Science Encourages You to Share More Cute Pet Photos—Here’s Why!

Charming animal images are a fast way to uplift anyone’s spirits, and sharing these moments fosters a sense of community.

When someone shares a photo of a playful kitten with their parents or a video of an otter clasping paws, they participate in a phenomenon known as “pebling.”

“Pebling refers to a behavior exhibited by Gentoo Penguins, who offer pebbles as symbols of affection to potential partners,” explained Professor Ghalia Shamayleh, who led the study as noted in BBC Science Focus. “Our findings indicate similar behaviors among humans on social media.”

A male gentleman penguin presenting stones to his mate while perched on the rocks of Mikkelsen Harbor, Trinity Island, Antarctica.

According to Shamayleh, the images, videos, and posts we share online serve as “the pebble equivalent for humans.” We send them to our loved ones as tokens of affection to reinforce our connections.

Animal-themed posts particularly enhance these “pebbles.”

The research, centered around social media accounts dedicated to pets, revealed that creators “infuse joy, love, and entertainment into their social media content.”

This often manifests through visual storytelling, such as taking pets on adventures or introducing them to family members. It also employs “Petspeak,” a blend of baby talk like “dogo,” “teefe,” and “sploot,” alongside playful language and slang.

Animals hold a universal charm. Who doesn’t enjoy seeing pictures of cute puppies or kittens?

In everyday settings, animals act as “social lubricants,” bringing people together to express “AWW” and lift their spirits. This effect becomes even more pronounced in the online world.

Initially, sharing an animal photo may suggest a level of unfamiliarity that prevents sending something more personal.

However, the research indicated that people thoughtfully consider the social media content they choose to share.

Shamayleh and her co-authors, including Professor Zeynep Arsel from Concordia University, analyzed several pet-focused media accounts to understand user interactions and conducted interviews with various content creators and fans.

They found that individuals utilize images and videos to evoke shared experiences among loved ones, reminiscing and reaffirming common histories.

For instance, one might send a friend a brief clip of two baby pandas attempting to stand, accompanied by the comment, “Just like in your first yoga class and mine.”

https://www.youtube.com/watch?v=rlqiaqc1mi8

The study found that incorporating “context clues,” such as the music in this video, influenced how people reacted and what content was shared.

By selecting posts that resonate with the recipient’s interests, senders are able to convey a deeper understanding of their loved ones, by sharing videos of their favorite animals.

“By referencing the sender’s relationship alongside animal content, individuals digitally emphasize their bond, saying, ‘This reminded me of you and our connection,'” remarked Shamayleh.

So, the next time you come across a delightful animal photo or video, don’t hesitate to share it and show your loved ones how much you care.

About the Experts

Ghalia Shamayleh is an Assistant Professor in the Marketing Department at Essec Business School, specializing in sociocultural consumer phenomena through detailed interviews and observations. She investigates the implications of digital interactions on interpersonal and interspecies relationships.

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Source: www.sciencefocus.com

Kennedy Encourages New Parents to “Conduct Your Own Research” on Vaccines

Health Secretary Robert F. Kennedy Jr. advised new parents to “conduct their own research” prior to “conducting their own research” during a television interview regarding infant vaccinations.

In a conversation with talk show host Phil, Kennedy stated that aired on Merritt on Monday, the 100th day of the Trump administration. He reiterated his stance, saying, “To prevent the spread of measles, getting the vaccine is your best option.”

However, Kennedy maintained that the choice rests with individuals. By suggesting that the vaccine poses risks, he undermines decades of guidance from public health professionals, including officials from the CDC.

“We live in a democracy, and part of being a responsible parent is to do your own research,” he replied to questions from women in the audience regarding vaccine safety advice for new parents. “You should investigate strollers, the food they consume, and the medications they receive.”

The phrase “I did my research” has emerged as a significant cultural and political term during the COVID-19 pandemic. Pro-vaccination advocates have criticized individuals primarily from the political left who opted out of vaccination. This expression evolved into a meme and has appeared in mock gravestones at Halloween-themed cemeteries in liberal areas.

The Department of Health and Human Services did not respond promptly to requests for comments.

Kennedy’s remarks were made amidst the largest measles outbreak in the U.S. in nearly 25 years, which has resulted in the deaths of two young children and one adult.

Dr. Paul Offit, a pediatrician and vaccine authority at Philadelphia Children’s Hospital, remarked that while he often disagrees with Kennedy, “it’s perfectly reasonable to be skeptical about a vaccine.” However, parents who wish to research should be mindful of their information sources.

“When you talk about doing your own research, it’s important to consult individuals with expertise in the area, or at least seek information from credible online sources. This doesn’t mean relying solely on chat rooms or social media,” said Dr. Offit. He emphasized that while good information exists, “many poor sources can mislead you about your options, and Robert F. Kennedy Jr. exemplifies that.”

Another vaccine specialist, Dr. Peter Hotez from Baylor School of Medicine, contended that Kennedy was being misleading. “He claims people are doing their own research—what parents often download is a flood of misinformation, steering away from expert health advice toward dubious influences.”

Kennedy further suggested that measles vaccinations could lead to various illnesses without substantiation. “Would you like to stop measles?” he inquired. “Certainly, but does it cause other issues like seizures or autoimmune diseases? We don’t know. No one can answer that.”

In reality, studies indicate that with rare exceptions, vaccinated individuals are less likely than those infected to develop autoimmune illnesses, concluding that vaccines “not only shield patients from infections but also from complications, including autoimmune symptoms.”

Kennedy’s statements in the interview were generally flawed. He proclaimed, “New medications are approved by external panels, not by the FDA or CDC.”

This is inaccurate. While external expert panels advise the FDA on controversial drug approvals, only the FDA holds the authority to sanction or reject new medications, vaccines, and treatments; the CDC does not partake in this process.

“Kennedy must understand the role of the FDA in drug development and marketing decisions,” asserted Dr. Robert Califf, the FDA’s commissioner under President Joseph R. Biden Jr.

Kennedy also erroneously asserted that vaccines were not subjected to safety evaluations prior to or following approval. “There is no initial safety research, and there’s no monitoring system afterward,” he claimed. “Vaccines are the only medical products exempt from pre-licensure safety assessments.”

In fact, the FDA licenses vaccines after an extensive year-long process involving thorough lab and animal testing, followed by human trials. Rigorous research on vaccine safety and efficacy is mandated. Typically, thousands participate in large clinical trials, as emphasized by Dr. Peter Marks, head of the vaccine division, who recently announced his resignation.

“I am uncertain about the origin of this misconception,” remarked Dr. Marks, critical of Kennedy. “Vaccines undergo extensive safety evaluations. Since they are administered to healthy individuals, safety is of utmost importance.”

Upon licensing, vaccines are monitored through various databases. Vaccine Safety Data Links employ electronic health records nationwide to detect unusual side effects, including rare myocarditis cases reported in young men post-COVID-19 vaccination.

Another system, the Vaccine Adverse Event Reporting System, established in 1990 as the “National Early Warning System,” relies on reports from both patients and healthcare providers. Many vaccine skeptics, including Kennedy, have cited Vaers data to argue that vaccines are harmful, but it is not intended to ascertain causality regarding health issues; rather, it flags potential concerns for further investigation.

The FDA operates an additional safety monitoring program known as BEST, focusing on biologics effectiveness and safety initiatives.

Dr. Sean O’Leary, chair of the American Academy of Pediatrics’ Infectious Diseases Committee, stated that it is incorrect to assert that federal officials do not surveil vaccine safety. “I am uncertain about the source of this claim,” he noted.

He added, “We recognize various rare adverse events. If it becomes evident that the risks approach or surpass the benefits, the vaccine will be withdrawn from the market.”

Source: www.nytimes.com

The Challenge: A computer game that encourages you to face your fears | Art and Design

IIt's a quiet morning in a London gallery studio voltaire And Danielle Brathwaite-Shirley invited me to prototype her latest artwork. It's a horror-inspired video game in which players fight to overcome the issues holding them back, from fear of failure to addiction. This is also the centerpiece of her first organized solo exhibition with the theme of change. I worked on the game, but by the fourth round I was still crap. Artificial screams echo around the empty gallery. “That must be super difficult!” laughs Brathwaite-Shirley. “It's all based on what I'm trying to overcome or have overcome. It didn’t take one turn, it took many.”

The Rebirthing Room is Brathwaite-Shirley's latest participatory work. The idea came to me after a conversation with a curator about the usefulness of Art Her Gallery. “We were talking about how we could do more with the space. What could we do with it other than just showcasing work?” she says. “That’s when I thought, “It would be great if you came to the gallery and left a different person.'

The 29-year-old started making interactive art in 2020 after misguided comments from visitors made her question the purpose of her work. At the time, her portfolio consisted of videos and animations documenting her London burlesque scenes and her black transgender peers. The work, rendered in what she describes as her “beautiful retro aesthetic,” created an alternate reality for community members. It is an unconventional archival method to fill in the blind spots in historical records. “Someone said to me, “I really like your work because it allows me to be visual and ignore what you're saying,'' Brathwaite-Shirley recalls. “I thought, “This is the best feedback of my life, because I can't do that anymore!''

Another history…”Thou shalt not accept” in 2023. Photo: Perttu Saksa/Courtesy of the artist and Helsinki Biennale

Since then, she has started incorporating choices made by the audience to advance the work. In 2022 she released her Get Home Safe, an arcade her-style game inspired by her own experiences wandering around Berlin at night. The player is tasked with guiding the protagonist safely through dark streets. Meanwhile, “I Can't Follow You Anymore,” released in browser-based last year, asks audiences to navigate a revolution and decide who will be saved or sacrificed. “In interactive work, you have to make an effort to see something,” she says. “What fascinates me is the choices people make and the feelings they leave behind. I think that's when the real works of art start to emerge.”

Keen to prioritize content over aesthetics, Brathwaite-Shirley's new work takes advantage of the rudimentary pre-rendered graphics of early computer games. It's intentionally lo-fi, built from 2D animation, iPad drawings, and old software, with a VHS-style finish. The forest grass on the screen is made from edited photographs of her hands, and the sounds are an extension of her archival project, developed from recordings of her screaming into her mobile phone. . “I never want to touch this super shiny stuff,” she says. “I like to make people's brains work a little bit more.”

With disorienting sound effects and low lighting, Rebirthing Room is a fully immersive experience. Surrounding the screen and handmade controllers operated by the audience are giant trees covered in cloth and rows of real corn, a reference to the horror movies she grew up watching.

“I don’t need this super shiny thing”…Screenshot of the playback room Photo: Image provided by the artist

“What I love about horror is that it makes you want to experience experiences and emotions that you would never experience in normal life,” she says. “If a movie is really good, there's something about it that sticks around. It's that perfect balance of being really scary, but also interesting enough to keep you watching.”

In addition to being a nifty device to “fool” viewers into their own values ​​and beliefs, Brathwaite-Shirley's digital universe, full of demons, villains, and gore, is well-suited to the current climate. You can feel it when you are there. She says it's important to highlight not only the hostility from her outsider group, but all the “nasty nuances” that exist within her own self. She said: “I feel like we're in a very censored time; [where] Even speaking about views that your particular political group subscribes to feels dangerous because you feel like you have to say it the way they want to hear it. Therefore, for me, presenting a utopia in the environment we are currently in is a huge waste. ”

Challenging audiences is something she would like to see more of in the art world, but she feels it prioritizes too much of a fun, Instagram-friendly experience. Her purpose is not to make her people enjoy her own work. She finds the more visceral and emotional responses more interesting. She told me that when she finishes a show with nothing but praise, she feels like her work is of no use.

She is interested in how viewers will respond to Room of Rebirth. Will they play until they succeed? Or will they just give up like I did? only time will tell. “I’m looking forward to seeing how we can go even further next time,” she says.

Source: www.theguardian.com

“China encourages the purchase of its electric cars – should I consider it?” | Driving

IIt’s the world’s largest car brand by sales of electric vehicles (EVs), but many people may have a hard time recognizing its name. Now Chinese company BYD (which stands for Build the Dream) is on a mission to get more British consumers into the hands of its “affordable” cars.

The company is one of the latest Chinese companies to enter the UK car market, claiming it is price competitive and has launched three cars since entering the UK last year.

But while the average UK driver might not be able to tell any of the Dolphin models apart from an Atto 3 or a Seal, the company is its home country’s biggest EV maker and is now setting its sights on Europe in a big way.

Greg Fairbotham of Zoom EV, which specializes in EV leasing and car sharing, says increased competition will encourage more people to electrify the roads. “And that should be considered a good thing,” he says.

So what should you know about BYD and how does it compare to its competitors?

What is its track record?

For the past decade, the company has been China’s largest EV manufacturer, producing 3.02 million vehicles in 2023. Late last year, it overtook Tesla to become the world’s largest electric car maker.

It’s rapid growth for the Shenzhen-based company, which started making cell phone batteries in 1995 and later branched out into cars. The company has been backed by US investment billionaire Warren Buffett since 2008. The company’s ambitious goals include plans to sell around 800,000 cars a year in Europe by 2030.

it is, observer It said it sold 1,100 cars in the UK between March last year and the end of December. Here are the figures from the Society of Motor Manufacturers and Trades (SMMT): 248 vehicles were sold here last month. The company says it is currently in stock at 24 dealers across the UK.

Perhaps the biggest advantage is that they manufacture their batteries and many other parts in-house.

Recently, parts shortages have been plaguing other manufacturers across the industry, resulting in longer repair times for consumers.

Steve Fowler, Editor auto express says other automakers don’t have the same level of control.

“The problems we’ve had in recent years with shortages of parts like microchips are not a problem for BYD,” he said.

Is that car okay?

Three models are available in the UK: Dolphin (from £30,195), Atto 3 (from £37,695) and Seal (from £45,695). Reviews are generally positive, but there are some concerns. According to Steve Huntingford, What car? the vehicle is “rather than great”.

“The main reason I buy now is because I want something a little different from the norm,” he says. “But while these cars are impressive enough on their own, in each case there are rival models from name brands that offer better performance and are available for the same or less money.”

The small Dolphin hatchback has been compared to the Peugeot e-208 and Vauxhall Corsa Electric, while the Ato 3 is similar to SUVs such as the Hyundai Kona Electric and Kia Niro EV. Seal, on the other hand, is more like an executive saloon like the Tesla Model 3.

“The Seal – BYD’s best current car, 4 stars What car? Review – Prices start from £45,695. The problem is that he can get a Tesla Model 3, which is actually an even better car in most respects, for £39,990,'' Huntingford says.

However, these prices could potentially fall. autotraders Erin Baker, because the price of the Atto 3 is significantly cheaper in China than in the UK.

“They could get a huge discount from the current price,” she says. “Even if they exported these cars and set up a retail environment to sell them in the UK, they could still make huge profits. They can actively destroy their own cars.”

What about insurance?

These days, electric vehicle drivers are finding it difficult to obtain competitively priced insurance. While drivers across the country typically face increases of more than 50% in their insurance premiums, EV owners often have to deal with even larger increases.

Tesla owners have seen their insurance go up from £1,200 to £5,000 a year. Some companies have seen insurance companies exit the market. Many EVs have expensive features, and the cost of repairing them spills over into insurance premiums.

Zoom EV says Because electric vehicles are relatively new, there isn’t enough data for companies to assess the risks, driving the estimates higher.

Mr Fowler tested how much it would cost to insure a BYD seal on a 55-year-old man in Buckinghamshire who was looking for comprehensive insurance. He was offered his £1,541 as the cheapest option. He says insuring his Skoda and his Yeti in the same conditions would cost around £300.

please be careful of others

BYD is not the first major Chinese car manufacturer to enter the UK market, nor will it be the last. In his first three months of last year, the MG4 was his second best-selling EV after the Tesla Model Y. However, MG is one of the most famous brands in the UK, but since 2007 it has been owned by China’s SAIC.

On the other hand, another Chinese brand is Omoda will be available in the UK in March gasoline cars and electric cars. “This year he has four or five Chinese brands coming to the UK,” Baker says.

The expected boost is so big that analysts at bank UBS believe that by 2030, one in three EVs will be made in China.

Source: www.theguardian.com