Improving Sleep by Deleting Email App: Overcoming Feeling Overwhelmed

Being a freelance writer means that my daily routine can vary greatly. Some days, I have too much work to handle, while on other days, I have too little to do.

Regardless of the type of job you have, one thing remains constant – email. I receive around 100 emails every day, ranging from trivial updates to important messages from my editor.

Every morning, the first thing I do after turning off my alarm is check my email. And before putting my phone away at night, I make sure to clear out any unread messages. I check my phone constantly throughout the day, always afraid of missing something crucial.

Approximately a year ago, I noticed that checking my email had become more of a distraction. I found myself constantly replying to messages during bathroom breaks and feeling anxious if I hit a mental block while working. I began receiving push notifications on my phone twice as often as checking on my computer.

To make matters worse, I started checking and responding to emails even during meals and walks, turning my downtime into work time.

The red dot on my email app had become a symbol of my professionalism. The more unread emails I had, the less competent I felt. Responding quickly to emails was crucial to maintain my reputation and continue receiving work assignments.

However, prioritizing speed over quality was taking a toll on me. I was overextending myself, not leaving any room for thoughtful work. I realized that I needed a change.

After a particularly busy emailing week, I decided to delete the email app from my phone.

Initially, I felt uneasy without notifications on my phone and checked my email frequently on my laptop. But soon, I noticed a positive difference. Being away from my computer allowed me to focus on things other than work, improving my sleep quality and reducing nighttime stress.

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While my work days remain unpredictable, I’ve learned the importance of setting boundaries for myself even in the absence of a structured routine. Taking uninterrupted breaks helps me focus better when I return to work. Delaying responses to emails by a few hours instead of immediately has not affected the sender and allows me to grasp the message better.

As a freelancer in a fast-paced industry, I no longer feel overwhelmed. Creating space for myself has been beneficial, allowing me to prioritize rest and relaxation. Now, I can spend my time on activities other than constantly checking emails on my phone.

Source: www.theguardian.com

Overcoming Overwhelm: My Experience with WhatsApp and How I Managed to Reign in my Usage

I I feel as if I have lost days of my life to digital. I’m an extrovert, but the near-constant communication on WhatsApp can be exhausting. I’m always worried about not being able to reply to everyone right away. Add to that the performance factor and worry that proving you care will be judged on the messages you send, and it can all become too much.

“Where did Lemona go?” one friend panicked when I found myself stunned while pressing deadlines, babysitting, and entertaining guests. With 248 unread messages piling up in just one group, including podcast-length audio notes, I felt like the bad guy for being absent. Sometimes I’m happy to be completely silent – because I was in an unnecessarily large group that was added without my consent. I’ve been going unnoticed for years in unsolicited selfies of people I barely know, forwarding messages that if I don’t forward further, I’m going to face some kind of disaster, but someone knows I’m lurking. When they found out I was there, they kicked me out in front of all 43 members. It was frustrating.

I’m not bold enough to completely “keep using the app,” but I’ve managed to significantly reduce my messages over the past few years. My freedom from digital management was gradual. It started with removing my “last seen” status. By doing so, not only did I free myself from my dependence on receiving replies, but I was also less in touch and less needy.

Since I don’t use apps as much, I’ve become more conscious of my time. Instead of getting caught up in the hamster wheel of responses, I created space for other things. Do your morning stretches instead of opening an app as soon as you open your eyes. regain one’s concentration read the actual book and Please finish it like before. I have also started knitting. I was able to knit an Ewok hood for my toddler niece. This took three years, but it probably would have taken five if we hadn’t reduced our commitment to WhatsApp. Taking a break from communication has cleared my cluttered head and allowed me to think more creatively. I’m also learning Korean on Duolingo.

Still, I fully appreciate the connection that WhatsApp provides. It’s a place where you can share prayers for your sick parents, lift up your friend’s spirits after a bad date, and hold on to your sorrows and frustrations while the world burns and humanity’s hopes look bleak. WhatsApp packs so many heavy emotions, intimate experiences, and different personalities, yet compresses complex thoughts and emotions into fast-talking conversations that can be easily misread. Masu. Perhaps its intensity and dichotomy – the pleasure and stress it gives me, the longing for connection and the flood of over-connection – is precisely why it’s a place where I feel overwhelmed.

I also considered deleting the app completely. But is it really worth sacrificing seeing a photo of your niece dressed as an Oompa Loompa on World Book Day? Can I really disconnect from my supportive cheerleading friends and enjoy the mundane details of life?

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I still need WhatsApp, but less than before. By being patient, I learned how to control my desires. I am finally learning how to release from acute fomo without experiencing it. Rather than strict selection, we adjusted the boundaries. My friends also lived up to their expectations, saying, “She will get back to you within 3-5 business days.” But by giving myself permission to not feel pressured, I began to enjoy a newfound freedom. Now I have to resist the yoke of a new app: the forced appeal of maintaining my Duolingo streak.

Source: www.theguardian.com

Just Dance Saves Christmas in the Face of Family Breakup and Frozen Wellington

TAs my children grow up, it gets more challenging to involve them in Christmas and our old traditions. My youngest daughter, who was traveling, sent me a text from a nightclub in Bangkok with a photo and a comment about a spliff. My middle son went to be with his girlfriend on Boxing Day. My eldest daughter had to work a shift at the veterinary hospital on Christmas Day, so she was only available for a few hours. We had a small argument on the 23rd, which limited our communication.

Making Christmas memorable this year was tough. But I had a plan. And that plan was “Just Dance 2025.”

Initially hesitant to play arcade dance games, I was amazed to see someone showcasing their Dance Dance Revolution skills in London. This inspired me to set up Dancing Stage MegaMix on a PS2 at home. Despite neglecting my gym equipment, I focused on dancing on the mat daily and even perfected my moves on Cure’s The Love Cats in the mid-2000s.

For this year’s Christmas, I planned a leisurely breakfast, prepared Mushroom Wellington as a peace offering for my vegan daughter, woke up my son, exchanged gifts, surprised them with Just Dance, prepared dinner, and danced until late evening before taking my daughter home.

A snowstorm and multiple phone calls on Christmas Eve and Day added chaos to our plans. I had to make last-minute adjustments, like borrowing a truck to pick up my daughter, leading to a stressful situation akin to Nakatomi Plaza from Die Hard.

Despite the chaotic unwrapping of gifts, we managed to enjoy playing Just Dance as a family, even if dinner plans went awry. It was a tough decision to prioritize the game over dinner, but sometimes as a father, you have to make those tough calls.

However, technical difficulties arose with setting up the game, including the need for additional controllers and charging issues. Eventually, we managed to overcome these hurdles and have a memorable Christmas dance-off.

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Using our phones as controllers, we managed to play and enjoy Just Dance as a family. It brought us closer together and added a spark of joy to our Christmas celebration, despite the initial challenges.

By dancing to some classic tunes like Abba, we found a common ground and shared moments of laughter and fun. Just Dance truly saved our Christmas and created lasting memories for us to cherish.

Abba saved Christmas again. Photo: Alamy

Despite the challenges and chaos, we managed to find joy and connection through music and dance, reaffirming the true spirit of Christmas for our family.

Source: www.theguardian.com

Data shows that old music is experiencing a resurgence on TikTok

This was supposed to be the year of Gen Z’s “summer of the kids,” inspired by Charli XCX’s hit album. The trend was chaotic and scrappy, embodying the messy essence of modern youth.

However, TikTok, the preferred social media platform for teenagers, is now seeing a shift towards a more sepia-toned music trend. Users are delving into classic artists’ back catalogs like Bronski Beat and Sade instead of the latest music.

The use of older songs in UK TikTok posts hit a new record this year, with 19 of the top 50 songs being over five years old. This global trend is exemplified by songs like Alphaville’s 80s hit “Forever Young.”

TikTok’s head of music partnerships in the UK and Ireland, Toyin Mustafa, believes the platform has created a level playing field for music acts, giving both old and new releases an equal chance to shine.

Challenges on TikTok have fueled the popularity of songs like Bronski Beat’s “Small Town Boy” and Alphaville’s “Forever Young.” Even lesser-known tracks like Pavement’s “Harness Your Hopes” have garnered attention on the platform.

TikTok’s influence on the music industry is significant, with both classic and modern tracks making waves. The platform has played a role in boosting artists like Blood Orange and Tinashe, while also impacting global music trends.

The trend of rediscovering back catalog songs resonates with a younger generation seeking unique music experiences. The accessibility of older tracks online allows users to explore a variety of music beyond the mainstream.

TikTok’s top back catalog tracks this year include hits like Blood Orange’s “Champagne Coast” and Alphaville’s “Forever Young,” showcasing the platform’s impact on music discovery and appreciation.

The platform’s future in the US music industry faces uncertainty, but its influence on music trends and artist exposure remains undeniable.

Overall, the resurgence of classic songs on TikTok reflects the timeless quality of good music and the evolving tastes of a new generation of music enthusiasts.

Here are TikTok’s top back catalog tracks this year. To be eligible, your song must be at least 5 years old.

1. Blood Orange – Champagne Coast [2011]: 1.1m posts

2. Alphaville – Forever Young [1984]: 458,000 posts

3. Redbone – Come and get some love [1974]: 386,000 posts

Source: www.theguardian.com

Finally Got My Virtual Reality Setup Working: A Week of Work, Exercise, and Relaxation

II’m writing this from a room slowly orbiting the Earth. Behind a screen that floats in front of me, through a huge opening where a wall should be, a planet slowly rotates and appears close enough to take up most of my field of vision. To my right it’s morning in Australia. The first vestiges of India and Europe are illuminated and dotted to my left. The soft drone of the air circulation system hums quietly behind me.

I spent a week using a virtual reality headset to do everything I could: work, exercise, compose music. This was the year that VR threatened to go mainstream as prices became more affordable and Apple entered the market. So I wanted to see how far VR has come since I first tried it in the mid-2010s, when the main experience was available. It was a nauseating roller coaster simulator. I used Meta’s latest model, called the Quest 3, and the conclusion was clear. This means it works now. It feels a little unfinished, but we’ve finally reached the point where VR is possible. It becomes really useful.

The biggest surprise was working in VR. This is not recommended. When you put on the headset, you can summon multiple screens, all connected to your computer, and make them as large as you want and place them anywhere in your environment. “Pass-through” – the ability to see digital objects superimposed on the real world, enabled by a camera built into the front of the headset – means you can cut out a window from the virtual environment to see the keyboard. You can also choose any number of work environments, from minimalist cafes to mountain huts, and switch between them at will. I quickly reached the point where if I was working alone, I would rather work in virtual reality than in real life.

The main problem is the overall lack of polish. The headset doesn’t feel like a finished product. It’s probably 10% too heavy, like a lab prototype that hasn’t been improved yet. The battery alone won’t last the entire day. Sometimes the controller disconnects without explanation. I brought it on a plane to do some work, but the challenge of connecting to my laptop using the onboard Wi-Fi proved insurmountable.

But watching movies in VR while flying was nothing special. Yes, I felt the need to apologize to my neighbor in a very British way. Wearing a headset in public has not yet become socially acceptable. But as soon as I pressed play, I realized I would never be able to go back to in-flight entertainment. I was sitting in a movie theater with the lights dimmed and several rows of seats separating me from a giant screen on a virtual wall. In long periods without turbulence, we really forgot we were flying. The one downside is that I was so engrossed in it that I almost missed the breakfast cart passing by.


“Today, the key to getting the most out of VR is to use it for activities you do yourself, even if you’re not a gamer.” Photo: Marissa Leshnoff/The Guardian

Of course, the movie theater was empty except for me – by design. Other apps are intentionally less sparsely populated. I downloaded one that promised a live virtual concert. Upon entering the virtual lobby, I discovered that there was no concert going on and no sign of one being scheduled. No problem. It also provided a space for people to mingle when acts weren’t performing. I loaded it. It was a beautifully designed virtual world, all domes and arches and curved slopes. But it was a ghost town. I was the only one there. And this is considered to be one of the most popular apps for live music on the internet.

When most people think of VR, they often think of Ready Player One. This is a science fiction novel and film about a world where people spend most of their time in a shared virtual reality, where they gather as avatars to interact, talk, and watch sports and music. together. This feels like a long way off. There are games that give hints about this group experience, such as “Gorilla Tag,” where children gather together after school to play tag as gorillas, talking to each other and moving around by waving their arms. However, VR adoption has not yet become widespread enough to make Ready Player One’s vision a reality. Now, the key to getting the most out of VR is to use it for activities you do yourself, even if you’re not a gamer.

For at least some types of knowledge workers, work is one such activity, and someone closely involved in the industry recently told me that it is considered the fastest growing use case. It is being I feel that productivity can be easily improved with VR. Gone is the office clutter, replaced by a calming environment that matches your mood for the day. Monitors that would cost thousands of dollars in the real world are displayed in front of you on demand. A virtual forest in the mountains is far better than the gray walls of my study as a place to sit down at my keyboard and write music. All distractions disappear from view.

Another thing is exercise. I was doing a personal training session in my garden, and a virtual trainer was floating in the air right in front of me. Passthrough, which was only recently added to Quest, is important here because it means you can use weights. This was not a smart idea in previous models as it completely obscured the real world. While many people have tried to join a gym temporarily and failed, it’s not unreasonable to hope that on-demand personal training at home might help them get back to exercising regularly.


Apple’s Vision Pro headset, launched earlier this year, was meant to be the starting gun for VR. That wasn’t the case. It’s a marvel of engineering and has magical uses, but it’s still lacking in compelling apps. £3,500 price tag For most people that is ruled out. Stories of headsets gathering dust or being returned have led some to believe that VR is nothing more than a hype bubble created by a tech industry desperate to find the next big thing.

But VR isn’t all hype. Sure, there are kinks that need to be smoothed out. But I think we’ve reached a tipping point. It’s really useful if you’re bringing this in for single player and something you don’t really use in public. Work, entertainment, exercise – everything is already great in VR. Don’t rely on tiny rectangular screens as a way for humans to communicate with machines.

  • Ed Newton-Rex is the founder of Fairly Trained, a nonprofit organization that certifies generative AI companies that respect the rights of creators, and a visiting scholar at Stanford University.

Source: www.theguardian.com

Elon Musk’s Rise to Power as the World’s Top Non-Elected Leader in 2024

Hello. Welcome to Techscape. After enduring the recent impact of COVID-19, I’ve been reflecting on screen time and isolation. Just a few days of isolation and prolonged screen exposure were enough to bring back the mental state I experienced for most of 2020. Wishing everyone a wonderful winter and a happy new year filled with family, friends, and joyous gatherings.

Today on Techscape: A recap of the biggest tech story of 2024 – Elon Musk and the US Amazon worker strike.

Technology in 2024: Elon Musk as Influential as Donald Trump

Donald Trump listens to Elon Musk, who arrived to watch SpaceX’s giant rocket Starship take off for a test flight from Starbase in Boca Chica, Texas, on November 19th. Photo: Brandon Bell/AP

The significant tech story of the year is Elon Musk’s meteoric rise to power and global influence in 2024. Musk has become the most prominent individual worldwide without winning any elections. He holds sway over the US President and exerts control over vital government bodies regulating his companies, which have become crucial to many countries’ digital infrastructure. His enormous wealth makes US lawmakers uneasy, and his tweets impact leaders globally.

Since Trump’s presidency, Musk has wielded his influence boldly by shaping government decisions. His recent clash with the House of Representatives over a spending deal highlighted tensions in US politics. Despite his and Trump’s efforts, Republicans resisted their demands, pointing to the limits of CEO power and foreshadowing 2025’s potential chaos. Democrats mocked Musk as “President Elon Musk,” hinting at the escalating power struggle.

As political storms rage, it’s crucial to contemplate Musk’s rapid ascendancy in American politics and the implications it holds. Let’s delve into his timeline of events throughout the year, revealing Musk’s inevitable dominion over 2024 akin to Trump’s reign from 2015 to 2021, setting global news agendas with their actions.

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The Broader Technology Landscape

Source: www.theguardian.com

Swedish Cabins: A Strategic Defense Against Hybrid Warfare in Sweden

aAt the end of an unmarked path on a small island on the edge of Stockholm's vast Baltic Sea archipelago, there is a small, unremarkable wooden hut painted dark red. The water gently hits the snow-capped rocks and the scent of pine fills the air.

The site offers few clues to the geopolitical drama that has gripped Scandinavia in recent months with accusations of infrastructure vandalism. But in reality, this cabin holds a vital cog of Europe's digital connectivity and a vulnerable point in a potential hybrid war. It's a data center that amplifies signals from a 1,615-mile fiber-optic cable that stretches from northern Sweden to Berlin.

Last month, two nearby fiber optic cables were severed, sparking an ongoing investigation by Swedish authorities. Western intelligence officials from several countries have said they believe a Chinese ship leaving the Russian port of Ustiluga caused the disconnection, but it was possible the disconnection was accidental or intentional. Opinions are divided as to whether this is the case.

Inside a data center, you'll find the “normal stuff” like alarms, CCTV, and access control. Photo: Josefin Stenersen/Guardian

Since Russia's invasion of Ukraine in 2022, Sweden has experienced an increase in hybrid warfare (attacks against adversaries using methods other than traditional military action) by pro-Russian factions. The Guardian was given exclusive access to the Stockholm data center site as Nordic governments are on high alert against Hybrid Russia's activities.

Daniel Aldstam, chief security officer at GlobalConnect, which transports 50% of Scandinavia's internet capacity and operates the center, described its approach to its location and normal appearance as “security through concealment.”

“There are basically two different approaches,” he said. “Either put a lot of fencing around it so it's obvious there's something important, or you can do what we've done here and make things a little more discreet. But , Of course, the usual facilities such as alarms, CCTV and access control are in place.'' Inside, cages full of equipment emit flashing lights and cables of different colors line the ceiling.

Following recent incidents of suspected sabotage, Polish Prime Minister Donald Tusk proposed a “naval security” initiative involving joint military patrols by countries around the Baltic Sea.

Map of where the cable was cut

A helicopter ride from Stockholm over the archipelago of 30,000 islands, rocks and reefs highlights just how difficult it is to protect the coastline. But its vastness also suggests how the “security through concealment” approach can be effective, at least up to a point. A map has been published showing where all submarine cables are laid.

We have hundreds of thousands of kilometers of fiber. How can I physically protect it? You can’t do that,” Aldstam said. “The key here is redundancy.” [using multiple cables offering alternative routes if one is cut off]. You need to eat more fiber. ”

Infrastructure is seen as particularly vulnerable to hybrid warfare, and there are signs of tweaks to the “covert” approach to reflect difficult times.

(From left) Daniel Aldstam, Chief Security Officer at GlobalConnect; Patrik Gylesjö, Project Manager. and Per Jansson, Senior Vice President. Photo: Josefin Stenersen/Guardian

GlobalConnect is building a larger, more modern-looking data center nearby. This data center is still unmarked and painted in a similar shade of red, but it is a building that clearly serves a more important function. It has an internal diesel-powered backup generator that allows it to continue operating even if the electricity is cut off.

Since Russia's full-scale invasion of Ukraine, the vulnerability of submarine cables and other critical infrastructure to sabotage has been highlighted, particularly in the relatively shallow and busy Baltic Sea region.

European submarine data cable map

In September 2022, the Nord Stream pipeline carrying natural gas from Russia to Germany exploded. Initially, many thought Russia was responsible. But in August, German media reported that German authorities had issued an arrest warrant for a Ukrainian man suspected of being part of the team that planted explosives on the pipeline. Both sides in the Ukraine war deny responsibility and blame each other for the attack.

NATO, which has established a dedicated center for undersea security, says vulnerabilities in the infrastructure of wind farms, pipelines and power cables put the security of around 1 billion people in Europe and North America at risk of hybrid warfare by the alliance's adversaries. He warned that he was being exposed. Earlier this month, NATO Secretary-General Mark Rutte urged Europeans to “shift to a wartime mindset.”

Despite all the warnings, the number of undersea cables lying or buried on the ocean floor appears to be surprisingly small.

“We call it a super-mega cable, but it doesn't sound super-mega, and it doesn't look super-mega,” said the director of Global Connect's entire Sweden-to-Berlin cable project, which was completed earlier this year. Director Patrick Gailshaw said. “The name refers to capacity, not size.”

A 2cm fiber optic cable can support 1 billion Netflix streams simultaneously. Photo: Josefin Stenersen/Guardian

Inside the cable, which is just over 2cm in diameter, is a small section made up of 96 hair-thin fiber pairs, enough to support 1 billion simultaneous Netflix streams. The rest consists of a steel cladding and waterproof material.

Gailshaw said a relatively small ship's anchor would be enough to destroy the cable. “You don't need a super big tool to break or cut this cable. It's pretty fragile.”

Making it more powerful means it's heavier, more expensive and “more complex to deploy,” he added.

Accidental breaks in submarine cables are extremely rare. “It is very rare for damage to occur in general,” says Gylesjö. “It's very unusual. I think something like this has happened up to two or three times during our time as submarine cable operators.”

Source: www.theguardian.com

Do Elon Musk and Reform Britain Share a Political Vision?

The recent gathering between Elon Musk, Nigel Farage, and Reform UK treasurer Nick Candy was not just a meeting of Donald Trump supporters but a meeting of minds.

Their political agenda, developed under President Trump’s MAGA Vision, focuses on immigration, culture wars, and public sector cuts.

Farage emphasized the importance of saving the West, stating, “We only have one chance. Together, we can achieve great things.”

Speculation arose about Musk potentially donating up to $100m to the reforms, despite potential objections from voters.

A ban on wealthy foreigners donating to British political parties received 55% support, with 66% saying Musk should not have any influence on British politics.

Although they share ideological similarities, the public opinion on Musk’s influence remains divided.

Immigration

Musk’s stance on U.S. immigration aligns with the reformers’ goals, emphasizing the need for secure borders and boosting legal immigration to meet labor demands in the tech industry.

Farage and Reform prioritize freezing “non-essential” immigration and deporting illegal immigrants, echoing Musk’s concerns.

Shrinking Government

Musk’s anti-government sentiments stem from regulatory challenges in his industries and support from Trump to slash the U.S. federal budget.

Farage endorses Musk’s efforts in reducing public sector size, aligning with Reform’s vision for the UK.

Political science professor Tim Bale highlights Musk’s appeal to disruptors like Reform, citing their shared values in shaking up the establishment.

Rights and “Woke War”

Musk’s criticisms of woke culture and diversity regulations resonate with Reform’s agenda to combat “transgender ideology” and abolish equality provisions.

Support for Musk’s anti-woke stance aligns with Reform’s cultural war priorities.

Net Zero

Musk’s environmental credentials contrast with Reform’s rollback of eco-friendly policies, advocating for revoking the UK’s net zero target and boosting oil and gas licenses.

While Musk prioritizes environmental concerns, Reform focuses on economic implications of green policies.

Russia

Musk’s shifting views on Ukraine, from supporting to more ambiguous stances, reflect his complex relations with geopolitical issues.

Farage’s past remarks on Russia’s invasion of Ukraine and criticisms of NATO align with Musk’s involvement in aiding Ukraine through Starlink.

Both Musk and Farage’s views on Russia highlight their divergent paths in addressing international conflicts.

Source: www.theguardian.com

Former OpenAI employee who blew the whistle dies, was set to testify for the company

Suthir Balaji, a former OpenAI engineer and whistleblower, revealed that he played a role in training the artificial intelligence system powering ChatGPT. He later expressed concerns that these actions breached copyright laws. His passing was announced by his parents and San Francisco officials, stating that he was 26 years old.

Working at OpenAI for almost four years until his retirement in August, Balaji was highly esteemed by his colleagues. Co-founders described him as one of the strongest contributors to OpenAI, crucial for the development of its products.

OpenAI released a statement expressing their devastation upon learning of Balaji’s death, extending sympathy to his loved ones during this challenging time.

Balaji was discovered deceased in his San Francisco residence on November 26, with authorities suspecting suicide. Initial investigations found no evidence of foul play, as confirmed by the city’s Chief Medical Examiner’s Office.

His parents, Poornima Rama Rao and Balaji Ramamurthy, continued seeking answers, remembering their son as a happy, intelligent, and courageous individual who enjoyed hiking and had recently returned from a trip with friends.

Born and raised in the San Francisco Bay Area, Balaji studied computer science at the University of California, Berkeley. Joining OpenAI initially for a summer internship in 2018, he later returned to create WebGPT, a project instrumental in the development of ChatGPT.

Remembered for his essential contributions to OpenAI projects, Balaji’s meticulous nature and problem-solving skills were praised by co-founder John Schulman. Balaji’s involvement in training GPT-4 opened discussions about copyright concerns within the AI research field.

Balaji’s stance on copyright infringement, detailed in interviews with media outlets, raised eyebrows within the AI community. Despite mixed reactions, he remained steadfast in his beliefs about the ethical implications of using data without proper authorization.

His decision to leave OpenAI was influenced by internal conflicts and his desire to explore alternative methods for building artificial general intelligence. Memorial services are scheduled later this month at the India Community Center in Milpitas, California.

In the US, contact the National Suicide Prevention Lifeline at 988 or visit 988lifeline.org for crisis support. In the UK and Ireland, reach out to Samaritans at 116 123 or via email. Australian crisis support services can be reached at 13 11 14. International helplines are available at befrienders.org

The Associated Press and OpenAI have a licensing agreement granting OpenAI access to certain AP text archives.

Source: www.theguardian.com

The Power of the TikTok Generation: Female Athletes Raising the Standards Above Their Male Counterparts

LIna Nielsen recalls the moment when inspiration struck. While lounging around the Olympic Village in Paris with her sprinting comrades, she felt bored. “I turned to Yemi Mary John and said, ‘Let’s transform this into TikTok,'” Nielsen recounted. She retreated to her room, grabbed the flip phone assigned to each player, and entered the following into an Excel sheet: “Come on, come at me.”

Shortly after, she swiftly created a five-second parody of Kelly Rowland’s music video text message blunder. “It’s amusing how a video that’s both simple and effortless can be so impactful,” Nielsen remarked with a chuckle. She still finds it hard to believe that her TikTok channel was the most popular among all British athletes at the Olympics, surpassing even the second-place finisher Tom Daley. By the end of the two-week Olympic event, her channel had more views than the Australian and German teams combined.

Nielsen, along with her twin sister Raviai, who also participated in the Paris Games, joined countless athletes in sharing glimpses of village life, ranging from chocolate muffins to cardboard beds. “It served as a good distraction because too much focus on competition can lead to intensity. Social media helped to take my mind off things,” she stated. While Nielsen was defeated in the 400m hurdles semi-finals, she later aided the British relay team in clinching a bronze medal in the 4x400m event.

The “TikTok Olympics” of 2024 uncovered surprising trends, revealing that female athletes outnumbered their male counterparts on social media platforms. Research conducted by the Women in Sport Trust disclosed that female athletes constituted 69% of TeamGB’s total TikTok content and 67% of its views. Globally, women’s voices dominated the discourse in Paris, spanning from Australian water polo ace Tilly Kearns to Dutch skateboarder Keet Oldenbubing.

American gymnasts’ feeds showcased Mykayla Skinner criticizing her former teammate’s work ethic before seizing the gold medal, and Simone Biles celebrating post-victory with the caption, “Champions. Lack of talent, lazy, Olympians.” The subsequent attention on this post evolved into its narrative.

However, the standout star of the competition was American rugby luminary Ilona Maher. Her signature lipstick and unfiltered demeanor in the fake Love Island video from the Olympic Village captured hearts. The 28-year-old, who bagged a bronze medal for the United States in Paris and was a runner-up on Dancing with the Stars, soared to fame upon joining the Bristol Bears team recently.

“I won’t even earn six figures in rugby, that’s the harsh reality,” Maher shared in a recent interview. “Some might perceive that I’m not serious about my career, with TikTok-ing and all, but it’s necessary for me. That’s where I generate most of my income.”

Her candidness plays a vital role in her appeal. “She stays true to herself,” remarked rugby sevens player Ellie Boatman, who scored in the quarter-final clash between Great Britain and the United States. “Her authenticity resonates with audiences. She candidly shares about her journey. Initially hesitant, she now takes pride in it, something that many women can relate to.”

Boatman has amassed a substantial following of her own, with her kit rundown being Team GB’s most-viewed video. Her online presence has grown through open discussions about overcoming eating disorders, advocating social media as a platform for sportswomen to exhibit vulnerability and authenticity.

“Previously, athletes merely kept their focus on performing and diligent work,” Boatman reflected. “Now, people are more intrigued by the person behind the athlete. It’s wonderful to witness more narratives about personal journeys unfold recently.”

In an era where highly-paid male athletes appear disconnected from reality, empathy becomes a unique selling point in the sports industry.

Jenny Mitton, managing partner and head of women’s sport at M&C Saatchi Agency, noted that sportswomen naturally possess effective social communication skills due to the historical need for them to advocate for themselves. “When they are passionate about an issue, be it excelling in the sport or combating discrimination, their sincerity shines through, resonating with audiences,” Mitton added. She pointed out that authenticity is what flourishes on social media platforms.

This newfound power of female athletes in addressing important issues on social media is seen as a positive development by Lina Nielsen, who, living with multiple sclerosis, aspires to advocate for those with disabilities. “Using my voice to raise awareness about MS is something I strive for,” Nielsen expressed, highlighting the impact social media has in driving change and creating a platform for important conversations.

Source: www.theguardian.com

TikTok: Transforming the Way We Experience Musicals with Innovative Storytelling

W
Jorge Rivera Herrans unveils some aspects of the Epic: Musical. Last Christmas, he managed to dethrone Taylor Swift from the number one spot on the US iTunes album chart. The stakes are high as the final installment of his musical rendition of the Odyssey is set to release on Christmas Day.

Rivera Herrans’ project has already seen remarkable success, boasting 1.6 million monthly listeners on Spotify, surpassing industry stalwarts like Morrissey, Liam Gallagher, and the Sex Pistols. In the last 28 days alone on the platform, he garnered 119 million views.

“I craved sword fights, the sea, gods, monsters, spells, love, lust, and revenge,” he expressed to the observer. “I want people to experience wonder and feel like kids again when they engage with it.”

Amazing is not just a musical but a 40-song concept album where Rivera Herrans takes on the role of Odysseus during his decade-long journey back to Ithaca post-Troy’s siege, with each step portrayed on TikTok.

Amazing caters to the fascinations of teen pioneers of Generation Alpha, blending Greek mythology and fan interaction.

Rivera-Herrans initiated the writing and recording process in his bedroom studio, later constructing a soundproof vocal booth with his father. While most artists guard their creative processes zealously, Rivera-Herrans takes the opposite approach, openly sharing everything from song motifs to orchestration choices and audition procedures.

“It was daunting initially,” he confessed. “The first time I shared a video on TikTok, I was so nervous that sleep eluded me that night. However, it turned out to be one of the best decisions I’ve made. Sharing the process online is fantastic because it’s a collective adventure. We can witness real-time feedback on what works and what doesn’t.”

The debut song was a solo effort, but Rivera Herrans later held auditions on TikTok, where interested candidates showcased their singing talents. “We were anticipating around 30 auditions initially, but by month’s end, we had received 1,000 video submissions,” he revealed.




Jorge Rivera-Herrans, the mastermind behind Epic: The Musical. “I craved sword fights, the sea, gods, monsters, spells, love, lust, and revenge,” he remarked.

Enthusiasts also have the opportunity to animate and breathe life into their interpretations of Amazing‘s songs, a prospect that Rivera Herrans relishes. “If I subtly hint at forthcoming events in earlier songs and embed numerous clues through musical motifs, will the audience catch on? When they do, it’s immensely gratifying.”

One of the most enigmatic leitmotifs fans have deciphered is a trumpet melody signifying Poseidon’s involvement in the storm that detained Odysseus and his crew at sea for years, without any deity visibly intervening. The theme resurfaces later, sung by a god.

“It’s truly astonishing how fans pieced this together,” Rivera Herrans stated. “We’re devising captivating storytelling techniques along the way. It’s truly invigorating.”

Claire Chandler, a senior lecturer in musical theater at the University of Lincoln’s School of Creative Arts, noted that fan engagement with musical theater has surged since composers began showcasing their work on YouTube circa 2015.




Jorge Rivera-Herrans: playwright, composer, lyricist, actor.

The pandemic has fostered the emergence of two other TikTok musicals. Firstly, Remy’s Delicious Restaurant originated from the online meme culture that sprouted around Pixar movies. Various TikTok users crafted songs, ultimately leading to a Broadway performance of Ratatouille for a charitable event.

Then Abigail Barlow and Emily Bear crafted an unofficial bridgerton musical after Barlow shared a snippet of her singing the piece. While they secured a Grammy for Best Musical Theater Album, they faced a lawsuit from Netflix for their attempts to stage the show.

Fans of Amazing inquire about the possibility of a stage adaptation.

Following the conclusion of the narrative on Christmas Day, they might receive an answer when Odysseus finally reaches Ithaca. Rivera Herrans and his team are in discussions with a “prestigious company” to produce an animated film and another entity for a live-action stage presentation. Three video games are in the works, with two already in development. The team acknowledges fans’ eagerness to participate in bringing these projects to fruition.

“What’s the next iteration of Amazing? What have we bequeathed to the world? I am receptive to all possibilities since each rendition can illuminate a distinct facet of the story,” Rivera-Herrans affirmed.

Source: www.theguardian.com

Likely Just a Plane: Drone Expert Recommends Calm Approach Following New Jersey Sighting

aFirst, mysterious lights were spotted flashing across the New Jersey night sky in mid-November. These sightings then extended to New York, Pennsylvania, Maryland, and even as far as Louisiana, Florida, and Arizona. Eye witnesses in Virginia Beach reported seeing flying objects unlike anything they had seen before, prompting speculation and concern.

The origin and control of these flying objects remain a mystery, with many pointing towards the possibility of drones. Lawmakers like Rep. Pat Ryan and Representative Chris Smith have expressed worry about the national security implications and the sophistication of these drones.

Don’t panic, experts say

Experts in drone technology and national security are advising calmness amidst the rising concerns. They explain that the situation in New Jersey may be a result of misunderstandings, lack of concrete information, and confusion about identifying drones in the night sky.

November 2024: Drones spotted flying over Bernardsville, New Jersey

A joint statement from federal agencies, including the Department of Homeland Security, FBI, FAA, and Department of Defense, clarified that the reported sightings were a mix of legal drones, planes, helicopters, and misidentified “fake drones.”

While the flurry of drone sightings has caused some alarm, officials emphasized that there is no immediate threat to national security or public safety. They continue to investigate the matter.

Drone Panic transforms an ordinary plane into a drone

Just before Thanksgiving, reports emerged of drones hovering over northern New Jersey, creating a sense of unease in the community. This led to an increase in people observing the night sky, resulting in more drone sightings in the Northeast.

The surge in drone reports coincides with air traffic delays at nearby airports, potentially exacerbating the situation. Experts highlight the need for accurate identification of drones to prevent unnecessary panic.

December 5, 2024: Evening sky and unidentified lights near Lebanon Township, New Jersey

Loss of vision at night makes the problem worse

Poor visibility at night can lead to optical illusions in the sky, making it challenging to distinguish between drones and other aircraft. Experts caution against jumping to conclusions and urge the use of technology to verify drone sightings.

Federal agencies have deployed radar systems to detect drones, aiming to provide clarity and reassurance to the public. They emphasize that the majority of drones in the airspace are recreational or hobbyist, with only a small fraction posing potential threats.

Alleviating fear of drones

Efforts to address the drone concerns have been made by temporarily suspending drone flights in New Jersey and providing informational resources. Federal agencies are actively tracking drones and ensuring airspace safety.

Experts classify drone threats into categories of ignorance, carelessness, and criminal intent. They emphasize the importance of accurate identification and caution against overreacting to drone sightings.

How to actually spot a drone

Distinguishing between drones and planes based on their flight patterns is crucial, as drones exhibit agile movements not seen in traditional aircraft. Utilizing technology like drone scanners can aid in identifying drones accurately.

Experts recommend verifying drone sightings before reporting them to authorities, as misidentifications can lead to unnecessary panic. Understanding the characteristics and behaviors of drones is essential in mitigating public concerns.

Don’t shoot the drone

Calls to shoot down drones from public officials raise concerns about safety and legality. Experts caution against such actions, as they can pose risks to bystanders and create further complications.

The closure of airspace due to drone sightings indicates a proactive response from authorities to potential threats. Experts emphasize the need for accurate reporting and response protocols to address drone-related incidents effectively.

Source: www.theguardian.com

The Illusion of God: Exploring the Pope’s Popularity as a Deepfake Image in the Age of Artificial Intelligence

For Pope, it was the wrong kind of Madonna.

The pop legend behind the ’80s anthem “Like a Prayer” has been at the center of controversy in recent weeks after posting a deepfake image of the Pope hugging her on social media. This further fanned the flames of an already heated debate over the creation of AI art, in which Pope Francis plays a symbolic and unwilling role.

Catholic Church leaders are accustomed to being subject to AI fabrications. One of the defining images of the AI boom was Francis wearing a Balenciaga down jacket. The stunningly realistic photo went viral last March and was seen by millions of people. But Francis didn’t understand the funny side. In January, he referenced the Balenciaga image in a speech on AI and warned about the impact of deepfakes.


An AI-generated image of Pope Francis wearing a down jacket. Illustration: Reddit

“Fake news…Today, ‘deepfakes’ – the creation and dissemination of images that appear completely plausible but false – can be used. I have been the subject of this as well.” he said.

Other deepfakes include Francis wearing a pride flag and holding an umbrella on the beach. Like the Balenciaga images, these were created by the Midjourney AI tool.

Rick Dick, the Italian digital artist who created the image of Madonna, told the Guardian that he did not intend to offend with the photo of Frances putting his arm around Madonna’s waist and hugging her. Another image on Rick Dick’s Instagram page seamlessly merges a photo of the Pope’s face with that of Luigi Mangione, the man accused of killing UnitedHealthcare CEO Brian Thompson. They are more likely to be offended.


AI image of Madonna and Pope Francis. Illustration: @madonna/Instagram

Rickdick said Mangione’s image was intended to satirize the American obsession with Mangione being “elevated into a god-like figure” online.

“My goal is to make people think and, if possible, smile,” said the artist, who goes by the stage name Rick Dick, but declined to give his full name.

He said that memes (viral images that are endlessly tweaked and reused online) are our “new visual culture, fascinated by their ability to convey deep ideas quickly.”

Experts say the Pope is a clear target for deepfakes because of the vast digital “footprint” of videos, images, and audio recordings associated with him. AI models are trained on the open internet, which is filled with content featuring prominent public figures, from politicians to celebrities to religious leaders.

Sam Stockwell, a researcher at Britain’s Alan Turing Institute, said: “The Pope is frequently featured in public life and there are vast amounts of photos, videos, and audio clips of him on the open web.” said.

“Because AI models are often trained indiscriminately on such data, these models are more sensitive to the facial features and facial features of individuals like the Pope than models with less large digital footprints. It makes it much easier to reproduce the similarities.”

Rick Dick said the AI model he used to create the photo of Francis that was posted to his Instagram account and then reposted by Madonna was created on a paid platform called Krea.ai by the pope and the pop star. It is said that the robot was trained specifically for images. However, realistic photos of Francis can also be easily created using freely accessible models such as Stable Diffusion, which allows users to place Francis on a bicycle or on a soccer field with a few simple prompts.

Stockwell added that there is also an obvious appeal to juxtaposing powerful figures with unusual or embarrassing situations, which is a fundamental element of satire.

“He is associated with strict rules and traditions, so some people want to deepfake him in unusual situations compared to his background,” he said.

Adding AI to the satirical mix will likely lead to more deepfakes from the Pope.

“I like to use celebrities, objects, fashion, and events to mix the absurd and the unconventional to provoke thought,” said Rick Dick. “It’s like working on a never-ending puzzle, always looking for new creative connections. The Pope is one of my favorite subjects to work on.”

Source: www.theguardian.com

Is Africa’s esports industry growing rapidly, but is the infrastructure able to keep pace?

On a recent Sunday afternoon in Nairobi’s upscale neighborhood, Daniel Badu had his headphones wrapped around his head, his elbow resting on a pillow, and he was rapidly tapping on the screen of his cell phone.

Badu and his four teammates from the Ora 233 team, all wearing black and yellow kits, represented Ghana and Kenya’s Delta e in the final of the 1st Carry 1st Africa Cup, a continental tournament for first-person shooter videos. They were competing in the popular game “Call of Duty: Mobile”.

Esports events are on the rise in Kenya and other parts of Africa, due in part to increased access to the internet and devices such as smartphones, PCs, and gaming consoles. Popular titles include EA Sports FC, Call of Duty, and Tekken.

Daniel Badu aka Ruin of Ghana’s Aura 233 team at Carry1st Africa Cup Final. Photo: Edwin Ndeke/Guardian

To cater to the growing interest, professional teams, university leagues, national federations, and competitions such as the Carry1st Africa Cup have been established.

The trend is part of a growing interest in video games in general in Africa, which has one of the continent’s youngest populations. 2021 Report It said the number of video game consumers on the continent increased from 77 million to 186 million from 2015 to 2021.

Some of them have now moved on to professional gaming. Badu, known by the game’s alias Ruin, started playing Call of Duty: Mobile in 2019 after years of playing console games.

“I’ve been playing video games for as long as I can remember,” the 19-year-old said. Badu began his professional journey by joining various lower-tier teams to gain experience, showcase his skills, and make a name for himself. Last year, he was scouted by Ace Gamers Esports, a professional esports organization based in Accra, and signed a contract after a trial.

Ace Gamers also recruits, trains, and manages players for EA Sports FC, Apex Legends, Mortal Kombat, and other games. Badu said the contract gives him the opportunity to improve his game by playing with like-minded people and also gives him access to tournaments. “I have made it this far by playing the game and continuing to hone my game, so I can compete with the best players in Africa,” he said.

Spectators watch the Carry 1st Africa Cup Final at the Nairobi Game Development Center on November 24. Photo: Edwin Ndeke/Guardian

At the event in Nairobi, production staff sat behind large monitors selecting shots for the livestream. One floor below, the audience cheered and screamed as they watched the action unfold on television screens.

After seven months of qualifying events involving over 100 teams in Egypt, Ghana, Kenya, Morocco, Nigeria, and South Africa, six teams advanced to the two-day Carry1st Africa Cup finals, with South Africa’s Noxious Gaming ultimately Winning the championship (NxG).

“Large esports events are a great way to synergistically increase the attention of all gamers and drive interest from new gamers,” says Senior Community Manager at Carry1st, a pan-African games publisher headquartered in the Cape. said Dominion Eromosere, cum event leader. town.

Since its founding in 2018, the organization has hosted more than 400 tournaments, primarily through universities. Its online network, Tribe, attracts hundreds of thousands of gamers from across the continent.

Grassroots, national, and continental tournaments are becoming an important way to discover talent, hone player skills, and increase the popularity of esports. Other events taking place this year include the IESF Africa Esports Championship in Casablanca in August and the women-only Tekken Kongou Esports Championship in Kinshasa in November.

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Members of the South African Noxious Gaming (NxG) team that won the inaugural Carry1st Africa Cup. Photo: Edwin Ndeke/Guardian

“The tournament breathes life into the ecosystem,” said Magdaline Mumbi, who finished fourth for Kenya at the Kinshasa Games. Mumbi, whose gaming nickname is Bambina, was a casual PlayStation gamer until six years ago when he competed in a Tekken tournament at a university event and came in second place.

From that point on, she began playing several games competitively while seeking mentorship in the Kenyan esports community. She made the leap by being selected for the national team to participate in the Dota 2 Battle Arena Games, a global Esports game, to be held in Turkey in 2022. “2022 allowed us to see a bigger picture of what esports is all about,” Mumbi said. “You can actually make money doing this.”

Magdaline Mumbi, aka Bambina, participated in the Kongo Esports Championship in Kinshasa in November. Photo: Magdaline Mumbi

For the African scene to further grow and compete in the global multi-billion dollar esports industry, it will need to overcome technological and financial challenges.

Poor internet infrastructure often results in poor connectivity. Also, because most games’ servers are hosted outside of Africa, there is often a delay between the device you play on and the server, an issue known as “high ping,” which can make intercontinental matches and matches between players from different African countries difficult.

“A lot of esports is rooted in online multiplayer gaming, and Africa doesn’t have the best infrastructure. [for this]” Badu said. “[African players] are at a huge disadvantage.”

Carry1st is working to address that issue. For the past two years, the company has partnered with game developers to help launch servers for Call of Duty: Mobile and tactical shooter Valorant in Africa.

Financially, it’s difficult to get player sponsorship, and above all, there are very few tournaments that pay out big bucks. The total prize money for the Nairobi tournament was $15,000. “Limited funding and sponsorship are hitting the field hard,” said Mumbi, who is also a chess instructor.

“If we can prove how entertaining e-sports is and how many people are watching it, people will invest in it,” Eromose said.

Source: www.theguardian.com

The Impact of YouTube and Skibidi Toilets on the Christmas Toy Market | Advertisement

LLetters to Santa used to be filled with ideas from Argos catalogs and children’s TV ads, but for today’s kids who have grown up ‘swiping and streaming’, YouTube is now the main source of influence. This shift is evident in this year’s Christmas wish list, with some children asking for plastic toilets.

The holiday season is a critical time for the toy industry, with consumers spending approximately £900 million, a quarter of the annual sales, on dolls, games, and action figures.

Despite the high stakes, this year’s sales could fall short without a significant last-minute surge. Current data from Sarkana shows that spending is about 5% lower compared to 2023.

Reaching today’s kids in bulk has become a challenge, with traditional broadcast TV campaigns struggling to reach more than 30% of the targeted child audience. In contrast, over 80% of children aged 4 to 9 regularly access YouTube, and more than 70% play games, as reported by research firm Childwise.

Melissa Simmons, executive director of British toy company Circana, notes the shift from traditional TV advertising to digital platforms, saying that YouTube has become an integral part of children’s daily lives.

While online video sharing platforms like YouTube are increasingly seen as alternatives to traditional children’s television, the two mediums are converging. Many children’s favorite shows are now distributed on YouTube, blurring the line between television and online content.

As children spend more time watching videos online, toy manufacturers have adapted their strategies to align with these shifts. They now collaborate with popular online creators and integrate merchandising plans from the outset.

PAW Patrol maker Spin Master has launched Unicorn Academy, which is more of a “complete franchise ecosystem” than a TV show. Photo: Reuters

Spin Master’s Unicorn Academy is an example of this trend, with a multi-platform approach that includes movies, series, and toy lines to create a comprehensive franchise ecosystem.

Rachel Simpson Jones, editor of Toy World magazine, highlights the importance of storytelling and character-driven content in successful toy lines, reflecting children’s expectations shaped by their consumption of various forms of digital content.

YouTube, alongside other tech giants like Google, holds significant influence over children’s preferences, as noted by the Toy Retailers Association. Major toy brands are now leveraging YouTube channels to connect with young audiences and create engaging content.

In this digital landscape, trends can quickly emerge and shape the toy industry. Brands need to adapt rapidly to meet changing consumer preferences and capitalize on online platforms to reach their target audience.

With children’s tastes evolving rapidly, retailers face challenges in predicting which products will resonate with young consumers. The dynamic nature of children’s preferences, influenced by online trends, poses a constant challenge to the toy industry.

Source: www.theguardian.com

Surviving 24 Hours without GPS Navigation on Your Smartphone

Research from Harvard University published in the British Medical Journal shows that taxi and ambulance drivers have a lower risk of dying from Alzheimer’s disease compared to other workers.

This is likely because navigation and spatial memory, which are affected by Alzheimer’s, are related to the hippocampus, a region of the brain that is first affected by the disease. Both taxi and ambulance drivers, however, have a lower life expectancy, with averages of 68 and 64 years respectively, and Alzheimer’s typically affects individuals over 65.

Despite the convenience of GPS, there is an argument against it as it may impact memory and spatial skills, leading to a “use it or lose it” situation. Studies have shown that reliance on GPS, such as Google Maps, can affect our ability to navigate without it.

Surviving without GPS for 24 hours can be challenging, requiring individuals to rely on traditional navigation methods. The author shares a personal experience of getting lost while trying to find a bar without GPS, highlighting the reliance on technology for navigation.

The author reflects on the importance of traditional navigation tools like maps and the need to maintain spatial awareness. Despite advancements in technology, like GPS, the author acknowledges the value of traditional navigation methods.

Navigating without GPS can be a daunting task, especially in areas with complex layouts and limited landmarks. The author shares the struggle of finding a location without GPS and the sense of accomplishment when finally reaching the destination.

Central London, with its mix of landmarks and modern developments, poses unique challenges for navigation. Even with technology, such as GPS, finding specific locations can be difficult due to unconventional addressing methods.

Despite the challenges of navigating without GPS, the author finds satisfaction in finally reaching their destination, emphasizing the importance of traditional navigation skills.

Source: www.theguardian.com

AI can now differentiate between American and Scottish whisky aromas

Enhance the capabilities of artificial intelligence. Experts utilized this method to anticipate the scents emanating from whiskey and distinguish whether it was produced in the United States or Scotland.

This study is a crucial advancement towards a computerized system that can forecast the intricate aromas of whiskey based on its molecular makeup. Traditionally, expert panels evaluate woody, smoky, buttery, or caramel hints to ensure consistency in scent across different batches of the same product.

“One of the key advantages of AI is its unwavering consistency,” noted Dr. Andreas Glaskampf, the lead researcher at the Fraunhofer Institute for Process Engineering and Packaging in Freising, Germany.

“While trained professionals may introduce subjectivity, AI complements human olfaction by offering efficiency and consistency,” he continued.

Detecting the aroma of whiskey poses a significant challenge due to the complex chemical blends that form the dominant notes in spirits. These chemicals interact in the nose, often masking each other to produce a distinct aroma profile, making it hard to predict a whiskey’s scent from its chemical composition.

In the recent research, scientists collected data on the chemical composition and aroma of 16 American and Scottish whiskies, such as Jack Daniel’s, Maker’s Mark, Laphroaig, and Talisker, from an expert panel. This data trained an AI algorithm to predict the five primary aromas and origins of a drink based on its molecular components.

One algorithm showed over 90% accuracy in distinguishing between American and Scottish whiskies, excelling in identifying each drink’s five dominant notes compared to individual human experts. Further details can be found here.

Compounds like menthol and citronellol aided in detecting American whiskey’s caramel-like aroma, while methyl decanoate and heptanoic acid were essential in identifying Scotch’s smoky or medicinal notes.

Beyond whiskey, researchers are exploring applications in various fields, from spotting counterfeit products based on scent variations to innovating the recycling process for plastics with less noticeable odors in new products.

Dr. William Peverer, a senior lecturer in chemistry at the University of Glasgow, believes this AI-based approach could offer more reliable consistency compared to human taste panels, ensuring a stable flavor profile batch after batch.

While this study focused on a limited number of whiskies, the performance of AI with larger datasets and its adaptation to evolving flavor notes as the spirit ages in barrels remain to be seen. External factors like consumption environment may also influence flavor perception, requiring further research according to Dr. Peverer.

Source: www.theguardian.com

SEGA Embraces Modernity: Looking Forward to the Future

F
For over a decade, from the late ’80s to the early 21st century, Sega was one of the coolest video game companies on the planet. The company’s arcade games, from Golden Ax to Virtua Fighter, were huge hits. The Mega Drive brought a punk rock attitude to the console scene, challenging Nintendo’s family-friendly approach with eye-popping TV commercials and censorship-aiming games like Mortal Kombat and Night Trap.

But perhaps it wasn’t until the Dreamcast era that Sega studios produced some of their most innovative and extravagant work. Jet Set Radio, Crazy Taxi, Space Channel 5, and more were colorful celebrations of Tokyo pop culture. Now, Shuji Utsumi, who at the time managed developers at Sega Japan, is CEO of Sega America & Europe and plans to return the company to creative heights.




Hyper colorful…Crazy taxi. Photo: Sega

Mr. Utsumi has had a long and varied career in gaming, joining Sony with the launch of the PlayStation in 1993, before moving on to Sega, Q Entertainment, Warner Music, and Disney Interactive. He returned to Sega in 2019 and eventually became co-chief operating officer during a difficult period for Sega Europe. “European studios have some really great IP, but they also have their challenges,” he says. “We had to work on rebuilding the group.” This process meant the cancellation of Creative Assembly’s multi-million dollar online shooter Hyenas, the first of many live service game closures across the industry. It became the property of

Since taking over as CEO of Sega America and Europe in April of this year, Utsumi’s approach has been to further strengthen Sega’s heritage. Last December, the company announced new titles in its classic franchise treasure trove of Crazy Taxi, Jet Set Radio, Golden Ax, and Shinobi. At the Game Awards in Los Angeles last week, Sega also announced the return of Virtua Fighter. “We have some great pillars like Sonic, Persona, and Yakuza. But at the same time, we also have other properties that really show the style, attitude, and background of Sega. If we do this right, gamers will love it. There are high expectations, and if we can meet them, we will be able to return to Sega.”




Attracting attention to the Japanese RPG scene… Metaphor: ReFantazio. Photo: Associated Press

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Speaking to Eurogamer, Utsumi said he wants Sega to be the rock’n’roll of Nintendo’s pop music again. But while little has been revealed about the nature of these returning series (will they be reboots of the original or all-new adventures?), he says they won’t be nostalgia exercises for nostalgia’s sake. Make a firm statement. “Gamers loved Sega because we showed gamers a new style, attitude and lifestyle,” he says. “We want to bring back that feeling. But we need to be innovative, not just a nostalgic company. We need to appeal to modern gamers as well. We respect our old IP, but we don’t want to We also ask them to think about innovation in each project.

“Our studio is really capable, very technologically advanced, and we have the drive to make it happen. The time has come when we have to challenge ourselves as much as we have in the past. We want to come back with a ‘n’ roll mindset. We can’t just be rock ‘n’ roll right now. Maybe we need hip-hop too!”

This sounds more like Dreamcast-era Sega attitude than Mega Drive-era teen brat iconography. Utsumi not only ushered in the birth of music-obsessed Jet Set Radio and Space Channel 5, but also co-founded Q Entertainment with Tetsuya Mizuguchi, a studio that put dance music at the heart of its design philosophy through titles like Rez and Lumines. Co-founded. How was this kind of creativity fostered in Tokyo in the late 1990s and early 2000s, especially in game development at Sega?

“SEGA was a challenger at the time,” says Utsumi. “The PlayStation was so successful that when the Dreamcast was released, the PlayStation 2 was the target. It was such a cool machine that young developers had to get creative. I think the product was very impressive, but you know, the PlayStation 2 beat us, so I can’t really say much about its success.”




Great success…like a dragon: infinite wealth. Photo: Sega

The past five years have seen a resurgence of interest in a very Japan-centric game design concept at Sega and other companies. The worldwide success of role-playing adventures such as Yakuza: Like a Dragon, Final Fantasy VII Remake, and most recently Metaphor: ReFantazio has led to the long-standing success of Western series such as Assassin’s Creed and Call of Duty. After its dominance, Japan’s RPG scene has regained mainstream attention. Duty and Grand Theft Auto. Why did that happen? “Everyone else was doing first-person shooters. We’re not very good at that, let’s be honest,” he jokes. . “But we can offer something else that we believe in. Of course we will listen to Western audiences, but we have a great opportunity to be unique in a Japanese way.” I think a lot of people became interested in Japanese anime and Korean dramas and music during the coronavirus pandemic…I think that audience is still there. , that’s really lucky.”

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Another change since COVID-19 is the increased presence of video game properties in other media. The third Sonic the Hedgehog movie is currently in theaters, and the crime TV series Like a Dragon: Yakuza began streaming on Amazon earlier this year. It’s not just about the commercial potential of extending Sega’s brand. Utsumi believes there are also important creative reasons. “Nowadays, you might be watching a movie on your phone, playing a game seconds later, and then on TikTok…Users are used to that behavior, and in response, creators are We have to think in a new way about that audience. To capture these trends, we need to combine our creative talents by working with animation and film talent. , we can be inspired.”




Blue Movie: Jim Carrey as Ivo Robotnik and Sonic (Ben Schwartz) in Sonic the Hedgehog 3. Photo: Paramount Pictures and Sega of America, Inc.

Sega in 2025 and beyond will be reinvesting in classic titles, introducing Golden Axe, Virtua Fighter, and Jet Set Radio to new audiences rather than simply excavating them as museum pieces. When asked about the possibility of a new mini-console based on the Saturn or Dreamcast, he was dismissive. “I’m not going in the Mini direction. That’s not me. I want to embrace the modern gamer.” Sega later clarified that it had no plans to make more Minis.


This is a theme he repeats over and over again. Sega’s legacy exists, but it must be brought forward. “We are not a retro company,” Utsumi concluded. “We really appreciate our heritage and cherish it, but at the same time we want to deliver something new. Otherwise we will become history. . That’s not what we’re aiming for.

Source: www.theguardian.com

Bitcoin imposter found guilty after persistently suing developer

A computer scientist from Australia who falsely claimed to be the creator of Bitcoin has been given a one-year suspended prison sentence after the High Court in London found him guilty of contempt for continuing to sue people.

The judge, Mellor, revealed that Craig Wright, 54, was actually Satoshi Nakamoto, the individual behind Bitcoin. It was discovered that he had been deceitful about his claims.

Wright had asserted ownership of intellectual property related to Bitcoin, but the High Court determined that he had lied about his involvement and produced fake documents on a large scale. His claim was subsequently revoked.

Despite being instructed to stop legal action against Bitcoin developers, Wright proceeded to file a lawsuit against cryptocurrency developers concerning intellectual property matters. This resulted in lawsuits totaling over £900 billion.

During the court proceedings, it was stated that Wright had made repeated claims of being Nakamoto, causing distress to individuals associated with the Crypto Open Patent Alliance (Copa).

Wright was found guilty on five counts of contempt of court and sentenced to a 12-month suspended prison term, along with a requirement to pay £145,000 in costs within two weeks.

His recent legal actions were described as a desperate attempt to gain publicity, with claims of judicial bias and mistreatment being made. The judge ultimately confirmed Wright’s contempt without a doubt.

During the court session, Wright, appearing via video link from an undisclosed location in Asia, expressed intent to appeal the decision. He had refused to attend in person unless compensated for costs and lost profits.

In a previous High Court ruling, Mellor stated that Wright was not as clever as he portrayed himself to be and had lied extensively regarding his identity as Satoshi Nakamoto.

Source: www.theguardian.com

Elon Musk asserts influence in Washington by vetoing spending bill | Elon Musk

Elon Musk utilizes his social media platforms and threat to spend millions against Republicans in primaries to advocate for a bipartisan Congressional spending bill to keep the government running, but the bill was diluted. House Republicans rushed to create a new deal after Musk’s initial failure. The revised agreement provided funding for several months while suspending the debt limit at Trump’s request, but it did not pass in the House of Representatives.

Musk, the world’s richest man, played a significant role in the 2024 election, supporting Trump and spreading right-wing rumors. He criticized the spending bill on social media, misrepresenting its contents and impact. Trump and Vice President-elect Vance opposed the bill, but Musk’s public opposition was more prominent.

Musk urged the public to contact legislators to defeat the bill and celebrated its failure as a victory for the people. While he has no formal role in the Trump administration, he wields significant influence over the party and future president through his organization.

The incident exemplifies Musk’s influential role in using social media to attack opponents and influence public opinion. He vowed that no legislation should pass until Trump takes office and pledged to hold dishonest politicians accountable.

Congressional Republicans largely supported Musk, with Senator Rand Paul suggesting him as Speaker of the House. Representative Marjorie Taylor Greene also expressed openness to the idea. Democrats criticized Musk’s influence and power, with Congressman Pocan creating images depicting Musk controlling Trump.

Musk spread misinformation about the bill, falsely claiming lawmakers would receive a significant pay raise. Fact-checks have disproven these claims, but Musk continued to mislead on social media. Republican Rep. Crenshaw was also caught in rumors about a pay increase, which he denied.

Musk responded to Crenshaw’s claims, emphasizing that Congress should only give raises with a balanced budget. Crenshaw advised Musk to verify sources before amplifying misleading information.

Source: www.theguardian.com

Discover the worst Christmas game ever – and why I can’t get enough of it

IIf you own an Xbox and have some sense, you’ll probably be spending this Christmas playing the new Indiana Jones game. And perhaps feeling smug about the fact that it’s a timed exclusive, PlayStation owners will end up pressing their noses against frosted glass like Victorian orphans.

But, PS5 fans, please wipe your tears. Because I found the game that will save Christmas. And it’s only 79p. Let’s say “hello” and “hohoho” to Santa’s Speedy Quest.

I discovered this gem while scouring the PlayStation Store looking for cheap and awful games to laugh at on my Twitch stream. (This is also how I discovered the seminal classic Stroke the Beaver, but that’s another story.) SSQ fits the bill perfectly, and is incredibly cheap (if you have a PlayStation Plus subscription). It’s actually just 23p if you’re paying a fee), which on the face of it is terrible. But it’s also addictive, hilarious, and much more layered than it seems.

At one point during the stream, I might have described this as the pinnacle of the video game medium. It’s a lot like the three pints of Baileys I pre-consumed, maybe a little stronger. But I stand by the claim that Santa’s Speedy Quest is, in its own simple and diabolical way, a work of twisted genius.

As you might imagine, SSQ lacks the polish and high production values of blockbusters like Indiana Jones and The Great MacGuffin. It looks like it was made with Microsoft Paint. It also doesn’t contain any original gameplay ideas, unless you consider “Make Flappy Bird Santa” innovative.

Nothing innovative or original…Santa’s Speedy Quest. Photo: ERIK GAMES

Contains 8 mini games. It all looks familiar. None of them are attractive in and of themselves. Two of them are variations on the “dodge the snowball” concept, depending on whether the snowball comes vertically or horizontally. There are no collectibles, health potions, power-ups, etc. There is no multiplayer mode or online play. I can’t even pause. When you press start, the game continues in the background with a metaphysically challenging message: “You can’t stop this game.”

It feels like Christmas 2008 all over again. At the time, the Wii’s success flooded the market with minigame collections that ranged from poor to very poor quality. I was forced to review many of them just to put food on the table on Christmas Day. on the verge of extinction At Hasbro Family Game Night. I still don’t know if Vienetta was worth falling in love with.

However, here’s the twist. Santa’s Speedy Quest does not allow you to choose which mini-games to play. All must be played. In random order. Continuously without a break. Just for a few seconds at a time. increasing at an increasingly rapid pace and at seemingly arbitrary intervals.

“1.4x faster,” the game shouts. 2.6 times. 3.2 times. This poses a unique challenge for your brain, as it forces you to repeatedly switch between familiar gameplay mechanics that run at breakneck speeds without any notice. All the while, an electro-piano version of Jingle Bells loops endlessly in the background, picking up speed so that the sound becomes distorted and jumbled, like you’re in a horror movie set in an amusement park. I’ll put it away. You can’t stop this game.

And here’s the kicker, the devilish details that elevate Santa’s Speedy Quest from a below-average minigame collection to a diabolical Sisyphean masterpiece. The game takes a snapshot every time you launch another minigame, and when you come back, gameplay continues from that point.

This creates strategic choices. Are you always trying to make sure you’re in a good position so you can pick up where you left off? Mentally recording each state of play every time you get kicked out and knowing which buttons to press when you’re put back in? Do you remember? Or have you forgotten all about it and desperately relied on reflexes dulled by the fact that you were 47, near menopause, and had three pints of Baileys?

The leaderboard isn’t even real…Santa’s Speedy Quest. Photo: Eric Games

Each time you fail a minigame, you are removed from the roster until you run out of minigames, and the game ends. You’ll then see your score and a breakdown of your performance in five key areas: speed, coordination, timing, reflexes, and decision-making. There are leaderboards with seemingly plausible player names like SHADOWBLADE23, but they are fake. No online functionality.

I get this because SSQ has really taken off in my Twitch community, but our high scores don’t show up on each other’s leaderboards. Instead, we have to rely on sharing screenshots on Discord as proof of our efforts. But it doesn’t matter. I’m having a great time.

That’s because Santa’s Speedy Quest is exactly the game you need at this time of year. Easy to learn for non-gamers, difficult to master for serious players, and perfect for reigniting old feuds and creating hotly contested rivalries. It’s a vulgar, stupid, cynical money grab that relies on outdated ideas and sentimental nostalgia. But isn’t it all about this time of year?

Source: www.theguardian.com

Review of Sonic the Hedgehog 3: Jim Carrey’s Energizing Performance Brings Laughter to the Third Installment

a The third Sonic movie came out with a strong sense of inevitability, creating excitement among its core pre-teen fanbase. The Marvel Cinematic Universe could learn from how it keeps audiences entertained. The buzz around Sonic’s unconventional teeth is now a thing of the past, but Jim Carrey truly shines in his double role, showing his dedication even if it’s just for the money. The movie is doing a good job overall, appealing even to those who may have forgotten the intricacies of early ’00s games. It’s an engaging experience.

The Sonic reboot introduces a “dark” version of Sonic in the form of Shadow, a hedgehog with black and red coloring. As the story unfolds, Shadow escapes from his containment unit, prompting Sonic and his sidekicks to intervene. They end up working alongside Ivo Robotnik to uncover secrets at an abandoned military base, leading to a complex narrative.

Drawing from over 30 years of gaming, the film offers rich plotlines, character development, and dramatic incidents. While the human element may vary, the voices of Keanu Reeves and Idris Elba, along with James Marsden and Tika Sumpter, add depth to the story. Carrey’s performance stands out, injecting humor and energy into the movie. His presence prevents the film from falling flat and enhances the overall experience.

Sonic the Hedgehog 3 will be released in the US on December 20th, Australia on December 26th, and the UK on December 27th.

Source: www.theguardian.com

Announcements of ‘The Witcher IV’, ‘Okami 2’, and Other Game Award Winners | Games

aDeserving winners – Balatro, Astro Bot, Metaphor: ReFantazio dominates the board – game award Last Thursday brought us many end-of-the-year announcements, like unexpected gifts under the tree. It was the best show ever in terms of newsworthy announcements. It felt a bit like an old-school E3 conference. Of course, if you haven’t watched the three-hour video game awards show live from LA, which aired just after midnight UK time, here’s what you need to know.

Seeing it for the first time The Witcher IV

We’ve known for a while that another dark fantasy RPG was in development at Poland’s CD Projekt, and now we know. next witcher game Instead of father figure Geralt, the film stars Ciri, a white-haired warrior and villain, and the trailer shows her locked in a battle with a striking and gruesome monster. I had a good look at this whole trailer – I spent about 200 hours on The Witcher III back in the day and I’m looking forward to this one Very.

new games from naughty dog

A wise use of the Pet Shop Boys … Intergalactic: Heretical Prophet. Photo: Naughty Dog

The next project from the developers of The Last of Us will be called Next Project. Intergalactic: Heretic Prophet And as the name suggests, this is science fiction. You are trapped on a planet at the edge of the known galaxy, where no one has returned for 600 years, cut off from communication with civilization. Although the premise feels a little tired, I love the stylish lines and bright colors of this space fantasy, as well as the clever use of Pet Shop Boys in the trailer.

us too saw the new trailer Another AAA game that looks promising is Mafia: The Old Country, set in Sicily. (Guardian games columnist Dominic Diamond recently played the remake of the original Mafia to see if he was too old to be a Mafia after all.)

A sequel I wasn’t expecting

The 2006 painting “Okami,” pictured here, is scheduled for a sequel in 2026. Photo: Capcom

I loved In the 2006 Zelda-like painting Okami, in which he plays a wolf god who fights demons across ancient Japan with the help of magical ink, I long ago gave up hope of seeing a sequel. (Apart from “Oishinden,” which was produced in 2010) by a different studio). It was then announced that the game’s original director, Hideki Kamiya, was working on it. Okami 2 The announcement of his new studio, Clover, was as much of a surprise as the announcement of Shenmue III at E3 2015. The studio name is an inside joke. Kamiya’s previous studio, which created the original Okami, was Clover.

Another unexpected announcement from Capcom: new onimusha game – Another PS2-era hit about samurai in feudal Japan. Just as exciting, but much more forgiving than the Ninja Gaiden action games (also side scrolling sequel). Sega is also participating in the revival, with the Like a Dragon team tasked with working on a new installment of the Virtua Fighter series. And 90’s dinosaur hunter Tulloch is taking on a new challenge in his next game. Tulloch: Origin (Warning: Violent trailer).

A future co-op classic

In Split Fiction, two aspiring writers are trapped together in a VR simulation of their own story. Photo: Electronic Arts

Swedish developer Hazelight is known for A Way Out, a cooperative game about two brothers trying to escape from prison, and It Takes Two, a magical realist platformer about a couple on the brink of divorce, Masu. The next piece is about two aspiring writers, one science fiction and one fantasy, who are trapped together in a VR simulation of their own story. Fight by switching between dragons and mechs. it is called split fiction.

Meanwhile, a new game from the creators of Overcooked is also coming. It’s a creepy cooperative horror incident. called stage frighttwo players run through an escape room-style scenario. and AlsoFrom Software has New Elden Ring co-op spinoff This is a bit like Elden Ring meets Monster Hunter. While I’m a bit skeptical of this, I’m also happy at the prospect that From Software’s new game might actually be completed. Because playing it totally counts as quality time with your partner.

And finally…

Fumihito Ueda led the team at Sony’s Japan Studios that created a trilogy of standard games: Shadow of the Colossus, ICO, and Toriko the Man-Eater. All of these games made me think differently about how games express ideas. I’m currently back to game development at a new studio in Tokyo. Project: Robot. There’s only a one-minute trailer here, but I’m still going to play anything this guy is in if I get the chance.

what to play

Sinking into nature… Naiad. Photo: Steam

In the craziness of working parenthood in December, I found peace of mind. naiada free-flowing game about becoming a water nymph. Swim through beautiful river scenery, following schools of small fish, listening to chirping birds, enjoying piano music and the sounds of nature. Sometimes they reunite lost ducklings with their mothers, or make brief appearances in the human world (unfortunately, these are the most frustrating parts). I felt like I was immersed in nature on the steam deck.

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Available: computer
Estimated play time:
3-4 hours

what to read

The CD Projekt logo at its headquarters in Warsaw, Poland. Photo: Kacper Pempel/Reuters
  • bloomberg We interviewed the CEO of cd project red To learn more about how the studio has changed since Cyberpunk 2077 in preparation for The Witcher IV.

  • If you want to know more about the background of the Okami sequel, check out VGC great interview and Hideki Kamiya.

  • classic adventure game under the steel sky I turned 30 last week – eurogamer To commemorate this occasion, we conducted an interesting interview with the manufacturer.

www.theguardian.com

UK arts and media oppose proposal to grant AI companies permission to utilize copyrighted content

Authors, publishers, musicians, photographers, filmmakers, and newspaper publishers have all opposed the Labor government’s proposal to create a copyright exemption for training algorithms by artificial intelligence companies.

Representing thousands of creators, various organizations released a joint statement rejecting the idea of allowing companies like Open AI, Google, and Meta to use public works for AI training unless owners actively opt out. This was in response to the ministers’ proposal announced on Tuesday.

The Creative Rights in AI Coalition (Crac) emphasized the importance of respecting and enforcing existing copyright laws rather than circumventing them.

Included in the coalition are prominent entities like the British Recording Industry, the Independent Musicians Association, the Film Institute, the Writers’ Association, as well as Mumsnet, the Guardian, the Financial Times, the Telegraph, Getty Images, the Daily Mail Group, and Newsquest.

The intervention from these industry representatives follows statements by Technology and Culture Minister Kris Bryant in Parliament, where he promoted the proposed system as a way to enhance access to content for AI developers while ensuring rights holders have control over its use. This stance was reinforced after Bryant mentioned the importance of controlling the training of AI models using UK content accessed from overseas.

Nevertheless, industry lobbying group Tech UK is advocating for a more permissive market that allows companies to utilize and pay for copyrighted data. Caroline Dinenage, chair of the Conservative Party’s culture, media, and sport select committee, criticized the government’s alignment with AI companies.

Mr. Bryant defended the proposed system to MPs by highlighting the need for a flexible regime that allows for overseas developers to train AI models with UK content. He warned that a strict regime could hinder the growth of AI development in the UK.

Creatives in the industry are urged to seek permission from generative AI developers, obtain licenses, and compensate rights holders if they wish to create or train algorithms for various media formats.

A collective statement from the creative industry emphasized the importance of upholding current copyright laws and ensuring fair compensation for creators when licensing their work.

Renowned figures like Paul McCartney, Kate Bush, Julianne Moore, Stephen Fry, and Hugh Bonneville have joined a petition calling for stricter regulations on AI companies that engage in copyright infringement.

Novelist Kate Mosse is also supporting a campaign to amend the Data Bill to enforce existing copyright laws in the UK to protect creators’ rights and fair compensation.

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During a recent House of Lords debate, supporters of amendments to enforce copyright laws likened the government’s proposal to asking shopkeepers to opt-out of shoplifting rather than actively preventing it.

The government’s plan for a copyright exemption has faced criticism from the Liberal Democrats and other opponents who believe it is influenced by technology lobbyists and misinterpretations of current copyright laws.

Science Minister Patrick Vallance defended the government’s position by emphasizing the need to support rights holders, ensure fair compensation, and facilitate the development of AI models while maintaining appropriate access.

Source: www.theguardian.com

UK Data Regulator Slams Google for ‘Irresponsible’ Ad Tracking Changes

The UK’s data protection regulator has condemned Google for enabling advertisers to track customers’ digital “fingerprints,” expressing concerns about the difficulty of blocking online surveillance technology even for privacy-conscious users, calling it “irresponsible.”

The Information Commissioner’s Office (ICO) in the UK stated that this practice undermines consumer control and choice regarding data collection and usage. Google’s decision to introduce this method creates expectations for a privacy-focused internet, deviating from current standards.

Fingerprinting involves gathering unique signals from a device’s software or hardware to identify a user or device, similar to an advanced form of cookies.

Data watchdogs note that fingerprinting is challenging to detect and block, making consent more difficult compared to cookie notifications often encountered while browsing the web.

Google recently announced its entry into the rapidly expanding Connected TV (CTV) advertising space, emphasizing the need for brands to effectively target desired audiences while also improving customer privacy.

In a statement in 2019, Google acknowledged the lack of control users have over their fingerprint data compared to cookies, labeling this practice as user-choice infringing and wrong.

Stephen Almond, Executive Director of Regulatory Risk at the ICO, emphasized that companies must adhere to legal and transparent deployment of advertising technology, warning of potential action from the ICO if guidelines are not followed.

The ICO asserts that fingerprinting is an unfair method of online tracking which compromises user choice and control over data collection.

Google indicated it will engage in further discussions with the ICO regarding its policy change.

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A Google spokesperson mentioned that privacy-enhancing technology enables partners to succeed on emerging platforms such as CTV without compromising user privacy. They reaffirmed the commitment to providing users with the choice of personalized ads and promoting responsible data use across the industry.

Source: www.theguardian.com

Over 140 Facebook moderators in Kenya diagnosed with severe PTSD from digital media duties

Over 140 Facebook content moderators have been diagnosed with severe post-traumatic stress disorder as a result of being exposed to distressing social media content, including violent acts, suicides, child abuse, and terrorism.

Dr. Ian Kananya revealed that these moderators, based at a facility in Kenya contracted by social media companies, worked long hours and were diagnosed with PTSD, generalized anxiety disorder (GAD), and major depressive disorder (MDD) by the Head of Mental Health Services at Kenyatta National Hospital in Nairobi.

A lawsuit filed against Meta, Facebook’s parent company, and the outsourcing company Samasource Kenya, which employed moderators from across Africa, brought to light the distressing experiences faced by these employees.

Images and videos depicting disturbing content caused some moderators to have physical and emotional reactions such as fainting, vomiting, screaming, and leaving their workstations.

The lawsuit sheds light on the toll that moderating such content takes on individuals in regions where social media usage is on the rise, often in impoverished areas.

Many of the moderators in question turned to substance abuse, experienced relationship breakdowns, and felt disconnected from their families, due to the nature of their work.

Facebook and other tech giants use content moderators to enforce community standards and train AI systems to do the same, outsourcing this work to countries like Kenya.

A medical report submitted to the court depicted a bleak working environment where moderators were constantly exposed to distressing images in a cold, brightly lit setting.

The majority of the affected moderators suffered from PTSD, GAD, or MDD, with severe symptoms affecting a significant portion of them, even after leaving their roles.

MetaSource and Samasource declined to comment on the allegations due to the ongoing litigation.

Foxglove, a nonprofit supporting the lawsuit, highlighted the lifelong impact that this work has had on the mental health of the moderators.

The lawsuit aims to hold the companies accountable for the traumatic experiences endured by the moderators in the course of their duties.

Content moderation tasks, though often overlooked, can have significant long-term effects on the mental health of those involved, as seen in this case.

Meta stresses the importance of supporting its content moderators through counseling, training, on-site support, and access to healthcare, while implementing measures to reduce exposure to graphic material.

Source: www.theguardian.com

Uber and its CEO contribute $1 million each to President Trump’s inaugural fund

Uber and its CEO have donated $1 million to Donald Trump’s inaugural fund, joining a growing list of technology companies and executives seeking to build good relations with the incoming administration.

This donation was announced by a spokesperson for Uber Technologies. The Wall Street Journal reported that on Tuesday, Uber and its CEO Dara Khosrowshahi each donated $1 million to Trump’s fund. Uber did not immediately respond to a request for comment from the Guardian.

Uber had previously donated $1 million to President Biden’s 2021 inauguration, but Khosrowshahi did not donate to that event, according to the Wall Street Journal. The $1 million donation to Trump’s fund is said to be Khosrowshahi’s largest contribution to a political candidate or presidential inaugural fund.

The donations from Uber and Khosrowshahi add to a growing list of tech companies and executives who have pledged to donate $1 million to the president-elect’s inaugural fund.

Mehta, CEO of OpenAI, confirmed last week that he had donated $1 million to the foundation. CEO Sam Altman of OpenAI also planned to make a $1 million personal donation to the foundation. Amazon is also preparing to donate $1 million to Trump’s fund.

Unlike companies and executives like Mark Zuckerberg, Mehta, and Jeff Bezos, Uber and Khosrowshahi do not have a historically strained relationship with President Trump, making their donations especially significant.

Notably, Tony West, Uber’s chief legal officer, is the brother-in-law of Vice President and former Democratic candidate Kamala Harris. Mr. West took time off to volunteer with Mr. Harris’ presidential campaign before returning to his role at Uber.

Donations to inaugural committees are common among large companies looking to establish better relations with the new administration.

According to Amazon, the company donated $57,746 to President Trump’s first inaugural fund in 2017. Open Secrets reported that other companies such as Google and Microsoft also made donations. Mehta confirmed to the Guardian that he did not donate in 2017.

Recent donations from tech companies and executives come amidst reports of perks being offered to top donors to the president-elect’s inaugural fund. Since Trump’s election win, he has dined with several technology company executives.

In the past month, Trump has dined with Meta CEO Mark Zuckerberg at his Mar-a-Lago mansion. Apple CEO Tim Cook; as well as Google’s Sundar Pichai and Sergey Brin; are among those who have had dinners with Trump. Amazon founder Jeff Bezos is scheduled to have dinner with Trump this week.

Source: www.theguardian.com

Top 20 Video Games for 2024 | Games

computer
The game starts with a single machine landing on a pristine planet. Next comes a drill made from iron mined with my own hands. Within a few hours, the Earth is filled with neatly arranged (or not) extraction equipment and conveyor belts, machines humming pleasantly to produce an endless variety of objects. It might be a corporate strip mining simulator, but it’s incredibly addicting.

PS4/5, PC, Nintendo Switch
Similar to the best British comedies, this slapstick puzzle game ends with a touch of unease. Playing as a small traveling salesman in a Viz-scented northern town, you explore the strange problems faced by its residents (such as a boy with a milk phobia, dubious pie meat, and food stolen by sentient rats). Always intriguing.

PS4/5, Xbox, PC, Nintendo Switch
This cleverly self-referential horror game is set in a gruesome theme park that incorporates classic ’90s genres and a fuzzy polygonal aesthetic. The detailed setting of Twisted Fairground unfolds the mysteries of Crow Country over time, leading to a bold ending that is truly worth the journey.

More than a PS1 pastiche…Land of Crows. Photo: SFB Games

smartphone
Initially appearing as a manipulatively compelling card-collecting mobile game with various arcane currencies, this game surprises with its balance, speed, and fun factor during battles. It encourages creative deck building and creature combinations, allowing players to add their unique twist to the game.

PS4/5, Xbox, PC
This adventure game takes a dark turn when a séance in a high school library goes awry. An enjoyable homage to ’90s horror in movies and games, it presents a heartfelt, metaphorical story without excessive gore, making it accessible even to non-gamers who enjoy horror.

Gore-free horror…Fear the Spotlight. Photo: Cozy Game Pals

PS5, PC (2025)
Building on the foundation of 1997’s Final Fantasy VII, Rebirth offers a bigger, richer, and more beautiful world for Cloud Strife and his friends to explore. Packed with fan service, this game delves into beloved characters and stories from gaming history, providing a maximalist experience for fans.

computer
Despite its title suggesting a magical special operations team using spells and time-rewinding powers to destroy enemy territory, this game surprises with a quietly radical story that questions the morality of the military shooter genre it’s based on, offering great characterization and depth.

PS5, Xbox, PC
An exceptional modern fighting game, polished in every aspect. With new fighters joining the iconic Tekken roster, players can engage in thrilling matches between martial artists, cyborgs, demons, and even giant bears, making for exciting battles that keep players on the edge of their seats.

Thrilling flashiness…Tekken 8. Photo provided by: Bandai Namco Entertainment

PS4/5, PC, Nintendo Switch
Invite into an apparently empty, abandoned baroque hotel by an artist, this game challenges players to use their minds to solve custom-made puzzles and unravel a chaotic timeline. With a mix of mystery and style, it offers a truly ambitious puzzle game experience.

PS5, Xbox, PC, Nintendo Switch
Explore the underground maze filled with pixelated animals in search of a snack. Despite its creepiness, the game’s quiet beauty shines through with luminescent plants and atmospheric sounds, creating an exquisitely clever and immersive experience.

Xbox, PC
Embark on an adventure as an archaeologist exploring recreations of the 1940s Vatican and the Pyramids of Giza, investigating ancient crypts, and facing off against Nazis. This game focuses more on puzzles, disguises, and exploration rather than combat, offering a unique take on the genre.

computer
Immerse yourself in a collection of 50 games from the (fictional) 1980s game company UFO Soft, featuring retro aesthetics and creative gameplay styles. Each game offers a unique experience worth exploring, making this collection a generous offering for indie game enthusiasts.

PS5, PC
Engage in an original action game set in a flashy world inspired by Journey to the West. With gameplay akin to Devil May Cry and Dark Souls, this game takes players on a journey through Buddhist legends and stunning scenery, offering a unique gaming experience.

Truly original…Black Myth: Goku. Photo: Game Science

PS5, PC
In this hit shooter, four players land on a planet filled with insectoid aliens and embark on a mission to eradicate them. From the gunplay to the mission design, this game is designed to entertain, offering a mix of humor and action that leads to hilarious gameplay sessions with friends.

PS4/5, Xbox, PC, Nintendo Switch
Experience the journey of a warrior and his wolf pup as they fight to repel a demon invasion and survive in a natural paradise. As the seasons progress, the wolves grow stronger, creating a visually stunning and emotionally resonant gaming experience.

PS5, Xbox, PC
Enter a pseudo-medieval fantasy world filled with challenges that require you to figure things out on your own. With a focus on exploration and problem-solving, this game offers a unique and rewarding gameplay experience for those looking for adventure and intrigue.

Adventure awaits…Dragon’s Dogma 2. Photo: Capcom

PS4/5, Xbox, PC, Nintendo Switch, smartphone
One of the year’s breakout indie hits, this chillwave, psychedelic take on poker will keep you engaged for hours. Create unique hands with a transforming deck of cards and strive to achieve higher scores with each playthrough, making victory a tantalizing yet challenging goal.

PS4/5, Xbox, PC
Immerse yourself in extraordinary art direction, an operatic soundtrack, and theatrical battles between fantasy robots and monstrous creatures, delivering a powerful message of unity and acceptance. This epic role-playing game blends philosophical themes with intense combat and unique style.

PS4/5, Xbox, PC
Although not a direct sequel, Shadow of the Erdtree expands on FromSoftware’s dark fantasy world with new enemies and locations, adding a sense of danger and intrigue to an already exceptional game. This game revitalizes the gaming experience with new challenges and possibilities.

It’s not just a sequel…Elden Ring: Shadow of the Eldtree. Photo: Bandai Namco Europe

PS5
Join a cute blue and white robot and his numerous friends in a lively galaxy adventure with the help of quirky gadgets like a backpack monkey and a rocket-powered chicken. This original and adorable game showcases the fun and innovation possible with modern console technology.

Source: www.theguardian.com

El coche de Google Maps proporciona pistas importantes en el caso de persona desaparecida en España.

A man was seen loading white bags into the back of a red Rover car in a deserted street in northern Spain.

The Google Maps camera captured a suspicious moment in the village of Tahueko in October, which later led to the arrest of two men who disappeared the previous year.

In November 2023, a Cuban national living in Spain was reported missing, sparking an investigation by the police, as reported by El Pais newspaper.

Suspicion arose after the missing man’s relatives received texts from his phone indicating a change in plans, leading to the involvement of the police.

The investigation focused on the man’s former partner and another individual, resulting in the arrest of a couple in connection with his death and disappearance.

Police praised the role of Google Maps in providing crucial evidence for solving the crime, emphasizing the images that were captured during the investigation.

Residents of Tahueco mentioned seeing the images on Google Maps but did not attach much significance to them initially.

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One resident mentioned not suspecting the man in the images, while another was unaware of any sinister implications in the photo of the car trunk.

Source: www.theguardian.com

UK police chief says that young people driven to violence by selecting and mixing fear online

The leader of counter-terrorism in Britain has expressed concern that more young people, including children as young as 10, are being lured towards violence through the “mix of fear” they encounter on the internet.

Vicky Evans, the deputy commissioner of the Metropolitan Police and senior national co-ordinator for counter-terrorism, noted a shift in radicalization, stating, “There has been a significant increase in interest in extremist content that we are identifying through our crime monitoring activities.”

Evans highlighted the disturbing trend of suspects seeking out material that either lacks ideology or glorifies violence from various sources. She emphasized the shocking and alarming nature of the content encountered by law enforcement in their investigations.

The search history reveals a disturbing fascination with violence, misogyny, gore, extremism, racism, and other harmful ideologies, as well as a curated selection of frightening content.

Detectives from the Counter-Terrorism Police Network are dedicating significant resources to digital forensics to apprehend young individuals consuming extremist material, a troubling trend according to Evans.

The government introduced measures to reform the Prevent system, aimed at deterring individuals from turning to terrorism. They are also reassessing the criteria for participation in Prevent to address individuals showing interest in violence without a clear ideological motive.

Evans emphasized the persistent terrorist threat in the UK, particularly in “deep, dark hotspots” that require urgent attention. Despite efforts to prevent terrorism, the UK has experienced several attacks in recent years.

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There have been 43 thwarted terrorist plots since 2017, with concerns over potential mass casualty attacks. The counter-terrorism community is also monitoring the situation in Syria for any potential threats from individuals entering or leaving the country.

Source: www.theguardian.com

Impact of Horrific Content: Ex-Facebook Moderator Shares How Job Took a Toll

WWhen James Irungu took a new job at technology outsourcing company Summersource, his manager gave him few details before training began. However, the role was so sought after that his salary almost doubled to £250 a month. Additionally, it provided a way out of Kibera, a vast slum on the outskirts of Nairobi where he lived with his young family.

“I thought I was one of the lucky ones,” the 26-year-old said. But then he finds himself examining a trove of violent and sexually explicit material, including tragic accidents, suicides, beheadings, and child abuse.

“I remember logging in one day and seeing a child with a huge slit in his stomach, suffering but not dead,” the Kenyan told the Guardian. When he saw the subject matter of child exploitation, he said, “that’s when I really knew this was something different.”

He was hired by Samasource to moderate Facebook’s content and eliminate the most harmful posts. Some of the most painful images were etched into his mind, sometimes causing him to wake up in night sweats. He kept it to himself for fear that opening up about his work would cause discomfort, concern, or criticism from others.

His wife, annoyed by his “secrecy,” gradually became estranged from him. Irungu continued to work for three years, resigned to the possibility of their separation and convinced that he was protecting her. He says he regrets pushing.

“I don’t think it’s a job for humans,” he says. “I became really isolated from the real world because I started to think of it as a very dark place.” He became afraid to take his daughter away from his eyes.

“If you ask yourself, was it worth sacrificing your mental health for that money, the answer is no.”

Another former host said some of his colleagues dropped out after being alarmed by some of the content. But she found purpose in managers’ assurances that their work protects users, including young children like her.

“I felt like I was helping people,” she said. However, when I stopped, I realized that what I had taken for granted until now was now a problem.

She recalled screaming in the middle of her office floor after seeing one horrifying scene. She said it was as if nothing had happened, except for a few glances from co-workers and a team leader pulling her aside to tell her he was “going to wellness” for counseling. The wellness counselor told her to take a break and get that image out of her head.

“How do you forget when you get back on the floor after a 15-minute break and move on to the next thing?” she said. She questioned whether the counselor was a qualified psychotherapist and said the moderator would never escalate a mental health case, no matter what she saw or how distressed she was.

She was the kind of person who entertained friends at every opportunity, but she rarely left the house, cried over the deaths of people she didn’t know, felt numb, struggled mentally, and at times struggled with suicidal thoughts. Ta.

“This job damaged me and I could never go back,” the woman said, adding that the lawsuit will impact Africa’s content moderation industry as global demand for such services grows. I hope that you will give me.

“Things have to change,” she said. “I don’t want anyone to go through what we did.”

Source: www.theguardian.com

Rumors of Disturbing Drone Sightings in New Jersey Spark Interest

KIle Breeze, 36, works remotely for an insurance company and lives in Ocean Township, New Jersey, a quiet suburb with tree-covered streets not far from the beach. Last Saturday night, he was inside his house with his wife and two children, let his elderly dog ​​Bruce out into the backyard, and then looked up.

There was an unmistakable floating object in the sky. It’s not as high as a planet or star, but it’s about as high as an airplane.

“It’s not just an airplane hovering there,” he explained. “What it looked like, it was so high up that it was hard to see, but it was like a red light and a white light.”

Brees said he and his wife had seen others on their way to dinner the previous day. Her mother, Luan, 68, said she also saw bright white and red lights floating in the night sky.

“To me, it’s like they’re looking for something,” Luan said of the drones. “My concern is that we have an ammunition base here in New Jersey.”

The Brees family isn’t the only one noting the disturbing activity of drones and some types of airborne vehicles popping up across the state. Thousands of people have called local police, the FBI and even the Department of Defense about the relentless swarm of drones that suddenly appeared in New Jersey airspace last month.

“The FBI has received more than 5,000 reports of drone sightings in the past few weeks, resulting in approximately 100 leads, and the federal government is assisting state and local authorities in investigating these reports. ” said a joint statement released by the FBI and the department. Department of Homeland Security, Department of Defense, and Federal Aviation Administration.

“We have sent advanced detection technology into the area, and we have sent trained visual observers.”

So far, authorities have remained tight-lipped. Everything authorities see looks like a combination of a hobbyist drone, a helicopter, an airplane, and a star, he said. But Neighbors, created by the company that created Ring surveillance cameras, allowed New Jersey residents to spam the app, which is used for crime and safety updates, with videos of floating orbs and suspicious night lights. are.

Some say they are aliens who infiltrated Iranian drones originating from a mothership off the Atlantic coast. Maybe it’s a secret weapon experiment.

“I heard it was Al Qaeda,” one man who lives near Ocean Township, an off-duty firefighter who did not want to be identified, told the Guardian.

Whatever it is, residents of the Garden State, known for legendary rock stars Jon Bon Jovi and Bruce Springsteen, are buzzing about drones.

The consensus was that while it was strange at first, there was no need to worry. Well, most people want answers.

Sightings are common during the summer in coastal towns like Asbury Park, a popular vacation destination. There are rumors among local residents that drones don’t come out when it rains and that they originate from the sea.

“I started watching it two weeks ago,” said Garrett Openshaw, 24, who works as a maintenance worker at the Asbury Hotel near the waterfront. “In front of the press”

On a cold night in early December, he went out onto the roof of his hotel. Folded beach chairs are usually spread out on the rooftop for sunbathing during the warmer months. As I stared out into the open ocean, I saw the unmistakable red, green, and white lights that I remember seeing as at least 12 sedan-sized drones flying all at once.

“There’s always something going on in this town,” said Colin Lynch, 26, the hotel’s food and beverage manager, who witnessed the drone swarm with Openshaw. “It’s hard to tell if they’re just filming a movie or something else.”

In between discussions of UFOs and government secrets, Asbury Park residents also gossip about celebrity sightings in the city, which is the location for a Springsteen biopic starring Jeremy Allen White.

“Look at this,” Openshaw said as he toggled through the drone’s homemade video, landing on a photo of him and Allen White from the start.

At Frank’s Deli, a popular diner and recent filming location for the film, staff members are excitedly discussing the theories behind the sightings.

“They’re having kind of a drone watching party on Long Beach Island,” said Daniel Coyle, a diner server wearing a green and red Christmas hat. She said some of her colleagues and friends, “men in their 40s,” had gone to the coastal island to look for drone sightings.

Some people in town have more sinister questions.

At Kim Marie’s, a local Irish bar with a low wooden ceiling a block from the boardwalk, people were commenting on the drones. Kathy Miller, 26, said she saw two drones near Monroe, where she lives, and showed a video of the moment.

“We’re looking at two people, one close together, one far away, and the second one turns the exact same corner 30 or 40 seconds apart, chasing it. ” she said in the video’s voiceover.

Miller continued: “Then I saw two more people, and they were all turning the same corner. I think there were five or six in total…I heard a hum, but it was pretty low, not that high. Probably 200 or 300 feet.

Miller said her TikTok and Instagram feeds are filled with similar cell phone videos, and rightly pointed out that she can’t tell if some of them were generated by artificial intelligence.

“It’s so hard to know now,” she said. “I saw a video of them firing at something and I thought, ‘Is that fake or is it really real?'” Impersonation is so easy now. ”

But for Brees, the lights lurking in the sky overlooking his town are both very real and disconcerting.

“It’s weird because I have kids,” he said. “Are they filming or is this a creepy thing happening with the camera?”

Source: www.theguardian.com

Chinese AI Chip Company Recently Blacklisted Over Arms Concerns Now Granted Access to UK Technology

Chinese engineers are developing artificial intelligence chips for use in “advanced weapons systems” and have been granted access to cutting-edge British technology, as reported by the Guardian.

Moore Thread and Viren Technology, described as “China’s leading AI chip designers,” have been subject to U.S. export controls for their chip development. It is noted that the technology can provide artificial intelligence capabilities for the advancement of weapons of mass destruction, advanced weapons systems, and high-tech surveillance applications that raise national security concerns.

Before being blacklisted in the US in 2023, the companies had a broad license with UK-based Imagination Technologies, known for its expertise in designing advanced microchips essential for AI systems.

Imagination Technologies, a representative of the UK technology industry, denied intentionally trying to relocate its cutting-edge secrets to China. Representatives from Imagination confirmed the existence of licenses to Moore Thread and Viren Technology.

Allegations have arisen regarding Imagination’s partnerships with Chinese companies and the potential risks of knowledge transfer. Tensions between business with China and national security concerns have been highlighted by these developments.

Since 2020, at least three Chinese companies have obtained licenses to use Imagination’s chip designs, raising concerns about the potential misuse of intellectual property.

Imagination has worked closely with Apple in the past, contributing to the development of iPhone chips. However, concerns have been raised about the risks of sharing too much of its intellectual property with Chinese companies.

The acquisition of Imagination by a Chinese-backed buyer in 2017 raised further concerns about technology transfer and national security implications.

Imagination’s arrangements with Chinese customers are considered “totally normal” and have been described as limited in scope, duration, and usage rights.

Imagination’s policy of not doing business with companies on the US government’s Entity List raises questions about the termination of licenses granted to Chinese companies in October 2023.

A new report from the UK and China transparency research institute sheds light on further questions surrounding Chinese companies’ relationships with Imagination.

Moore Thread and Biren Technology, two Chinese chipmakers, have faced scrutiny for their development of GPUs for AI systems with potential ties to Imagination’s technology.

Funding for Biren Technology comes from the Russia-China Investment Fund, sparking concerns about deepening alliances between China and Moscow in the tech industry.

Source: www.theguardian.com

Possible rewrite: AI tool hosted by Amazon for UK military recruitment at risk for data breach

Reports indicate that an artificial intelligence tool hosted by Amazon to enhance recruitment for the UK Ministry of Defense is potentially exposing defense workers to public identification risks. This information comes from a government evaluation.

The data utilized by automated systems in tailoring defense job advertisements to attract diverse candidates through inclusive language includes details like service member names, roles, and emails, and is stored by Amazon in the United States. A government document released for the first time today indicates that there is a risk of data breaches that could lead to the identification of defense personnel.

Although the risk has been classified as “low,” the Defense Department assured that there are “strong safeguards” in place by suppliers Textio, Amazon Web Services, and threat detection service Amazon GuardDuty.

The government acknowledges several risks associated with the use of AI tools in the public sector, as highlighted in a series of documents released to enhance transparency around algorithm use in central governments.

Ministers are advocating for the use of AI to enhance the UK’s economic productivity and deliver better public services. Safety measures are emphasized to mitigate risks and ensure resilience.

The UK government is collaborating with Google and Meta to pilot AI in public services. Microsoft is also offering its AI-powered Copilot system to civil servants, aligning with the government’s ambition to adopt a more startup-oriented mindset.

Some of the identified risks and benefits of current central government AI applications include:

  • Potential generation of inappropriate lesson material using a Lesson planning tool powered by AI, assisting teachers in customizing lesson plans efficiently.

  • Introduction of a chatbot to address queries concerning child welfare in family court, providing round-the-clock information and reducing wait times.

  • Utilization of a policy engine by the Ministry of Finance to model tax and benefit changes accurately.

  • Potential negative impact on human decision-making caused by excessive reliance on AI users in food hygiene inspections, leading to inconsistent scoring of establishments.

These disclosures will be documented in the expanded Algorithm Transparency Register, detailing information about 23 central government algorithms. Some algorithms with bias indications, like those in the Department for Work and Pensions welfare system, are yet to be recorded.

Source: www.theguardian.com

What will the future of transportation look like: Robotaxis or self-driving cars? | Technology

Welcome back. This week in tech: General Motors announces the end of robotaxis but not self-driving cars. One woman’s battle against AI in her housing application. Salt Typhoon and tech companies donating to Donald Trump. Thank you for your engagement.

GM discontinues Cruise robotaxi. Uber resumes robotaxi service in Abu Dhabi

Despite the shut down of one robotaxi business, another will emerge. General Motors recently revealed its decision to cease funding Cruise, its subsidiary responsible for self-driving car software and robotaxi services. Cruise faced challenges after a serious accident in 2023, leading to regulatory restrictions on its operations. GM has invested significantly in Cruise but has not seen profits. This move aligns with Apple’s discontinuation of its self-driving car project.

Former Cruise CEO’s revenue projections fell short, leading to GM’s decision. Cruise’s closure mirrors Uber’s shift away from robotaxis to a distribution model in the self-driving sector. Meanwhile, Waymo continues to expand its robotaxi services.

Woman’s fight against AI in housing

AI is infiltrating various aspects of life, including housing. One US woman faced discrimination based on AI screening in her apartment application. After legal action, the responsible company settled and pledged to avoid AI screening for future tenants.

What’s new: Tech CEOs and Trump. Salt Typhoon

  • Technology CEOs and Trump: Silicon Valley leaders publicly align with Trump through donations and engagements. Meta, Amazon, and OpenAI among those contributing to Trump’s fund. Google and Microsoft also show signs of collaboration with Trump.

  • Salt Typhoon: Following the Salt Typhoon cyber attack, cell phone companies are under scrutiny for lack of notification to affected individuals. FBI only alerted high-profile targets, leaving many uninformed.

Wider TechScape

Source: www.theguardian.com

Review of Mouthwash: The Unexpected Challenge of 2024 | Game

IIt's perhaps poetic that throughout this year, the PlayStation's 30th anniversary, developers have discovered such a rich vein of horror in the early 3D visuals. Crow Country, Fear the Spotlight, and Mousewashing all make frightening use of low-poly characters, grungy textures, and muted color palettes to create fear and abomination. And in this sci-fi odyssey from Wrong Organ, they're brilliantly used to symbolize perfection.

The settings for Mouthwash are simple and familiar. When a giant spaceship crashes in a remote part of the galaxy, its small crew slowly loses its sanity as they wait for rescue that never comes. Not helping matters is their cargo of millions of gallons of high-alcohol mouthwash, which is quickly abused by the desperate and deeply flawed castaways.

With the captain critically injured, you primarily take over the survival efforts as second-in-command Jimmy. But they soon discover that everyone, from paranoid doctor Anya to bullish mechanic Swansea, is hiding something. Everything on board is given a sinister edge, from creepy food processing equipment to giant LED displays that continually display images of romantic sunsets and fluffy clouds.

But what sounds like a tense thriller is actually a surreal exploration of social and spiritual decline. The characters hallucinate violently, and the story cuts from pre-crash to post-crash, switching between them in a dizzying chronological dance. The ship itself appears to be mutating in response to the paranoid delusions of its inhabitants. A bizarre vaporwave soundtrack roars and explodes in a cacophonous rush. The interplay between humans and technology collapse has elements of Event Horizon, Solaris, and High Life. The ship's U-boat-like corridors expand and contract like intestinal passages. The crew's mental illness is reflected in cracked screens and destroyed control panels. It's both scary and fascinating.

There are puzzles to solve and items to collect and combine, but nothing works and the game keeps playing and questioning your assumptions. Some players may be reminded of the cult hit Clickolding in that it asks questions about player responsibility and collusion. What to do with the only weapon on board, how to keep the captain's mouth open so you can give him painkillers, and more. When he groans and cries, the visuals are nostalgic, but the connection to what's happening on that ship is very real, very vivid. There are also serious messages about guilt, grief, and alcoholism, which can resonate deeply with those affected by these.

Mouthwash is a difficult but immersive experience, a surreal horror piece reminiscent of the films of David Lynch and Dario Argento, but it's also a very functional game, or at least what a game is. , and it also works very well as a study in what games want us to do. The fact that titles like this are still being produced and distributed globally is one of the few bright spots in a slow year for the gaming industry. Book your flight tickets as soon as possible. You won't regret it.

Mouthwash available now (£10.99)

Source: www.theguardian.com

UK considers allowing tech companies to use copyrighted material for AI training

According to proposals from the UK government, tech companies would have the freedom to utilize copyrighted material for training artificial intelligence models, unless creative professionals or companies opt out of the process.

The proposed changes aim to resolve conflicts between AI companies and creatives. Sir Paul McCartney has expressed concerns that without new laws, technology “could just take over.”

A government consultation has suggested an exception to UK copyright law that currently prohibits the use of someone else’s work without permission, allowing companies like Google and ChatGPT developer OpenAI to apply copyrighted content in training their models. This proposal permits writers, artists, and composers to “reserve their rights,” meaning they can choose not to have their work utilized in AI training or request a license fee for it.

Chris Bryant MP, the Data Protection Minister, described the proposal as a “win-win” for both parties who have been in conflict over the new copyright regulations. He emphasized the benefit of this proposal in providing creators and rights holders with greater control in these complex circumstances, potentially leading to increased licensing opportunities and a new income source for creators.

British composer Ed Newton Rex, a prominent voice in advocating for fair contracts for creative professionals, criticized the opt-out system as “completely unfair” to creators. Newton Rex, along with more than 37,000 other creative professionals, raised concerns about the unauthorized use of creative work in training AI models, labeling it as a substantial threat to creators’ livelihoods.

Furthermore, the consultation considered requiring AI developers to disclose the content used for training their models, providing rights holders with more insight into how and when their content is utilized. The government emphasized that new measures must be available and effective before they are implemented.

The government is also seeking feedback on whether the new system will apply to existing models in the market, such as those in ChatGPT and Google’s Gemini.

Additionally, the consultation will address the potential need for “moral rights” akin to those in the US, to protect celebrities from having their voices and likenesses replicated by AI without their consent. Hollywood actress Scarlett Johansson had a dispute with OpenAI last year when a voice assistant closely resembling her signature speech was revealed. OpenAI halted the feature after receiving feedback that it sounded similar to Johansson’s voice.

Source: www.theguardian.com

Ofcom demands social media platforms to adhere to online safety laws

Social media platforms are required to take action to comply with UK online safety laws, but they have not yet implemented all the necessary measures to protect children and adults from harmful content, according to the regulator.

Ofcom has issued a code of conduct and guidance for tech companies to adhere to in order to comply with the law, which includes the possibility of hefty fines and site closures for non-compliance.

Regulators have pointed out that many of the recommended actions have not been taken by the largest and most high-risk platforms.

John Higham, Director of Online Safety Policy at Ofcom, stated, “We believe that no company has fully implemented all necessary measures. There is still a lot of work to be done.”

All websites and apps covered by the law, including Facebook, Google, Reddit, and OnlyFans, have three months to assess the risk of illegal content appearing on their platforms. Safety measures must then be implemented to address these risks starting on March 17, with Ofcom monitoring progress.

The law applies to sites and apps that allow user-generated content, as well as large search engines covering over 100,000 online services. It lists 130 “priority crimes,” including child sexual abuse, terrorism, and fraud, which tech companies need to address by implementing moderation systems.

The new regulations and guidelines are considered the most significant changes to online safety policy in history according to Technology Secretary Peter Kyle. Tech companies will now be required to proactively remove illegal content, with the risk of heavy fines and potential site blocking in the UK for non-compliance.

Ofcom’s code and guidance include designating a senior executive responsible for compliance, maintaining a well-staffed moderation team to swiftly remove illegal content, and improving algorithms to prevent the spread of harmful material.

Platforms are also expected to provide easy-to-find tools for reporting content, with a confirmation of receipt and timeline for addressing complaints. They should offer users the ability to block accounts, disable comments, and implement automated systems to detect child sexual abuse material.

Child safety campaigners have expressed concerns that the measures outlined by Ofcom do not go far enough, particularly in addressing suicide-related content and making it technically impossible to remove illegal content on platforms like WhatsApp.

In addition to addressing fraud on social media, platforms will need to establish reporting channels for instances of fraud with law enforcement agencies. They will also work on developing crisis response procedures for events like the summer riots following the Southport murders.

Source: www.theguardian.com

TikTok’s Final Bid to Overcome Anti-Sale Laws: Supreme Court Appeal | TikTok

TikTok made a last-ditch effort to continue operating in the U.S. on Monday, as it passed a temporary law requiring its China-based parent company ByteDance to sell the popular app by January 19. The U.S. Supreme Court was asked to intervene and prevent a ban from taking effect.

Both TikTok and ByteDance have filed emergency requests with a judge to block the impending ban on the social media app, which is used by approximately 170 million Americans. They are appealing a lower court ruling that upheld the law. Additionally, a group of U.S. users of the app filed a similar request on Monday.

The law, passed by Congress in April, was based on concerns raised by the Justice Department regarding TikTok’s Chinese ownership. The department alleges that as a Chinese company, TikTok could access and manipulate vast amounts of data on U.S. users, endangering national security. The ban is aimed at addressing these security threats.

TikTok and ByteDance argued in their Supreme Court filing that Americans should have the freedom to choose whether or not to use the app, without government interference. They criticized the law’s potential impact on freedom of speech and expressed concerns about the future implications if the law is upheld.

If TikTok is shut down even for a month, the companies estimate that they would lose a significant portion of their U.S. user base, affecting their ability to attract advertisers and content creators. The companies stress TikTok’s importance as a speech platform in the U.S. and argue that delaying enforcement of the ban would allow for further legal review.

Despite previous attempts to ban TikTok, President Donald Trump has signaled a shift in his stance and expressed interest in saving the app. He met with TikTok’s CEO and has indicated that his administration will evaluate the law’s legality. The companies emphasize the abrupt impact the ban would have, particularly on the eve of the presidential inauguration.

The companies urged the Supreme Court for a ruling that would allow them to manage the shutdown of TikTok in the U.S. if necessary, and to coordinate with service providers within a set deadline under the law. The escalating tensions between China and the U.S. add further complexity to the dispute.

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TikTok has vehemently denied any sharing of U.S. user data and accused U.S. lawmakers of creating unfounded concerns. The company emphasizes the importance of protecting free speech and the potential implications of restricting access to the platform.

In a statement following the lawsuit, TikTok’s spokesman Michael Hughes reiterated the need for the courts to closely scrutinize any restrictions on speech, particularly in cases involving foreign ownership. The ongoing legal battle underscores the complexities of balancing national security concerns with free speech rights.

Source: www.theguardian.com

Australian Museums Utilize Technology to Engage Visitors with Volcanic Explosions every 15 minutes

IIt begins with a soft rumble, then an explosion, and finally a thunderous roar. Pyroclastic flows spew out from volcanoes and race towards us at alarming speeds. A cascade of volcanic ash seems to be pelting the surrounding space – technically, it’s the distinctive pumice gravel from Mount Vesuvius – and for a few moments, patrons at the National Museum of Australia are transported to the 1,946-year-old tragedy in Pompeii.

Immersive experiences, including increasingly advanced virtual reality technology, are gaining popularity in museums despite criticism from scholars that flashy special effects may divert viewers from the actual artifacts and exhibits. It has shifted from being a mere gimmick to a successful exhibition to a crucial component in educating future generations, assuming that the primary purpose of museums is entertainment.

Laurent Dondy, the head of development and international tours at Grand Palais Immersif, the French company involved in creating Pompeii, acknowledges some of the apprehensions regarding immersive technology in museums.

“Sorry, but I don’t want to see Van Gogh smoking or scratching his head,” he explains. “Our approach is a blend of art and science. Technology plays a role in the creative process that surprises people and can undoubtedly add a layer of enjoyment to the experience.”

Pompeii is now on display at the National Museum of Australia in Canberra, offering hourly exhibitions showcasing Mount Vesuvius. While the immersive encounter is included in the admission price, other high-budget productions in Australia necessitate separate headsets and seats due to technology requirements, resulting in extra charges that can escalate the cost of a family day at the museum to hundreds of dollars.

Over 500,000 individuals attended the record-breaking ‘Ramses and the Gold of the Pharaohs’ exhibition at the Australian Museum in Sydney, with a quarter opting for the additional $30 fee for the VR component per person. We decided to queue for the opportunity to participate.

Visitors to the Australian Museum’s ‘Ramses and the Gold of the Pharaohs’ exhibition. Photo: David Gray/AFP/Getty Images

The Australian Museum’s latest hits, Machu Picchu and the Golden Empire of Peru, mark the museum’s fourth stage production with an immersive element.

And according to its director Kim McKay, this technology is here to stay.

“In today’s world, we must provide people with experiences, and I believe museums should not be exempt from that,” she asserts. “Museums need to evolve. Like everything else, we can’t be anchored in the past; we must embrace new and evolving technologies.”

“Children now anticipate digital enhancements, and as museum leaders, it is our responsibility to determine how to effectively integrate this technology to maintain an authentic experience. It’s a fine balance.”

Gedeon Experience, the creative force behind Pompeii’s special effects, gained exclusive access to archaeological digs in inaccessible areas, documenting the daily efforts of archaeologists for two years and using CGI to reconstruct the city’s streets and buildings.

Instead of detracting from the visitor experience, this spectacle enriches and complements the over 90 items borrowed from the Pompeii Archaeological Park, including frescoes, mosaics, jewelry, sculptures, and domestic objects.

The Director of the University of Sydney’s Museums and Heritage Program highlights a prime selection of must-see exhibitions from Australia’s museums and galleries.

However, the drawback is that technology inflates exhibition budgets, leading to increased ticket prices.

“They are costly, and there is fierce competition to incorporate the latest digital technologies,” O’Reilly remarks.

Having attended the initial Pompeii exhibition in Paris in 2020, O’Reilly notes that the visual effects of the exhibition are mostly consistent with other immersive exhibitions encountered abroad over the following four years.

“A well-executed immersive exhibit can provide a profound layering of experience and knowledge, but outdated technology may disappoint some visitors. The pace of [developments] is incredibly rapid,” she observes.

“The audience is quite demanding. Game resolutions are astoundingly high. For immersive content and narrative delivery, we now expect the caliber we encounter in gaming. It’s an intimate, detailed experience, and museum-goers will anticipate a commensurate level of quality.”

Is there a risk that future generations lacking technological acumen may fail to grasp the significance of the displayed artifacts?

“Possibly, but without those innovations to begin with, they might not have engaged in the first place,” O’Reilly remarks. “Their expectations will differ from those of previous generations.”

Perhaps not. McKay recounts that when the Australian Museum polled 100 children about their desires for future museums, they anticipated “screens everywhere.”

“That wasn’t the case. They requested ‘more spiders, more sharks, more snakes.’ They sought greater authenticity,” she concludes.

Source: www.theguardian.com