Would you prefer a partner who is attractive but plain, or someone who is appealing, even if you consider yourself less attractive? Your response may vary based on your gender. A study involving over 1,200 heterosexual adults in the U.S. revealed significant differences in how men and women choose between possessing certain traits themselves or seeking them in a partner.
“Men are inclined to compromise their own attractiveness for the sake of a very appealing partner, while the reverse is true for women,” Bill von Hippel from the Australian consultancy Research with Impact explained.
Von Hippel and his research team questioned participants about their preferences regarding six traits: wealth, beauty, ambition, humor, intelligence, and kindness, asking them how much of a disparity they would tolerate between their own traits and those of a partner. “It’s as if only supermodels are acceptable for dating, regardless of one’s own attractiveness,” von Hippel remarked.
In contrast to earlier studies, this research required participants to articulate their preferences. It revealed that the most notable difference between men and women lay in physical looks, while they were aligned in wishing to date partners possessing similar levels of kindness.
Generally, women perceived themselves as more attractive and intelligent, favoring men who are wealthier, more intriguing, and more ambitious, while men mainly preferred dating women who outshined them in beauty and wealth.
For instance, women rated the importance of their own beauty as 7.01 on an 11-point scale, whereas men assigned a value of 4.77 to their own looks. Conversely, men valued being interesting at 7.08, while women rated this trait at 5.81. A score below 6 indicates a greater desire for that trait in a partner than in oneself.
While Von Hippel acknowledged variations among individual responses, he stressed that the overall results were compelling. “This has a significant impact,” he remarked.
Lisa Welling, a professor at Oakland University in Rochester, Michigan, commented that this approach of forced choices is an intriguing way to reveal underlying preferences, though such constructs may lack relevance in genuine relationships. There’s also the question of whether individuals are considering short-term versus long-term partners, which “often holds significance,” she noted.
Steve Stewart-Williams from the University of Nottingham in Malaysia pointed out that while the findings are generally unsurprising, having participants make definitive choices may have clarified their true feelings. Previous research might have underestimated the breadth of gender differences in mate preferences due to measurement techniques, he opined. For instance, past studies may not have adequately accounted for the notion that individuals might wish for traits in themselves because they believe it could enhance their appeal to potential partners.
Von Hippel suggested that these findings are understandable from an evolutionary standpoint. Women carry the substantial biological responsibility of child-rearing and thus need to ensure prospective partners are capable of providing for their offspring, while men are evolutionarily driven to select for health and fertility in women.
Stewart-Williams believes the study may reflect evolutionary patterns in contemporary human populations, but cautioned that the research was limited to self-reported data from heterosexual individuals in the U.S., and it remains uncertain whether these conclusions apply more broadly.
“B-mesons assist us in unraveling significant cosmic queries. Why is there a predominance of matter over antimatter?”
sakkmesterke/alamy
Did you know that in the realm of physics, there are facilities dubbed beauty factories? This term doesn’t refer to aesthetics; rather, it describes an experiment where electrons collide with their antimatter equivalents, positrons, to create B-mesons.
B-mesons are constructed from quarks, the building blocks of normal matter. Typically, everyday matter comprises up-quarks and down-quarks, while B-mesons are made up of beauty quarks combined with up, down, charm, or strange quarks.
This unique configuration results in B-mesons having a fleeting existence, seemingly detached from common life. However, their significance lies in the potential answers they hold regarding universal enigmas, such as the imbalance of matter versus antimatter.
We understand that all particles have corresponding antiparticles. Yet, when we observe the universe, we see a predominance of particles, like electrons, overshadowing their antiparticle counterparts, positrons, which are merely identical but with reversed charges.
Mesons are particularly intriguing as they inhabit the space between the prevalent matter and antimatter realms. This positions them as potential keys to unlocking the mystery of the disparity between the two. Grasping this could clarify why the universe holds such a favorable balance of matter when encounters between matter and antimatter typically result in annihilation. The formation of B factories arises from the desire to decode this cosmic puzzle.
The complexity deepens when considering mesons and their own antiparticles. Each B-meson consists of beauty quarks paired with up, down, charm, or strange quarks. Neutral B-mesons, devoid of charge, exhibit oscillatory behavior as they transform between mesons and their antiparticles. In essence, neutral B-mesons exemplify a spontaneous non-binary state.
These neutral B-mesons are pivotal in addressing the asymmetry of matter and antimatter. Their non-binary characteristics are anticipated within the standard model of particle physics, which catalogs known particles. However, we must determine whether these oscillatory states are evenly distributed. Are collisions more likely to yield a meson or its antiparticle? Disparities in these oscillations may shed light on the core asymmetries of matter and antimatter.
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B factories could illuminate the nature of an elusive component: dark matter, which remains unseen in laboratories. “
In 2010, researchers from the Fermilab Dzero collaboration identified a 1% deviation, although subsequent studies haven’t corroborated this result. The exploration of these discrepancies continues to intrigue, particularly as variances emerge in unrelated vibration studies.
B factories may also expand our comprehension of dark matter, an entity detected only through its gravitational effects on visible matter. Approximately 85% of the universe’s mass seems to consist of this invisible material, which the standard model has yet to account for.
Crafting a theory to explain dark matter necessitates postulating new particles or forces, some of which might interact subtly with known particles, complicating detection. These interactions often hinge on mediators—entities that facilitate such connections. While these mediators are elusive, under optimal conditions, they may not be directly observable. However, we can anticipate witnessing decay products, such as electron-positron pairs, serving as indicators. This is where B factories play a crucial role; they are engineered to analyze the outcomes of electron-positron collisions.
In addition to collider physics, the longevity of data acquisition and experiments is particularly captivating. For instance, the BABAR experiment at the SLAC National Accelerator Laboratory closed in 2008, yet researchers continue to sift through its data, educating the next generation of physicists.
In 2022, Brian Schub and his undergraduate team at Harvey Mudd College near Los Angeles revisited ideas involving nearly two-decade-old BABAR data. They proposed that virtual particles, referred to as axions, may function as mediators between visible and dark matter. Long-time readers may recognize that axion research is a focal point of my work.
So, do these hypotheses regarding our universe’ mechanics hold water? This inquiry aligns with our quest to comprehend matter-antimatter asymmetry.
The beauty industry often resists trends. From campaigns on aging to home LED masks, consumers have encountered a range of innovations. However, one particularly enduring trend over the last decade is the shift towards “natural” or “organic” beauty products.
At first glance, this sounds appealing: fewer plant ingredients, minimal processing, and no synthetic pesticides. What could be wrong with that? The reality is more complex.
Choosing “natural” beauty products may feel like a wise choice when considering our planet.
Yet, as the beauty industry comes under scrutiny for its environmental impact, we must move beyond greenwashing and evaluate whether relying on naturally grown resources is truly sustainable within a billion-dollar industry.
Growth Market
The global natural and organic beauty sector is currently seeing robust growth driven by heightened consumer interest, with projections estimating gross revenues of approximately £11.3 billion ($14.9 billion) by 2025.
In the UK alone, the natural cosmetics market is expected to reach around £210 million ($278 million) in 2025, with annual growth rates of about 2.74% over the next five years.
From ingredient-light serums to zero-waste shampoo bars, the diversity and volume of products available have never been greater. While this thriving market is exciting, it also presents challenges.
More products lead to increased material extraction, mining, and synthesis, as well as greater packaging and emissions throughout the supply chain.
This intricate situation can easily confuse well-meaning consumers, who may get caught up in labels like “natural” or “organic” without fully understanding their implications.
Steam distillation is a traditional method of extracting oil from flowers used to make rose water – Photo credit: Getty Images
There’s a common belief that if something is labeled “natural,” it must be beneficial for the environment. However, whether it’s Moroccan argan oil or Mexican aloe vera, obtaining natural ingredients often comes at a high price.
Crops require extensive land, water, and energy for cultivation.
Many high-demand crops are susceptible to climate change and, regrettably, are often linked to unethical labor practices. While we aspire for organic farming to represent a more sustainable approach, it can also lead to unintended negative outcomes.
For instance, many organic agricultural practices may yield lower crop outputs while occupying more land. This can result in deforestation as farmers seek additional land to maximize production of slowly-growing crops.
Naturally derived pesticides used in organic agriculture can also harm the soil.
Copper sulfate, commonly used in the wine industry’s “Bordeaux mixture,” has long been approved for use in organic farming but has recently faced regulation due to its negative effects on soil microbiomes and potential threats to local insect populations.
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Lab-grown Materials
This is where biotechnology enters the conversation. While it may not have the allure of “Wild Harvest Lavender,” biotechnology could ultimately prove to be one of the planet’s most eco-friendly resources.
In simple terms, biotechnology utilizes scientific methods (often involving fermentation with yeast, plant sugars, or bacteria) to cultivate ingredients in laboratories, as opposed to sourcing them from nature. Think of it like brewing beer, but instead of a refreshing pint, you yield powerful active ingredients for moisturizers and shampoos.
These lab-generated components are molecularly identical to their natural counterparts and can be produced without ecosystem emissions, using significantly less water, land, and energy.
This highly controlled process can also be scaled efficiently while maintaining consistent quality.
For example, swapping “wild harvested lavender” for biotechnologically produced lavender essential oils can lead to substantial reductions in energy and water usage.
Producing 1g (0.04oz) of natural lavender oil requires about 20L (approximately 5 gallons) of water and about 4 megajoules of energy—roughly equivalent to watching TV for 20 hours.
In contrast, if biotechnologically produced, the same 1g can potentially require just 2-5L (0.5-1.3 gallons) of water and 1 megajoule of energy (the equivalent needed to boil a kettle).
Biotechnology has advanced significantly in recent years, although companies have yet to replicate every component of these unique essential oils.
Laboratory-grown cosmetic ingredients are molecularly identical to natural ingredients and could become a more sustainable alternative – Photo Credit: alamy
One ingredient successfully replicated is bisabolol, known for its soothing properties in the cosmetics field. It’s utilized in a diverse range of products, from hormone-related creams to sun care and baby products.
To extract natural bisabolol, it must be derived from Candea trees native to Brazil. This cultivation can lead to deforestation, biodiversity loss, and ecosystem strain, with natural harvest quality varying based on weather conditions.
To obtain 1kg (2.2 pounds) of natural bisabolol, cutting down around 1-3 trees is necessary, with each tree taking 10-15 years to mature.
To create one ton (2,204 pounds) of bisabolol, approximately 3,000 to 5,000 trees are needed—a staggering statistic given the global demand is around 16 tons (35,000 pounds) annually.
Each tree consumes about 36,000 liters (9,500 gallons) of water over its lifetime (equivalent to 72,000 500ml bottles) and 75 megajoules of energy (approximately analogous to charging a smartphone 2,500 times).
Givaudan, a Swiss ingredient manufacturer, has already developed bisabolol through biotechnological means, resulting in a much higher specification than what natural agriculture can achieve.
Comparatively, biotechnological yields of bisabolol can utilize 90-95% less water and 50-60% less energy than natural Candeia tree yields, not to mention the hectares saved from potential deforestation.
Brands like Boots and Estée Lauder are investing in biotechnology.
Even smaller indie brands are beginning to highlight fermented or lab-grown ingredients. Eco Brand Biossance uses a similar moisturizing ingredient to squalene, but instead of harvesting it from shark fins, they derive it from sugarcane, claiming to save an estimated 20-30 million sharks each year.
Moreover, biotechnology ingredients tend to be purer, more stable, and often more effective than their natural counterparts, meaning your product will last longer, perform better, and evoke less guilt regarding the environment.
What Should I Look For?
For consumers, all this information can feel daunting, especially with packaging filled with misleading marketing buzzwords. However, here are a few straightforward tips for choosing cosmetic products that align with your values.
Seek out biotechnology or lab-grown ingredients, often labeled as “fermented origin,” “biodesign,” or “bioidentical” on ingredient lists.
Be cautious of common marketing greenwash terms like “eco-friendly,” “clean beauty,” “sustainable,” and “biodegradable.” Look for tangible values, timelines, or explanations backing these claims.
Avoid brands that shift their focus away from sustainability to other concerns, such as “opposing animal testing,” which has been banned by the EU since 1998 for British cosmetics.
While the notion that beauty should be “natural” is comforting, this approach isn’t necessarily the most sustainable choice, especially as the UK lacks a legal definition of what “natural” cosmetics entail.
If you genuinely want to protect the planet for future generations, it’s essential to move past the notion of nature as an infinite resource and start supporting smarter scientific innovations that collaborate with nature rather than oppose it.
The standard model of particle physics predicts an asymmetry between matter and antimatter known as charge parity (CP) violation. However, the size of this asymmetry in the Standard Model is not large enough to explain the disequilibrium, and so far the asymmetry has only been observed in certain decays of particles called mesons. In two new studies, LHCb collaboration CERN’s Large Hadron Collider (LHC) has discovered evidence of CP violation in baryon decay and beauty hadron decay into charmonium particles, shedding light on these two pieces of the matter-antimatter puzzle.
Exterior view of the LHCb detector. Image credit: CERN.
Experiments involving LHCb have previously searched for baryon CP violation by looking for differences in the way matter and antimatter baryons decay into other particles.
However, these investigations have so far been essentially empty-handed.
One LHCb study provided evidence for a process in the specific collapse of the bottom lambda baryon, but subsequent studies analyzing larger samples of such collapses did not increase that evidence.
in first new studyLHCb physicists scrutinized proton-proton collision data obtained during the first and second runs of the LHC and discovered various decay modes of the bottom lambda baryon, including decay into a lambda baryon and two kaons. You have searched for
We then investigated the CP violation in each decay mode, essentially by counting the number of decays of the bottom lambdabaryon and its antimatter partner and taking the difference between the two.
In the case of the lambda baryon and its decay into two kaons, this difference showed evidence of a CP violation with a significance of 3.2 standard deviations.
in second studythe LHCb team focused on the decay of a beautiful charged meson into J/psi and a charged pion.
J/psi is a charmmonium particle, a meson consisting of a charm quark and a charm antiquark.
We performed an analysis similar to the lower lambda baryon study, also using data from the first and second runs of the LHC, and found evidence for CP violation in this decay mode of charged meons. Again, the significance is 3.2 standard. Deviation.
This finding represents evidence of CP violation in the decay of beauty hadrons to charmonium particles.
“Our study represents an important step toward establishing whether CP violations are present in these types of collapses,” the authors state.
“Data from the high-luminosity LHC, with its third experiment and planned collider upgrades, will shed further light on these and other parts of the matter-antimatter puzzle. .”
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LHCb collaboration. 2024. Study of Λ0b and Ξ0b decay to Λh+h'- and evidence of CP violation in Λ0b→ΛK+K- decay. arXiv: 2411.15441
LHCb collaboration. 2024. First evidence of direct CP violation to charmonium decay in cosmetology. arXiv: 2411.12178
JJust by clicking on the “shiny babe” filter, the teenager’s face was subtly elongated, her nose was streamlined, and her cheeks were sprinkled with freckles. Then, she used the Glow Makeup filter to remove blemishes from her skin, make her lips look like rosebuds, and extend her eyelashes in a way that makeup can’t. On the third click, her face returned to reality.
Today, hundreds of millions of people use beauty filters to change the way they look on apps like Snapchat, Instagram, and TikTok. This week TikTok announced new global restrictions on children’s access to products that mimic the effects of cosmetic surgery.
The publication researched the feelings of around 200 teens and their parents in the UK, US, and several other countries and found that girls reported “feelings of low self-esteem” as a result of their online experiences. The announcement was made after it was discovered that the patient was sensitive to
There are growing concerns about the impact of rapidly advancing technology on health, with generative artificial intelligence enabling what has been called a new generation of “micropersonality cults.” This is no small thing. TikTok has around 1 billion users.
Upcoming research by Professor Sonia Livingstone, Professor of Social Psychology at the London School of Economics, will show that the pressures and social comparisons that result from the use of increasingly image-manipulated social media are more psychologically traumatic than viewing violence. They would argue that it can have major health implications. .
TikTok effect filters (left to right): Original image without filter, Bold Glamor, BW x Drama Rush by jrm, and Roblox Face Makeup. Synthesis: Tiktok
Hundreds of millions of people use alternate reality filters on social media every day, from cartoon dog ears to beauty filters that change the shape of your nose, whiten your teeth, and enlarge your eyes.
Dr Claire Pescot, an educationist at the University of South Wales who has studied children aged 10 and 11, agreed that the impact of online social comparisons is being underestimated. In one study, children who were dissatisfied with their appearance said, “I wish I had put on a filter right now.”
“There is a lot of education going on about internet safety, about protecting yourself from pedophiles and catfish. [using a fake online persona to enable romance or fraud]” she said. “But in reality, the dangers are mutual. Comparing yourself to others has more of an emotional impact.”
But some people resist restrictions on the influence they feel is a fundamental part of their online identity. Olga Isupova, a Russian digital artist living in Greece who designs beauty filters, called such a move “ridiculous.” She added that having an adapted face is a necessary part of being “multiple people” in the digital age.
“People live normal lives, but it’s not the same as their online lives,” she said. “That’s why you need a straightened face for your social media life. For many people, [online] It’s a very competitive field and it’s about Darwinism. Many people use social media not just for fun, but also as a place to make money and improve their lives and futures. ”
In any case, age restrictions on some of TikTok’s filters are unlikely to solve the problem anytime soon. 1 in 5 8 to 16-year-olds lie about being over 18 on a social media app. the study Rules tightening age verification will not come into force until next year, Britain’s communications regulator Ofcom has found.
A growing body of research shows that some beauty filters are dangerous for teenagers. Last month, a small survey was conducted among female students in Delhi who use Snapchat. Found Most people report “lower self-esteem and feelings of inadequacy when juxtaposing their natural appearance with filtered images.” A study conducted in 2022 found that the opinions of more than 300 Belgian adolescents who were found to use face filters were associated with the likelihood of accepting the idea of cosmetic surgery.
“Kids who are more resilient look at these images and say, oh, this is a filter, but kids who are more vulnerable tend to feel bad when they see it,” Livingstone said. “There is growing evidence that teenage girls feel vulnerable about their appearance.”
When TikTok’s research partner Internet Matters asked a 17-year-old in Sweden about beauty filters, she replied: The effect should be more similar. ”
Jeremy Bailenson, founding director of Stanford University’s Virtual Human Interaction Laboratory, said more experimental research is needed into the social and psychological effects of the most extreme beauty filters.
In 2007, he helped coin the term “Proteus Effect.” This is a term that describes how people’s behavior changes to match their online avatar. People wearing more attractive virtual selves disclosed more about themselves than those wearing less attractive virtual selves.
“We need to strike a careful balance between regulation and welfare concerns,” he said. “Small changes to our virtual selves can quickly become tools we rely on, such as the ‘touch-up’ feature in Zoom and other video conferencing platforms. ”
In response, Snapchat said it doesn’t typically receive feedback about the negative impact its “beauty lenses” have on self-esteem.
Meta, the company behind Instagram, said it walks a fine line between safety and expression through augmented reality effects. The company said it consulted with mental health experts and banned filters that directly encourage cosmetic surgery, such as mapping surgical lines on a user’s face or promoting the procedure.
TikTok has made a clear distinction between effects such as animal ear filters and effects designed to change one’s physical appearance, with teens and parents voicing concerns about “appearance” effects. said. In addition to the restrictions, it said it would raise awareness among those making filters about “some of the unintended consequences that certain effects can cause.”
Teenagers are facing new restrictions on beauty filters on TikTok that are aimed at addressing concerns about increasing anxiety and decreasing self-esteem.
In the near future, users under 18 will not be able to use filters that artificially alter features like enlarging eyes, plumping lips, or changing skin color.
Filters such as “Bold Glamor” that significantly alter a user’s appearance will be affected, while simple comic filters like bunny ears or dog noses will remain available. The changes were announced by TikTok during a safety forum at its European headquarters in Dublin.
Despite these restrictions, the effectiveness depends on users accurately providing their age on the platform.
Beauty filters on TikTok, whether provided by the platform or created by users, are a source of concern as they pressure teenagers, especially girls, to conform to unrealistic beauty standards and can lead to negative emotional impacts. Some young users have reported feeling insecure about their real appearance after using filters.
TikTok will also enhance its systems to prevent users under 13 from accessing the platform, potentially resulting in the removal of thousands of underage British users. An automated age detection system using machine learning will be piloted by the end of the year.
These actions come in response to stricter regulations on minors’ social media use under the Online Safety Act in the UK. TikTok already deletes millions of underage accounts globally each quarter.
Chloe Setter, head of public policy for child safety at TikTok, stated that they aim for faster detection and removal of underage users, understanding that this might be inconvenient for some young people.
Ofcom’s report from last December highlighted TikTok’s removal of underage users and raised concerns about the effectiveness of age verification enforcement. TikTok plans to implement a strict age limit of 13+ for social media users next summer.
Social media platforms will introduce new rules regarding beauty filters and age verification, anticipating stricter regulations on online safety in the future. These adjustments are part of broader efforts to enhance online safety.
Other platforms like Roblox and Instagram are also implementing measures to enhance child safety, reflecting a growing concern about the impact of social media on young users.
Andy Burrows, CEO of the Molly Rose Foundation, emphasized the importance of transparent age verification measures and the need to address harmful content promoted on social media platforms.
The NSPCC welcomed measures to protect underage users but stressed the need for comprehensive solutions to ensure age-appropriate experiences for all users.
The sun’s upper atmosphere, or corona, seen in ultraviolet light
ESA & NASA/Solar Probe/EUI Team
These fiery images are the clearest views of the Sun ever seen by the Solar Orbiter spacecraft.
solar orbitera joint mission between the European Space Agency (ESA) and NASA, is a state-of-the-art instrument that orbits the sun and has been sending information back to Earth since it arrived in 2020.
These images were taken in March 2023, when Solar Orbiter was less than 74 million kilometers from the sun. The photo above was taken using ultraviolet light and reveals the sun’s outer atmosphere, or corona, in great detail, showing billowing million-degree plasma exploding along the sun’s magnetic field lines. There is. Normally, bright light from the sun’s surface hides the corona. Therefore, the corona can only be seen when observing it by blocking visible light or using ultraviolet light, which typically occurs during solar eclipses.
To create this complete image of the sun’s corona, many smaller zoomed-in images had to be stitched together, resulting in this complete mosaic of 8000 pixels. In the future, Solar Orbiter will be able to obtain two such high-resolution photos of the Sun each year, according to ESA.
Visible Sun imaged by the Solar Orbiter spacecraft’s polarization measurements and solar seismic imager
ESA & NASA/Solar Probe/PHI Team
This second image shows what the sun’s surface, or photosphere, looks like when viewed from Solar Orbiter in visible light, the same light that our eyes can see . The temperature of this layer of the sun is approximately 4500-6000°C. The dark areas here are sunspots, which are cooler and emit less light than the surrounding areas.
Map of the Sun’s magnetic field measured by the Solar Orbiter spacecraft’s polarization measurements and solar seismic imager.
ESA & NASA/Solar Probe/PHI Team
Observations using the spacecraft’s magnetic instruments show that the Sun’s magnetic field is concentrated around the sunspot region (see image above). The field directs charged particles away from these areas, cooling them and giving them a dark appearance.
Velocity map, or tachogram, showing the speed and direction of movement of matter on the visible surface of the Sun
ESA & NASA/Solar Probe/PHI Team
Solar Orbiter can also track the speed and direction of plasma as it moves across the Sun’s surface. In this velocity map (above), called a tachogram, blue represents movement toward the spacecraft and red represents movement away from the spacecraft. It shows that it diverges in its surroundings.
This collection of images helps scientists understand the behavior of the sun’s corona and photosphere. Solar Orbiter will also image never-before-seen images of the Sun’s poles at the top and bottom of the star. Currently, not much is known about the solar poles, and researchers expect these regions to look significantly different from the rest of the sun.
These graceful and serene photographs pay tribute to an important yet declining ecosystem: mangrove forests. These photos are some of this year's top entries. Mangrove Photography AwardThe work showcases the beauty, diversity and fragility of mangroves, which grow in salty coastal waters in stark contrast to most other trees.
The dramatic photo above captures the middle of a mangrove forest along the vibrant blue coast of the United Arab Emirates. Taken by photographer Amar Alsayed Ahmed, the image won the competition's Mangroves and Landscapes category.
The winner in this category was another photo by Alsayed Ahmed, showing a gracefully meandering river (above). The golden mangroves dotted along the river accentuate the lush greenery it brings to the region.
Unfortunately, this is not the case for mangrove forests, which are proliferating around the world. Despite being hotspots of biodiversity and important carbon stores that help offset climate change, mangroves are under threat from factors such as logging, aquaculture and water pollution, which in turn threaten the wildlife and people that depend on them.
These include species like lemon sharks, and Gillian Morris' entry (pictured above) features a young pair photographed in the Bahamas that was highly commended in the Mangrove and Underwater category. Lemon sharks spend the first few years of their lives in mangrove “nurseries” and are one of the many marine creatures that live there.
In Abu Dhabi, United Arab Emirates, an ambitious project is underway to plant and restore coastal mangroves. Abu Dhabi Mangrove Initiative (ADMI) It is part of a nationwide effort to plant 100 million mangrove trees across the UAE by 2030. In 2023 alone, specially modified drones were used to distribute more than six million seeds.
British Wildlife Photographer of the Year Award has been won by a remarkable image of a football covered in invasive goose barnacles. Photographer Ryan Stoker’s images highlight the dangers of waste polluting our oceans and the impact on native wildlife.
“The soccer ball traveled across the Atlantic and ended up on the shores of Dorset,” Stoker explained. “Increased debris in the ocean could result in more organisms reaching our coasts, raising the risk of invasive species.”
The RSPB Young British Wildlife Photographer of the Year 2024 Award was given to Max Wood for his evocative image of a coot crossing a misty lake at sunrise. This award aims to inspire young individuals to engage in wildlife conservation.
The British Wildlife Photographer of the Year showcases the diverse and stunning wildlife of Britain. The 2025 competition is now open for entries, welcoming photographers of all levels to submit their images.
Animal Behavior Category Runner-Up – Dancing in the Dark
A pair of Crested Grebes (Podiceps cristatus) Touch the beak of Killingworth, North Tyneside, England, United Kingdom.Photo credit: Matthew Glover/British Wildlife Photography Award
Coastal/Ocean Division Runner-up – Fire in the night
Fireworks anemone (Pachycerianthus mulplicatus) shows fluorescence in Loch Fyne, Scotland, UK. These sea anemones live in very still water and are sensitive to the slightest movement. When disturbed, they quickly withdraw.Photo by Dan Bolt/British Wildlife Photography Award
Black and White Category Winner – Raven on Alan
A crow flies high over the top of Goatfell, the highest mountain on the Isle of Arran in Scotland, UK.Photo by Robin Dodd/British Wildlife Photography Award
Winner of Botanical Britain – Little Forest Balloons
A group of slime molds (comatrica nigra) Photographed in Essex, England, United Kingdom. The width of each head of these fruiting bodies is approximately 1 mm.Photo by Jason McCombe/British Wildlife Photography Award
Habitat Category Winner – Tightrope Walker
Red fox (Vulpes Vulpes Vulpes) walks across tree branches in Sherwood Pines Forest Park, Nottinghamshire, England, United Kingdom.Photo by Daniel Valverde Fernandes/British Wildlife Photography Award
Runner-up in the urban wildlife category – what’s all the fuss about?
In this photo, the Arctic walrus (Odobenus rosmarus) is resting on a dock in the port of Scarborough, England, after landing.Photo by Will Palmer/British Wildlife Photography Award
Hidden UK Winner – Three’s a crowd
Three common blue butterflies (Polyommatus icarus) Photographed at Beeland Farm, Devon, England, United Kingdom.Photo by: Ross Hoddinott/British Wildlife Photography Award
Winner of the 12-14 year old category – Mother and Fawn
Mother and young roe deer (capreolus capreolus) Forest, Sherfield-on-London, England, United Kingdom.Photo credit: Felix Walker-Nix/British Wildlife Photography Award
Wild Forest Category Winner – Empty Beech
Beech crown (Beech) in East Lothian, Scotland, UK.Photo credit: Graham Niven/British Wildlife Photography Awards
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Urban Wildlife Category Winner – Day Walker
This bitch (Vulpes Vulpes Vulpes) began living in an electrical substation after being evicted from their parent’s territory of Bristol, England.Photo by Simon Withyman/British Wildlife Photography Awards
11 years old and under division winner Spring Treasure
pheasant(Fasianus colchicus) I’m sitting on a fence on a cold, foggy morning in Mid Wales, England.Photo by Jamie Smart/British Wildlife Photography Award
Habitat Category Runner-up – Crop Thief
brown rabbit (lepus europe) munching on crops in the evening in Nantwich, Cheshire, UK.Photo by Steven Allcock/British Wildlife Photography Awards
Botanical Bulletin Category Runner-up – Rainbow at Dawn
A type of bushy seaweed known as rainbow rack (Cystoseira Tamarisfolia) is below the water’s surface and photographed as the sun rises. Photographed in Falmouth, Cornwall, England.Photo by Martin Stevens/British Wildlife Photography Award
Hidden Britain runner-up – Daisy Danger
Flower crab spider (Mismena Vatia) and bees (Western honey bee) are very close together and both live in oxeye daisy flowers. This photo was taken on his A30 property in Devon, England, which has remained untouched for many years. This makes it a paradise for wildflowers and the wildlife that lives there.Photo credit: Lucien Harris/British Wildlife Photography Award
Winner of Animal Behavior Category – Three Frogs in amplexus
A trio of ordinary frogs (Lana Temporaria) floats on the surface of the water with its abdomen open. In this mating position, the male frog uses his legs to grab the female from behind. Photographed in Perthshire, Scotland, England.Photo by Ian Mason/British Wildlife Photography Award
Youth Division Overall Winner – Water Running
coot(Furika Atlas)Skip-fly over Frensham Little Pond in Surrey, England, United Kingdom.Photo by Max Wood/British Wildlife Photography Award
brown rabbit (lepus europe) looking straight into the camera in Nottinghamshire, England, United Kingdom.Photo by Spencer Burrows/British Wildlife Photography Award
Black and white category runner-up – squirrel silhouette
red squirrel (vulgaris ciirus) Taken during a jump in Cumbria, England, United Kingdom.Photo by Rosamund MacFarlane/British Wildlife Photography Award
Animal Portrait Winner – Starling at Night
Starling (vulgaris vulgaris) Garden, Solihull, West Midlands, England, UK.Photo credit: Mark Williams/British Wildlife Photography Award
Overall Winner – Ocean Drifter
Soccer ball covered with goose barnacles (chest) below the waterline. A soccer ball washed up on the coast of Dorset, England, after a voyage across the Atlantic Ocean. Barnacles are not native to the UK, but can be washed up on beaches during strong Atlantic storms.Photo credit: Ryan Stalker/British Wildlife Photography Award
NGC604 is comparable to renowned star-forming regions in the Milky Way, like the Orion Nebula, but is significantly larger and contains more recently created stars.
This image from the NIRCam instrument in Webb’s star-forming region NGC 604 shows how stellar winds from bright, hot young stars form cavities in the surrounding gas and dust. Image credit: NASA/ESA/CSA/STScI.
NGC 604 is a star-forming region situated 2.73 million light-years away in the Triangulum Galaxy.
Also identified as RX J0134.5+3047. discovered It was discovered by German-born British astronomer William Herschel on September 11, 1784.
NGC 604 is believed to be approximately 3.5 million years old and spans about 1,300 light years in diameter.
In the recent image, near infrared camera (NIRCam) and Mid-infrared measuring instrument The (MIRI) experiment aboard NASA/ESA/CSA’s NGC 604 James Webb Space Telescope reveals cavernous bubbles and elongated filaments of gas that reveal a more detailed and complete representation of a star than ever seen before. Etched birth tapestry.
Sheltered within NGC 604’s dusty gases are more than 200 of the hottest and most massive types of stars, all in the early stages of their lives.
These types of stars include type B and type O, the latter of which can have a mass more than 100 times that of the Sun.
It is extremely rare to find such a large concentration of them in nearby space. In fact, there is no similar region within our Milky Way galaxy.
This concentration of massive stars, combined with its relatively close distance, means that NGC 604 offers astronomers the opportunity to study these objects early in their lives.
This image from NGC 604’s Webb MIRI instrument shows how large clouds of cooler gas and dust glow at mid-infrared wavelengths. Image credit: NASA/ESA/CSA/STScI.
“The most striking features in Webb’s near-infrared NIRCam images are bright red-appearing tendrils or clumps of luminescence extending from areas that appear to be open spaces or large bubbles in the nebula,” Webb astronomers said. Ta.
“Stellar winds from the brightest and hottest young stars carve out these cavities, and ultraviolet light ionizes the surrounding gas. This ionized hydrogen appears as a ghostly glow of white and blue.”
“The bright orange streaks in Webb’s near-infrared images indicate the presence of carbon-based molecules known as polycyclic aromatic hydrocarbons (PAHs).”
“This material plays an important role in the interstellar medium and in the formation of stars and planets, but its origin is a mystery.”
“If you move away from where the dust was immediately removed, a deeper red color represents hydrogen molecules. This cooler gas is the perfect environment for star formation.”
“Webb’s superior resolution also provides insight into functionality previously thought to be irrelevant to the main cloud,” they added.
“For example, the Webb image shows two bright, young stars burrowing into the dust above the central nebula, connected by a diffuse red gas.”
“These appeared as separate spots in visible-light images taken by the NASA/ESA Hubble Space Telescope.”
Webb’s observations at mid-infrared wavelengths also offer new perspectives on the region’s diverse and dynamic activities.
“MIRI observations of NGC 604 show a significantly lower number of stars,” the astronomers said.
“This is because hot stars emit much less light at these wavelengths, while large clouds of cooler gas and dust glow.”
“Some of the stars seen in this image belong to surrounding galaxies and are red supergiants. These stars are cold but very large, hundreds of times the diameter of the Sun.”
“Additionally, some of the background galaxies that appeared in the NIRCam images have also dimmed.”
“In the MIRI image, blue tendrils of material indicate the presence of PAHs.”
NRenowned game designer Lalalyn McWilliams, 58, passed away on February 5th in Seattle, Washington due to complications from heart surgery. She is the creative director of Free Realms, Sony's computer entertainment family-friendly online world, the lead designer of Full Spectrum Warrior in 2004, and the winner of the Game Developers Choice Awards. Recipient of her 2021 Lifetime Achievement Award.
McWilliams was born in 1965 in Vicenza, Italy, to an American military family and moved frequently during his youth. She found her place in the games she played, and her Mist was especially important to her, a world she returned to again and again. She earned her bachelor's degree in psychology from Vassar College and her J.D. from St. Louis Law School. Although she worked hard for these honors, she never forgot the joy the game brought her and she wanted to return to those worlds to bring that same joy to others. She is a self-taught game designer and has become a master of creating games for Disney, DreamWorks, and many others. She was a rare all-rounder who worked on everything from first-person shooter games to casual games.
Lalarin loved justice and supported principles over character. She did not compromise or remain silent in the face of significant online harassment of hers. She spoke up for those who couldn't. She was a voice for those who were afraid to speak. She didn't back down from anything – she didn't back down. When it came to good and evil, she was a warrior as flexible as concrete. She has worked tirelessly to make the gaming industry a place where underrepresented people are valued and heard.
It coincided when she was diagnosed with cancer (an incurable, terminal cancer). She sought out doctors who advocated for her health and were committed to treatments, clinical trials, and cutting-edge medicine. And in an industry that favors the young and healthy, she spoke candidly about her diagnosis, treatment, recovery and remission, joining others who found strength in her words and opened up about her own journey as well. inspired people.
She was a beautiful nerd. Laralyn likes to talk about subtle game mechanics, how they play out during a game, and how they can be adapted and made more meaningful when combined with other mechanics. was. She loved talking about the players and centering things around their experiences. She could write a tutorial script as easily as she could balance a combat progression. She was a mentor, friend, and inspiration. Lalaleen McWilliams was a true legend in the gaming industry. She leaves her mark on people, players, games, and design.
Lalarin is survived by her husband and best friend Charlie Hatley, mother-in-law Charlene, brother Jim and daughter Sophie, and aunt Sandy.
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