US Treasury Secretary Scott Bessent announced on Sunday that the details regarding the transfer of TikTok’s US operations to a new owner have been finalized between the US and China.
“We have reached a conclusive agreement regarding TikTok,” Bessent stated. said, during an appearance with Margaret Brennan on CBS’s Face the Nation. He referred to Donald Trump and China’s Xi Jinping, mentioning: “With discussions scheduled for Thursday in South Korea, the two leaders will convene in Madrid, and we believe all details have been finalized, which will complete the agreement.”
While Bessent did not share specifics of the transaction, he noted it is part of a larger trade deal framework that both nations will discuss when President Trump and President Xi Jinping meet in the coming days.
Bessent’s remarks followed President Trump’s signing of a presidential order on September 25th, which allowed for a new ownership agreement in the US involving a majority of US investors.
“I am not involved in the commercial details of this transaction,” Bessent remarked. “My focus was to secure approval from the Chinese side for the transaction, which I believe we have effectively achieved over the past two days.”
Barron Trump, President Trump’s 19-year-old son, proposed that the president nominate former social media producer Jack Advent as a director. President Trump has indicated that the new US investors include prominent conservative media figures like Rupert Murdoch and Larry Ellison.
During his first presidential term, Trump threatened to ban TikTok in 2020 in retaliation for China’s handling of the coronavirus pandemic.
Congress enacted a ban on the app during Trump’s administration, which was signed into law by Joe Biden in April 2024. The agreement was set to take effect on January 20, 2025, but was extended four times by Trump while his administration negotiated the ownership transfer.
The estimated value of this contract is $14 billion, with US and international investors expected to hold about 65% of the company’s shares, while ByteDance and Chinese investors will maintain less than 20%.
Trump’s Executive Order grants new investors, including six of the seven board seats, oversight of the app’s algorithms.
Trump arrived in Malaysia on Sunday to participate in the Association of Southeast Asian Nations summit as part of a five-day tour of the region, and a direct meeting between Trump and Xi is planned for Thursday.
The two leaders are expected to discuss U.S. agricultural exports, the trade balance, and issues related to the fentanyl crisis, which were cited as reasons for Trump’s 20% tariffs on Chinese imports.
Wildfires like the one in Greece in 2024 emitted significant quantities of carbon dioxide.
Xinhua News Agency/Alamy Stock Photo
The World Meteorological Organization (WMO) has disclosed that atmospheric carbon dioxide levels are set to soar to unprecedented heights in 2024, reaching levels not seen since records began.
According to WMO, the global average CO2 concentration is projected to rise by 3.5 ppm from 2023 to 2024, reaching 423.9 ppm. This marks the largest increase observed since modern measurements began in 1957, significantly surpassing the 2.3 ppm rise from 2022 to 2023.
This continues a troubling trend of accelerating increases each year, with the growth rate tripling since the 1960s. The last instance of comparable CO2 levels on Earth dates back 3 to 5 million years.
The WMO cautions that surplus carbon dioxide in the atmosphere will lead to global warming effects for centuries. “The heat captured by CO2 and other greenhouse gases is speeding up climate change and causing increasingly severe weather events,” stated Ko Barrett from the WMO.
Continued emissions from fossil fuels, a rise in emissions from wildfires, and a slow rate of carbon dioxide absorption by the planet’s land and oceans were identified as the primary factors behind last year’s record rise, as per WMO’s reports.
Researchers are forecasting that carbon uptake by oceans, forests, and other ecosystems will slow down in 2024 due to recent El Niño weather patterns, which have increased global temperatures and caused heatwaves, wildfires, and droughts in significant areas like the Amazon, thereby hindering carbon absorption. Scientists earlier this year indicated that the loss of tropical forests in 2024 will double compared to 2023. “In certain tropical regions, warm El Niño years like 2024 are generally drier and sequester less carbon dioxide,” noted Richard Allan from the University of Reading, UK.
Nevertheless, there are growing concerns that the decline in carbon uptake by Earth, particularly from land, is indicative of a long-term trend, suggesting that climate change is diminishing the planet’s capacity to absorb excess carbon.
“There are indications that land subsidence was markedly low in 2023 and 2024, even amidst the El Niño conditions, and we are witnessing a troubling decline over time, especially in the Northern Hemisphere outside of tropical regions,” said Zeke Hausfather, a climate scientist at the Breakthrough Institute. “In summary, there are alarming signs that land subsidence is decreasing, but it’s premature to make definitive conclusions without additional data over the coming years.”
In the meantime, it is more critical than ever for humanity to reduce ongoing fossil fuel emissions. Piers Foster, from the University of Leeds, UK, explained, “The primary factor driving the persistent increase in CO2 concentrations is that fossil fuel emissions remain at record levels and have yet to decline.”
ASince graphene was first synthesized at the University of Manchester in 2004, it has been recognized as a remarkable material—stronger than steel yet lighter than paper. Fast forward 20 years, and not all UK graphene enterprises have been able to harness its full capabilities. Some view the future with optimism, while others face significant challenges.
Derived from graphite, the same substance used in pencils, graphene consists of a lattice-like sheet of carbon just one atom thick, boasting impressive conductivity for both heat and electricity. Presently, China is the leading global producer, leveraging this to secure an edge in the race for microchip production and construction applications.
In the UK, graphene-enhanced low-carbon concrete, developed by the Graphene Engineering Innovation Center (GEIC) at the University of Manchester in collaboration with Cemex UK, was recently installed at Northumbrian Waters in July.
“The material had an overwhelming amount of hype as it came out of academia… the real challenge lies in transitioning it from the lab to actual production,” explains Ben Jensen, CEO of 2D Photonics, a startup that originated from the University of Cambridge, specializing in graphene-based photonics technology for data centers.
Jensen was also behind the invention of Vantablack, a coating made from carbon nanotubes (rolled graphene sheets) renowned as the “blackest black” due to its ability to absorb 99.96% of light. He founded Surrey Nanosystems in 2007, where he sold exclusive artistic rights to sculptor Anish Kapoor, who featured the material on the X6 Coupe to achieve the “blackest black” effect six years ago.
Anish Kapoor’s untitled Vantablack piece was displayed in Venice in 2022. Photo: David Levin/The Guardian
“Shifting to new materials to replace existing technologies presents a significant challenge,” Jensen states. “The value proposition must be compelling, while also ensuring that the material can be manufactured efficiently at scale and priced competitively, otherwise, there’s little point in offering something ten times more costly than existing products.”
German company Bayer attempted to produce large quantities of carbon nanotube items but shuttered its pilot plant over a decade ago when a surge in demand failed to materialize. Currently, this material finds its primary use as a filler to enhance the strength of plastic products. Bayer has referred to the potential applications for nanotubes as “fragmentary.”
More promising is a graphene-based optical microchip created by CamGraPhIC, a branch of 2D Photonics, stemming from research at the University of Cambridge and CNIT in Italy.
Silicon photonics microchips currently translate electrical data into optical signals for transmission through fiber optic cables. The company claims its graphene-based chips can transmit more data in less time and at significantly lower costs.
Graphene single crystal. Photo: 2D Photonics
These chips consume 80% less energy and are capable of functioning across a broader temperature range, minimizing the requirement for costly water and energy-intensive cooling systems in AI data centers.
Transmitting data through silicon often leads to delays. Jensen compares this issue to a 16-lane highway unexpectedly narrowing down to one lane due to construction, slowing down traffic significantly. He argues that graphene photonics functions like an expansive highway with hundreds of lanes.
“Our breakthrough lies in the capability to cultivate stable, ultra-high performance graphene and effectively integrate it into devices,” he asserts. “Keep in mind, this material is only one atom thick, which makes the process particularly challenging.”
Ben Jensen, CEO of 2D Photonics. Photo: Ermanno Fissole
CamGraPhIC was established in 2018 by Professor Andrea Ferrari, a Cambridge Nanotechnology professor, who also heads the Cambridge Graphene Center, alongside Marco Romagnoli, head of advanced photonics at CNIT in Pisa and the startup’s chief scientific officer.
The parent company, 2D Photonics, recently acquired £25m in funding from a diverse group of investors, including Italy’s sovereign wealth fund, NATO, the Sony Innovation Fund, Bosch Ventures, and the UK’s Frontier IP Group. The firm will be based in the former Pirelli photonics research facility in Pisa and aims to launch a pilot manufacturing site in the Milan region designed for large-scale production of 200mm wafers, confident in receiving an additional €317m (£276m) in funding by year-end.
Aside from data centers, the company’s chips have potential uses in high-performance computing, 5G and 6G mobile systems, aviation technologies, autonomous vehicles, advanced digital radar, non-satellite space communications, and beyond.
Paragraph, a spin-out from Cambridge University located in the nearby village of Somersham, has thrived in the past decade with backing from the UK Treasury. The firm creates graphene-based electronic devices, including sensors designed for electric vehicles and biosensors for early disease detection and various applications in medicine and agriculture. Recently, they secured $55 million (£41 million) from a group of investors, including a sovereign wealth fund from the United Arab Emirates, which acquired a 12.8% share in Paragraph.
Graphene Innovations Manchester, a fledgling company started by Vivek Konchery in 2021, finalized a deal with Saudi Arabia in December for the first commercial production of graphene-enhanced carbon fiber. This material will be utilized in constructing roofs, facades, and light poles. Production has begun in Tabuk with local partners, with an expected output of 3,000 tons by 2026.
2D photonics cleanroom at the Pisa development facility. Photo: 2D Photonics
Conversely, other companies are facing harsher realities. One of the pioneering firms in this domain, Applied Graphene Materials, was launched in 2010 by Professor Carl Coleman, a spin-out from Durham University. It introduced various products, such as anti-corrosion primers and bike detail protection sprays, which became available in Halfords stores. However, the struggling company declared bankruptcy in 2023, resulting in its main operations being acquired by Canada’s Universal Matter.
Ron Mertens, the owner of Graphene-Info, remarked, “As is often true in the broader materials industry, the path to market can be lengthy. Many graphene producers and developers have yet to generate substantial revenue or profit.”
Versarian, located in Gloucestershire, expanded from a garage startup with support from the government agency Innovate UK. They developed graphene powder and other products for usage in sensors, low-carbon concrete, paints, electronic inks, textiles, and more, including running gear and prototype stealth technologies for the US military.
The AIM-listed firm sought to establish operations in Spain and South Korea, but encountered financial troubles, leading several subsidiaries to enter administration or voluntary liquidation in July. Versarian is now looking to sell off assets, such as its patent portfolio, and currently has enough funds to last only until the end of October.
Depending on the nature of the upcoming transactions, this may trigger a liquidation process for the company or a financial shelter. Their investment agreement with a Chinese partner collapsed after the British government intervened to block any technological collaboration, marking a somber potential finale for what was once a promising graphene venture.
Solar flares pose risks to GPS systems and communication satellites
NASA/SDO/AIA
AI models developed with NASA satellite imagery are now capable of forecasting the sun’s appearance hours ahead.
“I envision this model as an AI telescope that enables us to observe the sun and grasp its ‘mood,'” states Juan Bernabe Moreno from IBM Research Europe.
The sun’s state is crucial because bursts of solar activity can bombard Earth with high-energy particles, X-rays, and extreme ultraviolet radiation. These events have the potential to disrupt GPS systems and communication satellites, as well as endanger astronauts and commercial flights. Solar flares may also be accompanied by coronal mass ejections, which can severely impact Earth’s magnetic field, leading to geomagnetic storms that could incapacitate power grids.
Bernabé-Moreno and his team at IBM and NASA created an AI model named Surya, derived from the Sanskrit word for ‘sun,’ by utilizing nine years of data from NASA’s Solar Dynamics Observatory. This satellite captures ultra-high-resolution images of the sun across 13 wavelength channels. The AI models have learned to recognize patterns in this visual data and create forecasts of how the sun will appear from future observational stations.
When tested against historical solar flare data, the Surya model demonstrated a 16% improvement in accuracy for predicting flare occurrences within the next day compared to traditional machine learning models. There is also a possibility that the model could generate visualizations of flares observable for up to two hours in advance.
“The strength of AI lies in its capacity to comprehend physics in unconventional ways. It enhances our intuition regarding physical processes,” remarks Lisa Upton at the Southwest Research Institute in Colorado.
Upton is especially eager to explore if the Surya model can aid in predicting solar activity across the sun and at its poles—areas where NASA instruments cannot directly observe. While Surya does not explicitly aim to model the far side of the sun, it has shown promise in forecasting what the sun will resemble for several hours ahead as sections rotate into view, according to Bernabe Moreno.
However, it remains uncertain whether AI models can overcome existing obstacles in accurately predicting how solar activity will influence Earth. Bernard Jackson from the University of California, San Diego, points out that there is currently no means to directly observe the magnetic field composition between the Sun and Earth, a crucial factor determining the direction of high-energy particles emanating from the star.
As stated by Bernabé-Moreno, this model is intended for scientific use now, but future collaborations with other AI systems that could leverage Surya’s capabilities may allow it to support power grid operators and satellite constellation owners as part of early warning frameworks.
In the image, a group of friends is gathered at the bar, with smoke curling upwards from a cigarette in hand. Additional cigarettes are in open packets resting on the table between them. This is not a photo from before the ban, but rather one shared on social media from a Metaverse gathering.
Virtual online environments are emerging as a new frontier for marketing, as tobacco and alcohol promoters target the youth without facing any legislative repercussions.
A report presented at the World Conference on Tobacco Management in Dublin last month provided several examples. New technologies such as digital token launches and sponsorships from vaping companies in online games are being utilized to promote smoking and vaping.
This information is derived from a surveillance initiative known as Canary—acting like a canary in the coal mine. The project is managed by public health organizations around the globe.
The caption for this post reads, “I’m drinking coffee at Metaverse.” Has someone stolen the writer? Photo: Icperience.id Instagram via Instagram
“Cigarette companies are no longer waiting for regulations to catch up. They are proactively advancing while we’re still trying to comprehend what’s happening on social media, and they’re already operating in unregulated spaces like the Metaverse.” “They utilize NFTs [non-fungible tokens] and immersive events to attract young audiences to their offerings.”
In India, one tobacco company has launched an NFT symbolizing ownership of digital assets, celebrating its 93rd anniversary.
Canary monitors and analyzes tobacco marketing on various social media platforms and news sites in India, Indonesia, and Mexico, and has recently expanded to Brazil and China, covering alcohol and ultra-processed food marketing as well.
The Metaverse is not fully monitored. This 3D immersive internet allows interactions in digital environments using technologies like virtual reality headsets. However, references to activities happening there are captured through links and information shared on traditional social media platforms.
Researchers suggest that children are more susceptible to tobacco marketing in this new digital arena, given the age demographics—over half of the active Metaverse users are under 13 years old.
Social media companies possess extensive insights into how to boost engagement and attract users back for more, according to Dr. Mary-Ann Etiebet, CEO of Vital Strategies.
“When you combine this with the tobacco industry’s experience in hooking individuals, these two elements converge in a murky, unknown space.”
However, Magsambol describes it as “a new battleground for all of us,” shifting towards entities pushing products that are detrimental to health.
“My daughter is usually quite reserved, but in [the gaming platform] Roblox, while battling zombies and ghosts, she morphs into an avatar resembling a blend of Alexander the Great, Bruce Lee, and John Wick. She becomes quite bloodthirsty,” she remarked.
“Our behaviors shift. Social norms evolve… the tobacco industry is highly aware of this, making it easier to subtly promote the idea that anything is possible.”
The Metaverse art encountered by the team in Indonesia was showcased on the Instagram account of music enthusiasts linked to Djarum, one of Indonesia’s largest tobacco firms. Another instance highlighted a group enjoying coffee searching for something lighter.
All of this contributes to an initiative aimed at “normalizing” smoking and vaping, according to Magsambol. “Such behaviors are enacted by your avatar, but do they seep into your real life?”
“Digital platforms are being leveraged to evade traditional advertising barriers and appeal to younger audiences,” she states. “This scenario reflects not merely a shift in marketing strategies, but a transformation in influence dynamics.”
Other researchers have presented instances where alcohol is marketed and sold in virtual stores.
Online marketing constitutes a global concern. At the same conference, 53% of Irish researchers reported having seen e-cigarette posts daily on social media.
Officials from the World Health Organization (WHO) note that the increase in youth smoking in Ukraine can be partially attributed to Covid and the war pushing children “online,” exposing them to various forms of marketing.
In India, youth ambassador Agamloop Kaur is leading a campaign for children to stay cigarette-free, which includes social media marketing to educate school children about the risks associated with cigarettes and vaping. She has noticed vapes being marketed as “wellness” products.
“I believe it’s crucial to educate young individuals about recognizing ads, understanding their implications, and realizing that they might not even be visibly tied to the tobacco industry. [Content posted by] influencers hold significant sway, as they help build awareness. Digital natives, when engaged on social media, can discern what’s genuine and what’s not; recognizing these attractions as empty is vital, especially for younger audiences.”
The WHO Framework Convention on Tobacco Control mandates strict regulations regarding tobacco advertising, promotions, and sponsorships. Last year, signatories acknowledged the necessity for action to focus on “digital marketing channels such as social media that amplify tobacco marketing exposure among adolescents and young individuals.”
A boy smokes a cigarette in Yogyakarta, Indonesia. Photo: Ulet Ifansasti/Getty Images
Yet, there are no straightforward solutions, as Andrew Black from the framework’s secretariat points out.
“The difficulty in regulating the Internet isn’t inherently linked to cigarettes. Rather, it’s a tangible challenge for governments to devise ways to safeguard societal norms in a landscape where technological advancements have transcended borders.”
Nandita Murktla, who leads the Canary initiative, urges regulators to exercise caution:
Can you scroll through at work and take a little care about your smartphone? One solution is to keep your phone out of reach, but unfortunately this doesn’t seem to work.
“People flip the phone over and hide it under the notebook. Sometimes you see a slightly fatal “throwing it over my shoulder” thing.” Maxi Heitmayer At the London School of Economics and Political Science in London. He previously studied phone use and found that people interact with their devices About every 5 minutes.
To see if this distraction could be avoided, Heitmayer and his colleagues recorded 22 college students and office workers, ages 22 to 31. One day, participants kept their phones within reach of their phones. Soon they kept their phones on a second desk, 1.5 metres away. In other words, I had to stand up to check it out.
Researchers found that volunteers spent an average of 23 minutes doing leisure activities over the phone on their first day, but 16 minutes, when the devices were even further apart. However, they were no longer working on the second day. Instead, participants spent more time running their activities slowly on their laptops, mainly on social media. “We use less mobile phones, but the whole thing that’s scrolling on social media is scrolling longer than we intended to move to a laptop,” says Heitmayer.
“This shows that distractions are not itself the device, but the underlying activity. daantje derks At Rotterdam, the University of Erasmus, Netherlands.
However, she points out that large-scale studies tracking people in a normal working environment are needed to verify these initial results. “This is an experimental lab study. People usually have others around and their lives are much more dynamic than this setup.
Emotional ads featuring Katie, a young woman diagnosed with a kidney disease at age 19, have been running on Facebook and Instagram for the past month.
She credits a stranger’s kidney with saving her life, highlighting the impact Tiktok has had on people’s lives. The app is positioning itself as a savior and small business supporter amidst concerns about Chinese ownership.
Despite federal laws requiring Tiktok to sell to non-Chinese owners by April 5, the company is pushing back with a new ad campaign emphasizing its role in American lives and businesses.
Tiktok’s marketing efforts have ramped up in recent months, with the app spending millions on ads and working to reassure creators about its future in the US.
In response to legal challenges threatening its existence, Tiktok has dramatically increased its advertising spending and engagement with policymakers.
Experts and creators alike are watching Tiktok’s moves closely as the app navigates uncertain regulatory waters while continuing to operate and advertise in the US.
Tiktok’s future remains uncertain as it faces pressure to sell to non-Chinese owners amidst concerns about data security and China’s influence.
The company is making efforts to reassure users and advertisers while also engaging with policymakers to shape its fate.
Tiktok is positioning itself as a key player in the digital advertising space, with plans to participate in major industry events and continue engaging with creators and brands.
While Tiktok faces uncertainty about its future, the company remains focused on supporting small businesses and engaging with policymakers to shape its fate.
Tiktok’s ad blitz and engagement with policymakers reflect the company’s efforts to address concerns and shape its future in the US market.
dDid you know that soundtrack concerts are the most popular orchestra tours? A third of the Royal Philharmonic Orchestra’s first-time audiences have come to the concert hall through their favorite series, films, and video games. It is a huge cultural growth field and may not be recognized by the public.
“Now it’s impossible to ignore video game music,” says Tommy Pearson, founder and artistic director of London’s first soundtrack festival. “The creativity and artistry of the game are incredible and it’s fascinating to see many composers blossom in the genre.”
As one of the lead architects behind the festival, Pearson was keen to create space for video games as part of the celebration, not just as an “add-on” to television and film soundtracks, but also as an equality in art forms. “When we first thought about what we would do at a festival, including that music in the game isn’t easy, it must be there absolutely, along with film and television music. It has an audience of very dedicated fans, and the music is as good as what is written in any genre.”
Tommy Pearson, artistic director of the London Soundtrack Festival. Photo: London Soundtrack Festival
The festival from March 19th to 26th will consist of live performances, panel discussions, screenings, Q&AS and masterclasses. One of the important events The cutting edgea composer who won a Grammy and Iver Novello Award for his work in Video Game Music by the Royal Philharmonic Concert Orchestra, Masterclasses of Stephen Burton and Gordie Herbs, and a work in Star Wars Jedi: Survivor.
Why is 2025 the best time for the first soundtrack festival in London? “We watch millions of streams of game soundtracks every day,” Burton says. “Instagram and Tiktok have a huge amount of social media content, not to mention the world of Twitch where streamer playlists are a big part of their identity. The record industry is keeping up with this.”
“You can see streaming numbers climbing in real time, but you can feel it anywhere, beyond the data,” adds Haab. “Game music is not limited to consoles anymore. It is woven into everyday life. For example, my nie and ne have purely rotated gaming soundtracks for pure fun. At game events, I know notes on these themes. I stand on my own as film music, as legitimate art forms.
“Fans know these themes. Photo: Kojima Production
Composers Rudig Forsell (Stronging of Death), Harry Gregson Williams (Metal Gear Solid), Stephanie Economy (Assassin’s Creed Valhalla: Dawn of Ragnarok), and Borislavslavov (Gate 3 of Bardur) are all part of a panel discussing game music before participating in the evening performance.
“It’ll be hard to find someone who can’t sing a song from Super Mario Bros., Final Fantasy, Hello, or The Legend of Zelda,” says Econow. “Video game music is common because video games are common. The industry itself is more profitable than the combined film, television, and music industries, so when people think that popularity is suddenly rising, all I can think of is getting more recognition and celebrations in the sphere that has finally been released.
“The London Soundtrack Festival is a great opportunity to celebrate the differences and diversity of media music,” adds Forssell. “Video games may still be Brock’s new kids, but in a way they will definitely stay here. And as composers, we hope that we will always have a unique approach to music in general, including movies, TV, video games, pop, rock, music.”
Pearson and the team of composers he framed are watching the event as a celebration of the state of video game music. “These are all amazing, highly respected composers who have produced amazing, exciting scores that have been extremely successful in the games and concert halls,” says Pearson.
Can non-game audiences accept video game music as much as television or movies?
“It’s always going to be a bit silly when it comes to media music,” Pearson says. “But it isn’t as close as it used to be.
The vast alien planet has fierce winds blowing around its equator at nearly 30 times the speed of sound on Earth.
Lisa Nortman He and his colleagues at the University of Göttingen in Germany used the European Southern Observatory’s Very Large Telescope in Chile to observe WASP-127b, a gas giant exoplanet more than 500 light-years from Earth. Although slightly larger than Jupiter, it is one of the least dense planets we know of.
The researchers expected the light signal from the planet’s atmosphere to have one distinct peak, but instead they found two distinct peaks.
“It was a little confusing,” Nortman says. “But when we analyzed the data a little more carefully, it became clear that there were two signals. I was very excited – my first thought was that it must be some kind of super-rotating wind. I thought that right away.”
The researchers concluded that the two mountains were caused by rapid winds from the jet stream near the equator, with half of the wind moving toward Earth and the other half moving away from it. The wind appears to be made up of water and carbon monoxide, and appears to be moving at 33,000 kilometers per hour, the fastest wind ever measured on Earth.
“We’re talking about nine kilometers per second. Even Jupiter’s wind speeds are on the order of a few hundred meters per second, so this is actually an order of magnitude bigger.” vivian parmentier at Oxford University.
He says that if you were in this wind, you wouldn’t be able to feel such extreme speeds because it would be moving around you at the same speed. But because the wind moves from the hot side of the Earth, which is always facing the star, to the cold side, which is always in darkness, you will experience a temperature difference of several hundred degrees in a few hours.
Researchers don’t know why WASP-127b has such extreme winds, but Nortman said the planet has certain peculiarities, including a low density and an unstable orbit around its star. It is said that there are certain characteristics that may play a role. “However, no clear connection has been established between those facts and particularly strong winds.”
VLogs by Nigerian content creators Tayo Aina feature anything from Nigeria Japan (immigration) wave and voodoo festival. Performing with Afrobeats stars in Benin david or last hunter-gatherer tribe. In Tanzania, you can get millions of views on YouTube.
Aina, 31, who started the channel in 2017 while working as an Uber driver, says it has allowed her to see parts of Nigeria that she had never had the chance to visit before. Using his iPhone, he began a mini-travel adventure, taking breaks to record the places he visited and tell stories not covered in mainstream media.
“I want to inspire the next generation of Africans to have no limits,” says Nigerian content creator Tayo Aina. Photo: Handout
Aina learned how to film and edit through YouTube tutorials, saved up to buy better equipment, and soon began traveling beyond Nigeria to countries like Kenya, Ethiopia, and Namibia, learning about the continent’s culture and social life. He created a travel video that introduces Africa through the lens of photography. African traveler.
“Most of the online media was negative, and I realized that I was trying to change the narrative about Africa by presenting it more clearly. It’s light,” says Aina, who now travels around the world.
Africa’s Creator Industry 2024 Report Research by publisher Communiqué and media technology company TM Global values the sector at £2.4bn and predicts it will grow five times by 2030, reflecting trends in the global creator economy. Its growth is being driven by a wave of creators between the ages of 18 and 34, a surge in internet connectivity and social media usage across the continent, and the explosion of African culture on the world stage.
Growing interest in African culture – from Afrobeats and Amapiano Music and dance to an international fashion collection made from African textiles such as Ankara and Kikyoy. African movies – This is part of an international aspiration for authentic cultural storytelling outside the Arctic Circle, reflected in global cultural movements such as Hallyu, says David Adeleke, Founder of Communiqué.
This year, TikTok recognized More than a dozen African creators including Nigerian lifestyle creators @__iremide, a person who makes videos that satirize everyday life, and a South African Sachiko-sama. The 22-year-old is known for cosplaying characters from anime, video games, and pop culture. Nick Clegg, Meta’s president of international affairs, recently said: held a meeting Other social media platforms such as YouTube and TikTok are increasing their presence and Heva I’m getting involved.
The report says the industry is gaining momentum but is still young. Most content creators are in their third year of work, have fewer than 10,000 followers, and are faced with the challenge of turning social capital into income. The report adds that discussions about the monetization and standardization of the creator business ecosystem continue to take place primarily in Western countries.
But that is gradually changing.
As Aina’s channel grew and attracted a more international audience, he discovered what he was capable of. more and more It cost him money when his content was viewed by Western audiences rather than Africa. YouTube’s advertising model relies on ad spend, which is lower in many African markets than in North America and Europe.
“Part of the reason is economic. Generally speaking, Western creators and audiences have more resources, but that alone is not enough to justify the disparity in opportunity. ” says Adeleke.
As Aina began diversifying her content and audience to generate more income, there were other issues to worry about. He shares a video about the barriers and prejudice he faced during his travels, including being detained in Ethiopia on suspicion of drug possession, being arrested in South Africa on suspicion of being a “fraudster” and being refused entry to Dubai. I’ve posted it on my blog. The 2022 incident in Dubai was the “last straw” for Aina. Aina invested her savings in St. Kitts and Nevis and eventually secured a passport from St. Kitts and Nevis, becoming a citizen of the Caribbean nation.
He currently runs the Creator Academy on YouTube, where he has trained nearly 2,000 mostly African creators. “I want the next generation of Africans to grow their brands globally without limitations,” he says.
Chiamaka “Amaka” Amaku A 30-year-old Nigerian travel and lifestyle innovator who works as a social media manager and creates content as a personal project, believes digital infrastructure issues, including the challenges of sending and receiving international money, are a challenge for Nigerian creators. It says it can limit growth. Some global payment platforms have imposed restrictions on certain countries, including Nigeria, due to concerns about fraud and money laundering.
“Payment is one of the biggest challenges in Nigeria’s creator economy,” Amaku said, adding that payment barriers deter global brands from working with Nigerian creators.
In recent years, fintech companies such as flutter wave and salary stack While supporting international payments has reduced the barriers creators face in accepting digital payments, many restrictions remain, including local bank policies. For travel creators like Amaku, that means it’s harder to book flights or take Uber abroad.
Amaku, who charges between £250 and £500 for posts on his Instagram page, which has around 20,000 followers, says it is difficult to make a living from creating content and there is a “culture of secrecy” around fees in the industry in Nigeria. He says that many people have died because of this. Creators quickly changed.
Sharon Makira A 31-year-old Kenyan luxury travel creator who describes her audience as “Afropolitan champagne nomads” agrees. He said competition for brand sponsorships is fierce because many companies still rely on traditional advertising, so negotiating rates can become a race to the bottom.
With around 20,000 followers on Instagram and 7,000 followers on YouTube, she gets around five brand deals a year, and is paid around £600 to £1,000 per campaign. When she became a full-time content creator last year, after nearly a decade in media and PR, she realized she couldn’t make a living relying on a few unpredictable brand deals, so companies started creating content. We have opened a PR studio that allows you to tailor your business to suit your needs. Cooperate with viewers, travel agencies and other businesses nomad And luxury lodges in Rwanda Singita Kwitonda.
According to her, building a business around a social media brand can earn you several times more per project than a brand deal. “I think there’s real promise there.” [African] Creators: Leverage your social capital, network, credibility, and personal brand to launch your business,” she says.
Will you live to be 100 years old? For the average person, the answer is probably no, as life expectancy growth has slowed in wealthy countries despite advances in medicine and living conditions. This suggests there may be a biological limit to our age, but some researchers believe further progress is possible.
The current slowdown is in sharp contrast to 20 years.th Over the past century, life expectancy at birth in wealthy areas has increased by three years per decade in what researchers call radical life extension. People born in the mid-1800s had a life expectancy of 20 to 50 years, but by the 1990s they had reached 50 to 70 years.
Extrapolating from this trend, some people at the time began predicting that newborns in the 21st century would typically live to be over 100 years old, but that point has now been reached and this may have been too optimistic. It seems so.
S. Jay Olshansky Researchers from the University of Illinois at Chicago analyzed mortality data from the 1990s to 2019 in nine wealthy countries, including the United States, Australia, South Korea, and Hong Kong. The 2019 cutoff was aimed at avoiding the impact of the COVID-19 pandemic. The researchers found that life expectancy at birth increased by an average of 6.5 years over the study period. In the United States, reached 78.8 While in Hong Kong in 2019 It was 85.
However, from 2010 to 2019, the growth rate slowed in most countries compared to the past 20 years. The U.S. is in the worst position, perhaps because of the ongoing opioid crisis, Olshansky said. By contrast, only Hong Kong has seen an increase in life expectancy growth since 2010, but it is unclear what is causing this, he said. That may be because people have easier access to health care than in other regions, he says.
Based on historical trends, researchers predict that life expectancy at birth will never exceed 84 years for men and 90 years for women. They also calculate that only a small number of today's newborns will live to be 100 years old.
The recent slowdown may be because the greatest advances in environmental and medical improvements were already achieved in the 1900s, and human aging is reaching its biological limits, Olshansky said. Jan Vig A professor at New York's Albert Einstein College of Medicine thinks similarly. “There are certain biological limits that keep us from getting older,” he says.
but jerry mccartney Researchers from the University of Glasgow in the UK say that the slowdown in growth over the past decade is mainly due to policies in many of the countries analyzed, which have led to cuts in social security and health services and increased poverty. states that it is possible. Without these, life expectancy growth might not have slowed down, so with the right policies, life expectancy could continue to rise, he says.
in fact, michael rose A professor at the University of California, Irvine, believes there is no limit to the human lifespan. With the right investments in anti-aging research, he says, we could see another radical increase in life expectancy this century, at least in wealthy countries.
Olshansky said he was positive that life expectancy is still increasing despite the recent economic slowdown. “Of course we should celebrate the fact that we can live this long,” he says.
As a COP26 During climate change negotiations in Glasgow, UK, in November 2021, a new slogan entered the vocabulary: “Stay at 1.5°C.” The phrase, on everyone’s lips from politicians to climate scientists, was aimed at maintaining the goals set as part of the Paris Agreement at the COP six years ago.twenty oneIn hindsight, this ambition was probably already fizzling out, destined to remain merely an empty slogan.
New Scientist The argument began in 2022, when expert opinion did not reflect their personal views or the data we were seeing. Scientists felt trapped and unable to speak out because limiting warming to 1.5°C above pre-industrial levels is still possible according to the laws of physics, but not realistic given the political, social and economic upheaval.
Since then, there has been a growing recognition that 1.5°C is unattainable, but there was no frank discussion of what that meant. Now, for the first time, researchers have explicitly rejected that, saying that 1.6°C is the best we can hope for, and that higher temperatures are more likely (see “Best-case scenario for climate change now is 1.6°C warming”).
Will policymakers finally realize that platitudes and slogans are not enough to combat climate change? Promises to “maintain” these targets are meaningless if we do not achieve the only means of preventing rising temperatures — reducing emissions of carbon dioxide and other global-warming greenhouse gases to net zero.
Unfortunately, the phrase “net zero” is losing its original meaning as a description of atmospheric physics, and instead being used by many to mean “environmental policy I don’t like.” This is dangerous, because extreme temperature changes have locked us in a vicious cycle of emissions that only a net-zero energy system can break (see “Efforts to combat extreme temperatures are making the situation worse”). If we are to have any hope of limiting warming, we need to learn from the failure of “stay 1.5°C” and not let “net zero” become meaningless.
Hollywood video game performers have voted to go on strike, bringing parts of the entertainment industry back into strike action after new contract negotiations with major game studios collapsed over protections for artificial intelligence.
The walkout, the second by video game voice and motion-capture performers affiliated with the Screen Actors Guild-American Federation of Television and Radio Entertainers (Sag-Aftra), is set to begin on Friday at 12:01 a.m. This move comes after almost two years of negotiations over a new interactive media contract with gaming giants like Activision, Warner Bros., and divisions of The Walt Disney Co.
SAG-AFTRA negotiators state that while video game contracts cover wages and job security, studios are not willing to agree to regulate generative AI. Without safeguards, game companies could train AI to mimic actors’ voices or create digital replicas of their likenesses without their consent or fair compensation, as per the union.
In a prepared statement, union president Fran Drescher mentioned that members will not accept contracts that permit companies to misuse AI.
Company representatives did not immediately respond to email requests for comment.
According to game market forecasters, the global video game industry generates over $100 billion in revenue annually. New Zoo Sag-Aftola emphasized that the individuals who design and bring these games to life are what drives their success.
“Eighteen months of negotiations have shown that our employers are not interested in fair and reasonable AI protections, but rather in exploitative behavior,” stated Sarah Elmaleh, chair of the Interactive Media Agreement Negotiating Committee.
Last month, a union negotiator informed The Associated Press that game studios had declined to provide the same level of protection from AI risks for all members, especially motion picture performers.
Last year, union members overwhelmingly voted to authorize leadership to strike. Fears about how studios might utilize AI in a strike were intensified by AI. Last year, labor unions staged a four-month strike in the film and television industry.
The final interactive contract, expiring in November 2022, did not include protections for AI but established a bonus compensation structure for voice actors and performance capture artists following an 11-month strike that commenced in October 2016. This strike marked SAG-AFTRA’s first significant labor dispute since the merger of Hollywood’s two major actors unions in 2012.
According to the union, the video game contract covers more than 2,500 “off-camera (voice-over) performers, on-camera (motion capture, stunt) performers, stunt coordinators, singers, dancers, puppeteers, and background performers.”
Amidst tense interactive negotiations, SAG-AFTRA entered into a separate deal in February aimed at indie and low-budget video game projects. The Tiered Budget Independent Interactive Media deal consists of some of the AI protections that have been rejected by larger companies in the video game industry.
When the Minneapolis City Council announced agreements with Uber and Lyft last month to increase wages and enhance working conditions for drivers, who emerged as the winner?
On May 20, the city council revealed a compromise with ride-hailing companies: Uber and Lyft would adhere to an inflation-linked minimum wage aligning with Minnesota’s $15 hourly minimum wage post expenses. Although some lawmakers touted this as a 20% pay surge for drivers, the agreed rate was lower, surpassing nearly all proposals from the previous two years amidst a contentious battle involving Uber, Lyft, drivers, and lawmakers.
Key elements of the deal include the allowance for drivers to contest firings due to opaque algorithms, funding for a non-profit driver center for driver rights education, and a raised insurance coverage requirement to $1 million for ride-hailing drivers to address post-trip medical expenses and lost wages following an assault or accident.
However, since the deal remains a vital component of digital ride-hailing services, Uber and Lyft can sustain operations and potentially reverse the compromise in the future.
Over the course of two years, ride-hailing driver groups engaged in protests, advocacy efforts, and negotiations with Uber as the companies threatened capital strikes and announced withdrawal from the state multiple times due to the bill, causing political strife for both entities.
By resorting to capital strikes, these companies narrow the scope of our political discourse while bolstering their own influence. The digital ride-hailing model perpetuates worsened working conditions for drivers through misclassification and algorithmic control, and the Minneapolis deal fails to address data transparency, constituting a significant setback according to expert Veena Duvall from the University of California, Irvine.
While the deal provides instant benefits for drivers by averting Uber and Lyft’s potential exit from the state, it falls short of addressing fundamental structural challenges within the on-demand labor model.
The on-demand labor model relies on maintaining an asymmetric power balance between companies, passengers, drivers, and cities, sidestepping issues of misclassification, data extraction, and algorithmic control.
Uber and Lyft exhibit adeptness in reducing arguments to superficial levels, deterring meaningful change and reform within the industry. Despite the evident need for intervention to improve drivers’ conditions, the omnipresent influence and evasion of billions in taxes by such companies underscore the challenge of enacting lasting reform.
Ultimately, the digital ride-hailing model remains fundamentally flawed, necessitating a comprehensive reevaluation of its impact on urban transport, working conditions, and financial practices, urging a departure from the prevailing exploitative dynamics in favor of sustainable alternatives.
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