a TV script, they wrote an amazing game expansion fan fiction on a very high budget. I’m all for this approach. Now that we have a generation of TV producers and filmmakers who grew up with games and truly understand them, I would like to see more of them.

Source: www.theguardian.com

The Skibidi Toilet: Exploring the Bizarre and Viral YouTube Series

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Alex, I read a headline that read: Russian police force investigation into YouTube's famous 'Skibidi Toilet' series. What does it mean as a set of words?

Bull Skibiddy Dop Dop Yes, yes, Steph. Skibbidi dobbidi dib dib.

I think that explains a lot in itself.

Thank you, I hate it. However, he has 135 million (!) views, so more information is needed.

Are you okay. “Skibidi Toilet” is an ongoing YouTube animated web series by Georgian content creator Alexei Gerasimov. Since launching in February, his YouTube channel his DaFuq!?Boom! is currently just outside the top 100 of his YouTube channels in the world by number of subscribers. There are currently over 70 episodes, with new videos uploaded every few days, but as the length and quality of production has increased, the period between new episodes has grown longer.

Skibidi Toilet's popularity is primarily driven by kids 13 and under, and it's the first meme to bemoan Gen Z being too old to understand. The fact that most of Skibidi Toilet's fans are young, combined with the show's disturbing aesthetic and violence, has led to a new wave of moral panic about how the internet is poisoning children's brains. It is an excellent material.

Parenting website and TikTok influencerIndonesia in particular has already warned of the clear dangers of “skibidi toilet syndrome”, and Russian authorities are also getting involved.

Skibidi Toilet Syndrome ???? What are the symptoms? please tell me.

It is not yet recognized by DSM-V. This is an umbrella term that describes what parents believe about the behavior their children exhibit after watching the show. Parents have recorded their children becoming 'obsessed' with the Skibidi Toilet. upset or angry after viewing has been restricted or prohibited; or Sits in a basket or box and acts like a skividi pottywhich seems more cute than scary, but what do I know?

Moscow police learn about father's case asked the authorities The purpose is to investigate whether the video is having a negative impact on children.Russian lawmakers are especially likely to look for signs of moral decline in internet culture – in 2015 the State Duma said laws passed Memes that mock or satirize public figures are prohibited.

What is the show actually about?

The first few episodes depict a city and its inhabitants being steadily taken over by Skibidi Toilet. Skibidi Toilet is a scary animated head that lives in a toilet and sings a mashup of Timbaland's “Give It to Me” and Visser King's “Dom Dom Yes Yes” . Cameraheads (the series' main characters, well-dressed men with head surveillance cameras) emerge as an underground resistance movement. It soon becomes an all-out war between both increasingly powerful and destructive sides.

Oddly enough, I found myself drawn into the world of Skibidi Toilet.A clear story is unfolding There are plot twists, betrayals, humor, murderous action scenes, and some moments that probably felt more than I expected..

You mentioned “a new moral panic about how the internet is harming children's brains.” Do you feel like something like this happens once every few months?

Harsh stories about how the Internet turns children into psychopaths have become recurring themes in the modern news cycle.In recent years, social media has been accused of putting children and teens at risk. eat laundry detergent, steal items from their school, and develop symptoms About Tourette syndrome.

There's also a political element. Far-right politicians in the United States and elsewhere have made ridiculous claims that TikTok is brainwashing children into questioning their sexual and gender identities, supporting Hamas, and feeding child sex traffickers. We are raising funds and running a campaign.

None of this is new. Millennials will remember clutching their pearls at strange internet ephemera such as: slender man And as a larger cultural indicator, grand theft auto video game series. This isn't to say there isn't some of his content online that children should be protected from, such as a disturbing pirated YouTube video of Peppa Pig being beaten at the dentist. But if all the content that caused a moral panic had any value, the world's children using the internet would have become children of the corn a long time ago.

So what's the verdict on Skibidi Toilet?

It's kind of fun! There are certainly parts that young children might find scary (many episodes end with Skibidi Toilet charging towards the camera), but once you get past the red-eyed toilet monster, there's a lot of talk surrounding it. Much less creepy than that. I was able to become one.

Either way, much of the best children's entertainment is weird and dark. Roald Dahl's books are full of murderous school principals and children who are mutilated in comedic ways. Hansel and Gretel had to push the witch into the oven. If you're worried about your child suddenly acting like a singing potty, take a look at Skibidi Potty together. You may even feel guilty.

Source: www.theguardian.com

Apple halts online sales of Watch Series 9 and Ultra 2

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As promised, Apple has officially removed the Watch Series 9 from its online shop. News of the surprise move came earlier this week, when the company admitted that an ongoing patent dispute had forced it to temporarily suspend sales of its flagship smartwatch. When you click to visit the site, instead of a “Buy” button you’ll see the words “Currently Unavailable.”

Apple Watch Ultra 2 is similarly unavailable. However, you can purchase his entry-level Apple Watch SE. This is likely due to the product’s relatively limited onboard health metrics. You can also get Series 9 through other online sources. Amazon, for example, still promises pre-Christmas delivery in some areas.

The wearable device will continue to be available at brick-and-mortar Apple Stores until Christmas Eve. If you’ve already ordered the watch online and want to pick it up in-store, you can still do so until December 24th, the company confirmed to TechCrunch.

The patent battle between Apple and health tech company Masimo has been well documented over the past few years. But even though Apple lost some important rulings, Monday’s announcement still came as a surprise to many given its unprecedented nature.

In a statement provided to TechCrunch earlier this week, the company said it intends to continue to contest the decision.

A presidential review period is underway regarding an order from the U.S. International Trade Commission regarding a technical intellectual property dispute regarding Apple Watch devices with blood oxygen capabilities. The review period doesn’t end until December 25th, but Apple is taking preemptive steps to comply if the ruling stands. This includes suspending sales of the Apple Watch Series 9 and Apple Watch Ultra 2 on Apple.com starting December 21st, and at Apple retail stores starting December 24th.

Apple’s teams work hard to develop products and services that provide industry-leading health, wellness, and safety features for our users. Apple strongly opposes this order and is pursuing various legal and technical options to ensure customers have access to Apple Watch.

If this order remains in effect, Apple will continue to take all steps to return Apple Watch Series 9 and Apple Watch Ultra 2 to U.S. customers as quickly as possible.

At the heart of the battle is an optical imaging sensor used to monitor the wearer’s heart rate. Apple adopted similar technology back in 2020 with the introduction of his Series 6. Among other things, Masimo accused the hardware giant of poaching key talent. Apple claims it has “begun hiring Masimo employees, starting with Masimo’s Chief Medical Officer.”

There’s never a perfect time to stop selling your biggest products, but the holiday season is especially problematic. Apple has been able to keep sales completely open, but some people may be opening rain checks this year.

Source: techcrunch.com

Navigating the 2024 Venture Environment: Strategic Insights for Technology Founders from Seed to Series A

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mike cardamom
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Mike Cardamone is CEO and Managing Partner. forum venturesAt , we’re focused on developing the Forum’s investment strategy, with a mission to make the B2B SaaS journey easier, more accessible, and more successful for early-stage founders.

I do not have any questions 2023 was a tough year for the venture and technology ecosystem. Carta revealed that the total number of funding rounds and total investments have decreased dramatically. 64% decrease in Q1 2023 Total investment was down 86% from its peak in Q4 2021. Forum Ventures has invested in more than 100 B2B SaaS companies across accelerators and seeds this year, and we’ve seen first-hand how difficult the funding environment can be for founders at every stage of this market. funds. Michael Cardamone, his CEO and managing partner at Forum Ventures, spoke to up-and-coming executives about the state of the market, saying, “This has been the most difficult to raise money in a long time.”

in recent reports, Forum Ventures surveyed 70 funds and 167 closed pre-seed and seed funds between January and October 2023 to provide a comprehensive overview of the current state of the early-stage B2B SaaS investment landscape. We analyzed the round data.

Key findings from this report include:

  • Data across these rounds shows a 10% decrease from the same survey conducted last year, with 75% of respondents citing a decrease in valuations from 2022 onwards.
  • The average valuation at pre-seed was $9 million post, and the same for pre-revenue until the ARR (Annual Recurring Revenue) for the entire round for which data was collected was $250,000.
  • Companies with an ARR of $250,000 or more raised at an average valuation cap of $15 million.

seed round

As a founder, manage your cash flow wisely, convince top talent to join your company, and focus on building the product your customers want.

While seed valuations remain stable from 2022 to 2023, it has become more difficult to achieve the traction needed for these rounds, which can create false expectations for founders. In 2020-2021, it is relatively common for $3-5 million seed rounds to close with little if any traction, depending on the space and founder. They were typically completed at a valuation of $12 million to $25 million. ‘Background.

While there are exceptions, today’s market is looking for big traction early on, and companies typically need $250,000 to $1 million in ARR to raise a $3 million+ seed round, and these rounds is typically completed with about 20% to 25% dilution (i.e. $12 million post $3 million, $1 million to $15 million post, or $16 million to $20 million post $4 million). The hurdles to raising an institutional seed round are much higher, and founders and companies often need to prove more of a track record in today’s market than ever before. This dynamic means that many founders must first raise a pre-seed round to reach those milestones, and thus multiple rounds to reach Series A. To do.

Source: techcrunch.com

Tamara, a BNPL platform and shopping giant in Saudi Arabia, achieves $1 billion valuation following $340 million Series C funding round

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Tamara, the buy-now-pay-later platform for consumers in Saudi Arabia and the Gulf Cooperation Council region, has recently completed a C round of funding that raised $340 million. This recent funding brings the company’s valuation to $1 billion, making it the first fintech unicorn startup in the region. SNB Capital and Sanabil Investments led the Series C round, alongside other backers such as Shorooq Partners, Pinnacle Capital, and Impulse. This round includes primary capital and some secondary equity transactions, marking one of the largest investments in fintech in the region. Tamara has raised a total of $500 million in equity funding, including secondaries, and over $400 million in debt funding.

Established in 2020, Tamara has quickly gained traction and currently boasts over 10 million users in Saudi Arabia, UAE, and Kuwait. The platform allows consumers to shop, pay in installments, and make bank transfers, and it has partnered with 30,000 merchants, including popular names like SHEIN, IKEA, Jarir, Noon, eXtra, and Farfetch.

The rise in popularity of buy-now-pay-later services in Saudi Arabia has seen significant growth, driven by the booming e-commerce market. According to a report from last year, the number of registered customers for BNPL services increased from 76,000 in 2020 to 3 million in 2021 and 10 million in 2022. With Saudi Arabia’s huge potential for digital payments, the market is expected to grow significantly in the next few years.

CEO Alsukhan emphasized the importance of building a customer-centric payment solution and the platform’s commitment to Shariah compliance. Tamara prides itself on offering a friendly and transparent service, focusing on avoiding unnecessary fees and helping customers make timely payments by offering risk management tools and options based on their financial capabilities.

Tamara’s long-term vision includes expanding its revenue sources and introducing new products and services beyond buy-now-pay-later. The platform plans to strengthen its integration into the shopping journey, introduce a buyer protection program, and enhance its card functionality for in-store transactions.

The recent funding not only represents a significant milestone for Tamara but also signals the region’s growing potential in the fintech industry. As the first homegrown unicorn in the Gulf, the company’s success reflects the supportive ecosystem, financial backing from local and international investors, and a strategic focus on customer satisfaction and compliance.

Source: techcrunch.com

Early-stage investors respond to increasing challenges in securing Series A funding

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Lightspeed Venture Partners officially moves forward with scaling efforts as other companies make similar moves

Connie Loizos

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hurdle Series A funding has increased significantly compared to a year ago, and investors in seed-stage companies are having to react.

If they want their startup to survive, they don’t have many options. When the market suddenly changed in the spring of 2022, late-stage companies were the first to feel the pain. But that downward financial pressure has also recently affected newer companies, resulting in lower valuations in subsequent rounds, up from 1.6x in the second quarter to 2013, according to Pitchbook data. This is the lowest value since the third quarter, making selection difficult. Series A investors with plenty of options.

There are countless ways VCs can get creative on this front. European venture firm Breega touts a “scaling team” to back many of its seed investments. Pear VC, a Bay Area-based seed-stage venture firm, continues to roll out new programs to support and educate the early teams it supports.

Even larger, more agnostic companies are doing more to show they’re responsive to today’s market. For example, in October, investment firm Greylock launched Edge, a three-month company-building program “aimed at taking selected pre-idea, pre-seed, and seed founders from launch to product-market fit.” It started.

VC powerhouse Lightspeed Venture Partners is also stepping up its efforts. The company has long written early (and in some cases first) checks to startups, including the messaging app Snapchat. application performance management company AppDynamics (acquired by Cisco just before his IPO); and publicly traded cloud computing company Nutanix (current market cap: $11.2 billion).

The company says it has long focused on polishing these rough diamonds. Still, given the rising standards for Series A investors overall, Lightspeed told TechCrunch that some of the mentorship the company has provided to portfolio companies for years will be extended to company-building for founders. He said that he decided to make it official through the program. launch.

The idea, led by partner Luke Betheda, is not to attract more founders to Lightspeed, but to pave the way for already-funded startups to advance to Series A rounds. It is said that Betheda explains that almost everyone faces the same questions and obstacles. “They need to know: How do I get a business up and running? How do I hire and build a core team? Build product strategy through customer interviews and build partnerships. How can we design and drive revenue?”

Going forward, Lightspeed hopes to answer these questions more systematically through expert-led workshops, seed “playbooks,” and other toolkits Lightspeed offers through new programs.

Certainly, any help, no matter how small, is greatly appreciated at this time.

While many startups simply disband, at least 3,200 According to data compiled by Pitchbook for the New York Times, venture-backed U.S. companies are expected to go out of business in 2023, but companies that focus on year-over-year growth and annual recurring revenue are realistic. Some companies think they won’t go out of business any time soon.

At this time, it also includes a Series A stage.

“In 2020, 2021 and towards the end of 2022, we went through a period of tremendous market excitement, where there was a sense that gravity was non-existent,” Benchmark VC Sarah Tavel said at TC told. At an event earlier this month, she spoke about the changing landscape of Series A funding.

“Now we’re back to the point where everyone realizes that the job of building a company is really hard. You have to have great direction for your customers. You have to have incredible direction to the fundamentals of the business you are in.”

Mr Tavel said: “It’s not just the cosmetic metrics, the top-line numbers, that get a lot of people confused. [succeed] It is what generates profits and cash flow. ”

Source: techcrunch.com