New Scientist Book Club Review: Discover Sylvia Park’s Luminous – An Exciting Exploration of Robots

The New Scientist Book Club explored Luminous by Sylvia Park this May.

In May, the New Scientist Book Club shifted gears from Kim Stanley Robinson’s Space Wilderness to focus on Sylvia Park’s intriguing novel, bright. This fresh narrative brings a unique perspective to the science fiction genre, delving into a closer future that is both thought-provoking and imaginative.

Similar to Sierra Greer’s Anniebot, which envisions an integrated society, bright examines complex themes on various levels—emotionally, spiritually, and socially. Set in a unified Korea, the novel intertwines three captivating storylines. The first is a police procedural featuring Detective Jun on a quest to locate a missing robot girl. The second follows a group of adventurous kids, including Louisier and his friends, who discover an abandoned robot boy in a scrapyard. The third story unfolds within a dysfunctional family, highlighting Jun and his estranged sister Morgan, who grapple with the disappearance of their robot brother during their childhood.

I found bright to be a refreshing and contemplative read. Park’s narrative elegantly explores the depths of love and loss, showcasing their journey from a children’s book concept to a much darker, mature storyline. Their writing style is captivating, and I eagerly anticipate their next project, which might include themes ranging from robot consciousness to Peter Pan, as discussed in our video chat.

Our book club members expressed varied opinions about bright. TheGosia was particularly impressed by Park’s depiction of disability, stating, “I love it! The characters are compelling and relatable. The positive portrayal of bionic modifications resonated with me.” Join our thriving community on Discord. “If given the chance, I’d exchange much of my flawed human body for a bionic suit. Often, these themes are presented from a loss perspective.”

Exoi also shared his enthusiasm: “This book is filled with thought-provoking themes regarding robotics and human value. It has more depth and complexity than many authors achieve in a lifetime, and it’s both intelligent and nuanced. I’m thoroughly enjoying it so far.”

Karen Warren added, “While this is just one possible future, it made me reflect on our current societal trends. Humans have always anthropomorphized inanimate objects—naming cars, playing with teddy bears—indicating a deep desire for connection.” She quoted the author: “‘How do we define what is real? Most of us spend our lives unconscious, dreaming, or trapped in a world on a small screen. How can we say we are truly living?’ That encapsulates the essence of the book.”

Alan_P found it challenging to engage with the novel. “I just finished bright—maybe I wasn’t paying proper attention, but I’d appreciate some clarification on the ending,” he mentioned on Discord. “It’s beautifully crafted, yet I struggle to understand why the children were eager to relinquish that broken robot or why the siblings never resolved their familial issues after years of therapy.”

Matthew expressed a lukewarm reaction: “The book felt slow at times, only picking up pace two-thirds of the way in. The events felt disorganized rather than cohesive. I was surprised to discover the true identity of the robot. In comparison to Ian M. Banks’s insightful take on artificial intelligence in my December book club, bright brings up interesting anxieties that reflect in our current literature.”

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Source: www.newscientist.com

Discover an Excerpt from “Luminous” by Sylvia Park: New Scientist Book Club Featured Read

Explore the latest in science news, technology, health, and environmental developments with New Scientist.

Seoul – Sylvia Park Luminous Stage – Night

Sean Pavone/Shutterstock

This summer was unforgettable. July struck hard, with 62 recorded heatstroke fatalities in Seoul, compounded by a disgraceful failure of a GS-100 security android that collapsed outside the Unified Chosun Bank. A street cleaner swept the remains into a pile, leaving behind its head, which continued chirping warnings about the heat.

Then came the monsoon season. Undeterred, hundreds of Red Devils supporters packed the World Cup stadium, waving flags of a unified nation, only to have their hopes dashed in the first round: Mexico triumphed 7-0 over the Republic of Korea. The following day, the sun reemerged, casting a white glow over a salvage yard as an aged Grumman A-1 bomb disposal unit maneuvered in a figure-eight pattern. It made way for a young girl named Louisier, who exuberantly threw her arms back as if celebrating, while dragging a woman by her ankles.

This woman, once enchanting with her pink lips and shimmering blonde hair, had seen better days. Her visage was a mosaic of ruins, held together by one cloudy blue eye, while her torso resembled a translucent bioplastic vest. Ruijie pressed the power button on the woman’s neck, but alas, the robot was lifeless.

Yet, those legs—so exquisitely beautiful—caught Mr. Louisier’s attention, and he intended to take them home.

She paused to check her robowear’s battery. Two hours remained. A cutting-edge, battery-powered titanium brace was affixed to her leg, designed to enhance her mobility, a testament to the love that surrounded her.

Nearby, Japanese pampas grass swayed at the edge of the collection lot. Abandoned war machines from the Unification War lay dormant, resembling ancient beasts. Among them rested the SADARM-1000, notorious for its terrifying legacy. Once active, it unleashed a barrage of bladed robots that sliced through the air with abandon.

Decades later, SADARM remained dormant, lying on its side as if in a deep slumber, its gut torn open and robbed of valuable parts. Louisier pulled on the woman’s leg, but when her head struck a piece of buried metal, one blue eye popped out. Cursing, he chased it through the grass until it finally slowed to a crawl at the base of SADARM’s belly.

Ruijie paused for a moment, her heart racing as a swarm of wasps stood still, their wings flickering. From the melted remnants of another machine, perhaps there lay the remnants of a golden drone, or a yellow jacket awaiting to pounce—real or virtual, which posed a greater threat?

Real entities displayed no restraint.

She aspired to achieve perfection, to become as still as a robot. Yet, robots require no enhancements to move. They are discarded when they outlive their utility.

In that instant, a hum emanated from deep within SADARM. The hornets rustled, their wings buzzing with rising indignation, but a unique sound submerged their anger. It was a melodic hum, oscillating like the tide, echoing the gentle rhythm of a temple bell. Hmm, hmm. The vibrations disrupted her robowear and sent chills across her arms.

Silence enveloped the hornets.

Someone is inside. Even her thoughts lowered to whispers, and this must be a person of wonder to be lulled to sleep by the drone of a wasp’s nest.

RUIJIE was treasured by both sides of her family. Her relatives in Fuzhou lovingly called her Rui Rui and Mingzhu, particularly her father, who saw her as a priceless gem.

Her symptoms first arose in fourth grade while her father proudly shared Ruijie’s award-winning science project, “The Great Silence and Why I Think We’re Listening,” during dinner, leading her mother to jest that the table itself could benefit from some silence. Amidst laughter, Louise inhaled pungent shacha sauce through her nose, reaching for a glass of water when it slipped from her grasp.

Days passed, and she dropped her chopsticks. They crashed to the floor, dragging slippery noodles along. Her father commented on her clumsiness. Ruijie, shy but rebellious, remembered those moments and often felt trapped within her own body.

The tremors intensified. Her fingers resisted the urge to clench. Embracing this, she found strength to fend off annoying classmates, yet simple tasks like holding a pen became insurmountable. Hospital visits escalated, tests unveiled potential scares—ALS, PMA, MMA, but they were no martial arts to her. Sleepless nights came, gripped by an iron band tightening on her body. In despair, her parents would sneak in, kneeling beside her as they wrapped sandalwood beads around her hands and prayed for relief.

Thereafter, she was fitted for her first robowear. A rectangular ivory disc was affixed to her hip—a sensor and motor guiding her movements like a gentle nudge on a swing. Louisier stood unassisted for the first time in weeks. Her father praised her as “super,” while her mother captured the moment, touching the photo delicately as if to save its fleeting worth.

Doctors maintained a somber tone—preparations were in order. But Ruijie, a triumphant presence in science fairs, remained optimistic about miracles. She believed in the intricate connections between beings and the universe. She was one with everything. Matter and spirit melded, resembling a swimmer’s fluidity within the sea and the precision of an archer’s shot. With this belief, she envisioned waking up, walking forward, and inhaling the luminous energy of a universe alive with fluctuating light—her body undergoing decay, yet thriving, igniting her internal cosmos, where stars flickered in radiant harmony.

This is an excerpt from Bright, written by Sylvia Park, published by Oneworld, May 2026. Join the New Scientist Book Club and be part of our discussions on Discord.

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Source: www.newscientist.com

Explore Two Distinct Takes on Robots in New Sci-Fi Novels: ‘Luminous’ by Sylvia Park and ‘The Half-Broken Aether’ by Suzanne Parker

Detailed view of a cyborg woman's face in a dark environment. Exploring the intersection of AI and storytelling.

Would we connect more with narratives featuring robots with faces and bodies?

Carlos Castile/Alamy

Ode to the Half-Broken
Suzanne Palmer, Daw Books

Bright
Sylvia Park, Magpie

For over a century, writers have explored the complex relationships between humans and robots, delving into themes of empathy and existential threats.

In our reality, the dangers posed by robots manifest through misinformation and the militarization of AI, particularly in warfare. Conversely, literature often highlights individual robots, inviting readers to relate to beings that possess physical forms and emotions.

Imaginary robots elicit various responses: they can be humorous, cool, or even menacing. They often question our humanity and provoke thoughts about ownership akin to that of pets or livestock. Notably, “Murderbot,” created by Martha Wells, encapsulates these diverse aspects of robotics.

This month, I delved into two contrasting novels centered around robots. Both were insightful and eloquently expressed the inner worlds of their characters, yet differed vastly in tone and themes.

In Ode to the Half-Broken, Suzanne Palmer introduces us to an aged robot that emerges from isolation after suffering a loss that signifies much more than just a missing leg. This unlikely trio—a half-dog, half-robot companion and a human mechanic—embarks on a quest that reveals threats to a world seemingly on the path to recovery from post-apocalyptic remnants.


In Bright, the robots are all abused, and while you empathize with them, some are inherently dangerous.

As the gang searches for the lost leg, they uncover larger threats. In Palmer’s vision of the future, robots find autonomy and are respected, creating a narrative that blends adventure and optimism, making it suitable for younger readers.

Conversely, Sylvia Park’s Bright delves into a darker reality, where robots are exploited as substitutes for deceased children and as domestic laborers. Set two decades after the Korean unification, this poignant tale explores the moral complexity of robot-human relationships amidst societal decay.

Jun, a key human protagonist, grapples with robot crimes, especially theft. Her sister Morgan, a robotics expert, struggles to nurture her creations while dealing with profound loss.

Park’s characters are vividly portrayed, eliciting both sympathy and scrutiny. Stephen, a notable character, sparks curiosity, suggesting potential for future stories in this dystopian landscape.

I also recommend:

TV Series:
Battlestar Galactica
(2003-2009) Ronald D. Moore, Prime Video

This reimagining features Cylons that blend seamlessly into human society. Witness the thrilling mysteries and drama unfold as the story reveals human-Cylon identities progressively.

Emily H. Wilson: Author of the Sumerian series (Inanna, Gilgamesh, and Ninchevar, all published by Titan), currently crafting her debut sci-fi novel. A former editor at New Scientist, follow her on Instagram @emilyhwilson1.

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Source: www.newscientist.com