This year, the promising green buds of recovery have flourished in the film industry. Expect tighter scripts, lower-budget projects—which allow studios to take more risks—and an overall more enjoyable movie-watching experience.
Mark your calendars for January 16th, as 28 Years Later: Temple of Bones will finally realize its long-awaited potential, arriving in 2025. Cillian Murphy returns, reprising his role from the original 28 Days Later, while Jack O’Connell’s acrobatic murder cult “The Jimmy’s” makes an intriguing appearance.
Nia DaCosta will take the director’s helm, a much-deserved opportunity after the struggles faced with Marvels. The screenplay, penned by Alex Garland, is poised to set the stage for DaCosta’s resurgence.
February sees the release of the remarkable science fiction film Do Your Best, Have Fun, and Don’t Die, starring Sam Rockwell as a time traveler who takes hostages in a Los Angeles diner to alter the fate of the world.
Gore Verbinski returns with a new project, following mixed reviews for his last film, Remedies for Health. Fans of his unique style have high hopes for this dynamic and adventurous narrative.
Anticipation builds for Guillermo del Toro’s latest work, Frankenstein, slated for release on March 6, featuring Maggie Gyllenhaal’s directorial debut with Jesse Buckley and Christian Bale in leading roles.
Bride of Frankenstein, a fresh take on James Whale’s 1935 classic, offers a modern twist as the duo embarks on a thrilling escapade reminiscent of Bonnie and Clyde.
For genre enthusiasts, Project Hail Mary, launching on March 20, promises to be an unmissable treat. Directed by Phil Lord and Christopher Miller, this adaptation of Andy Weir’s novel stars Ryan Gosling as Ryland Grace, a science teacher who awakens in a spaceship with no recollection of his identity, just as the sun faces extinction.
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This year promises tighter scripts, cheaper projects, and a more enjoyable movie-watching experience. “
In The Dog Stars, directed by Ridley Scott and featuring Jacob Elordi and Josh Brolin, survival becomes paramount in a post-influenza pandemic world as the characters grapple with a mysterious radio signal that may bring hope.
Furthermore, Steven Spielberg has an awaiting UFO film lined up for a June 6th release, showcasing his storytelling prowess alongside screenwriter David Cope. Starring Emily Blunt, Josh O’Connor, and Colin Firth, the teaser for this much-anticipated film is now available online.
In I Love Booster, Demi Moore leads an ensemble cast in a satirical sci-fi narrative about the implications of fast fashion, a follow-up to the acclaimed Sorry to Bother You directed by Boots Riley.
Flower Veil Street, set to release on August 14, is penned and directed by David Robert Mitchell. This thriller stars Anne Hathaway and Ewan McGregor as a couple in the 1980s facing bizarre occurrences within their neighborhood—following up on Mitchell’s cult hit, It Follows.
The much-anticipated follow-up to Na Hong-jin’s 2016 Voice of Lamentation centers around a ghostly tiger, unveiling twists amid extraterrestrial elements including Alicia Vikander and Michael Fassbender.
As we move toward December 18th, die-hard sci-fi fans await Dune: Part 3, the continuation of Denis Villeneuve’s captivating visuals of Frank Herbert’s legendary novel series.
Reflecting on Dune Messiah, this next chapter promises a blend of profound inner dialogue and complex themes. Fingers crossed, Villeneuve delivers another cinematic masterpiece.
Amy Redford, daughter of Robert Redford, has expressed her discontent regarding the proliferation of artificial intelligence tributes to her late father, labeling them a “hoax.”
Redford shared a statement on social media. In her message, she expressed gratitude for the “overwhelming love and support” from fans, stating: “It’s evident he meant so much to so many, and my family is truly humbled by the countless stories and tributes pouring in from around the globe.”
She further commented, “There are numerous fabricated AI funerals, eulogies, family quotes, etc. Portraying a father who clearly has no voice, alongside a family misrepresented, is especially challenging during these trying times.”
Redford added that a public funeral has not yet occurred, and plans for a memorial celebrating her father’s life are still underway. “Every family deserves the opportunity to grieve, honor the deceased, and convey their sympathies in a manner that resonates with their values and familial culture,” she stated.
She concluded, “My wish is to maintain transparency around AI usage. While many aspects of AI are created with good intentions, I implore you to consider: What would you want if this situation involved you? Let that perspective guide your actions.”
tFanfiction once involved sharing secret sketches in the hidden nooks of the internet. There, Darcy was envisioned as the roommate of a peculiar vampire. It was an underground pastime that went unnoticed by Tinseltown executives. Yet, here we are in 2025, according to Hollywood Reporter News. The iconic photo fetched at least $3 million (a staggering £2.2 million).
The backstory of Alchemy, Senlinyu appears somewhat nebulous. The original narrative by Senlinyu, titled Manacled, resided in a niche genre known as “Dramione,” where Hermione Granger often found herself entangled in an improbable romance with Draco Malfoy. Now devoid of any references to Hogwarts, Butterbeer, or Nimbus from the 2000s, and with characters renamed, Alchemy will hit shelves and online platforms later this month as a dark fantasy saga about a young woman grappling with memory loss, who finds herself at the mercy of a formidable and ruthless necromancer.
In a similar vein, The Love Hypothesis is making its way to cinemas. Lili Reinhart portrays a doctoral candidate who becomes involved with Professor Tom Bateman. If you think the pairing of Hermione and Draco is unusual, this one draws inspiration from a Star Wars fanfic subgenre known as Reiro, focusing on the taboo romance between Rey and Kylo Ren.
This isn’t the first occasion Hollywood has sought inspiration from fanfiction for its next blockbuster. While studios previously turned to pulp novels, classic theater, or acclaimed short stories from The New Yorker to fill theaters, producers are now increasingly looking towards Tumblr and our own archives, including AO3. In 2019, Sony Pictures Television secured a first-look deal with Wattpad, an online platform that has become a breeding ground for aspiring authors, generating scripted series and films based on the site’s most popular narratives. Wattpad started as a sassy take on One Direction but remarkably led to five films (direct-to-streaming) between 2019 and 2023, and also birthed the After series along the way.
And then, of course, there are the infamous 50 Shades. Originally a Twilight fanfic, it evolved into a trilogy of films that grossed over $1.3 billion worldwide, even though it was panned by critics. Its success demonstrated to studios that original research isn’t always essential. The saga begins with Edward and Bella’s intriguing narrative and could still be a billion-dollar franchise.
What drives Hollywood’s attraction to these projects? Logically, it relates to the brand recognition garnered through proxies. When given the option, Harry Potter enthusiasts are likely to want to see their beloved Hermione and Draco engaged in magical escapades. Meanwhile, readers of AO3’s “original” works, often numbering in the millions, feel a shared sense of ownership over this odd transition from fanfiction to the big screen—something studios greatly value.
Fanfiction is a source of existing enthusiasm that works to corporate advantage. Such immense online followings provide proof of concept, eliminating the need for focus groups or test screenings. They come equipped with a ready-made, highly enthusiastic community. In an industry where original scripts are often treated as financial risks, this data suggests that these films aren’t mere gambles; they are seen as incubators for franchises.
“The internal documents disclosed to Congress by Facebook whistleblowers suggest that “Weens are herd animals,” with references to “the stories” of the addicts that highlight a strong irony and obfuscation. Snapchat seems to have shifted its focus in its efforts to expand its user base.
Drawing from the investigative work of Bloomberg journalist Olivia Carville, this film discusses the endeavors of Minnow’s legal team in seeking justice for social media victims, confronting the predatory practices of Silicon Valley. It tells the harrowing stories of families devastated by extreme online content. This includes children or teenagers who tragically replicated dangerous self-harm or suicide methods from videos, or those who lost their lives after encountering online predators. The struggle here involves challenging Section 230, a legal shield established in the Telecommunications Act of 1996. Meanwhile, Mark Zuckerberg continues to engage in harmful practices.
The Center’s founder, Matthew Bergman, has compared social media companies to tobacco firms, alleging that these companies put profit above user well-being. While the film effectively illustrates this connection and the consequent harm, it doesn’t imply that the path to accountability is straightforward. Gaining justice for individual cases and proving that tech companies deliberately design their algorithms to provoke our darker tendencies and impulses represents a significant challenge. A crucial goal is to prevent the dismissal of the Snapchat case due to Section 230. This may appear as a minor victory, but it’s a necessary first step. This narrative is a vital piece of public journalism that articulates what many of us only sense.
“Don’t Look Away” is set to shock audiences in British cinemas starting August 8th.
bBy y estimate, Minecraft is incredibly successful. As of December last year, the bestselling video games so far had 204 million active players each month. Since its first release in 2011, its revenue has exceeded $3 billion (£2.3 billion). Moreover, the player was always keen to demonstrate fandom outside the boundaries of the game itself. In 2021, YouTube calculated that videos related to the game (tutorials, walkthroughs, homages, parodys) were collectively displayed 1tn times. In short, it’s a phenomenon.
This is the strength of the emotions, almost everything is positive, and it was only a matter of time before someone tried to turn it into a movie. After all, you have a historically popular product and a very enthusiastic fanbase: what probably doesn’t work? After all, quite a lot. Last September, First trailer For the film, the title “Minecraft Movie” was released, and the response was instantly violent. “Minecraft fans ravaged by a ‘bad’ live action trailer” Read one heading the next day. Some were called It is “crime against humanity”; others “Soulless neon hatred.” Within 24 hours, the website GamingBible said “Curse of my eyes” and “Pure nightmare fuel”. Within three days of release, the trailer was voted down over 1m.
If you’re familiar with Minecraft, you probably understand why. Minecraft is a game with a very unique look. Everything is made of square blocks and comes with a muted palette. However, the trailer is incredibly flashy. Everything appears to be made of halibo, and even worse, the block has slightly rounded edges. What’s even worse is that there are humans among them. A high-pitched, sarcasm-looking person. Jason Momoa is in an overtly blonde wig and a hot pink leather jacket. In other words, it looks like a film made by people who don’t understand Minecraft.
“This is Jumanji, but it has Minnecraft skin,” the first response from an Argentine YouTuber. elvitt0ri0 Looking at the teaser. “Minecraft offers endless numbers of story possibilities. Still, they decided to go with the storyline “We go to another universe and learn about it.”
The response for Elvitt0ri0 was to create Movies about Minecraft (not present)a version of what a movie should look like. This trailer was created with the open source animation software blender used to create the flow that achieved the best animation features at this year’s Oscars. This is a fully animated trailer that retains the look of the original game and features characters that players can recognize. Below the video is a comment. “This is everything the Minecraft movie should have done, the game elements, the history, the community… it’s so perfect.”
And elvitt0ri0 is not alone. Since the official teaser went live, dozens, perhaps hundreds, and even hundreds of fan-made Minecraft trailers have been born online. Vicki Fernandez performs dark animation of the channel, I created one titled It’s a trailer for Minecraft Movie, but it’s actually good. Her video is explicitly modified, not reconsidering. Shot for Shot Remake, everything is animated in Minecraft style, where everything is more readily recognizable. And that’s a good thing. The comments below the video are now full of what it extracts.
For certain types of fans, the appearance of Minecraft is gospel. Photo: Mojang
“I think the film should have been animated, not live action,” Fernandez said in an email. “It looks very strange when you mix a character that looks like a CGI cube with a real human. The CGI characters look oddly realistic and creepy while maintaining the proportions of the cube. Overall, the film doesn’t have a compelling art style.”
What Elvitt0ri0 and Fernandes have in common is that they are first and foremost Minecraft fans. Fernandez began playing games in 2014 at the age of eight, and four years later he began making fan videos. Elvitt0ri0 began playing at the age of 11 and was swept straight away by surrounding YouTube content. “One thing fans have proven over and over is that Minecraft can act as an incredible platform for telling the story,” says Elvitt0ri0. “You can see not only animations, but the entire series and movies created within the game.”
Both YouTubers lament that this sense of history and gratitude appears to have been lost in the official film. But that’s probably what you’d expect. Because Warner Bros have been trying to remove Minecraft movies from the ground for over a decade. In 2014, when the studio first released the film, they hired Sean Levy to direct it. However, it fell, so Rob McElhenney intervened to take his place. When he left shortly afterwards, Peter Sollet, best known for his 2008 Nick & Nora’s Infinite Playlist, took his place. It was only in 2022 that Napoleon Dynamite’s Jared Hess stepped in to direct the script from masterminds Chris Bowman and Havel Palmer, and the film found all of its films.
In fact, Hess cut out his work for him. Minecraft is a game without a traditional story. A sandbox game in which players enter procedurally generated scenery and do whatever they want. If they want to extract raw materials from the surroundings and craft tools, they can. If they want to start a fight against hostile creatures, they can. If they want to spend four days using the game to make huge chicken (as my 10-year-old did this week), it’s up to them.
“corpo-vomited products”? Minecraft film. Photo: Burner Warner Bros Pictures/AP
The movie nods to this with the title – it’s a Not Minecraft Movie Because Minecraft movies are reductive to be so definitive. Still, Hess appears to be heading down an easy path, stuffing the bones of a Jumanji-style offering with sticky skin. Worse, Hess has a distinctive visual style (he is essentially a sarcastic haircut Wes Anderson). This does not mesh intuitively with the appearance of Minecraft.
And for certain types of fans, its appearance is not just the gospel, but in part it is the fans’ lead. For example, youtube costumes named with elements animation, lush animation, and absurdity Minecraft Spoofs It was such a success that they were hired by game developer Mojang to create official Minecraft videos. Minecraft was ultimately a feedback loop between the game and the people who played it, and the film had to reflect that.
But the story is that Hess basically stumbled around making a film. When another project he was working on for the legend fell, they asked him to pitch to Minecraft – and perhaps this lack of familiarity was shown. After all, Phil Lord and Chris Miller got in the way to reassure people that they had performed with Lego before making the rigo loyal 2014 The Lego film. When Aaron Holvas and Michael Jerenick were announced as directors of the 2023 Super Mario Bros film, they said Super Mario Bros was their main source of entertainment as a child.
This is the level of familiarity that fans have come to expect, and there is a habit of things being wrong every time the director tries to force himself on his beloved property. The first live-action Mario film collapsed when Bowser (a giant muscular turtle) was replaced by Dennis Hopper with a sparkling blazer. Paramount was forced to spend $5 million redesigned by Sonic the Hedgehog after appearing in the film trailer, all the little eyes and human teeth, and the scary audience. However, Minecraft is still a relatively new game. People like Fernandes and Elvitt0ri0 have played the game long enough to really understand it, but only in their early 20s. One day they will make a completely loyal Minecraft film that will satisfy their fans, but that hasn’t been for years.
But again, this is a Not Minecraft Movie Minecraft Movie. Warner Bros. may have done enough to prevent this from fully floping. There is a wall-to-wall promotion both in-game and in the real world, and there is also a second trailer that appears to be a bit faithful to the source material. However, hardcore followers may feel that it’s time for fans to be in charge of providing the big screen of the future. Element Animation Minecraft Film is exactly what my kids want to see, but perhaps the reins will be handed over to someone else with an innate understanding of the game. As Elvitt0ri0 says, films based on beloved things like Minecraft should be “the part of the actual love of fans by fans, not just by the Corpora Paw Paw products by large corporations.”
isDuring this long, hot, dreary summer, I’ve come to believe in only one thing: seeing Twisters in 4DX. Set in Oklahoma, this Lee Isaac Chung-directed film gets a 7/10 in 2D. It’s a sort of blockbuster sequel to the 1996 disaster movie, with Glen Powell and Daisy Edgar-Jones playing tornado chasers and showing off some modest chemistry. But in the immersive theater format of 4DX, where audiences are pelted with literal wind and rain, Twisters gets a can’t-miss 10/10.
In 4DX, you feel every jolt, from the punch in your back to the tickle in your ankles, as the truck sways in the F5 winds. When the characters cling to their bolted-down theater seats during the climactic storm, I clung to the armrests to keep from being torn apart by the wind. There were loud cheers at my screening every time the movie’s tornado hit, as in the scene in which Powell wears a skin-tight white T-shirt in a light rain. I emerged from Twisters with matted hair and tear stains down my side. A friend lost a shoe. In 4DX, in the words of Tyler Owens, who plays Powell, you don’t just “ride out” the storm. teeth storm.
I’m not alone Glorious Recognition4DX has been around in the US for a decade, first introduced with Transformers: Age of Extinction in 2014, but Twisters marks 4DX’s culmination and breakout success this summer. Domestic box office records were broken 4DX grossed $2.3 million in its opening weekend across 62 theaters across the US. A TikTok user recorded himself leaving a screening of Twisters and heading home. Mascara streaks, Pushing and shoving in a four-person theater seat and Seeing God (With shocked parents) In the wind tunnel. A week later, Deadpool and Wolverine Exceeded Twisters’ record $2.8 million marked the second consecutive best weekend ever for 4DX, the second most popular of the so-called “premium large-format” viewing options after IMAX, which accounted for a significant chunk of this month’s box office takings. Alien: Romulus box office.
“Premium formats like 4DX and IMAX are making a full comeback,” says Paul Dergarabedian, senior media analyst at Comscore. “People complain about the price of movie tickets, but audiences don’t seem to mind paying a premium for a particular film experience.” For an average of $8 more than a standard ticket, audiences can feel the impact of a sandworm in Dune, simulate the terror of zero gravity in Alien, and scream inside a tornado. The hype for Twisters has been building for years. A Post-Pandemic Craze for Bold, Spectacular Theatrical Experiences “With Twisters, everything clicked,” says Duncan MacDonald, head of worldwide marketing and theatrical development for 4DX company CJ 4DPlex Americas. “We’ve been stuck at home for so long, and theaters have been closed for so long, so we wanted to see something different, and 4DX gave us that.”
4DX’s summer is largely thanks to a team of artists (whom the company calls “editors”) based in Seoul, South Korea, who adapt 35-40 Hollywood movies and about 70-80 non-Hollywood films a year. Since 2009, the studio has enhanced some 1,050 movies, from horror to the Fast and Furious to Pixar films, with 4DX effects such as smells (gardenias, roses from Beauty and the Beast, Wonka chocolate), weather, lighting, and chair programming adapted from a military flight simulator. What began as an experiment by South Korean cinema chain CJ CGV is now screening in 792 cinemas worldwide, including 63 in the U.S. and Canada, according to the company.
Editors take over once nearly all post-production is finished, usually about a month before the film’s release. The team then goes through the film scene by scene, and frame by frame for particularly intense action sequences, choreographing the chair movements and fine-tuning the effects to match the change in perspective. They have to decide which elements to emphasize at which moments and which to tone down. In the case of Twisters, do you focus on the experience of the battered truck, or the wind? In one storm scene, the 4DX experience “starts with the truck, and you feel every little impact,” says Paul Hyun Kim, senior vice president of content and production at CJ 4DPlex. When a tornado forms in the distance, the seats shake less to match the swaying of the truck, emphasizing the tornado’s intense gusts and smooth movement, drawing the audience into the larger storm. “You’re focused on the tornado, you become part of it,” Kim says.
“It’s a very creative process,” he added. It’s also collaborative: Each team has a lead editor who pitches internally to the studio’s editor-in-chief, Cindy Lee, who has edited 300 titles in 15 years. “With that experience, you really start to gain nuance and a feel and expertise for what to highlight and what to distance yourself from,” Kim said.
'Groundbreaking': Carrie-Anne Moss and Keanu Reeves in The Matrix
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I Professor of Physics at St. Joseph's University in Philadelphia He is also the author of 18 popular science books. Although my training was in theoretical physics, particularly the discovery and interpretation of unusual solutions to Albert Einstein's theory of general relativity, I remained a lifelong admirer of his science fiction and fascinated by the phenomena of physics in culture. I'm here. In my latest book, The charm of the multiverse, I apply my experience and interests to the study of scientific debates and popular beliefs surrounding the concepts of parallel worlds and separate parts of reality. Here's a chronological list of my 10 favorite movies on the subject. Each one has been chosen to be thought-provoking and interesting.
It's a wonderful life (1946)
Beyond the key aspects of this issue Christmas classic There are lies worth chewing through, including the question of what the world would be like if we didn't exist. In theoretical physics, the hypothetical anthropic principle cuts off from all reality the realm of possibility that ultimately leads to the conscious observer. Sadly, unlike the film's protagonist George Bailey, we don't have guardian angels to tell us what the universe would be like without humanity. But maybe, in George's spirit, we recognize the fact that we exist as sentient beings on a fragile planet and take that responsibility seriously.
back to the future (1985)
Children dream of changing their parents. Thanks to the mysterious powers of the time-traveling DeLorean, Marty McFly inadvertently does just that. In physics, the feasibility of backward time travel is debatable. Could it be that the paradoxes caused by voyages into the past, such as acts that prevent the creation of time travelers, make them impossible? Marty's Voyage to 1955 He almost prevents his parents from falling in love until he finds a way to convince them. He returns to his 1985 present and finds himself in a parallel reality. His parents are much cooler there. Such a multiverse avoids paradox and gives hope to teenagers.
marmot day (1993)
In quantum physics, reality is a mixture of different particle histories. It's as if the inhabitants of a subatomic world need to try every possibility to make things right. Eastern philosophy similarly emphasizes that reincarnation ultimately leads to perfection. Similarly, funny movies, weatherman Phil Connors seems doomed to repeat the same terrible day over and over again until he sheds his self-centered attitude and becomes more sensitive to others. Along the way, he not only found love, but experienced enough time to master French, ice sculpting, and piano. Thanks to a kind of repeating multiverse, he contains a large number of things.
“Contains a large number of people”: Bill Murray in Groundhog Day
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12 Monkees (1995)
Partly inspired by great things, La Jetée, 12 Monkees It offers plotlines like twisted knots of wire. But does it constitute a single coherent chain, or does it contain loose parts?The protagonist, James Cole, travels back in time from his imaginary 21st century to his 1990s. and tries to gather clues about the origins of a devastatingly deadly pandemic. Although his superiors stress that the past cannot be changed, he sometimes appears to be influencing reality, but only in the face of reality's resilience. His hopes that he can prevent the catastrophe eventually fade, but there are hints of an alternative even in the final scene.
“A surprising juxtaposition of fate”: Gwyneth Paltrow's “Sliding Doors”
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sliding door (1998)
Have you ever missed a train by just a few seconds and cursed the time you lost? But if that delay resulted in an accident being avoided, it would seem more like a blessing. Brilliantly, through the magic of cinema, we see both parts of the many worlds in which the main character, Helen, misses and misses the subway. In the former case, the girlfriend was unable to witness her boyfriend cheating on her and continues to pretend that she didn't know. In the latter, she witnessed the incident and immediately met Mr. Right. However, both elements have something in common that ultimately points the way to a surprising juxtaposition of fate.
Run, Laura, run (1998)
If two versions of reality aren't enough, try three.in This seminal German film, fate gave Laura three chances to save her boyfriend, who had lost a huge amount of cash and needed it to carry out the mission of a crime boss. Each time, she somehow obtains her booty and takes 20 minutes to run across the city with it to her frenetic lover. Reflecting the butterfly effect of chaos theory, small discrepancies can lead to vastly different results. Her first two attempts prove fatal, but the third is the charm. This film shows that our passion for the multiverse reflects our desire for multiple opportunities in life.
matrix (1999)
Movies allow us to imagine entirely new worlds. Artificial intelligence strengthens that illusion. Imagine if an incredibly powerful and malicious electronic entity exploited our ability to be fooled and created a false world for us to experience life. All the while, it sucked energy from our bodies for its own evil purposes.of The film's groundbreaking sci-fi plot And special effects remain relevant to today's debates about AI capabilities and threats. Some thinkers speculate that the observable universe is a simulation. If that were the case, screenwriters elsewhere in the multiverse would win Academy Awards for the most original screenplays.
“The Haunting”: Jake Gyllenhaal, Jena Malone, Donnie Darko
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donnie darko (2001)
One of the most profound mysteries in theoretical physics is the concept of wormholes. A wormhole is a hypothetical connection between disparate sectors of the universe. Theorists have derived a wormhole solution to Einstein's general theory of relativity and demonstrated how it could potentially be used as a time machine. In reality, no one knows how to assemble the extraordinary amount of mass needed to create such an object, including a special negative mass component called “exotic matter.” Nevertheless, they serve as effective plot devices. this unforgettable movie The story of a troubled teenager who
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