Elon Musk’s White House Outfit Gave Off a Vibe of Defeat | Fashion

Elon Musk and Donald Trump have officially exited the scene, in case you haven’t noticed.

This move is unexpected for some, particularly those who observe the fashion choices of the high-tech billionaire in the White House. Long before someone pushes “send” on those controversial tweets or engages with Trump’s “One Big Beautiful Bill” (OBBB), Musk’s political downfall was apparent through his choice of attire.

During his time in the White House, Musk ignored the conventional dress code expected of a president’s advisor, where suits and ties are the norm. Instead, he donned a dark MAGA baseball cap in the Oval Office and proclaimed at a rally in New York: His casual T-shirts featured slogans like “Oakrochee Mars,” “Tech Support,” and “Dogefather.” Campaign commentators noted his appearance, suggesting he seemed more connected to an alternative reality than to political events. His style felt reminiscent of the K-Hall aesthetics, which Musk frequently alludes to abandoning.

Musk and his Silicon Valley peers favor casual attire, favoring loose necklines over collared shirts, often opting for padded jackets, a stark contrast to the formality observed in the U.S. capital.

Yet, while Musk’s casual clothing signaled a shift in DC power dynamics, it also challenged various norms. “In the tech sector, confusion can be seen as a badge of honor,” states DC-based image consultant and style strategist Lauren Rothman. “However, in politics, the tolerance for chaos is limited. The White House has a long-standing tradition. We won’t be moving away from suits… they are a uniform.”




Deliberately distorted… Dominic Cummings, in 2019, opted for a back-clip instead of a tie and gilet. Photo: Holly Adams/Getty

In this fashion landscape, one can objectively dress poorly or inappropriately; take, for instance, Dominic Cummings. Boris Johnson’s former aide famously promoted Westminster’s 1983 Gothic horror classic “Woman in Black” while wearing a bizarre ensemble of a ripped gilet, beanie, Billabong T-shirt, and tote bag. He wasn’t merely a Tory supporter; he embodied Gothic horror.

According to Jonathan Friedland, a Guardian columnist and host of the Guardian Politics Weekly America Podcast, Cummings’ appearance at No. 10 is a testament to privilege: “He says, ‘You have to wear a uniform like a worker bee, but I’m important enough to the top guy to dress as I please.’

The same applies to Musk, whose casual wear starkly contrasts the typical suit expected in the Oval Office. As Rothman remarked, his rebellious uniform accentuates his unique status within the corridors of political power.

He was often labeled “Sloppy Steve” Bannon. On this side of the Atlantic, Friedland highlights Musk’s affinity for informal gatherings, drawing parallels to former David Cameron advisor Steve Hilton’s casual meetings.

This brings us back to the age-old question: Who gets to be sloppy? Friedland suggests Musk relished the opportunity to stand beside the president’s resolute desk, appearing as if prepared for a gamers’ competition. It served as a reminder of his substantial wealth and untraditional approach to politics.

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Summer days… before I stepped away alongside Trump, Elon Musk in late May. Photo: Alison Robert/AFP

However, the shared fashion philosophies of Cummings and Musk reflect a common political journey. The careless aesthetics hint at their inevitable decline. Trump may speak of draining the swamp, yet his Brioni suit represents its very essence. Similarly, Johnson’s disheveled hair and casual attire resembled that of a rebellious rapper.

In the end, the disdain for flamboyance is palpable. Dressing unconventionally, even when privilege is not fully acknowledged, is a guaranteed way to incite backlash. Musk noted in a February Fox interview, “He had some incredible young people working for him who dressed far worse than he did.”

Friedland remarked, “The contrast between Musk’s outfits and Trump’s cabinet members highlighted their perceived inferiority, equating them to the president’s subordinates.”

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Source: www.theguardian.com

Crafting Fashion Accessories Inspired by Real T. Rex Fossils

Eighty million years ago, the formidable 40-foot-long Tyrannosaurus Rex ruled the earth. Now, it may soon inspire a new kind of wallet.

A team of British researchers and bioengineers is working on high-end clutches and totes made from T. rex skin, cultivated from the fossilized remains of ancient carnivorous creatures.

Their goal is to create sustainable leather by extracting collagen from this colossal dinosaur, known to have roamed North America and Asia about 68 million years ago. If they succeed, it would mark the first instance of leather derived from an extinct species.

The project’s developers assert that their lab-grown materials will be entirely biodegradable and structurally identical to conventional leather. Choi Conon, a professor of tissue engineering at Newcastle University, commented on the initiative.

Conon is also associated with a Biotechnology Company. Lab-grown leather is in collaboration with the Dutch creative agency VML and the genomic engineering firm The Organoid Company.

“This opens the door to designing leather from prehistoric origins,” stated Connon, a key leader in the project.

While Connon and his team are targeting the fashion sector, market data providers Fortune Business Insights predicts that the global leather goods market, valued at $500 billion, could reach $85.5 billion by 2032.

However, experts caution that immediate results may not be forthcoming. The commercialization of lab-grown T. rex leather could be financially prohibitive.

According to Tom Ellis, a professor of synthetic genomic engineering at Imperial College in London, the “gimmick” is still “very early.” He noted, “Our understanding of dinosaur evolution may not be sufficient to design collagen genes specifically from T. rex.”

Ellis emphasized that producing authentic T. rex leather is still a long way off, suggesting that any collagen derived from the project would likely resemble that of cows and chickens.

This means the end product may resemble other alternative leathers. “We’ll offer something unique enough to justify a significantly higher price,” he added.

In theory, scientists can extract collagen gene sequences from various animals, as collagen is the most abundant protein in mammals. Companies like Gelter and modern pastures are already crafting leather-like materials from genetically engineered collagen, producing small batches of premium products.

If achieved, sustainably crafted animal leather could have notable environmental advantages. Currently, most leather is a byproduct of the cattle industry, contributing to deforestation in regions like the Amazon. Additionally, many synthetic and vegan leathers are made from fossil-fuel-derived plastics that are not biologically sustainable. According to the World Wide Fund.

As scientists ponder the potential for dinosaur wallets, fashion enthusiasts should take a moment to consider whether they should indulge in such products.

Source: www.nbcnews.com

Attention all fashion models: AI is now targeting you!

tHis AI influence has been felt throughout the industry, from Hollywood to publishing, but now it’s venturing into modeling. H&M announced that it had permission from a model last week to create 30 AI “twins” for use in social media posts and marketing images.

Jorgen Anderson, chief creative officer at H&M, described the idea as a way to enhance creative processes and marketing without changing the human-centric approach. The retail giant has collaborated with successful models like Vilma Sjöberg and Mathilda Gvarliani, known for working with brands such as Vogue and Chanel, allowing each model to reserve twins for other brand projects.

The news was met with concern by the wider industry, reflecting similar worries in Hollywood in 2023 when AI was used in film and television productions. This isn’t the first time a major fashion company has explored AI models, as Levis and Hugo Boss have also delved into this technology.

Bectu, a union representing the creative industry, expressed concerns about the impact of AI on other fashion creatives and industry workers. Model advocates like Sara Ziff raised questions about fair compensation for digital twins, emphasizing the need for regulation.

The Model Alliance Fashion Workers Act, set to become law in June, will require consent from models for AI use in collaboration with state-based agencies. The EU will also introduce regulations for AI use in 2026, with H&M already implementing watermarks on images featuring AI.

While acknowledging the benefits of technology in fashion, concerns remain about the impact of AI on the industry. Models like Sjöberg and Gvarliani may see substantial compensation, but AI poses a threat to models primarily involved in e-commerce shoots. Critics argue that AI models could reduce costs and increase profits, potentially at the expense of human models.

Despite the potential benefits, worries persist about the implications of AI in the fashion industry. As the technology continues to advance, finding a balance between innovation and ethics will be crucial for ensuring a sustainable and inclusive future for modeling.

Source: www.theguardian.com

Fashion: The Evolution and Innovation of Our Ancestors’ Inventions

France. Cannes. Gucci. cruise. 2018.

Today, clothes are the means of self -expression and group identity, and we will not go without them.

Photo of Martin Parr/Magnum

Venus figurines are most famous for their sexual characteristics. These frequently pronounced sculptures of women’s forms made about 30,000 years to 20,000 years ago have been interpreted as a ritual rich Ility, the mother of the mother, and the self -portrait. Like a fashion plate, one of them is not generally seen. However, some of them can get a glimpse of the appetite, which is worn by a good-looking stone-oriented woman. One of Russian Kostenki is equipped with a strap-style robe. Others have stringed instruments. And the famous Venus of Willendorf is wearing a woven hat, but it is a very wonderful hat.

These statues are far from our general concepts in the past, covered with animal fur. According to archeologists, the gorgeous details with their clothes are the importance of clothing tens of thousands of years ago and hundreds of thousands of years ago. Olga sofaProfessor Emerita from the University of Illinois University of Urbanhamping. It started as needed and turned into a canvas for aesthetic expressions and meanings to keep people warm. Now, the story of how it happened was added, thanks to some new discoveries.

Clothing is easy to rot, and the oldest archeological site is only around 10,000 years old。 However, as the Venus figurine shows, we can follow the time dating in other ways. These archeological clues have revealed the origin of both simple cape and complex tailoring. largely…

Source: www.newscientist.com

Researches have created a sustainable and eco-conscious fashion solution

The textile and leather industries pollute water through dyeing and tanning, and plastic pollution from synthetic fibers. In particular, the chemicals used by synthetic chemical manufacturers to dye clothing, especially black dyes for leather, pollute the environment. To solve this problem, researchers at Imperial College, London, bacteria produced Eco-friendly, self-pigmenting, animal-free leather.

Researchers studied a group of bacteria called . Komagata Eibacter We produce an environmentally friendly leather alternative called . bacterial cellulose. They explained that bacterial cellulose is advantageous because it is durable, long-lasting, easily grown from waste materials such as fruit juice, and biodegradable. It is also cheap to produce and is used in many industrial applications, including electronic equipment and wound dressings to cover and protect wounds. Designers love it because it's sustainable and uses more natural materials instead of petroleum-based materials.

The researchers wanted to modify the bacteria's genes so that they could produce both bacterial cellulose and a black pigment that protects from sunlight and absorbs harmful substances. melanin. They hypothesized that melanin could make cellulose more versatile by making it stronger and protecting it from sunlight, allowing it to be used in new applications such as environmentally friendly sunscreens and pollutant-absorbing materials. I did.

To do this, the researchers Komagata Eibacter 2 types of liquid food, or culture media: One was made from glucose and the other from coconut water. They sterilized these fluids to make sure they were clean and sterile. They introduced new genetic material into the bacteria's DNA using a process called . electroporation. The new genetic material contained a special type of circular DNA that enabled the bacteria to produce melanin.

First, the genetically modified bacteria are grown normally. They then added ingredients that “start” melanin production, such as L-tyrosine, the building block of melanin, and copper sulfate, a catalyst that accelerates the process. To see how much melanin the bacteria produced, they measured how dark the culture medium became. This was a good indicator of melanin levels. To see if different conditions change the amount of melanin produced by bacteria, the researchers experimented with different pH levels, amounts of salt, and metals that can affect the amount of melanin produced by bacteria. I tried.

Next, the researchers Komagata Eibacter They produce a special type of melanin called melanin that produces a dark brown to black color. eumelanin. To force the bacteria to produce eumelanin, the researchers further modified the bacteria's genes. Specifically, they added a gene that causes the bacteria to produce an enzyme called Tyr1, which helps stimulate melanin production. They used this genetic change to create a unique bacterial strain that could continuously produce eumelanin.

Once they had these genetically modified bacteria, they conducted experiments to control the amount of eumelanin produced by the bacteria. They used a method called pyrolysis, which allows scientists to use light to control the behavior of cells. optogenetics. In this case, exposing the bacteria to blue light caused them to produce more eumelanin. The light also caused some bacteria to produce another protein that turned red. The researchers used this red color to track how well the light-induced process worked. The researchers looked at how much eumelanin these engineered bacteria produced under different conditions so they could better control melanin production.

Researchers discovered that when bacteria produce melanin, they form a mat-like layer that retains moisture. They interpreted this result to mean that adding melanin to different materials can change their surface properties. To demonstrate how melanin can be used in leather-based products, researchers created sample items such as wallets and shoe uppers from a mixture of bacterial cellulose and melanin. It was confirmed that adding melanin to cellulose increases durability. The researchers found that the melanin remained stable even after treatments such as high-pressure steam and ethanol cleaning, meaning it was strong enough to withstand real-world use.

The researchers suggested that future work should discover enzymes that can produce melanin under acidic conditions, requiring less water for production. Especially when melanin is used in large-scale production, the process becomes more environmentally friendly and efficient if less water is used. Finally, they encouraged scientists and designers to continue working together to develop innovative ways to create sustainable textiles that make fashion more environmentally friendly.


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Source: sciworthy.com

Marks & Spencer Harnesses AI to Provide Personalized Fashion Advice, Boost Online Sales

Marks & Spencer is utilizing artificial intelligence to offer advice to shoppers regarding clothing choices based on their body type and style preferences in order to enhance online sales.

The 130-year-old retailer is employing this technology to customize consumers’ online experiences and suggest products for them to purchase.

Stephen Langford, the company’s online director, mentioned that M&S is using AI to adjust the language it uses when communicating with shoppers to cater to six different preferences, including emotive, descriptive language, and more direct prose.

One objective is to tailor online interactions with shoppers, prioritizing the products that are most suitable for them – for instance, a male shopper might not be shown the latest sale on bras.

Shoppers can also participate in a quiz about their size, body type, and style preferences to receive appropriate outfit ideas generated by M&S’s AI-driven technology.

Langford noted that 450,000 M&S shoppers have taken the quiz so far, which enables them to select an outfit from 40 million options.

The service combines input from the £7 billion company’s in-house stylists with feedback from shoppers to offer suggestions on how to mix and match various outfits.

While automation of product descriptions using AI has increased from nearly zero to 80% in the past year, Langford emphasized that “humans are still essential in the process to validate the output.”

M&S’s managing director of clothing and homewares, Richard Price, stated that the fashion industry is “accelerating its shift online” with the goal of achieving approximately a third of sales digitally by 2028.

The retailer, which operates 240 full-line stores and 325 food outlets, reported a 41% increase in profits last year, with sales climbing 9.4% to £13 billion.

Online Fashion and Home Goods Sales increased 7.8% M&S acquired over one million customers last year, with two-thirds of them coming through the internet.

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The increase in online sales is partly driven by an 80% surge in spending on social media marketing and advertising in the past year, with the company now allocating more funds to Facebook, Instagram, and TikTok than to TV, and almost a third of its TikTok revenue coming from entirely new customers.

During the presentation of its autumn range, Price stated that M&S had captured its first share of the women’s wear market in nine years this summer, despite facing challenging weather conditions until late July.

Although the company has traditionally been a leader in categories like knitwear and lingerie, it is gaining market share in other areas like denim, and with the winter party season approaching, it aims to surpass Next as the top seller of occasionwear.

Source: www.theguardian.com

Exploring the Concept of “Big Man Style” and Why Billionaire Mediocrity is No Longer In Fashion

TThe business casual revolution of the 1990s and the rise of the tech billionaires in the early 2000s are said to have ushered in a new era of liberating employees from the shackles of dress codes. Mark Zuckerberg transformed the hoodie and jeans into a symbol of the new economy meritocracy, the uniform of genius hackers that would shake up the traditional industrial coat-and-tie aesthetic of the East. In the digital economy, many imagined, the most successful companies would allow their talented employees to wear whatever they wanted while splashing around in colorful ball pools.


But as Facebook engineer Carlos Bueno wrote in a 2014 blog post: Inside the MiratocracyIn the 1960s, we simply replaced the rigid dress code with a slightly less rigid one. The new world is actually not so free. The cognitive dissonance is clear in the faces of recruiters who pretend that clothing is no big deal, yet are clearly disappointed when they show up to an interview in a dark worsted business suit. “You are expected to conform to the rules of your culture before you can demonstrate your true worth,” Bueno writes. “What wearing a suit actually signals, and I don't mean this as a myth, is non-conformism, one of the most serious sins.”

As the rich get fabulously rich, they seem to become even more determined to look as plain as possible.

This reality was on full display earlier this month at the Sun Valley Conference, better known as “summer camp for billionaires.” Since the tradition began in 1984, organizers have been gathering the wealthiest and most influential people for the multi-day conference. A treasure trove of top CEOs, tech entrepreneurs, billionaire investors, media moguls, and more convene at the invitation-only meeting to privately decide the future of the world.

This year's attendees included Jeff Bezos, who continues his incredible transformation from nerd to muscle man. Looking like a successful SoulCycle instructor, he strolled around the resort grounds layered with pearl grey jeans, a skin-tight black T-shirt, and a multitude of colorful bracelets (possibly from the American luxury brand David Yurman).

Jeff Bezos at Amazon's Seattle offices on May 2, 2001, and with his girlfriend Lauren Sanchez at a meeting in Sun Valley, Idaho on July 11, 2024. Composition: AP, Reuters

Warner Bros. CEO David Zaslav tried to at least bring some style to the event, donning a brown corduroy trucker jacket, slim-legged blue jeans, smart white sneakers, and a white bandana around his neck. But most of the men in attendance were dressed in scruffy polos, T-shirts, and simple button-down shirts. Billionaire OpenAI CEO Sam Altman looked like he was at freshman orientation in a plain gray T-shirt, blue jeans, and a black backpack slung over each shoulder.

This is not necessarily a bad outfit – many of them are – but one wonders if something has been lost in the move away from coats and ties. A few generations ago, men of this social class would have worn something more visually interesting. In the 1930s, Apparel Arts, a leading men's fashion trade magazine that advises men on how to dress for different environments, recommended the following for resort wear: a navy double-breasted sport coat with a polka-dot scarf and high-waisted trousers in Cannes; a mocha linen beach shirt and wide-cut slacks with self-strap fastenings on the Côte d'Azur; and a white shawl-collar dinner jacket with midnight blue tropical worsted trousers and a white silk dinner shirt for semi-formal evening wear.

The advantage of these clothes is not so much about appearances or elegance, but rather the way they create a unique silhouette. The tailored jacket is particularly useful in this regard. Made from layers of haircloth, canvas, and padding, pad-stitched together and shaped with darts and expert pressing, the tailored jacket creates a flattering V-shape without having one. That silhouette is why Stacey Bendet, founder of fashion company Alice & Olivia, is always the most stylish person at these conferences (this year, she wore flared pants, a long leather coat, giant sunglasses, and a Western-wear hat, each element creating a unique shape). In contrast, Tim Cook's basic polo shirts and slim jeans did little to replicate his physical build.

To me, dressing like this, surrounded by guys in t-shirts and sloppy polo shirts, is pretty funny, and honestly, thank god people like this exist. pic.com/Jaraz4d8XB

— Derek Guy (@dieworkwear) July 17, 2024


In his book Distinction, Pierre Bourdieu correctly recognizes that the notion of “good taste” is merely a habit or taste of the ruling class. He is, of course, not the first to make this observation. In the early 20th century, German sociologist Georg Simmel noted that people often use fashion as a form of class differentiation. According to Simmel, style spreads downward as the working class imitates those deemed socially superior, at which point members of the ruling class move on to another class. But the publication of Distinction in 1979, based on Bourdieu's empirical research from 1963 to 1968, stands out, especially for its understanding of men's style. At the time, the coat and tie was in decline. By the time the book was translated into English in 1984, the suit was drawing its last breath before the rise of casual Fridays, tech entrepreneurs, and remote work would change men's dress forever.

Today's ruling class is hardly inspiring in terms of taste. The preponderance of tech vests replacing navy blazers shows that socioeconomic class still dictates dress habits, even if the style is less appealing. Ironically, while the elite are increasingly dressing like the middle class who go shopping at Whole Foods Market, wealth inequality in the United States has worsened roughly every decade since the 1980s, the last time men were still expected to wear tailored jackets.

To be honest, Jensen Huang was shining: he discovered the power of the jacket, he discovered the uniform (black leather jacket), and also, his tailoring seems pretty good. pic.com/ryjCqD1uaI

— Derek Guy (@dieworkwear) February 24, 2024


If there's a silver lining to all this, it's that the history of clothing in the 20th century is about how influences changed. As the century progressed, men began to receive dress dictates from different social classes, not just those with economic or political power: artists, musicians, and workers. Many of the more provocative fashion moments of this period were about rebellious youth taking a stance of rebellion against the establishment. These included swing kids and hip-hop, bikers, rockers, outlaws, beats and beatniks, modernists and mods, drag and dandies, hippies and bohemians. In recent years, Zuckerberg and Bezos have made an effort to move away from the fleece uniform, and Nvidia CEO Jensen Huang looks pretty stylish in a head-to-toe black uniform that includes a variety of leather jackets. But for the most part, today it's better to look elsewhere for dress dictates. The ruling class may shape our world, but don't let them shape your outfit.

Source: www.theguardian.com

The Impact of AI on Creativity in the Fashion Industry

T
The impact of artificial intelligence on creative industries is a topic that has sparked widespread fears of job losses and the death of imagination, and the world of fashion is no exception.

But this month’s London Fashion Week, which marks the event’s 40th anniversary, will feature a slew of AI-generated costumes, with industry insiders saying the technology is helping to make the journey from improving diversity to shortening the path to the design desk. He is expressing increasing optimism about what the field can do. Go to the sales floor.

President of London College of Fashion
innovation agency
Matthew Drinkwater believes AI will prove to be an “incredibly useful tool” for the creative process and the industry as a whole.

“It’s opened the door to a non-traditional path into the fashion industry for people who wouldn’t have been able to get into it before, because let’s be honest, this industry is pretty elitist and very This is because there may be a perception that the industry is exclusive and expensive.

“But thanks to these tools, people from completely different backgrounds are starting to gain a foothold in the industry. And to me, that feels really fresh and exciting,” he said.

Brands such as Heriot Emil, Zara and H&M are already using AI to manage their supply chains, promoting sustainability by reducing overstock and waste. Many brands are also leveraging AI to aid the design process, visualizing different materials and patterns using garment images generated from input prompts. This allows designers to make informed decisions before the garment is physically produced.

consulting company
McKinsey predicted
Last year, generative AI (a term used to describe technology that can generate compelling images, text, and audio from simple human prompts) drove the domestic fashion and luxury sector’s operating profits from $150 billion to $275 billion ($120 billion). It has been announced that this could increase from £220 billion to £220 billion. Next 3-5 years. It is predicted that the use of AI to predict future fashion trends and the realization of virtual try-on will be just around the corner.

Drinkwater has been working with his team to consider how AI can change the industry, and has been testing generative AI’s ability to create clothing for years. “We were trying to scrape websites and get a lot of data so we could create a dress from over 40,000 images. It was actually quite a task to do this four years ago. But now they open up their laptops, or even their smartphones, and start generating images very quickly,” Drinkwater said.





A collaboration between VFX and AI artist Atara and London College of Fashion’s Fashion Innovation Agency will take place in March 2023.

“So typically we take things that are probably three to five years away from commercialization and start showing research projects about where the future of the industry could move,” he added.

Last April, Cyrille Foiret’s generative AI studio, Maison Meta, hosted the first AI Fashion Week in New York. This included a competition for aspiring designers to create a fashion line using AI. Winners were able to physically manufacture their collections for sale online at retailer Revolve. As in other industries, AI has become associated with layoffs, with critics arguing that creative artistry could be lost. But Foiret insists there is little need to fear.

“AI is a very powerful tool to amplify creativity. People who think it will reduce their jobs should not think that way. We just need to get used to the tool, but it is just a tool.” , and it’s useless if there’s no one behind it,” he said.

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Arti Zeighami, former chief data and analytics officer at H&M and now senior AI advisor at consulting firm BCG, agrees that AI can be used as a force for good in the fashion world. “Being transparent about AI can help people feel less fearful and more secure and in control. What’s important is a change in human thinking,” he said.

“AI will evolve as a technology, and we need to evolve with it, but we’re not at the Terminator stage, at least not yet.”

Mary Towers, head of AI at the TUC, said AI could be a useful support for creative sector workers, but it should not be taken over to replace human creativity. .

“We need new legislation to ensure that all workers in the arts, including fashion, are consulted and properly compensated when their work or intellectual property is used by AI.” she stated.

“In the UK, we have already seen performers having their images, voices or likenesses replicated by AI technology without their consent. We cannot afford for this to become the norm in other industries. , new regulations are urgently needed to protect worker creativity and copyright.”

Source: www.theguardian.com