Imagining the AI Revival of Agatha Christie

Feedback provides up-to-date news on science and technology from New Scientist, delving into the latest findings and advancements. You can reach out to Feedback@newscientist.com with items you think our readers would find intriguing.

Is the Author Really Gone?

Occasionally, I notice advertisements for courses that claim to teach the secrets of becoming a remarkable creative writer. They seem delightful, but why bother with this when there’s an alternative?

A course that piqued my interest recently is the BBC Maestro, particularly one led by comic icon Alan Moore. We’ve refined parts of it, yet I feel this specialized method has dulled some of his more innovative ideas. Mention to Moore, who considers Northampton the center of the universe and penned a 1174-page novel around this notion, that he isn’t offering us anything fresh.

Maestro’s latest offerings feature surprisingly unusual instructors. Crime fiction maven Agatha Christie would be quite the surprise for keen readers, given that she departed in 1976. The promotional text is genuinely captivating.

Time travel? Cloning? No, this is a replica of Christie’s AI. Actress Vivien Keene was cast to portray a writer, and AI was utilized to recreate her face and voice.

A similar example – “Gen-AI-powered avatar inspired by Aldous Huxley’s science fiction concepts” – was showcased at the UNESCO World Press Freedom Day event on May 7th. Marca Older, a humanitarian and science fiction writer with an impressive portfolio, attended and was left speechless. As she noted on Blueski, the avatar’s responses could be described as “the frustratingly vague ‘perhaps both’ response filled with jargon“.

Creating an AI clone might seem overwhelmingly complicated, but it does offer a certain reassurance, utilizing a bot based on a deceased author who won’t throw fits in the studio. In contrast, feedback feels like every writer’s struggle. I constantly wonder where my next paycheck will come from. It’s already challenging enough competing with those who radiate talent and charisma. Now, we’re battling with the legacies of the departed.

Or, as I remarked on Blueski, in a moment of unrelated frustration: “There are live, breathing science fiction authors! … You could invite them to participate!!” Feedback concurs: Whatever the context, we prefer to feature our own courses.

The Nature of Intelligence

In science, it’s fundamental to understand that correlation does not imply causation. Just because two variables appear related doesn’t necessarily mean they are connected—unless you’re inclined to believe that Maine’s divorce rate is a result of margarine consumption. It’s a rather basic concept often overlooked in feedback, yet we frequently encounter these misleading correlations.

Reporter James Dinneen draws our attention to unpublished research with an intriguing title: Human intelligence shaped by solar activity rhythms. It suggests a notable correlation between “high-energy solar proton events” and the number of Nobel Prize winners born in a given year.

Researchers specifically examined Nobel laureates “in the fields of science (including economics) and literature.” We must mention our amusement at the subtle parentheses around “economics.”

The authors assure us that the results are “adjusted for a six-month prenatal offset.” Why specifically 9 or 5 months? Will correlations solely emerge from this peculiar adjustment? Regardless, it leads to the hypothesis that “atmospheric radiation patterns could serve as environmental stressors impacting neural circuit formation during prenatal development.” Certainly, that’s one way to interpret the data.

If anyone comes across a more outrageous correlation-based claim, please send it to our usual address. Until then, feedback advises expectant individuals to consider wearing protective gear just in case.

Breakdowns

Feedback believes we should abandon nominal determinism, but alas, we can’t. It was amusing that Andy Greene’s email forewarned consultant urologist Nick Burns Cox, but a quick search from 2019 revealed he had indeed done it. However, in a delightful twist, Stephen Alexander on the May 19th Edition of BBC Radio 4’s Briefing Room featured one sound engineer, David Crackles.

Sam Edge (and we truly hope to scale new heights) flagged two occurrences from issue 3540 of the magazine. Reviews of Intertidal Zone somehow failed to highlight his “satisfactory and fitting” name, Yuvan Aves, from the naturalists who began his birdwatching career. A few pages later, he noted, “The science magazine was being reviewed by one Alexander Magazinov,” in your very own esteemed column (dear readers, take this as a guideline on how to submit).

Finally, while this isn’t overtly nominal deterministic, it’s certainly adjacent. Amy Marshsholl shared on Blueski: “OMG, I just saw a sign stating ‘Erectile dysfunction is a growing concern’”. The question remains: Was that intentional, or did someone genuinely miss the point?

Have you shared your feedback?

You can submit your stories via email at feedback@newscientist.com. Don’t forget to include your home address. This week’s and previous feedback can be found on our website.

Source: www.newscientist.com

Detroit’s Revival: After Years of Decline, the City is Buzzing with Growth

time Book a Cadillac Hotel It opened in Detroit 100 years ago this month, making the Motor City one of the most dominant metropolises on Earth.

At the time, it was the world’s tallest hotel, boasting over 1,100 rooms spread over 31 floors. At the time, Detroit was a place where everyone saw, or wanted to see, the city’s primary industry, the automobile, as facilitating the dawn of mass mobility for the wider world.

The decades since have been less serene, but today Detroit is in the midst of a resurgence.

Recently opened new lab Robots roam the exposed concrete floors of the technology hub, which was once an abandoned library archive for the city school system. Outside, the whirl of electric ATVs echoes through the streets. Inside the building, more than 100 startups are working to explore the future of mobility.

A century ago, immigrants from Syria, Poland and Ireland landed at neighboring Michigan Central Station, and now entrepreneurs and engineers are coming there. Mexico, Norway And the future is pouring down on the city.

Many people choose to come to Detroit over Boston, Silicon Valley, or Austin because of the new wave of innovation, $700 million worth of investments by Ford Motor Company, city tax breaks, and other investments. This is because funds from the family are contributing to the reconstruction of this area. It has long served as a symbol of the death of American cities.

RybackThe startup, founded by David Medina, a 26-year-old entrepreneur from Mexico, is developing an electric all-terrain vehicle that reduces both air and noise pollution in urban environments. Norwegian company wheel me promises to turn any object into a robot capable of autonomously moving large objects, and is working with some of Detroit’s biggest automakers.

“When we wanted to expand into the U.S. market, one of our major customers, Siemens, had a huge footprint in Atlanta, so it was attractive to move there,” says Detroit. says Robert Skinner, originally from the US and managing director of EcoG. , an EV charging technology company headquartered in Munich.

“But when the team went to the Detroit Auto Show, they saw the recovery and everything that’s going on — it’s vibrant here. We had a one-on-one meeting with the governor. I was able to… all of which helped me make the decision to locate here.”

Just a decade ago, General Motors went bankrupt, leaving the city $18 billion in debt and running out of cash, making it the largest U.S. city ever to fail. Over the decades, some 700,000 residents have left the city and an ever-growing list of problems has led to the closure of emergency services.

All the while, the massive Michigan Central Building and the former library archives next door served as reminders of both Detroit’s grand, distant past and recent decline.

In 2018, Ford Motor Company purchased the 90-acre site for $90 million, and since then it has taken 1.7 million hours, involving thousands of craftsmen, to create the stunning Beaux Arts classic. It has been restored to its former glory.

“At its peak, [in the 1940s]4,000 people will walk through central Michigan every day. [taking trains to and from Detroit]” said Josh Shirrefman, CEO of Michigan Central.

“We’ve recently had 4,000 people use this building again. There’s a certain poetry to it. It’s an important statement about things coming to life again.”

A mural by Jessica Trevino and Romain Brancar depicting Detroiters living near Michigan Central. Photo: Jim West/Zuma Press Wire/Rex/Shutterstock

The region’s resurgence was marked by last summer’s concerts, where thousands of tickets were sold within hours to see performers such as Detroit native Diana Ross and Eminem.

As the nation’s largest majority-black city, efforts to foster minority-led innovation are part of its recovery story.

In the spring of 2023, Alexa Turnage and her husband Johnny… black tech saturdays After being told that Black tech founders and entrepreneurs “don’t exist.”

“We started here at 10 a.m. on a Saturday and people were still showing up at 5 p.m.,” Johnny says.

Since then, the organization has held dozens of workshops and networking events to support the Black tech community locally and nationally from its Michigan Central location.

“Our greatest accomplishment is Takeover by female founder Last March. Approximately 1,200 people gathered. We occupied all three floors of this building. ”

Hundreds of high school students also took Google’s Code Next program. This program is also available at Michigan Central.

Michigan Central isn’t the only team experiencing a resurgence.

Ten years ago, most of the high-rise buildings in downtown Detroit were abandoned or in ruins. Today, each building has been renovated to various states and all are once again occupied.

For many, the restoration of the Book Tower, a 38-story Renaissance building, is particularly satisfying.

“It is impossible to overstate the extent of the damage done to the building. There was a combination of deterioration and damage, with stone panels flying off the walls and the painted glass ceiling falling in.” -Jamie Witherspoon of Bedrock, a real estate company owned by Detroit billionaire Dan Gilbert, who owns mortgages and the NBA’s Cleveland. Cavaliers.

Bedrock’s flagship project over the past decade has been the rebirth of the Book Tower.

The building remained vacant for six years until Gilbert and his team raised deep pockets to repurpose the former office tower to suit 21st century tastes.

Last year, it spent almost $400 million to create a stunning mixed-use space with five restaurants, hundreds of apartments, 117 extended-stay suites, and dozens of caryatids overlooking life in the revitalized city center. We are now open. architectural digest magazine I named it One of the most beautiful repurposed buildings in the world.

“We saw this as an opportunity to kind of take something that was a symbol of urban decline and turn it into a place that different people could come and experience,” Witherspoon says.

Still, the city faces major challenges.

poverty in detroit almost 3 times On the other hand, housing costs are rising in areas that are becoming more upmarket. I saw some residents‘My life is turned upside down.

When General Motors recently asked the city of Detroit for $250 million to renovate its iconic Rensen skyscraper, some resident groups balked.

But there’s no denying that the city is on the rise.

On the land next to Michigan Central, Detroit City FC hopes to: build a new stadium It’s right near the Mexicantown neighborhood, a community where the soccer team has a lot of support.

last year, The population of the city has increased For the first time since the late 1950s.

“They drive from Ohio and Kentucky.” [and] Tennessee. We have people coming from Baltimore, New York and Toronto. Some people flew in from Brazil,” Johnny Turnage said of those who attended his Black Tech Saturday event.

“I have one collaborator in Los Angeles who is considering moving here.”

Source: www.theguardian.com

Neopets’ Nostalgic Revival Leads to Tripled User Base in Just 6 Months | Technology

I
In the early 2000s, Olivia Packenham came home from school, heard the familiar dial-up tone of her family’s computer connecting to the Internet, and was transported to the virtual game world of Neopets in her AOL browser.

Packenham, who started playing at the age of 8, played for many years before losing interest in high school. But in December 2023, after almost her 15-year hiatus, she logged back into her neopets.com. Then she realized that her childhood pets were waiting for her. Her favorite “Bruce” (the Neopets version of Penguin) is now over 21 years old.

Packenham says that when she opens Neopets today, it’s like going back to that time in her life. This time, my mother didn’t yell at me because the family’s phone line was clogged.

“It was like walking into a museum of the early 2000s Internet,” said Packenham, 32. And he is one of the thousands of players who have returned to Neopets over the past year.

Packenham’s return was no coincidence. His Neopets, which announced a bold rebrand in 2023, is consciously courting former fans with the promise of reuniting with old digital friends who have remained largely unchanged.

Returning Neopians (user community name) cites several reasons for returning. A woman who went by the username Solabee said she started playing the game at age 9 and began playing almost every day after her return. The resurgence of Neopets felt very special to millennials, she said. In fact, 40% of her users are between the ages of 25 and 34, and 26% of her users are between the ages of 18 and 24, the next largest demographic. Revisiting this site reminds me of a hopeful time in Internet history, when logging online was still new and exciting. Many of the Neopians interviewed for this article prefer to keep their online personas separate from their real lives and asked to be quoted by their usernames.

“We are the most nostalgic generation, so when major global events or crises occur, we all want to go back to the safest time in our lives, which is our childhood,” Soraby said.




Olivia Packenham's Neopets, the penguin-like "Bruce" variety. Photo: Courtesy of Olivia Packenham.

Neopets' strong start and long decline

Neopets started in 1999 as an early internet universe where users could care for a variety of virtual pets and play mini-games. A crude social network that predates Facebook, the site allowed users to add friends, send each other messages, exchange resources and virtual currency, and battle. It peaked in the mid-2000s with more than 25 million active users, but its popularity quickly declined as competing gaming and social sites exploded on the Internet.

The platform has changed hands multiple times since its founding, slumped amid acquisitions, and had just 100,000 users when it was acquired by Chinese company NetDragon in 2017. Further deepening the decline was the decline of Adobe's Flash Player (software). Powered most of the site – Browsers began to be phased out Neopets started around 2017 and was officially discontinued in 2020. Neopets received little attention and the interface was not updated.

That's because entrepreneur and investment consultant Dominic Lo, who joined NetDragon as new markets director in 2020, launched an internal campaign to revive the Neopets brand, calling it a "giant leap of faith." ” until he called it. Ms Lo, 36, recalled that after she immigrated to Hong Kong as a child, she used Neopets to keep in touch with friends in Canada. He realized that his Neopets was at risk because NetDragon had shut down several underperforming sites it had acquired.

“Despite its decline over the past decade, when lack of updates and flash outages made half the site unplayable, a quarter of the remaining users log on every day,” he said. “Seeing how close-knit the rest of the community is, and as a player myself, I resonated with the emotional attachment that drove these core users to support Neopets. Perhaps this is why We’ve found that we have probably the most sticky customer base.”


Law persuaded NetDragon's upper management to give Neopets a "final blow" to save it, spinning Neopets into an independently owned company with a management team of which he is now CEO. We finalized the acquisition agreement. The move was backed by undisclosed external investment. Under a group known as Neopets Team (TNT), the company began restoring the site's functionality, updating its design, and improving its most famous classic games. Next, TNT wants to enable more mobile capabilities. Although much of the site is still bogged down with some glitches, Roe said that its failure to change with the times has ironically been an asset.

“With no updates, we basically preserved early internet culture in its purest form,” he said. “When a user logs on, the game looks 99% the way he did, and his pet is there. It's like reuniting with an old friend. There aren't many experiences in life that allow you to relive your childhood. there is no.”

Difficulties in reviving Neopia

Efforts to revive Neopets have intensified, with monthly user numbers nearly tripling to 300,000 in the past six months, and the company on track to be profitable by the end of 2024, Lo said. .

“We believe this is the beginning of recovery. But there is still much work to be done,” Lo said.

In addition to prioritizing bringing lapsed users back to the site, Neopets is seeking to license the intellectual property for its trading card game and branded Monopoly board.

“We're already on track to be profitable, but we want to make sure it's sustainable and future-proof our intellectual property so we can survive for years to come.” Mr Law said.

As pressure continues to make Neopets financially viable in the real world, the company's new leadership will also have to contend with the digital financial component of the site, which operates on the Neopoints cryptocurrency. With few updates to the site over the years, a huge black market has emerged for specific pets, and the site's virtual economy has suffered from hyperinflation.




Neopets' original logo and creatures. Photo: Neopets

Neopets runs on a complex economy consisting of two main components: items and Neopoints. Throughout the years

Source: www.theguardian.com

What is driving younger generations’ enthusiasm for a revival of retro games?

The Bouncy, Nintendo Wii Theme MIDI Melody Falling into the drill beat. When you open the Game Boy Color, lip gloss case.a$ap rocky goes “Complete Minecraft” A man in a pixelated hoodie panting and bobbing up and down his arm got stuck in a bush. This is not a defect. Pop culture, both online and IRL, has embraced the retro gaming aesthetic.

On TikTok, #Retro game video It has been viewed over 6 billion times.upon YouTube, the number of uploads increased 1,000 times. Spotify users say he’s creating 50% more retro gaming-themed playlists compared to this time last year, and the live streamer is adding repetitive catchphrases and mechanical They use movement to their advantage. So why, in an age of hyper-realistic graphics and ever-expanding technological possibilities, are younger generations fascinated by the limits of technology?

For Kingsley Ellis, a millennial who grew up listening to the beeps and bleeps of Sega Megadrives and N64 cartridges, the appeal of retro gaming is simple. “It’s all about nostalgia,” says Ellis from the TikTok account. Unpacked, has 1.5 million followers. His interests are primarily in old gaming hardware, he says. His most-watched videos revisit the wonderfully weird world of retro peripherals. They’re often ridiculous appendages designed to enhance (or over-engineer) the gaming experience. screen magnifier and foldable speaker It clips onto the console.

Young gamers are discovering retro accessories like the Wii Fit balance board through TikTok. Photo: Itsuo Inoue/Associated Press

“I was struck by some of the obsessions that I wasn’t aware of as a child,” he says. pedice dating The snorkel allows the pediatric dentist to administer nitrous oxide to the patient while playing a game, or is controlled by a Game Boy. sewing machine. Ellis’ content offers a winning combination of innovation, discovery, novelty and nostalgia. “I think the current wave of technology will be largely ignored in the future,” he says. “I don’t feel like there are any nostalgic properties there.”

This sentiment seems to resonate with the growing demographics of Gen Z and Gen Alpha. The popularity of channels like Ellis reflects his widespread fascination with retro technology. reaction videothe return of the Web 1.0 era Frutiger Aero aesthetics (Think futuristic optimism, shiny buttons, gradients and Windows XP screensavers), filters that transform people PS2 characters, and the increasing adoption of Y2K-era devices by younger consumers. Last year, Urban Outfitters sold out of its inventory of refurbished iPod Minis and 20-year-old Olympus digital cameras.The hottest Gen Z gadgets”. Amid the ubiquity of today’s technology and instant gratification, Ellis suggests that the appealing limitations of retro devices foster a “hack and discover” mentality that leads to long-term gratification. doing.

Thanks to the memetic nature of the modern internet, video game soundtracks and graphics increasingly come to life in new contexts, and this thrill of discovery extends beyond gameplay. Games have long been a source of inspiration for artists. Remember Jay-Z’s Golden Ax sample? money, cash, hoes; Lil BUse of Masashi Hamauzu’s Final Fantasy score.and D double ease street fighter riddim. Video game music is part of the regular programming on NTS, an independent online radio platform with millions of loyal listeners. NTS’ monthly geek show highlights a specific game or theme, from iconic series like The Legend of Zelda to the history of video game sampling in rap.

“Our passion stems from our belief that music in video games and anime often doesn’t get the recognition it deserves,” said Thierry Hunn, the show’s curator. For him and the rest of his ’90s kids, video games were the gateway to music discovery. Genres such as jungle and breakbeat were first encountered by many children while fighting virtual enemies.Pink Panther Ress viral hit Boys A Liar Pt. 2Charli XCX suggests that Mr. Hung sounds like something straight out of…

Review: Tomb Raider 1-3 Remastered – A Fantastic Revival of Lara Croft’s Lost Ark | Gaming

IWhile modern games are about sports cars, flashy, fast, expensive, and noisy, the original Tomb Raider is about shopping carts: clunky, slow, and not much to look at. It’s a pain to operate, especially if you’re used to automatic gears and navigation. It’s quiet apart from the odd wheel squeak. It’s really great at doing what it’s intended to do. And it can be yours for just £1.

Well, £24.99, that’s the asking price for Tomb Raider I-III Remastered. This product includes Lara Croft’s first three adventures and expansion packs from 1996 to 1998. Each game has received a complete graphical overhaul, with a fresh coat of paint rather than a complete re-plaster. Lara’s world still has a flat, polygonal appearance, full of sharp edges, origami enemies, and Toblerone boobs.

However, the lighting is now more natural, water effects have been greatly improved, and new high-resolution textures have added an impressive amount of detail. Vegetation looks more realistic and surfaces are smoother. Cracks in the grain of the marble walls of the Venetian Palazzo no longer look like they were built in Ceefax. These visuals would have been shocking back in 1996, when Tomb Raider was first released, but they don’t match modern gaming standards. The remaster makes him fall into the uncanny valley between the two. I think he was around 2005. But these graphics are a perfect fit for the dated gameplay, and are a clear improvement over the original version, which was so blocky and ugly that it would shatter the lenses of your rose-tinted glasses.




Harmful effects… The colonial stereotypes of the original version have been dispelled.
Photo: Aspyr Media

However, some of the series’ memorable moments are diluted. The appearance of the iconic Tyrannosaurus in the first game was quite frightening, as the dinosaur suddenly appeared in view from the endless pitch-black night. This was not an artistic choice, but a technical limitation that prevented me from drawing details in the sky and background. The showdown is currently taking place on a rainy afternoon, with the edges of the battlefield visible. As a result, the scene is still tense, but no less frightening. Just like in Jaws, it’s scarier when you can’t see the monster.

The good news for purists is that you can switch between the original and upgraded graphics at any time with the push of a button. You can also choose to play the entire game using the original tank controls, or use the new system that lets you run around with Lara like a modern-day action hero. This makes her movements more fluid and reduces those frustrating moments where the camera can’t keep up. However, accuracy is sacrificed when navigating grid-based environments. This is essential for completing the more complex platform sections. The solution is to keep switching between her two control systems via the pause menu, but this is difficult to use. Unfortunately, this also cannot be toggled with her single press of a button.

There’s no option to turn off problematic content that appeared in some of the original games, such as racist depictions of South American natives as dancing cannibals. Instead, the remaster includes a warning about these “extremely harmful and intolerable” stereotypes. The content remains unchanged “in the hope that we will recognize and learn from its harmful effects.” This seems like a reasonable argument. Recent Tomb Raider games have sought to move away from racial stereotypes, tackling issues surrounding colonialism and the theft of cultural artifacts. The remaster’s problematic scenes remind us why this is important.

There’s no doubt that the games in this collection feel outdated. When it comes to glossy graphics, intuitive controls, and fast-paced action, it can’t match today’s Uncharted or Assassin’s Creed. But they have something that many modern games lack: confidence.




It doesn’t look clear. Lara’s world is still flat and polygonal.
Photo: Aspyr Media

The original Tomb Raider never holds your hand. The environment is free of Tipp-Ex’s awesome doodles, highlighting where to go next. It’s not packed with random items to collect or boring letters to read. You don’t have to craft your own weapons, upgrade your armor, or choose an amulet to attach to your magical necklace to slightly increase the impact of your air kicks during melee combat.

You can’t climb everything you see. You can’t traverse an entire cliff face by just holding up the thumbstick and pressing the X button. Navigation requires precision, which means losing your life. There’s no strong soundtrack. In fact, there’s almost no soundtrack. There are no loud buddy calls in your ear, no maps, and no hints. Do what you like.

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This is what makes Tomb Raider so great. It’s a game that trusts the player. You’ll find that you keep moving forward, even through the frustrating and difficult sections, because the satisfaction of having achieved it is enough. There’s no need for constant gratification, and no promise of big prizes at the end, like big shiny swords or long cutscenes. New vistas and a few bars of sublimely beautiful strings are all you need. This is a game for adults.

So Tomb Raider Remastered isn’t really a shopping cart. It’s a classic car, well cared for and polished to a decent shine. Yes, the handbrake is sticky, the CD player is broken, and the butterscotch leather seats have cracks. But it’s still fun to take it for a spin. They won’t let them be like this anymore.

Source: www.theguardian.com

Revival of Startup Valuations Possible with AI Automation

AI technology is According to , it helps startups become leaner and more cost efficient. Latest report from Battery Ventures. Conversely, Battery expects low-burn startups to become even more valuable if growth rates remain attractive.


Exchange explores startups, markets, and money.

Read it every morning on TechCrunch+ or get The Exchange newsletter every Saturday.


That’s an interesting paper. When we think of AI from a startup perspective, we tend to think about what AI-powered software startups themselves build. If we turn the question of what AI software does, for Battery sees a future where startups are worth many times their revenue. This could allow more emerging technology companies to receive venture-backed or full-stop support, and increase the chances that existing startups can grow to their previous valuations.

exchange banner sq grn plusThe issue is the amount of software revenue. The story of a rebound in tech stock prices from 2021’s market gluts is a familiar one by now, and startups can’t get any hotter than they once were when money was cheap and plentiful. The same view applies.

But what’s the point of a profitable startup if it can’t grow quickly? Seems unlikely. So what venture investors want above all, and founders do too, is a world where every dollar of revenue a startup generates is worth more. This situation will help the venture math pencil to draw more neatly.

It’s much easier to invest in a cash-burning startup when the revenue you’re building is worth, say, $9 instead of $6. Or $4.

The Battery argument looks like this:

Source: techcrunch.com

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