Bond Market Influence: Rachel Reeves’ Push to Safeguard the £2.7 Trillion ‘Beast’

By 12:30 PM on Wednesday, systems will be active, trading algorithms set, and billions in buy and sell orders prepared for Rachel Reeves’ budget announcement.

For the first time, a custom artificial intelligence tool will be tuned in to a Prime Minister’s speech at Deutsche Bank’s London trading floor. It will transcribe her address, detect shifts in tone, and notify you when figures fall short of expectations.

“Once the information is available, we can analyze it in real time,” explained Sanjay Raja, chief UK economist at the bank. The natural language model has been trained on Reeves’ recent public appearances, including media interviews, speeches at conferences, the spring Office for Budget Responsibility (OBR) forecast, and last year’s budget, all designed to give banks a competitive edge in this highly anticipated budget.

“As we approach November 26th, there are heightened expectations regarding the city’s budget,” Raja stated.

We are now in the era of bond market budgets, following a decade of soaring government borrowing. With rising debt interest costs and the lingering effects of Brexit and Liz Truss’ mini-budget, market reactions will be critical.

Deutsche Bank’s trading floor in London. Photo: Roger Parks/Alamy

Mr. Reeves has clashed with major players in Britain’s £2.7 trillion debt market for months, engaging with top government officials from Goldman Sachs and JP Morgan in an effort to smooth over a multi-billion pound tax and spending plan.

What comprises the market? Think of it as the embodiment of electronic trading executed in systems around the globe, extensively analyzed by commentators leading up to the budget. There is concern that market turmoil could trigger stock declines and elevate borrowing costs for governments, mortgage holders, and businesses, potentially leading to political upheaval for Mr. Reeves and Keir Starmer.

Mr. Reeves experienced the bond market’s influence firsthand earlier this month when government borrowing costs surged after announcements that he scrapped income tax hikes, breaking his manifesto commitment.

The British government bond market, known as gilts, isn’t governed by a single entity but rather by a group of institutions and individuals working behind trading desks in the City, Canary Wharf, and other financial hubs.

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At Phoenix Group’s trading room, a FTSE 100 insurance firm by London’s Old Bailey, Summer Refai gets ready behind a Bloomberg terminal. Budget day is significant as they manage £300 billion in assets, which includes billions of pounds in gold backing pensions, savings, and life insurance for 12 million clients.

“You might recall the famous quote from Bill Clinton’s advisor,” the firm’s head of macro markets commented. (Former strategist James Carville remarked in 1993 that a “bond market” would wield more power than any president or pope.)

“It really intimidates folks. No force makes governments move faster than the bond market,” he noted.

“You can see how the market dynamics certainly have an effect.”

The influence of bond traders has intensified in recent years as government debt and borrowing costs have surged globally, partly due to rising inflation and sluggish economic growth. The UK faces distinct challenges.

Following multiple economic shocks and consecutive budget deficits, Britain has amassed over £2.7 trillion in debt, nearly 100% of its national income. Inflation remains among the highest in the G7, and ongoing speculation regarding the government’s financial position is troubling.

Simultaneously, the Bank of England is offloading government bonds from its quantitative easing program, releasing vast amounts of gilts into the commercial market to support government borrowing.

Historically, pension funds managed most of the debt, but their demand has been dwindling due to the decline of defined benefit and final salary plans. Foreign investors have increasingly entered the market, now accounting for about a third of it.

The OBR has cautioned that this could render the UK more susceptible. Foreign investors could easily opt to invest elsewhere. For Reeves, preserving the bond market’s stability will be a top priority.

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Amidst this context, the UK’s annual debt interest expenses have soared to £100 billion, about £1 for every £10 spent by the Treasury. This added financial pressure is exacerbated by the mounting costs of refurbishing damaged public services and catering to an aging population.

The yield (real interest rate) on 10-year bonds has reached 4.5%, the highest among G7 nations and nearly at a three-decade peak since 1998.

Simon French, chief economist at Panmure Liberum, mentioned that part of Reeves’ strategy involves reducing yields to alleviate this interest overhead. Bringing the UK back to a mid-ranking position could translate to billions in savings annually.

“Comparing the UK to the G7 is akin to determining who is the most inebriated at a party. But that’s a serious embarrassment regarding fiscal disparity. That’s a vital opportunity.”

Lower interest rates could yield “muted returns,” he suggests. This contrasts with the “stupid premium” witnessed during the Truss government. “By avoiding self-inflicted harm, we could see a market rebound.”

To achieve this, Reeves will need to bridge a possible £20 billion budget gap while addressing inflation. Raising taxes and cutting spending could intensify challenges, especially without stalling economic progress or violating Labor’s manifesto pledges.

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The amount of debt investors will need to absorb will be a pivotal moment in the budget. The city anticipates that Mr. Reeves will have to rebuild considerable leeway, contrary to fiscal regulations. This would cap deficits and consequently reduce future gilt issuances.

“We’re closely monitoring the possibility of new budget rules being announced. That’s our focal point,” remarked Moeen Islam, head of UK rates strategy at Barclays.

In the spring, Reeves had set aside £9.9 billion as a cushion. However, this reserve is likely to be impacted by rising borrowing costs, a reversal in welfare policies, and downward adjustments to the OBR’s productivity forecasts.

Investors are hoping for a figure exceeding £20 billion, he adds. “That would be incredibly optimistic.”

However, a political approach focused on satisfying city investors may not be a comfortable route for Labor, especially when many are urging Mr. Reeves to ensure welfare spending does not rise.

Geoff Tilley, senior economist at the Labor Congress, stated that the city backed the Conservative Party’s austerity measures during the 2010s. “Rather than mending public debt, it has harmed it.”

“Our perspective is that markets are not inherently rational, but they do appreciate growth, and there’s evidence they respond favorably to policies that steer the economy in a positive direction.”

Investors had expected a manifesto-breaking increase in income tax. Implementing this would be the simplest route to generate billions for the Treasury, rather than relying on a mix of smaller, harder-to-execute measures.

“We underestimated the complexity of such a decision, and how high the bar would be. [a breach of manifesto] This decision lies with the prime minister, any prime minister,” remarked Islam.

Curiously, this could temper reactions on Wednesday, as numerous investors fear Reeves may be ousted from No. 11. “The market has recognized that such decisions can often be more intricate and nuanced than originally perceived.”

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On Panmure Liberum’s trading floor, Marco Varani anticipates turbulent trading conditions.

“In this industry, what you’re truly after is movement and volatility. It generates more business. Days like Brexit and the onset of Covid were peaks of chaos. It was absolute madness.”

Once Reeves’ speech appears on Bloomberg, retail trading leaders expect an immediate impact. “You’ll see the gold market react, becoming a bit unsettled. Expect considerable volatility.”

During her address, he predicts that gold fluctuations, currency shifts, and movements in UK-listed company stocks will primarily be influenced by “fast money” (the City’s term for hedge funds).

Their involvement in the gold market has doubled from 15% of transactions in 2018 to roughly 30%, according to the Bank of England. Many are speculating with debt from a limited number of companies.

However, a clear judgment may unfold over several days. A crucial factor will be Threadneedle Street’s response regarding its scheduled rate cut on December 18 in the following weeks, as well as the UK’s growth trajectory and global circumstances.

Anthony O’Brien, head of market strategy at Phoenix Group, emphasized, “The market’s initial reaction should never be taken as definitive. It’s typically just individuals caught off guard, and it may require several days for clarity on the situation.”

“In the end, the economy dictates the valuation of national debt. Focusing on reducing inflation is vital. We must eliminate this uncertainty.”

Source: www.theguardian.com

Envisioning a Black James Bond: The Birth of 50 Cent in Bullets and Games

The rapper 50 Cent (born Curtis Jackson) became a household name in 2005. British classrooms were filled with teenagers sporting Jackson’s G-Unit attire, while his catchy tracks dominated the airwaves. His remarkable journey—from surviving being shot nine times to becoming one of the world’s biggest hip-hop stars—is the stuff of legends.

That year, 50 Cent sold over a million copies of his sophomore studio album, *The Massacre*, in just one week. To capitalize on this superstar’s success, his label Interscope Records devised a dual strategy: a Hollywood biopic (*Get Rich or Die Tryin’*) and a licensed video game, *50 Cent: Bulletproof*, both set for release by November 2005. “It feels like an action movie,” he remarked.

The game, developed by a British company previously known for the *Fight Club* tie-in, aimed to create a thrilling escape through the 128-bit era. Unfortunately, the project only lasted 11 months. “I remember arriving at the office at 7am and not leaving until around 11pm,” recalls game artist Hanlandawa. “We all lived on a KFC diet. 50 Cent became my obsession. I even read a doctor’s report of his shooting.”

Game designer Haydn Dalton added, “It’s amusing because this game revolves around guys from the hood, yet here I am—a white guy from northwest England—writing the in-game dialogue.”

Take a photo first and ask questions later… Photo: THQ

As of November 20th, this year, 50 Cent finds himself embroiled in a shadowy underworld filled with dangerous terrorists, vicious biker gangs, and mobsters. He navigates the cityscape—shooting first and asking questions later—tracking down the individuals who shot him and aiding his G-Unit crew (including Tony Yayo, Young Buck, and Lloyd Banks).

Similar to the *A-Team*, each G-Unit member provides unique skills (Yayo as the explosives expert, Banks as the lock-pick). The script, penned by *Sopranos* writer Terrence Winter, features cinematic cutscenes where 50 Cent interacts with the corrupt Detective McVicar, adding to the game’s intensity.


He voices a corrupt cop, spurred on by Madcap Eminem, who constantly demands cash to fund his children’s expensive karate lessons. Accompanying the troubled McVicar is Dr. Dre, providing the voice for a hardened arms dealer, who cryptically remarks “it’s serious shit” every time 50 Cent purchases a rocket launcher. The game is further enhanced by a soundtrack filled with licensed 50 Cent tracks, pushing players to immerse themselves in the action while songs like *Wanksta* play in the background.

“We were fortunate because 50 Cent felt like more than just a rapper—he felt like a superhero,” explains game director David Broadhurst. “The goal was to make him the Black James Bond.” However, Broadhurst acknowledges that the UK development team missed out on some of the glamour and sheen of the project. “Vivendi kept us somewhat distanced from both 50 Cent and G-Unit. All audio was sent to us. I remember how invested 50 was in vitamin water, which meant I had to include drinks in the game as purchasable items.”

50 Cent concept art: Bulletproof. Photo: Vivendi Universal Games

Randhawa recalls unique requests too, such as G-Unit member Tony Yayo, who constantly sought revisions to perfect his character’s appearance. “I knew I did a good job on Yayo,” laughs Randhawa. “The executive producer even remarked that other G-Unit members thought I completely captured Yayo’s distinct look!”

According to Dalton, the initial vision for *50 Cent: Bulletproof* leaned toward an open-world format similar to *Grand Theft Auto: San Andreas*. Early iterations allowed 50 to navigate the subway system to traverse New York City, but tight deadlines necessitated a more straightforward experience. Dalton elaborated, “One of our concepts was to have 50 managing street-level employees, raising drug funds for him.”

Unlike other rap-themed games such as the *Def Jam Fighting* series, which often portrayed rappers as adversaries, *Bulletproof* presented 50 Cent in a hero’s role. “It was refreshing to see a project where rappers were depicted as complete heroes instead of anti-heroes,” commented Sha Money XL, a former executive producer at G-Unit Records.

“If I filmed a G-Unit in 2005, we were ready to roll.” Photo: Vivendi Universal Games

Sha Money XL led the soundtrack for *50 Cent: Bulletproof*, acknowledging that the game’s title could easily be perceived as inciting violence by some of 50 Cent’s adversaries. “Perhaps some wanted to test whether 50 Cent was genuinely bulletproof. But if they were filming G-Unit in 2005, we were prepared to shoot.”

This polarizing aspect likely explains the mixed critical reception of *50 Cent: Bulletproof*. The game garnered a mere 52% score on Metacritic, with reviewers pointing to its cumbersome aiming system. Broadhurst believes there was an underlying bias against productions led by black heroes.

“It was evident that many reviewers didn’t fully engage with *Bulletproof*,” Broadhurst remarked. “Maybe they had issues with the black hero who was associated with licensed games or had ties to the drug trade. I’m still surprised that when people picked it up, they found it surprisingly enjoyable.”

Plans for a direct sequel to *Bulletproof*, focused on urban conflict and G-Unit’s survival in America amidst a Civil War backdrop, were scrapped. However, *50 Cent: Bulletproof* paved the way for the 2009 sequel, *50 Cent: Blood on the Sand*, which has since gained a reputation as an underrated title.


These two titles featuring 50 Cent did not spark a wave of hip-hop video games. Dalton reflects, “50 Cent was truly the last global mainstream rap superstar. Despite our game generating significant revenue, the genre hasn’t produced a clear successor in terms of rap games.”

A complicated licensing agreement makes a remaster of 50 Cent unlikely. However, for those looking to relive 2005, securing an original copy on eBay is a must.

Dalton concludes, “Yes, our game was sprung together quickly, but I have no regrets. If you check Reddit, you’ll find a nostalgic community reminiscing about what we created. I doubt a Drake game would ever reach the same popularity, especially if it lacked the grit of earlier titles.”

Source: www.theguardian.com

Introducing the New James Bond: How 007 First Light Earns Its Thrilling License | Games

For those years that seem to linger without fading away—marking the conclusion of the 25th 007 film and representing Daniel Craig’s iconic portrayal of the beloved spy—there remains no successor ready to don the tuxedo, order a martini, or take the wheel of an Aston Martin. At least, it’s not yet in cinemas. However, for the first time in Bond history, audiences will encounter the new James Bond in video games before he makes his film debut.

Crafted by the Danish studio IO Interactive for the upcoming 007 First Light, the new Bond has a strikingly handsome yet doll-like appearance. His fresh face and bright blue eyes are a departure from Craig’s rugged charm, as they lean more towards a youthful innocence rather than sharp intensity. This iteration of Bond doesn’t reject these classic traits but rather embraces them. First Light serves as an origin tale, designed to redefine one of entertainment’s most enduring protagonists for a new generation of gaming fans.

“We decided to start with origins so we could explore questions like, ‘Who was James Bond as a youth, and what does it mean to be a 00 agent?’ What does it truly signify to be 007?”

Historically, most James Bond video games have leaned heavily into the shooter genre, heavily inspired by the classic 1997 Nintendo 64 title, GoldenEye 007. Despite the ongoing success of the first-person shooter genre, the 007 games saw diminishing returns, with lackluster reviews and declining sales for 2012’s 007 Legends effectively sidelining Bond’s video game career—until IO approached Eon Productions with an exceptional concept.

“There’s an exciting shootout in the film, but if we really think about it, there isn’t that much,” Elverdam remarks. Addressing the discrepancies between the film and the game became a fundamental aspect of IO’s pitch, with the intent of allowing players to embody characters outside the constraints of cinema.

This was a familiar process for IO, which, between 2016 and 2021, successfully redefined the Hitman series—a franchise centered around elite contract killers. With a remarkable awareness of what worked in the previous Hitman games (focusing on strategic planning and problem-solving rather than gratuitous violence) and discarding the elements that did not resonate (such as convoluted narratives), the results were astounding: a series of endlessly replayable puzzles that allowed players to vanish without a trace. The satirical, clever tone of Hitman: The World of Assassination became a standout hallmark for IO.

“All of these elements [from Hitman],” Elverdam mentions, “if we adapt and innovate those, we can create a true Bond experience. These innovations should encompass driving, stealth, and yes, shootouts.”




“It’s not just about shooting”… Bond ventures onto the road with 007’s First Light.
Photo: IO Interactive

The title fits perfectly, as this game represents the first flicker of hope for a cherished franchise that has faced challenging times. Announced initially as Project 007 in November 2020, the game has persevered through Bond’s turbulent waters, a situation that began with a $8.45 billion (£6.3 billion) merger between MGM, the studio behind Bond, and Amazon in March 2022. Barbara Broccoli and Michael G. Wilson helm this family business.

In February, Broccoli and Wilson ceded creative control to Amazon as part of a major contract, effectively ending the Broccoli family’s 63-year stewardship of the Bond film franchise. Since then, Amazon has begun to outline its plans, including hiring Denis Villeneuve to direct the next installment. The world is now watching and waiting for a casting decision, eager to see what this transition means for one of cinema’s most lucrative franchises.

However, while the upcoming film unfolds, the new game possibly holds the potential to leave a lasting mark. The 007 First Light Trailer doesn’t reveal much, yet it builds excitement. It’s a montage that rekindles everything fans adore about 007—the intricate traps and gadgets reminiscent of the Roger Moore era, coupled with the formidable physical presence of Craig’s portrayal and the charming attitude that has unified all iterations of the character.




Everything fans cherish about the series. Photo: IO Interactive

“To truly pursue high ambitions, it’s essential to examine various Bond installments, understand the essence of each, and infuse your unique perspective,” Elverdam states.

The creative director for First Light is keen to discuss Bond’s essence but remains tight-lipped regarding certain specifics of his version. For instance, the identity of the voice actor portraying Bond is still under wraps. Nevertheless, Elverdam acknowledges that due to Bond’s lasting appeal, he is a character not easily thrust into contemporary narratives.

“Each Bond represents the zeitgeist of their era, regardless of your intentions. That’s simply how it is,” he explains. “What is perceived as a threat, or desirable qualities, inevitably evolves over time.” Elverdam poses several thought-provoking questions that IO considers as they craft their rendition of Bond: When do you improvise? What does it mean to serve a king and a kingdom? Why engage in such tasks in the first place?

If Elverdam and IO adeptly address these queries, they may well establish a closer connection to the next film’s Bond than one might expect.

Source: www.theguardian.com

Researchers find the precise moment when humans and dogs formed a bond

Just like iconic duos such as fish and chips, Batman and Robin, and Jack and Jill, humans and dogs have always been destined to be together. But when did this special bond first form? Scientists may have finally discovered the answer.

A recent study led by researchers from the University of Arizona delved into archaeological sites in Alaska, unveiling that the connection between humans and the ancient ancestors of dogs traces back as far as 12,000 years ago.

“This study provides evidence that humans and dogs shared a close relationship in the Americas earlier than previously thought,” stated the lead author of the study, François Lanoe, Assistant Professor in the Department of Anthropology at the University of Arizona. François Lanoe

Initial excavations in 2018 uncovered the lower leg bones of an adult dog dating back 12,000 years in Alaska, shedding light on the close relationship between humans and dogs during that era, especially with signs of possible domestication on the rise.

A more recent excavation in June 2023 unearthed an 8,100-year-old dog jawbone in the same region, providing further evidence of the early human-canid bond. Chemical analysis of the bones revealed evidence of a diet consisting of salmon, suggesting human involvement in the dog’s lifestyle.

While these findings hint at the earliest known relationship between humans and dogs, researchers remain cautious due to the age of the specimens and uncertainties regarding their genetic relation to modern dog populations.

As research continues to unfold, the team hopes to clarify the intricate history behind the companionship between humans and canids, ensuring they are on the right evolutionary path.

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Source: www.sciencefocus.com