Award-Winning Image: Fractal Forest by Ross Gudgeon
Photo Credits: Ross Gudgeon/CUPOTY
Discover the beauty of nature through unique perspectives captured by top photographers. Check out the Close-up Photographer of the Year contest, showcasing stunning images revealing nature’s hidden wonders.
In the main image above, explore the delicate pink branches of Cauliflower Soft Coral. This stunning underwater photograph by Ross Gudgeon won the underwater category of the contest. Captured in Indonesia’s Lembeh Strait, Gudgeon positioned a small camera within a structure to create this enchanting shot. He carefully threaded through the branches of soft coral to avoid causing any damage.
Artur Tomaszek’s Award-Winning Photograph: “Dinner”
Photo Credits: Artur Tomaszek/CUPOTY
In this thrilling capture, a lynx spider is poised to attack unsuspecting termites. Taken by Artur Tomaszek, winner of the arachnid category, this dramatic image was shot during a downpour at a Hong Kong hot spring, where swarming termites provided an opportune moment for this shot. Tomaszek mentioned the challenge of photographing as thousands of termites were drawn to his camera flash.
Valeria Zvereva’s Winning Photograph: “Mushrooms in Nude Style”
Photo Credits: Valeria Zvereva/CUPOTY
The mesmerizing image captures light filtering through the intricate underside of a layered mushroom cap in Moscow, Russia, taken by Valeria Zvereva, the winner in the fungi and slime mold category.
Below, find a tranquil scene where decaying lotus leaves rest atop dark water, forming a delicate lace-like pattern interwoven with vibrant green ferns. Minghui Yuan, who won the top spot in the plant category for this photo, expressed that discovering the fern amongst the skeleton leaves felt like a representation of rebirth and hope.
Minghui Yuan’s Award-Winning Photograph: “Rebirth from Destruction”
Photo Credits: Minghui Yuan/CUPOTY
In this captivating portrait, Laurent Hessemans captured the big eyes of a charming scale moth in Tinamaste, Costa Rica. He received accolades in the invertebrate portrait category. Hessemans mentioned, “These exceptionally photogenic moths, especially the males with their large eyes and pronounced antennae, give a melancholic essence to their portraits.”
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As dawn broke, a peaceful calm enveloped the city. The shadows along the roads gradually receded, leading us into a radiant morning. It was June, and the few early risers setting up market stalls relished the serene, gentle light, even with the enemy only 50 miles away. Many who had fled the metropolitan area clung to the hope that the defense line would hold after nearly four years. Hope remained alive.
On Houseman Street, a handful of cars headed east, but otherwise, the street was quiet as most residents lingered in wakefulness. However, the inhabitants of the second-floor apartment at No. 102 had been awake for quite some time—indeed, all night. The window shutters remained tightly drawn, as they had been for months. A green bedside lamp glowed in the otherwise darkened room, amidst furniture shrouded in shadows and filled with stramonium steam for asthma, creating a stifling atmosphere. The sounds from the street, coupled with the soundproof cork-lined walls, contributed to a sense of suffocating confinement that visitors undoubtedly felt.
Sitting on a bed in a beautifully adorned Japanese courtyard, propped up by large cushions, he usually lost himself in his manuscript. But today felt different. Overwhelming fear consumed him. One side of his face seemed to sag. When addressing Celeste, his housekeeper, he worried his words lacked clarity, turning his speech into an almost incomprehensible ramble. Convinced he was on the brink of a major stroke—the same fate that plagued both his parents—he found no alternative explanation. It was a hereditary concern. And had his beloved mother, Jeanne, escaped complete frailty? Her stroke had robbed her of language, rendering her unable to communicate with her cherished sons.
In the summer of 1918, as the Germans initiated their final offensives of World War I towards Paris, the renowned novelist Marcel Proust sat on a blue satin chair, engulfed in fear of potential brain damage. Now in his late 40s, he was all too familiar with aphasia; his mother had suffered from it, and his father, Dr. Adrian Proust, had authored an entire book on the subject prior to his own stroke.
Young Marcel had also befriended many of the city’s most distinguished neurologists. At that time, Paris stood as a prominent hub for neurology, with pioneering experts making significant advancements in understanding language disorders following strokes. Without such insights, where would Proust find himself?
On that June morning in 1918, he anticipated a meeting with Joseph Babinsky, a well-known neurologist. Babinsky, unaware of the reasons behind Proust’s visit, simply inquired, “Do you have any symptoms?”
Proust’s intention was to persuade Babinsky to perform a trepanation—drilling holes in his skull—driven by his profound belief that such a drastic step was necessary to halt the looming stroke. However, Babinsky, an expert in his field, reassured Proust that there was no evidence suggesting he was experiencing a stroke and declined to proceed with the operation. It’s difficult to imagine how the trajectory of Proust’s monumental novel would have shifted had he suffered a stroke. While Marcel Proust never experienced a stroke, the shadow of that fear haunted him throughout his life, lingering long after, even when he was near death from pneumonia, it was Babinsky he called upon.
Proust’s anxieties surrounding brain-related illnesses resonate with many. While diseases can afflict anyone in various ways, our deepest fears often lie in disorders that impact our minds. Why is that? Because neurological conditions can transform individuals dramatically. Some may struggle with communication, as Proust feared, while others could experience memory loss, distorted perceptions, or hallucinations. Some might exhibit socially inappropriate behavior, a lack of empathy, or rudeness. Others could become impulsive or withdrawn, developing new addictions or suffering from pathological indifference.
Such behavioral shifts can be distressing and terrifying for both individuals and their loved ones. Yet, they reveal profound insights into our very nature. By examining the consequences of certain brain functions being impaired, we glean understanding about our own normality, how cognitive functions shape our identities—personal and social, formed through our connections with others.
For someone like Marcel Proust, losing the ability to communicate would be devastating. Not only would he lose his gift for writing, but he would also risk dismantling his carefully crafted social presence. The social identity he had labored to cultivate would effectively disintegrate. Proust had invested years nurturing relationships with key figures in French society and possessed remarkable perceptions regarding his connections with influential individuals. As a gay man from a Jewish background, He adeptly navigated the complexities of prejudice and societal expectations in Paris.
Through keen observation and emulation, he became an integral part of the circles he thought he belonged to. Some observers suggested that Proust was a master manipulator, indicating that even while isolated in his dimly lit bedroom, he was unwilling to relinquish control over those around him. However, without language, the intricate web he had worked to weave would no longer be accessible; he would no longer “belong.”
This excerpt is from Massoud Hussain’s workOur Brains, Ourselves(Canong’s publication), recipient of The Royal Society Trivedi Science Book Prize and the latest selection from the New Scientist Book Club. Join us to read together.
“I had a conversation with Japanese novelist Rie Quadan:
The 34-year-old author joins me on Zoom from her home near Tokyo, just before the release of the English translation of her fourth novel, “The Tower of Pity Tokyo.”. This book, although partly penned with ChatGPT, ignited debate in Japan after it clinched a prestigious award.
Set in the heart of Tokyo’s Tower of Pity, the story centers on Japanese architect Sarah Matinna, tasked with constructing a new facility for convicted criminals. Ironically, this structure represents what one character describes as “the extraordinary breadth of the Japanese.”
Within the narrative, Sarah—herself a victim of violent crime—questions whether this compassionate stance towards criminals is justified. Does this empathy truly mirror Japanese society?
“It’s definitely prevalent,” Kudan explains. She mentions being motivated to write the novel following the assassination of former Prime Minister Shinobe in July 2022. “The shooter drew significant attention in Japan. The entire process.”
The story explores public perceptions of criminals in a serious yet satirical manner. Prospective occupants of the tower must undergo a “sympathy test” to assess their worthiness for compassion (“Have your parents ever been violent towards you? – yes/no/don’t know”) … with the final judgment resting with AI.
Pity Tower Tokyo received the Akigawa Award for newcomer authors in 2024. She expresses her satisfaction, yet admits feeling liberated, as the pressure to win such awards is overwhelming. In 2022, she was nominated for a female student award for the book but did not win. “I felt I’d disappointed others by not securing that award. I wished to avoid a repeat of that experience. Such a prize stays with you for life.”
Notably, the book sparked interest due to its AI-generated content (5% initially claimed, now clarified as an approximation). This portion consists of a character’s dialogue with ChatGPT. However, Quadan emphasizes she drew significant inspiration for the novel as she found AI’s reflection of human thought processes intriguing. In essence, her AI inclusion aims to illuminate its impacts rather than mislead readers.
One character expresses compassion for the chatbot, critiquing “the hollow existence of merely regurgitating a patchwork of others’ words without grasping their meaning.”
Is Quadan worried about AI outpacing human authors? “Perhaps that future may come to pass, but for now, AI cannot craft a novel superior to human writers.” Among Japanese readers, Toh Tokyo “has garnered attention for utilizing AI. However, its greater focus lies on language itself, prompting rich discussions about how language evolution over recent decades shapes behavior and viewpoints.”
These topics feed into the core themes of Quadan’s novel. Pity Tower Tokyo fundamentally investigates language, illustrating how it not only reveals our identities but also influences our expressions. “Words shape our reality,” one character articulates.
The novel raises crucial discussions surrounding the growth of Japanese language. This includes the use of scripts for foreign-derived words. Katakana (traditionally, Hiragana scripts and kanji express native words) expresses thoughts such as “folinwakazu” and “euphemism” that resonate differently with Japanese native speakers. Sarah’s character observes that “Japanese people seem intent on distancing themselves from their language.” Her boyfriend criticizes this “miserable katakana spread.”
Yet, halting it feels daunting, perhaps unachievable. Quadan notes that older generations occasionally opt for katakana over kanji, while for younger generations, including Quadan—born in 1990—katakana has “become an unquestionable norm.”
This isn’t mere academic or cultural trivia; it reflects pressing issues in contemporary Japanese politics. Following last month’s elections, far-right party Sansate gained significant traction, winning 14 Senate seats, an increase from just one previously. This reflects its campaign stance, akin to Trump’s “America First,” suggesting a nationalistic trend. Such success raises concerns about societal attitudes towards diversity in Japan.
“Sadly, the reality is that not all Japanese people embrace diversity. When I introduced my non-Japanese boyfriend to my parents over a decade ago, my mother reacted with distress. She panicked.”
“There are individuals around us who may not even realize their own beliefs. Externally, many Japanese are conscious of projecting an image of inclusivity [toward diversity]. The clash between internal beliefs and external expressions is a notable characteristic of Japanese society.”
This discussion leads us back to language’s role as both a concealer and revealer. The slogan “Japanese First” illustrates how the Sansate Party employs katakana for “first” instead of traditional kanji. “Using the katakana alternative diffuses many negative connotations, repurposing them as neutral. It doesn’t evoke the same feelings in people.”
In essence, does this give rise to a kind of plausible deniability? “Indeed. They are acutely aware of their intentions. Thus, we must remain vigilant regarding katakana usage,” concludes Quadan. “Whenever katakana is employed, we should inquire: what are they trying to obscure?”
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