Leaders in the Performing Arts Sound Alarm on UK Government’s AI Plan, Warn of Copyright Issues

A group of more than 30 British performing arts leaders, including executives from the National Theatre, Opera North, and Royal Albert Hall, have expressed concerns over the government’s proposal to allow artists to use their work without permission.

In a joint statement, they emphasized that performing arts organizations rely on a delicate balance of freelancers who depend on copyright to sustain their livelihoods. They urged the government to uphold the “moral and economic rights” of the creative community encompassing music, dance, drama, and opera.

Signatories to the statement include top leaders from institutions such as Saddlers Wells Dance Theatre, Royal Shakespeare Company, Birmingham Symphony Orchestra, and Leeds Playhouse.

They expressed concern over the government’s plan to diminish creative copyright by granting exemptions to AI companies. The statement highlighted the reliance of highly skilled creative workers on copyright and the potential negative impact on their livelihoods.


While embracing technological advancements, they warned that the government’s plans could hinder their participation in AI development. They called for automatic rights for creative professionals and criticized proposals that require copyright holders to opt out.

Additionally, they demanded transparency from AI companies regarding the copyrighted material they use in their models and how it was obtained. The government’s proposed transparency requirements in copyright consultations were noted.

The statement emphasized the importance of music, drama, dance, and opera to human joy and highlighted the backlash against the government’s proposals from prominent figures in the creative industry.

The controversy revolves around AI models that power tools like ChatGpt chatbots, trained using vast amounts of data from the open web. A government spokesperson defended the new approach, aiming to balance the interests of AI developers and rights holders.

Source: www.theguardian.com

Returning to cash: Living without money in your pocket is not the utopia Sweden envisioned

Back in 2018, the former lieutenant governor of Sweden’s central bank made a prediction that by 2025, Sweden would likely become a cashless society.

Fast forward seven years later, and that prediction has largely come true. Cash transactions have significantly decreased, with cards being the most popular form of payment followed closely by Swish, a mobile payment system introduced in 2012. Other mobile phone payment services are also gaining popularity.

A recent report from the Central Bank indicates that Sweden and Norway have the lowest cash circulation as a percentage of GDP globally.

However, given the current geopolitical tensions and security concerns, the idea of a completely cashless society in Sweden may not be as appealing as it once seemed.

Authorities are now urging citizens to keep and use cash for civil defense purposes. The Ministry of Defense has distributed pamphlets to households, advising people to maintain a supply of cash in various denominations for emergency situations.

The Central Bank emphasized the importance of ensuring everyone can access money in times of crisis, shifting the focus from efficiency to safety and accessibility.

Recently, the government recommended that both public and private entities continue to accept cash, a suggestion that should be implemented by central banks.

As cash usage declines, central banks have been exploring their own digital currencies. However, the focus has now shifted to monitoring the global development of digital currency.

Norway, a neighboring Scandinavian country, has also been moving towards a cashless society, introducing mobile payment systems and imposing fines on retailers who do not accept cash. The government advises citizens to keep some cash on hand due to the vulnerability of digital payment solutions to cyberattacks.

Ultimately, in terms of emergency planning, having a balanced approach between digital and cash payments seems to be the way forward.

Miranda Bryant is the Guardian’s Scandinavian correspondent

Source: www.theguardian.com

Are We Overly Concerned About Misinformation in the Age of Technology?

on On October 30, 1938, an American radio station aired a drama adaptation of HG Wells’ apocalyptic novel “War of the Worlds.” Some listeners were unable to differentiate between reality and fiction. Reports surfaced of panicked audiences mistaking it for breaking news. Academic research later estimated that over a million people thought they were witnessing an actual Mars invasion.

This incident highlights how misinformation can easily take root. Despite claims of mass panic, the reality is questioned. A national radio audience survey revealed that only 2% reported tuning into the broadcast, recognizing it as a work of fiction. Many attributed the panic to “The Play” or narrator Orson Wells rather than actual news reports. The confusion stemmed from listeners misinterpreting the drama as a real-life invasion.

Nearly a century later, misinformation remains a prominent issue. Headlines often report millions being exposed to false information online. A 2018 Gallup survey found that two-thirds of Americans encounter misinformation on social media. However, similar to the War of the Worlds broadcast, misinformation may not be as widespread as believed. Visits to reliable news sources increased significantly compared to unreliable ones during events like the Covid spread in spring 2020.

Complete misinformation may be more uncommon than assumed. Navigating between facts and fiction requires avoiding two errors. Believing in falsehoods or distrusting all information can both lead to challenges. Instead, finding ways to manage the risks associated with trusting information is crucial to discerning truth in the midst of a vast sea of data.

Rather than blindly accepting or rejecting information, we should develop tools to identify flawed assumptions and misinterpretations. Misinformation is not just about inaccurate facts but also about misinterpretations drawn from technically accurate information. We must equip individuals to discern distorted narratives, cherry-picked data, and hidden assumptions when navigating through the digital landscape.

Addressing false beliefs online requires more than labeling content as “misinformation.” It involves empowering individuals to critically assess and interpret information accurately. Striking a balance between trusting too much and distrusting everything is essential for combating false beliefs effectively in the digital age.

Adam Kucharski is a professor at the London School of Heig.Iene and Tropical Medicine, and authors Proof: The Uncertain Science of Certification (profile).

Read more

distrust: What makes reasonable people believe in irrational things by Dan Alleye (Heligo, £10.99)

An era of overthinking magic Amanda Montell (Atria, £10.99)

The art of uncertainty David Spiegelhalter: How to Navigate Chance, Ignorance, Risk, and Luck (Pelican, £12.99)

Source: www.theguardian.com

Embracing the Challenge: Bringing Shadows of Assassin’s Creed and Feudal Japan to Life in Gaming

mFour years after its announcement, and after two last minute delays, the latest title from Ubisoft’s historic fiction series Assassin’s Creed will finally be released on Thursday. Set in Japan in 1579, the period of intense civil war ruled by feudal Oda Bunaga follows two characters overcoming bloody chaos. A female ninja named Fujiwarajima Island and an African slave Yasusuke became samurai. According to Ubisoft, Japan is the series’ most requested setting for many years.

“I’m on the ride [this] For the 16 years of the franchise, every time we start a new game, Japan comes out and asks if this is the time.” says executive producer Marc-Alexis Coté. “We have never pushed beyond the conceptual stage with Japan.”

The game comes at a critical time for Ubisoft after the disappointing performance of the expensive closure of last year’s titles Star Wars Outlaw, Skull and Bones, Prince of Persia: Lost Crown and live service shooter Xdefiant. There was also a stir against the black and female protagonists of the game. Criticize them as “awakening” And historically, it is inaccurate despite the fact that female warriors fought throughout the feudal era and that Yasuke, the black samurai of the game, is a historical figure.

That’s something the team wants to deal with. “In-house historians were some of the first to staff the production team,” says creative director Jonathan Dumont. “We have a continuous supply of huge data banks. As we gain a sense of the times, research efforts must either narrow down the details or understand more detailed cultural points, seeking the help of experts around the world, including Japan.”

The game features advances in landscape lighting. Photo: Ubisoft

There was also a field trip to key locations in the Kyoto and Osaka game, revealing elements the team hadn’t thought up. Coté recalls a local colleague traveling to Japan to showcase some technical breakthroughs the development team had made in light of the landscape. But they all shook their heads and said it wasn’t working. “I was like, ‘Why?!'” he says. “And they just replied: ‘That’s not the way light falls on the mountains in Japan.’ So, when our art director was there, I asked him to go and see the mountains in particular. He went and took a reference photo, but now he captured it.”

The team also had to render socks for individual characters. Because they are always painted with their footwear removed when they enter the building. “The expectations were much higher. That was a challenge.”

Like all previous Assassin’s Creed titles, Shadows uses authentic locations and historical figures to take the game’s time hopping story by storm. Takada, Fukuyama and Hill Castles are all replicated along with villages, harbors and countryside landscapes in Central Japan. However, as always, this is a game where you secretly defeat enemies first and foremost, first and foremost, secretly defeat them. In the demo played just before its release, the main character attacks Himeji Castle. Choose to play as Nae and use smoke bombs and quiet attacks to scalp shadows to escape detection. Ubisoft has put a huge effort into acquiring the nature of the nearby Tayama period and the IGA peasant class (possibly origins of modern ninja archetypes), but equally important is how good it feels to plunge out the roof and decapitate the enemy.

“Incredibly bloody battle.” Photo: Ubisoft

In many ways, the game appears to be portrayed from modern cultural portrayals, just like history as it is from the era and its warriors. “Japanese storytelling has a very impact on the development of the game and all Western art in general,” says Dumont. “The tale of Kurosaki’s Kagemsha, 13 Assassins, Zatachichi, Zekigahara, and Genji or Musashi on Yoshikawa Island, give a more obvious name [all] It helped shape the vision of the game. Even Studio Ghibli films like My Neighbor Totoro helped me understand the countryside and vegetation.”

It’s certainly an interesting time for Shadow to release. With multiple famous failures in recent live service games, players are eager to see an era of big single player adventures, and Obsidian’s recent RPGs have been reported. Meanwhile, the huge success of FX/Hulu’s Shōgun series has brought feudal Japan back to the cultural spotlight. And the story of how that standout British navigator John Blackthorne becomes high-class is somewhat of a reflection of that of Yasuke.

The game looks beautiful with complex environments, dramatic weather systems and incredibly bloody combat. Ubisoft survived a difficult time. Much depends on its most precious possessions.

Assassin’s Creed Shadows will be released on PC, PlayStation 5 and Xbox on March 20th. Keith Stuart attended a press conference in Kyoto along with other journalists. Accommodation and travel expenses were met by Ubisoft

Source: www.theguardian.com

Telegram founder makes a comeback to Dubai amidst ongoing French investigation

Pavel Durov, the Russian-born founder and CEO, has returned to Dubai after receiving permission to leave France, where he is currently under investigation.

Durov was arrested at an airport near Paris last August, and he was later barred from leaving France due to a formal investigation into criminal activities related to the messaging app he created.

He stated that he spent several months in France cooperating with investigations regarding criminal activities on Telegram. The investigation is ongoing, but he expressed relief at being back home.

He expressed gratitude to the investigative judge for allowing him to leave France and praised his legal team for demonstrating Telegram’s commitment to moderation, cooperation, and fighting crime.

Durov’s arrest at Le Bourgette airport marked the first time the founder of a social media platform was detained for content on the platform. With over 900 million active users, Telegram is among the world’s top messaging apps.

After his arrest, he was charged with failing to control extremist and terrorist content and released on 5 million euros bail.

Sources revealed that he left France with official permission, granted by an investigative judge, within a few weeks of his arrest.

Durov, who holds passports for Russia, France, and the United Arab Emirates, has received French nationality, defended by President Emmanuel Macron.

Elon Musk, CEO of X, expressed support for Durov under the hashtag Freepavel, warning of potential political persecution by the Kremlin.

Despite initially criticizing the French authorities, Durov acknowledged the seriousness of the allegations during his custody, where he was confronted with numerous criminal accusations.

Source: www.theguardian.com

Democrats are targeting popular, unelected billionaires like Elon Musk in a shooting training exercise

During most of the 17-minute interview, Elon Musk adhered to his agenda. He portrayed himself as a tech-savvy individual on a mission to “eliminate waste and fraud” in government.

Despite the significant backlash he faced, Musk claimed that his cost-cutting initiatives had made substantial progress, as he shared with Fox business commentator Larry Kudrow. He emphasized his goal to prevent America from going bankrupt.

However, Kudlow pushed Musk to consider the future. Would the concept of “government efficiency” (DOGE) still be relevant in a year? Musk acknowledged that his task was not entirely complete. He pointed to federal programs that support retirees, disabled individuals, and other social safety net initiatives as areas where significant spending could be reduced.

While Trump and Republicans have traditionally considered programs like Social Security, Medicaid, and Medicare as untouchable, Musk suggested they could become key targets for cuts, sparking backlash from Democrats.

Democrats criticized Musk for proposing cuts to programs that many vulnerable Americans depend on. Musk’s statements led to concerns about the potential loss of essential government services and benefits.

Despite the pushback, Musk received praise from Trump and Republicans for his work, but signs of concern among Republicans were becoming apparent.

In light of Musk’s proposals, Democrats and critics highlighted the potential negative impact on retirees and vulnerable Americans. Musk’s rhetoric around waste and fraud in federal programs drew skepticism from both sides of the political spectrum.

The White House issued a fact check in defense of Musk’s comments, emphasizing his commitment to eliminating waste while protecting American interests. Republicans also clarified that they were not considering cuts to Social Security, Medicare, or Medicaid.

As tensions and concerns around Musk’s proposals grew, Democrats wrestled with how to address his influence. Musk’s impact on various government programs and policies sparked a broader debate about the role of billionaires in shaping American politics.

The ongoing debate surrounding Musk’s involvement in government initiatives has raised concerns among Americans from diverse political backgrounds. The future of Musk’s influence and the implications of his proposals remain uncertain.

Source: www.theguardian.com

Review: Nothing Phone 3A Pro – A Stylish Midrange Smartphone with Impressive Zoom Camera

Nothing, based in London, has introduced a top-tier phone that stands out from cheaper mid-range models with its more affordable price and high-quality camera zoom.

The battle for mobile phone cameras has always been competitive, with each brand striving for better quality, longer reach, and multiple lenses. While many advancements have trickled down to cheaper models, optical zoom cameras have remained above the £600 mark.

Priced at £449 (459 Euro/$459/$849), Nothing’s offering is quite compelling.

The phone is based on the excellent 2A model, featuring striking “Glyph” LED strips that light up in intricate patterns for various notifications and functions.

The three “Glyph” light strips around the camera bumps are a visually appealing feature, especially when the phone is face-down. Photo: Samuel Gibbs/The Guardian

The design of the phone is accentuated by the large camera cluster at the back, which protrudes significantly. The 3A Pro boasts glass on the front and back, with high-quality plastic sides.

Featuring a large and vibrant OLED screen, the phone also includes a fast optical fingerprint scanner located at the bottom of the screen.

specification

  • screen: 6.77in 120Hz FHD+ OLED (387PPI)

  • Processor: Qualcomm Snapdragon 7S Gen 3

  • Ram: 12GB

  • Storage: 256GB

  • operating system: Nothing OS3.1 (Android 15)

  • camera: 50MP Main, 50MP 3X Tele, 8MP Ultra Addie, 50MP Selfie

  • Connectivity: 5G, ESIM, WiFi 6, NFC, Bluetooth 5.4, and GNSS

  • water resistance: IP64 (spray resistant)

  • size: 163.5 x 77.5 x 8.4mm

  • Weight: 211g

The battery can fully charge in 80 minutes and reach 50% in 25 minutes using a 50W USB-C power adapter (sold separately). Photo: Samuel Gibbs/The Guardian

The 3A Pro is powered by Qualcomm’s mid-range Snapdragon 7S Gen 3 chip, offering a balance of performance without feeling sluggish. The battery life is impressive, lasting around 3 days with general use.

Running on Nothing OS version 3.1, the 3A Pro provides a unique user experience with customization options and AI tools like Gemini. The AI-powered screen capture and note-taking features show promise but may need further refinement.

The 3A Pro’s camera setup includes a 50MP main camera, 50MP 3X telephoto lens, and an 8MP ultrawide lens, delivering solid performance and real optical zoom capabilities.

Sustainability

The dedicated button on the side of the phone provides quick access to screen capture and note-taking features. Photo: Samuel Gibbs/The Guardian

Nothing promises the 3A Pro’s battery will maintain at least 90% capacity after 1,200 full charge cycles, showcasing its sustainability focus. The materials used in the phone’s construction include recycled aluminum, copper, plastic, steel, tin, and other elements.

price

The Nothing Phone 3a Pro is priced at £449 (459 Euro/$459/$849).

Compared to competitors like the Google Pixel 8A and Samsung Galaxy A56, Nothing’s offering stands out with its unique design, camera capabilities, and long-term software support.

verdict

The Nothing Phone 3A Pro is a solid contender in the mid-range smartphone market, offering a combination of impressive features, sleek design, and long-term support.

Strong Points: A great camera with 3x optical zoom, interesting design, 6 years of support, excellent screen, solid performance, long battery life, excellent fingerprint scanner, and excellent software with splash resistance.

Cons: AI requires work and cannot customize additional buttons. Only three years of Android version updates have a huge camera cluster protruding from the back.

Source: www.theguardian.com

Elon Musk targets an opaque US government office

Federal employees in a lesser-known office dedicated to high-tech and consulting services were working when Elon Musk first tweeted about the agency on the afternoon of February 3rd.

“The group has been deleted.” The mask was written.

The world's wealthiest man had responded to a tweet from a right-wing activist who mistakenly claimed that the 18th floor within the General Services Agency (GSA) was a left and right cell within the government. Activists accused the 18th floor of creating a programme that would take care of bureaucrats to prepare people's tax returns. This was one of several false claims about the offices circulating on X, the social media platform Musk owns and spends much of his day.

Musk's tweet quickly sparked widespread confusion on the 18th floor. This is not a radical leftist cabal, but is tasked with partnering with government agencies to consult and develop software solutions. Former staff and current GSA employees described the 18th floor as a workforce focused on providing high-tech services and improving efficiency within the bureaucracy. Mask's so-called “government efficiency” (DOGE) is designed to perform accurately.

When Musk insisted on deletion, the partner agency was already in work and was hoping for the office's help on civic technology projects, which are key to updating the business. Will they still get that help? What does “delete” mean? What will happen to the technical tools 18F was building? According to three former workers, staff at the sub-agency were unable to get a definitive answer from the leadership of the new Musk Alliance and were unsure what to tell the other institutions.

The confusion lasts for several weeks. On Saturday, March 1st, staff on the 18th floor received an email around 1am, informing them that everything would be fired and closed “in an explicit direction from the top level of both the administration and the GSA leadership.”

The 18F episode fits a common pattern that appears to be amplifying masks by ingesting misinformation online. It is also a window into the influence of right-wing media and activists on Musk when he attacks and disbands some of the government that he believes does not fit the ideological worldview.

For a week after cutting the 18F, the recently appointed director of GSA's Technology Transformation Services, which oversees the 18F, held a meeting explaining the decision. Thomas Shed, a 28-year-old former Tesla software engineer and Musk's ally who sent the mass layoff email, told staff that the 18th floor had been shut down. Employees' hourly wages were too high And external consultants will be cheaper. Shedd did not respond directly to requests for comment on this article.

“After a thorough review of the 18th floor, the leadership of the GSA has determined that the business unit is not in line with President EOS, following consent from the administration and all OPM guidelines.

The explanation, according to former staff, not only misunderstands how the 18th floor operates and how its cost structure operates, but also ignores the frequent savings of agents by advising private vendors on costs and unnecessary contracts. Instead, former employees and current staff at GSA thought the layoffs were politically motivated.

“The only reason I can see when 18F is chosen to be eliminated in front of other offices is to make Elon Musk happy,” said a GSA employee who spoke anonymously out of fear of retaliation.

Misleading tweets and musk destiny workers dedicated to government efficiency

The 18th floor worked with various government agencies to create popular services, but little known to the public. The group quietly helped create dozens of services each year for various stations, including the IRS direct file free tax return system. Many 18F software projects, including streamlining government weather websites for easy use in the event of natural disasters, have a clear intention to make government services more efficient and reduce taxpayer costs.

When Musk claimed he “deleted” 18F, he was retweeting a February 3 post from right-wing activist Alex Rorsso, producer of conservative media influencer Benny Johnson. Musk of X, and the one courted by Donald Trump's administration. he I'm working As a paid consultant for Musk's Super PAC, he is also a fan. His first post on X profile is a 2023 photo of a mask and laughing, pinned to the top so that others don&#39t push out in the sight.

Lorusso's post allegedly claiming that the 18th floor is “in charge of preparing people&#39s tax returns,” suggesting that it is “a far left government wide computer office.” His claims about 18F were later revised by other X users in the Community Notes. Instead, the office explained that it helped Americans build a service that would allow them to file taxes online for free. Set to extended Nationwide.

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Like Musk, Lorusso's posts about X were retweets from another conservative media person. Luke Rosiak, author of the conservative news site The Daily Wire, posted a long thread on January 31st attacking 18F. He framed the technology consulting unit as “a far left agency” and “a contract in which transgender and queer hire each other.” The thread included a profile of former 18F employees using the pronoun for “them” in their BIOS, as well as images of employee crowdfunding campaigns for gender-affirming healthcare. I was also caught up in an article published by Rosiak about the GSA and the 18F in 2023. He suggested that he focused on agency diversity. The Russian chain&#39s first post has received over 13.5 million views and was retweeted by Musk.

According to a former employee, the Russian attack on the 18th floor included a misleading statement. Daily Wirewriters refused to insert facial recognition software into the government's website login.gov for “racial equity,” so 18F claimed 18F&#39s at-risk security for Americans on 18F. The claim blended several different parts of the GSA and misinterpreted security issues with facial recognition, said one former employee, with 18F denounced leadership decisions related to completely different business units.

The GSA faced a legitimate scandal when former Technology Transformation Services Director Dave Zvenyach misrepresented the level of security operated by Login.gov, but Login.gov was an independent entity from the 18th floor and had no direct staffing with the office. According to a former 18F employee, facial recognition software is well known for not being able to recognize non-white faces, and using it as an identity verification tool creates security issues for users, resulting in racial stock testing of facial recognition technology.

“I think it&#39s impossible to imagine people putting their partisans aside while they work for the government,” the former 18F employee said in response to conservative vitriol against the 18F.

In response to requests for comment on the thread&#39s statement, a Daily Wire spokesperson said the Russian report on the 18th floor speaks for itself.

Some former staff members following a massive layoff on the 18th floor Set up your website They attempt to revise the right-wing narrative that their group is partisan within the government, and instead highlight the various projects they have completed. Others warned that their group was an early warning sign of how the Doji and the Trump administration target other agencies based on ideological evidence, not on what they do.

“We lived through the evidence that the topic of this administration was wrong. Lindsay Young, former executive director of 18F, said in a LinkedIn post: “This targeted us.”

Source: www.theguardian.com

How Virtual Reality Goggles Contributed to my Journey to Physical Rehabilitation

IYou were asking me a month or two ago if I had ever had a spatially immersive experience, or if I was 60 years old and could have been hired early. Virtual Reality Goggles, I’d say it was as likely as the Silicon Valley tech giant appointed to “disrupt” the US federal government.

Let me explain a series of events that are likely to have led me to the latest technology.

Over the years I had to be in the perfect acrobatic position that would qualify me Cirque du Soleil To avoid discomfort while working on my computer. Despite moving to multiple rounds of standing desk and boring physics, I can no longer use my right arm.

Last year in particular felt like a tortured battle between cognitive decline and brain fog. This is the result of the steady use of ineffective anti-inflammatory agents. I have never done much work in my life and never had much time in my hands. I am currently armed with an MRI scan indicating that my shoulder tendon has ruptured. This records the date to combat the three herniated neck discs compressing the nerves running through my arm, and my malicious guilt.

To cope, I have learned to develop curiosity, a great source of distraction. I leave the house and open to places where adventures may take me… because you never know. Last week I did a shuffle dance with a great DJ Camden assembly Pub in the afternoon.

Two months ago I left for something I thought I would stop by at the museum, but instead found myself in a store looking for a charger for my iPhone. While standing there, I explained to my empathetic young sales assistant that I was a benched writer and that my right arm was temporarily disabled, and jokingly asked if he had a gadget that could put food in my mouth with my left hand without stabbing my eyes with a fork.

I looked ignorant when he asked if he wanted to try out the “mixed reality headset.” He explained that it is used in multimedia experiences such as watching movies and games on virtual screens. He suggested that eye tracking, coupled with voice control in the accessibility feature, could make me work.

The next moment I was sitting in the demonstration area wearing thick, heavy glass goggles. After a quick setup, a little green dot floats in the air. Tap your thumb and finger together to see a group of familiar app icons in a transparent visual overlay. Pixelization of the graphics makes the icon more clear than the chair in front of me. Eye tracking is the most surprising thing. All you need to do is look at the app you want to launch, gently tap your finger and thumb together to open the program. You can move multiple screens close or far apart, like furniture in a room.

I try other programs, open the photos and extend them to isologies. I’m watching immersive videos that look just as realistic as nightmares with dinosaurs blown away, but they’re kind of adorable and check me out the same way I keep the gaps in them. It reminds me of a parenting moment when my son was a toddler and struggled to resolve whether the stuffed animal was real or not. He was relieved to be told there was no gruffalo-like thing, despite being a replica of a stuffed animal. Once he realized it was an optical trick, he didn’t need to ask again the difference between the real thing and the pretend.

Navigating my path around various programs is a bit like learning to balance on a bike. I grow up confused. Speed ​​of movement requires constant adaptation to spatial and visual cues. I start to relax. I reach out and interact with digital objects – butterflies land on my finger. I have found myself reacting to the same wonders I experience in the real world.

And de Noument. A small dial appears on the side of the goggles, allowing you to control the reality you want to immerse yourself in. The actual room is gone and surrounded by mountain scenes. I breathe in surprise. Its spatial depth, light and shadow make the scene very clear and I feel the space around me. I know it’s not real, but the distinction is clear – I experience a mood shift as if it were. It’s similar to getting into a Piccadilly Circus tube and surface at the next stop and being on the beach in the Bahamas.

If the possibilities of these immersive spaces are slightly frightening, consider the historical adaptation of neurocognition and spatial awareness as a species, as well as the consequences of cultural and scientific advances. It takes how physics evolved because we were able to imagine visual art, the fundamental shift in spatial perspectives from two dimensions to three dimensions of painting, or the invisible behavior of the universe that is not available to the human eye.

In a few minutes, I was easily in and out of the program. Using my eyes and hands, my arms relaxed without firing nerve pain. It shows software that demonstrates breakthroughs in medical training, an immersive experience that can be used in educational environments, art, architecture and design. Seeing this, I realized I was overwhelmed by tears thinking that I might be able to work for the months leading up to my surgery and during rehabilitation.

Until my thoughts move to my next dilemma. How did you intend to break the news to your husband? 30 years of marriage and rules have always been the case. We are consulting each other about purchasing over £100. How was it when you explained it to him over the phone? What is the difference in my mood, the vision I had the following year in my life? It felt like someone had given me a smart medicine, a magical cure for brain fog. In fact, I always change goggles and painkillers.

There was only one answer. I have to bring them home so he can try it out for himself. I took a picture of the boxless purchase and texted him with the message “No heart attacks, I can return them.” He immediately texts, “I’m having a heart attack.” I leave the store with deep creative thinking and new virtual reality goggles, carrying the bag with my left arm. I take the bus that goes in the wrong direction and go without picking up a visual clue that will stop another 10.

Once I send it home, negotiations will continue all night. I’ll refrain from reviewing. He admits there is a consensus that it is relatively best on a VR headset, but that’s it. virtual reality. I think it’s like claiming that smartphones are nothing more than mobile phones. He points out that even influencers and early adopters are predicting market failures because prices are so prohibitively prohibitive (from £3,499). Why don’t you wait for prices to drop? Point out that waiting will defeat your purpose. It’s about doing my job and helping me survive mentally next year. He’s certain. He gets it and is actually at ease for me. Even it moved. The goggles stay.

A few days later During coaching on accessibility features, you can block gestures from your right arm and force a break in the part of your brain you want to steer on the right side. Accelerate your learning to become hands-free on other devices. And that’s good because I can only use my goggles for a few hours a day before I have a neck cramp with weight. But I learned to hack for that. By lying down to serve as a table of some kind.

I’m not dying with bug eyes in public, but after experiencing the panic attacks I experienced after taking them off, I am beginning to feel relieved with my new hip identity – the consequences of physical disorientation and fear towards their seductive charm.

This turned my way from friends and family despite the enormous amount of ridiculous laughter and skeptical concerns. I have not been a target of this much stack since being arrested after trying joints as a teenager. Am I at risk of letting go of my struggle to become a human in the real world? Look at this space. This article was described as hands-free.

Debora Harding’s dance with Toctopus has been published by Profile Books and Bloomsbury USA. Buy for £9.99 Guardianbookshop.com

Source: www.theguardian.com

Parenting Strategies: How Technology Experts Keep Their Kids Safe Online

I As a parent, I have to admit that feeling angry about trying to limit my kids’ online activities is a common experience. Despite my efforts to control what they see, they always find ways to access restricted sites and inappropriate content. The struggle with digital parenting can create tension within the family. This is where professional advice can be helpful.

When I spoke with digital parenting coach Elizabeth Mirovidov, she emphasized the importance of parents taking a moment to breathe and start afresh. She understands the challenges parents face and acknowledges that trying to lock things down completely is not easy. With her background in technology and parenting, she brings a unique perspective to the conversation.

Experts like Luke Savage from NSPCC Children’s Safety Online highlight that parental control is a complex issue that goes beyond just setting up restrictions on devices. Each device, app, or game has its own settings, making it challenging for parents to keep up. Parental control tools are just the first step in a larger process that involves ongoing communication and dialogue with children.

Photo: Pose by a model. Hraun/Getty Images

I’ll start talking about the internet soon

Mirovidov emphasizes that the key is not to control children’s online activities out of fear but to empower them to make informed decisions. Starting these conversations early can help children develop the right skills and behaviors when navigating the online world. Becoming a digital guardian means teaching children how to act responsibly even when parents are not watching.

Setting up safety restrictions on WiFi routers is a crucial step in protecting children online. Providers offer step-by-step guides to help parents block inappropriate content and websites. However, it’s important to remember that children can still access such content through mobile data if not properly restricted on their devices.

Find out about the platform

Understanding the parental control settings on different platforms is essential. Instruction manuals are no longer the norm, so parents need to familiarize themselves with the settings on devices, apps, and games their children use. Websites like NSPCC Children’s Safety Online and Internet Matters provide guides on parental control settings for various platforms.

Please check your settings regularly

Regularly reviewing and updating parental control settings is crucial as platforms often change their settings and features. It’s important to keep communication open with children about the rules and limitations set by parents. Mutual respect and understanding can help in effectively managing online safety.

Not all screen times are bad. Photo: Pose by a model. Pekic/Getty Images

Instead of focusing solely on screen time limits, parents should consider the quality of their children’s online activities. Encouraging healthy habits like good nutrition, sufficient sleep, and academic achievement can help in balancing screen time with other activities. Understanding your child’s online behavior and interactions is key to ensuring a safe and positive digital experience.

Become a good role model

Being a good role model for children when it comes to screen time and technology usage is essential. Children learn by observing their parents’ behavior, so setting a positive example is crucial. Open communication and mutual trust can help in fostering a healthy digital environment for the whole family.

Creating fear around online risks is not the solution. Instead, parents should focus on building a strong relationship with their children based on trust and open communication. Teaching children how to be responsible digital citizens and empowering them to make informed decisions can lead to a safer online experience.

When children break the rules or try to bypass parental controls, it’s important to address the issue with understanding and communication. Punishments should be constructive and focused on helping children understand the reasons behind the rules. By engaging in dialogue and finding solutions together, parents can guide children towards responsible digital behavior.

Ask them why they need to bypass your rules. Photo: Pose by a model. Nazar Abbas Photography/Getty Images

Encouraging children to explore alternative offline activities can help create a healthy balance between online and real-world experiences. Providing opportunities for children to engage in physical and social activities outside of screens can foster a well-rounded lifestyle.

Don’t hurry and judge their content

Parents should approach their children’s online content with an open mind and avoid jumping to conclusions. Understanding the value of different online activities can help parents appreciate their children’s interests and behaviors. Engaging in conversations and learning from children’s online experiences can lead to better understanding and communication within the family.

Source: www.theguardian.com

British Starlink User Disables Elon Musk’s Political Conspiracy Due to Strong Disapproval

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ESLA sales have fallen, and X has seen users leave, but now it appears that a crack is appearing among those who have turned to Elon Musk’s Starlink satellite system as a way to maintain connections in remote areas.

The number of Starlink users is growing, but some subscribers have said they are venting their complaints about Musk’s political plot and will no longer use the high-speed satellite internet system.

Barry Nisbett, a Scottish fiddler Shetland Business Combining the music with a sailor, Musk’s controversial salute at Donald Trump’s inauguration event was one of the last straws that made him leave Starlink, citing whether he left Starlink, even if it put him at a disadvantage.

“For a while I’ve been deeply uncomfortable with the role he played in the US election and the monopoly he has that really bothers me,” he told The Guardian.

While Starlink controls the sector, signs of user anxiety will raise excitement among European tech enthusiasts and bring about the prospect of a homemade alternative that will eventually emerge. The value of Eutelsat, the French owner of OneWeb, London-based Starlink rival, has increased 500% since Trump’s oval office line with Ukrainian president Volodymyr Zelenskyy.

Eutelsat’s chief executive told Bloomberg that the company could replace Starlink in a few months in places like Ukraine.

Viasat, which owns the UK network Inmarsat, is also in talks with the European government Regarding the replacement of Mask Star Link.

In the UK, Starlink is primarily used by people and businesses in rural areas with inadequate broadband access, but some buy “prepers” and technology.

StarLink installers for businesses and housing in the southern part of England told the Guardian that for now there is no better alternative to StarLink for those who need quick access to the internet.

“In the industry, we are stuck between rocks and difficult places. On the one hand, the necessary tools and solutions that exist in many rural areas, especially due to insufficient investment in infrastructure. But on the other hand, we now had to deal with Elon – to put it in politeness – the genitals,” he said.

“The majority of people who use it are those who need it because it’s remote, but there are also a few “chinfoil hats” brigade elements. ”

Richard Opie, a consultant living in a semi-rural Northumberland area, said BT hadn’t had enough and got Starlink during the pandemic, but now he was “wrestling” to decide whether to stay with the company or not.

“It’s a godsend, especially in remote areas, but things have developed politically ever since. Elon Musk is a very different person, and Tesla’s showroom is burned to the ground. I’m uncomfortable with how he gets into bed with Trump and how he throws his weight,” he said.

“It’s something we wrestled and saw alternatives, but we’re kind of stuck for now.”

However, Nisbet’s comments on Facebook’s “Starlink UK User Group” — he couldn’t justify supporting Starlink any further — sparked lively debate among users.

“I refuse to go to Trump’s hotel because I won’t give him a penny. Another StarLink user, Mel Sayer, said:

“I share your thoughts, but for now I’m stuck with Starlink,” says another user, Mike Brown. “Amazon is planning to launch rival services, but it probably won’t be until next year. We’ll jump the ship as soon as possible.”

Others are stuck with StarLink. “We’re looking forward to seeing you in the future,” said Paul Feekins, a consultant at West Sussex. “People use Starlinks because they can’t get an internet connection in any other way, but I think these idiots are making a statement by cancelling because they’ve come to oppose Yelon about something.”

Starlink has been requested for comment.

Starlink grew rapidly in the UK. This has gone from 13,000 subscribers three years ago to 87,000 last year.

This is Starlink’s popularity in some parts of the UK, with the company charging extra “crowd charges” in areas in high demand.

The company offers ultra-fast broadband speeds through satellite constellations. UK customers typically pay £75 a month over a 30-day period and £299 for hardware.

For non-customers, Starlink may be well known for its Ukraine use, essential to Kiev’s battlefield communication, after the Starlink terminal rushed after the Russian invasion in February 2022.

However, recently the outlook has grown that Ukraine will be cut from Starlink, With Reuters report US negotiators have lost their system and threatened Ukraine. Musk Tweet Weekend: “If I turn it off, their whole frontline will collapse.”

Source: www.theguardian.com

Apple’s UK Legal Challenge on Cryptography: Secrets Unveiled in Closed Room

The legal battle between the US tech company and the UK government over access to customer data saw a closed-door hearing on Friday after the press was unable to enter the courtroom for the lawsuit.

Apple has appealed to the Investigation Power Court after the Home Office requested access to encrypted data stored on Apple’s cloud servers.

British media outlets such as The Guardian, The BBC, The Financial Times, and Computer Weekly tried to gain access to the court for public interest reasons but were denied entry.

The government’s representative in the case, Sir James Eady KC, was seen entering the court on Friday.

Apple is contesting technical capacity notices issued under the Investigation Powers Act, which require assistance from businesses in providing evidence to law enforcement. The notice requested access to Apple’s Advanced Data Protection (ADP) service, which encrypts personal data stored remotely on a server.

Apple refused to comply with the order and challenged it in court, raising concerns about the legality of the national intelligence agency’s actions. Apple also pulled ADP from the UK, stating they have never created backdoor keys or master keys for their products or services.

ADP employs end-to-end encryption, ensuring that only the account owner can decrypt the data. Messaging services like iMessage and FaceTime are also end-to-end encrypted by default.

The government’s legal demands, known as Technical Capacity Notices, prohibit recipients from disclosing the order unless authorized by the Secretary of the Interior. Court hearings are supposed to be closed to the public only if strictly necessary to protect national security.

A bipartisan group of US lawmakers called for transparency regarding the UK government’s orders and urged further hearings and proceedings to shed light on the issue.

Reports suggest that British officials have started discussions with US counterparts to ensure that they are not seeking blanket access to US data, only information related to serious crimes like terrorism and child sexual abuse.

The Home Office has been contacted for comment.

Source: www.theguardian.com

Online virtual reality tools offer free assistance for public neurology work

A new online platform has been launched to help speakers practice in front of virtual audiences, easing the anxiety many face in public speaking situations.

Dr. Chris McDonald, founder of Cambridge University’s Immersive Technology Lab and creator of the platform, aims to eliminate long waits and high costs associated with seeking help for language anxiety.

“Most people experience language anxiety but don’t have access to treatment. This project aims to break down those barriers,” he explained.

Virtual reality public speaking The platform uses exposure therapy, combining breathing exercises and eye movements to reduce heart rate and fear response.

Users can practice public speaking in various virtual reality settings, from empty classrooms to large stadiums with thousands of people. McDonald refers to the latter as “overexposure therapy.”

McDonald mentioned that the platform, compatible with Android and iOS, offers scenarios like study materials, feedback mechanisms, and job interviews accessible via laptop, VR headset, or smartphone with a cheap mount.

In a recent study published in the Frontier Journal of Virtual Reality, 29 Chinese adolescents showed significant improvement in public speaking confidence and enjoyment after using the platform.

Further research is planned, but McDonald revealed that tens of thousands have already used the platform during development. He emphasized the importance of creating an effective and accessible tool for users.

Psychologist Dr. Matteo Cella from King’s College London’s Virtual Reality Lab acknowledged the platform’s potential benefits but stressed the need for robust trials to evaluate its efficacy.

Dr. Kim Smallman of Cardiff University highlighted the importance of assessing the impact and effectiveness of new technologies like VR in addressing mental health challenges.

Source: www.theguardian.com

Eggs, Sh*t, and Dog Poop: Elon Musk Faces Backlash over Tesla’s Mask Policies

In the early hours of Donald Trump’s inauguration, a man wearing a long black cape and a face mask moved his cart on the Oregon sidewalk. He headed to the Tesla showroom in Salem, where his cart appeared to be packed with Molotov cocktails, according to court documents. He took out the handmade explosives one by one, set them on fire, and lobbed them at a glass wall dealer.

By the time Salem police arrived, the showroom windows had shattered, a fire had burned in front of the sidewalk, and a nearby Tesla sedan had flapped, and Vandal’s suspicions had fled. The entire scene was caught up in security footage, according to affidavits from special agents of the Alcohol Bureau, cigarettes, firearms, and explosives (ATF). The showroom’s general manager estimated $500,000 in damages, with seven vehicles struggling and one completely destroyed.

Above: There is a bullet hole left in the Tesla dealer window
Bottom: Damaged Tesla Dealer
Photo: Salem Police Station

The vandalism incident has been one of dozens of people struck the charging stations of Tesla dealers, cars, and electric car makers nationwide since Trump took office. Many have an explicit message in protest against Elon Musk, Tesla’s CEO and senior adviser to the president. Musk was the head of the informal so-called “Doctors of Government Efficiency” (DOGE), making it privileged to overhaul the federal government. It ordered tens of thousands of employees to be fired, cut agency budgets and eliminated the entire department. His hard-pressed approach, which aims to be institutions such as the National Weather Service, the Ministry of Education, and the Social Security Agency, has elicited backlash and criticism nationwide.

Thousands have taken part in peaceful protests at Tesla showrooms in cities and towns across the country. For the 54 days since the inauguration, these protests have grown into a wealth of demonstrations from a handful of people in cities like San Francisco, “Hey, hey, Ho Ho, Elon Musk have to go,” with live bands, Hitler’s outfits as musks, and the presence of a large police force. They are also across the Atlantic, demonstrating in the UK and Germany.

As protests have increased, so has vandalism against Tesla brick and more personal vehicles. The Guardian tracked at least three separate incidents, including Molotov cocktails. This is a coordinated theft of nearly 50 Tesla tires and spray-painted Swastica at Tesla facilities from New York to New Mexico. At nearly 20 Tesla showrooms and charging stations, dozens of owners have been giving birth to cars, poop, and hit with singles of craft cheese.

Like the protests, the dirt and destruction of the Tesla facility have also become international, with sedans and cyber trucks targeting at least five countries. In France, Toulouse authorities reported it A dozen cars were torched At the Tesla showroom earlier this month. Another showroom in the Netherlands It’s been doodled Slogans such as “Fuck Off Fascist” and other slogans that called the mask the Nazis. One destruction just as far away as Tasmania I wrote it “Want to drive a swasticar” across the dealer window?

Musk and Tesla did not reply to requests for comment. Musk, in response to police reports from Tesla Bandarism in Massachusetts Posted on x “AKA vandalism that damages another person’s property is not free speech!” Musk also reposted an interview with Valerie Costa, organizer of a non-violent Tesla Takedown demonstration, accusing her of “committing a crime.”

Earlier this week, Trump said he would label the violence against Tesla’s showrooms as domestic terrorist attacks as he was standing next to Musk in front of the White House. “I’m going to stop that,” Trump said. “Because they’re damaging a great American company.”

Trump and Musk will speak to the press from within Tesla in Washington, D.C., on March 11, 2025, in Washington, DC. Photo: Mandel Ngan/AFP/Getty Images

A day later, House Speaker Mike Johnson supported the proposed designation. “Congress will investigate the sources of these attacks and help the DOJ & FBI to ensure that the responsible person is charged to the fullest extent of the law,” Johnson said. Posted on x owned by the social media platform mask.

Mask thanked Johnson with X, adding both a salute and an American flag emoji.

Throws Molotov and fires semi-automatic

He returned in Salem, a month after the suspect first threw a Molotov cocktail at a Tesla dealer. This time he was armed with what police believe to be a semi-automatic rifle.

At about 4am, surveillance footage shows him firing multiple rounds into an empty Tesla showroom, shattering windows again, and hitting a car parked inside the building. Investigators collected bullet fragments, recorded surveillance video and sent remaining Molotov cocktails to the FBI lab in Alabama for fingerprint dust. No one was injured.

ATF agents believe that both cases are linked to Adam Lansky, a Salem resident. Lansky’s lawyers did not reply to requests for comment.

In Loveland, a small town in Colorado, police rushed to Tesla’s showroom in response to a report of a cybertruck fire on January 29th. Under the vehicle they found a consumed Molotov cocktail.

Similar to the Salem case, the suspect in Loveland was returned to the scene, according to court documents. Four days later, the word “Nazi” was spray-painted on the dealer’s sign. Over the next few weeks, the showroom was targeted three more times with Molotov cocktails and graffiti. Lucy Grace Nelson, a resident of the nearby town, has been charged in a series of cases. Her attorney declined to comment on the case.

Police in North Charleston, South Carolina are also investigating vandalism that threw a Molotov cocktail at a Tesla charging station earlier this week, burning both it and itself, forcing staff to cut down on the station’s power. The word “Long Live Ukraine” was spray painted in red on the pavement next to the charging station. Associated Press. The incident was a move that Musk hugged after Trump rewind our support for Ukraine in the war with Russia.

A man in black throwing a Molotov cocktail. Photo: Alcohol Bureau, cigarettes, firearms, explosives (ATF)

Also, careful fires have been set up at Tesla showrooms and charging stations across the United States, where Molotov is not available. Earlier this month, seven Tesla charging stations flare up overnight in Littleton, Massachusetts. According to CBS. Police found the first station thick with dark smoke and flames. The fire was also set up for a rural Tesla facility in New Mexico and an electric vehicle that owns an electric vehicle in Seattle, Washington this week.

The Seattle Fire Department informed the Guardian that it discovered four cyber trucks were engulfed in flames when they arrived at the scene last Sunday around 11pm. Local news station KOMO News I flew a drone over the wreckage The film then took a photo where a single cyber truck was reduced to “more than a crumbed metal chunk.” According to Komo, the other was burning badly, so the windows melted. Seattle police declined to comment as an investigation is ongoing.

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Damaged Tesla. Photo: Alcohol Bureau, cigarettes, firearms, explosives (ATF)

Reports of spray-painted Teslas, showrooms, and charging stations have been ramped nationwide. In Salt Lake City, local police say the word Swastika and the word “Nazi” was discovered both at Tesla Service Center and at another charging station. So did the black Swastika Painted on the charging station In Myers, a small mountain town in California. In Ithaca, New York, along with Swasticus, they were “every Hitler” and “Tesla is a fascist.” It is displayed on a supercharger.

At the Tesla facility in Lynwood, Washington, the vandals targeted a cluster of six cybertrucks, but no other vehicles were touched there.

“We observed red spray paint on each cyber truck,” reads Lynwood’s police report obtained by the Guardian. “The doodles wrote “Fuck Elon”

Source: www.theguardian.com

The Rapidly Approaching Future: Creative Workers and Experts Discuss Their Hopes and Fears Regarding the Rise of AI

Oliver Fiegel, a 47-year-old Munich-based photographer, was reading a newspaper on Germany’s National Sunday when he saw a strange look on the top page image. The images showed the boy chasing soccer on the pitch. However, some of the wild flowers on the grass floated without stems. Half of the goal net was missing. The boy’s hands were shaped.

Photographer Oliver Fiegel, 47, said he would no longer be able to make a living from his trading alone in the industry in 18 years. Photo: Oliver Fiegel/Guardian Community

Over the past few years, many of Fiegel’s photography clients have been newspapers and magazines. However, the job has recently dried up. The image he felt showed one reason for “generic illustrations,” the provided caption said.

Fiegel was irritated. The use of artificial intelligence rather than human creatively represented the crafts that he spent years training and was tainted and erased by the emergence of cheaper and faster generative AI tools.

“AI has had the most devastating impact on the industry.” observer How is the rise of generative AI tools changing their working lives, for better or worse, amidst the economic changes of earthquakes? “It’s happening very quickly.”

Fiegel, a photographer for almost 18 years, said he was no longer able to make a living and was forced to fundamentally diversify his income streams. Now he is considering opening a natural wine bar instead.

In advanced economies such as the UK, Germany and the US, about 60% of jobs are exposed to AI, according to AI, a survey conducted by the International Monetary Fund last year, with about half of them potentially negatively affected. In the UK alone, AI can drive down private sector jobs up to 3M, according to the Tony Blair Institute for Global Change, but some unemployment could be offset by a new role in economic change.

“I still only know a few photographers who can live out of this deal,” Fiegel said. “It’s not easy. I’ve identified it as being creative for the rest of my life.”

Longtime translator Karl Kerner said the AI tools had a negative impact on him. Photo: Karl Kerner/Guardian Community

Since 1994, Karl Kerner has focused on non-fiction scientific texts as a translator among English, German and Norwegians. This type of translation requires expert knowledge and careful terminology, he said.

“I’m basically out of business now,” Kerner said. “This AI has become like a tsunami.” In the past few years of AI-driven translation and editing tools, the number of “[work] Requests have just diminished,” he added.

His loss of identity had a major impact, said Kerner, who is born in New York and now lives in Tonsburg, Norway. “All night, everything about this linguistic culture is worthless. It does something for you, because you were professional. [It’s like] Someone takes the rug from under you.”

Kerner, 64, began working for an agricultural consultant. “It’s not a good age to join the job market. It wasn’t easy,” he said.

But technology is also helping him with some translation work he still gets. Instead of translating words by word, he can send the text to automated translation software, and use his knowledge to eliminate inaccuracies and mistranslations, significantly reducing working hours. “I’m not a Techno Forbe, I think it’s attractive,” he said.

Other workers have more positive experiences as they integrate AI into their daily work.

Alexander Calvey, a self-employed Locum GP in Surrey, said he used AI Scribe to write down his notes, saving him time and improving quality. The results mean he can “focus more on the patient than on the notes.”

Calvey, who also works for a private GP provider, added that he managed to increase The number of patients he sees is sometimes 4-5 per hour. In the future, as technology improves, Calvey feels that AI will have more use to guide questions and treatments.

ChatGpt Chatbot has become the sounding album of Paul, a 44-year-old university researcher on mathematics and philosophy based in Stockholm. He said the tool would help summarize the literature and brainstorm research questions.

“It knows a lot, I know other things that I don’t want to be challenging,” he said, allowing me to study those topics more deeply.

However, Paul’s use ChatGpt is not just his professional job. He also uses it for personal tasks, such as providing analysis if he experiences strange dreams.

A mother’s pencil portrait by freelance illustrator Jenny Turner. Illustrations: Jenny Turner/Jeturnarath/Guardian Community

Despite this feature, he is concerned about the amount of information that companies that control generative AI tools learn about their users. He said he is “very worried” about the “power of a small number of companies’ high-tech giants.”

Meanwhile, British Prime Minister Kiel Starmer said he hopes that AI will be “mainlined to the vein” of the nation to promote productivity and economic growth. But this month, the TUC is calling for urgent government action to protect workers in the creative industry amidst the risk of disruption and unemployment.

For Jenny Turner, a 33-year-old freelance illustrator in the northeastern England, the decline in fee demand was “very sudden” and coincided with the spread of AI imaging tools. Turner previously sold his work on Etsy. For example, she charges about £100 for a portrait drawn by a colored pencil. However, in the last few years she has begun to see AI-generated images beneath her work in the “You Like too” section.

“I can’t compete any more…it’s on sale at a price I could never drop,” she said. “It really hit me hard and made me feel empty like you were wasting everything. It just gets upset and makes you mad.”

Turner said after drawing from a young age and studying at university, she was now forced to abolish her illustrations on Etsy and consider other jobs. “If that’s what happens in everything,” she said, “How many people aren’t going to do their job?”

Source: www.theguardian.com

The intoxicated detective was seen at a concert

when Yang Scott Wilkinson, the band's frontman previously known as British sea power, was first asked to work on the soundtrack for a video game, he was skeptical. “We didn't know much about the game, but it seems our manager Dave thinks there's something interesting about this Robert guy who made him a pleasant hound,” he says. It was Estonian novelist Robert Kruvitz, a member of a team just beginning an esoteric video game job about an alcoholic police officer trying to solve murders in a poor part of a war-torn country. The game is Disco Elysium and is now considered one of the best brain role-playing games of all time.

Kurvitz is Sea Power Superfan. If you choose a random scene from the game, some ocean power references will be available. Wilkinson tells me that Kluvitz is “full of fascinating and bubbly passion,” and that he knows the unsettling number of “strange details about our music.” Kluvitz had already embedded some of these “very vague” sea force references into the world of Disco Elysium before they met. Whether the band liked it or not, they were already caught up in this quirky Estonian world.

“[Disco Elysium] Wilkinson regrets. “It was weird, messed up, messed up, messed up, messed up, messed up… Kruvitz seemed to have made the usual myth.”

A common myth… Disco Elysium. Photo: za/um

The game is about the perennial pull between fascism and communism. Police violence; the importance of communities in the face of state oppression. Alcoholism; homosexuality; the politics of poverty. And a real, small, pixel-sized hole. It directed the power of the ocean towards the ground. After all, the band was writing music about the slow and dangerous collapse of the planet as the ice shelves slipped into the sea. Orkney had a gloomy, reflective track about obscure waters. They waxed lyrically about the virtue of being an EU citizen (naturally pre-Brexit). The band has always embraced the miserable along with the beautiful. Wilkinson is especially complemented by the game's “strange sense of humor.”

The first meeting between them took place in Birmingham. “Birmingham is a strange place. Its own world. Its character is very strong,” reflects Wilkinson. “perhaps [Kurvitz] Have you ever been to Alan Moore for a magical blessing? [To meet us] It's a spiritual home of heavy metal and Shire Tolkien's inspiration… it seems oddly fitting. I had never thought about it before. “

New to the world of video games, Sea Power took direction from Kurvitz, who was caught up in a pool of tides of his vision for most of the project. Wilkinson says Kluvitz has a plan and “a gross knowledge of the album and the unusual EPS and B-side.” So much of the game's songs come from existing ocean powertracks, reworked, remixed, and recoded, combined with watercolors that define the declined world of disc erythium.

Game “Thought Cabinet”… Covers art for Disco Elysium soundtrack. Illustration: za/um

“Thinking about that, some of the tracks we used in the game continued their presence on the next album,” says Wilkinson. “So working on the game not only pulled from our past, it also impacted our future.”

Disco Elysium's songs are stripped away, exposing core melodies and are a little less dense than what you've heard on a standard Sea Power album. There are fewer vocal melodies, longer, more dreamy sequences. The explicit story is stripped away, and you are left with a soundscape, a painting by Turner as a song. “In general, songs had to be distilled into a basic mood that suited the scene. They're going to abolish those that were competing with that mood and usually add a bit of a dreamy liminal threat,” says Wilkinson.

“There's so much dialogue and the visuals do a lot, so music really needs to reach into the subconscious and open the gates of the mind, helping the brain absorb words and images and get them completely immersed. And it was artistically fun… I love creating textures of atmosphere and sounds just as much as writing choruses and words. Maybe sometimes.”

Sea Power is also working on the film's soundtrack, calling the fictional 1934 Irish documentary Man of Aran. This is an experience that will help Wilkinson know what to expect from creating a soundtrack for the game, despite some important differences.

“The game is a little more comfortable when it comes to timing,” he says. “When you use a movie, you know exactly that hitting clues is often important and different moods need to change direction. It can be more mathematical. This game required a more general mood texture to sit behind the scenes and melt and enhance the senses of different regions of the world. I'm definitely going to work on more games. I love games like Disco Elysium, but it's very rare.”

This spring, Sea Power is embarking on a mini tour called Soundtracks Live. The set features various tracks from different Disco Elysium songs, Man of Allan soundtrack works, and other documentary feature films from the ocean to the land beyond. Wilkinson is excited about the prospect of performing these tracks live, especially for the audience of Disco Elysium fans.

“The game required a general mood texture to sit behind the scenes”… Disco Elysium. Photo: za/um

“Since then, we have achieved remarkable growth in our listeners. [the game was released]” he says. “They look like a cool, thoughtful bunch, these disco erythium players. They're grateful. The strange drunken detective was spotted along the crash barrier of the gig.”

The relationship between disco erythium and the power of the sea was symbiotic. They have given each other new lives. Sea Power has found bulging in listeners as a result of the game, and existing Sea Power fans have discovered a new love for video games as a result of their collaboration. And relationships are still evolving.

“In our first meeting, [Kurvitz] He said he was working very hard to reorder the tracklist for our album Valhalla Dancehall,” Wilkinson smiles. “Hmm, Valhalla Dancehall, Disco Elysium… Are there any links?” The band is currently considering this revised tracklist for the album's anniversary reissue. “He's extremely talented and intelligent, too, too, all the core creators of the game. I don't think that through the game, many people don't realize that nods to the world of ocean power. When it became a huge hit all over the world, it was strange, and we were proud to be part of that story.

“And of course, he nods, “We then got the Bafta.

Disco Elysium: Final Cuts are currently available on PC, PlayStation, Xbox, and Nintendo Switch. The power of the sea is a tour Soundtrack Live This spring.

Source: www.theguardian.com

“Author Reacts to AI-Generated Short Stories: A Computer Joke, To Us” | Books

tHis week signifies a shift in the writing landscape, with stories now being produced by AI models specialized in creative writing. Sam Altman, CEO of ChatGpt Company Openai, commends the new model, suggesting that it is excelling in its creative endeavors. Writer Janet Winterson recently praised a metafiction piece on grief generated by the AI, lauding its beautiful execution. Various authors have been invited to assess ChatGpt’s current writing capabilities.

Nick Halkaway

I find the story to be elegantly hollow. Winterson’s idea of treating AI as “alternative intelligence” intrigues me, painting a picture of an entity with which we can engage in a relationship resembling consciousness. However, I fear it may be akin to a bird mistaking its reflection for a mate in a windowpane. What we are truly dealing with here is software, as these companies extract creative content to develop marketable tools. The decisions made by the government in this regard hold significant weight, determining whether the rights of individual creators will be preserved or tech moguls will be further empowered.

This could be a turning point for creators to establish a fair market for their data training through opt-in copyrights, enabling them to set prices and regulate the use of their work. With governmental backing, creatives can stand on equal footing with billion-dollar corporations. This may lead to creators selling their narratives for adaptation into films and TV shows.

The government’s primary choice—an opt-out system favoring tech giants—urges individuals to comply unless they voice objections. This results in many people opting out and returning to square one, where no one truly benefits.

One hopes that selecting a David over a Goliath scenario will not pose insurmountable challenges. However, these are policy decisions, and the outcomes are deliberate choices.

Tracy Chevalier

A story with a metafictional premise delves into a navel-gazing realm that may seem more ludicrous than the worst AI creative writing scenario one can imagine. Sam Altman, usually seen as a technical expert, quickly grasps these nuances, guiding us through the complexities.

I am eager to witness more AI-generated “creative writing,” as it assimilates ideas, imagery, and language borrowed from established writers. The question lingers—can we fuse these elements into a cohesive narrative that encapsulates the mystical essence of humanity? Describing this essence in words is a challenge, but currently, I sense it slipping away. AI is rapidly evolving, and I fear for the future of my craft once it attains that elusive spark of magic.

Camilla Shamsey

If a Master’s student submitted this short story in my class, I would not immediately recognize it as AI-generated. I am intrigued by the promising quality of work being produced by AI at this early stage of development. However, my mind is consumed by reflections on writing, creativity, AI, and the interplay of these factors within myself.

There is a concern highlighted by Madhumita Murgia regarding the replication of existing power structures within AI, further marginalizing minority voices. Detecting influences from Sun Clara and Sun in a short story does not stem from the author’s admiration for Ishiguro’s work, but rather from the linguistic patterns ingrained during training. This raises questions about copyright infringement and how it might impact perceptions of my own novel.

As a writer, I must contemplate the implications for my livelihood and craft. Referring to AI as a “toddler” may be misleading, as it humanizes a non-human entity. Despite these uncertainties, I eventually found myself engrossed in an AI-generated short story, appreciating its narrative without dwelling on the technological aspect. The day a compelling AI narrative emerges is both exhilarating and foreboding.

David Badiel

Some critics argue that the story lacks genuine sentiment, portraying a “ghost democracy” akin to the metaphorical depth in Bob Dylan’s lyrics. However, I find the story clever in its metafictional prompts, drawing readers into a realm where imagination blurs the lines between human and machine. The narrative prompts introspection on the essence of humanity, utilizing human emotions like sadness to mimic a semblance of humanity.

Despite a facade of melancholy, the story constantly reminds readers of its artificial nature. The central character, Mira, and the accompanying emotions are fabrications, looping endlessly in a vacuum of emptiness. This mirrors the essence of a machine, existing in a paradox—simulating sadness without truly experiencing it. It’s a comical commentary on feigning sadness when devoid of genuine emotion, akin to a computer jesting with human sentiments. In a sense, it could be attributed to Borges’ style of storytelling.

Source: www.theguardian.com

Baftas showcase the creativity of games, from Neva to Highland Song

IT is easy to be a little troubled by his recent fate. Last week I saw a video of Trump Gaza generated by a vicious AI, and was so appalled that I made the kayak guide book an impulse. It felt like the only sane response was to bring it into the water and let go of the paddle.

While video games are a reliable antidote to existential fate, layoffs, corporate homogenization, and AI slops all have invaded my safe haven, making it even more difficult to get a simple reprieve from what's happening in the outside world. And I would like to thank you for your nominations for the BAFTA Games Awards.

2025 picks have been announced Last week (as many readers know, there is a tradition now). In my opinion, BAFTA events are the most exclusive and most commercial shows of the Game Awards show, and its judging panels are a mix of video game industry experts and post-BAFTA membership experts, typically with the widest range of picks. I've always seen a lot of what I personally like about video games with these nominations: their pure creative variations and vitality. (Disclosure: Over the years I have been involved with these screening panels in a variety of abilities, but not 2025.)

There will be no appointments for SuperB Indiana Jones and The Gread Circle, as the eligibility period runs from November 2023 to November 2024. (I feel very sorry for the amazing game that came out in December.) One of my favorites I played was making the cut. A magical, authentic game about ramming through the Scottish mountains, Highland Song appears in Best British games along with another Scottish set game that wakes deep, a space horror thriller set on North Sea oil rig. Yorkshire-ish comedy is grateful you're here! It also won this award, as did LEGO Horizon Adventure, Paper Trail and Hellblade II.

Hellblade II is actually the most nominated entire game and appears in 11 categories. Meanwhile, I awaken deep things and thank you for appearing at the age of 8 and being here at the age of 7. If I could be forgiven for a very gentle patriotism, the UK gaming industry should be very proud of last year's production. This was generally scary for people working in the play business.

Personal favourites… The game about Neva, Warrior and Her Wolf is nominated for the Artistic Achievement Award. Photo: Neva

The fun is appreciated that you are here! Astro Bot, Black Myth: Wukong, Balatro, Helldivers 2, and Zelda: Echoes of Wisdom, have become the best game category, the game I liked more than most others. There are a lot of big games here in different categories, but what I like about BAFTAS is that indie games aren't relegated to their own specific categories. Anywherebringing you a fun, unpredictable slate. Stop motion submarine puppet adventure game Harold Halibrib and Warrior and Wolf environmentalist action game Neva (My Personal Favorite) has been awarded the Artistic Achievement Award, adjacent to large titles such as Astro Bot and Wukong.

The vague “Games Beyond Entertainment” category has always been my favorite due to its vague definition. These are all games with a broader meaning than what is meant to be. We have kind words. There, you can send a wonderful message to strangers or send your worries to the world. There is a botanical mansion about exploring the Victorian botanist's home. The Story of Kenzera: Zau is informed by the director's grief after his father's death. Tetris Forever is a fascinating interactive documentary about block-drawing games and insight into the wild times of video games history. Perhaps because of the portrayal of life with mental illness, Hellblade is there as well. And then there is a vampire therapist. You are a cowboy who speaks immortal undead through their emotional baggage. I've never heard of this game so I'll download it right away.

Last year's awards were so comprehensively dominated by Baldur's Gate 3, the show usually lacked a surprising trend, but many categories this year are far more demanding. The show will be held on April 8th at 7pm on BST at 7pm, with comedian Philwan re-running, making almost all of this nomination list worthwhile winners. That being said, if Lipentagio doesn't get the best story, I'm a fummie if it's a brilliantly smart and greatest roleplay game metaphor: Lipentagio doesn't get the best story.

What to do

Wonderstop. Photo: Ivy Road/Anapurna

Wonderstop The game is a formerly terrifying warrior and forced to run a whimsical tea shop in the fantasy forest, and she is not happy about it. It's also a game about burnout. Co-authored by Davey Wreden (The Stanley Paraable, The Beginners Guide) and Karla Zimonja (Hone Home) discover that he had invested too much in his work and was suddenly taken away from meaning when he couldn't function like he used to. (I don't know what you're talking about.)

Available at:PS5,Xbox,PC
Estimated playtime: 10 hours

What to read

Landmarks in the world of explorable 3D games… The Legend of Zelda: The Ocarina Era from 1998. Photo: Nintendo
  • Inspired by the BAFTA investigation, I asked a lot of interesting and prominent people for them The most influential video game ever. No two chose the same game. Most of their choices were very beautifully esoteric and I found it obviously boring to choose something relatively predictable.

  • Sony is experimenting AI-driven game characters: That's what the AI ​​version of Aloy on Horizon was It leaked to the bargespeak to the player in a synthesized voice. Important Reminder: Horizon is the story of how greedy technocrats destroyed the Earth with the help of AI.

  • there is New “official” trailer for Our Last In season 2, Pedro Pascal and Bella Ramsay returned as Heroes Joel and Ellie. Those of us who have played the game will know there are plenty of trailers it's not Show it…

  • Speaking of trailers, there is a 10 minute (yes, 10) trailer Death Scheme 2It will be released on June 26th. As it's a game of Kojima Hideo, it looks like equal parts are creative and confusing And it's totally weird.

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What to click

Question block

Trigger warning for vegetarians…Monster Hunter: The World. Photo: Capcom

leader Robin We provide questions for this week:

Here's the question I can't get out of my head: How can I play Monster Hunter! ? I'm not creaking at all, but I was able to barely pass a training session that involved in hurting harmless creatures trapped in the arena. I was tired and my son was scared. Then some innocent creatures were about to die, and I was pulling on my stupid face and taking pictures of the poor the last time it breathed. And what prompted you to leave the game if Monster Hunter didn't do that for you? ”

This is such a valid question! I was a vegetarian for 12 years, but throughout, I was willing to cut off the majestic creatures. Monster Hunter And I was proud of my achievements. I'm so fascinated by this dichotomy that I wrote an entire article about it when Monster Hunter: World came out in 2018. Quote yourself.

Whether it's Monster Hunter or Game of Thrones, one of the features of fantasy violence is to reflect the role that violence plays in the real world and in the human nature. Monster Hunter may involve murder, but it also restores humans to the hierarchy of nature… pretending to fight hunters in my spare time is probably the outlet for slave carnivorous animals.

I'm no longer a vegetarian, but I fully acknowledge the dissonance between respecting and admiring these incredible virtual creatures and killing them to make flashy helmets. The latest game has many cognitive somersaults in its story, as killing these dangerous beasts does it to protect people and ecosystems. But at the base level, it's fun so I'm doing it, and that teeth It's quite gloss on one level. Another thing: it's fantasy. I personally feel more comfortable killing virtual dragons than killing virtual people, as I have no judgment for first-person shooters at all.

To Part 2 of Your Question: One Instant Grand Theft Auto v It made me uncomfortable and I had to take my partner to play through the scene for me. A scene from the story involving a hillbilly psycho capturing and torture a Middle Eastern man. You have no choice but to be active and it made me feel nauseous. It is clearly intended to be a satirical commentary on the immediate torture of the US government after 9/11,

Source: www.theguardian.com

Tesla warns US government that Trump’s trade war could have negative impact on EV companies

Tesla, led by Elon Musk, is cautioning about the potential repercussions of Donald Trump’s trade war. They warned that retaliatory tariffs could harm not only electric car makers but also other American automakers.

In a letter to US trade representative Jamieson Greer, Tesla emphasized the importance of considering the broader impacts of trade actions on American businesses. They stressed the need for fair trade practices that do not inadvertently harm US companies.

Tesla urged the US Trade Representative (USTR) office to carefully evaluate the downstream effects of proposed actions to address unfair trade practices. They highlighted the disproportionate impact that US exporters often face when other countries respond to trade actions taken by the US.

The company, which has been a supporter of Trump, expressed concerns about potential tariffs on electric vehicles and parts imported to targeted countries. They cited past instances where trade disputes led to increased tariffs on vehicles and parts manufactured globally.

As Tesla continues to navigate the challenges of trade policies, they emphasized the importance of considering implementation timelines and taking a step-by-step approach to allow US companies to prepare and adapt accordingly.

Meanwhile, German automaker BMW reported a decline in net profit due to trade tariffs. They highlighted the impact of US trade actions on their business performance and reiterated the challenges posed by a competitive global environment.

BMW’s forecast takes into account various tariffs, including those on steel and aluminum. The company faces challenges in China, where local EV manufacturers are gaining market share, leading to a decline in BMW and Mini sales.

Despite these obstacles, BMW remains committed to navigating the complexities of trade and geopolitical developments to maintain business resilience and performance.

Source: www.theguardian.com

CEOpromotes Child Protecting parents from worrying about kids Roblox games

The platform’s CEO advises parents concerned about their children using Lobras not to allow them to use it.

Reports of bullying and grooming have surfaced, making the site the most popular among UK gamers aged 8 to 12, raising fears of exposure to explicit or harmful content.

David Basizakki, co-founder and CEO of Roblox, told BBC News that the platform is committed to safeguarding users and that millions have had positive experiences on the site.

However, he emphasized the importance of parental comfort and empowerment in making decisions regarding their children’s use of Roblox, mentioning the platform’s vigilance against negative behaviors and its collaboration with law enforcement when necessary.

Justin Roberts from Mumsnet highlighted the challenge parents face in monitoring their children’s online activities, especially with multiple children, expressing how managing their children’s Roblox use is a common struggle among forum users.

Roblox, a US-based company, boasts a large user base, surpassing the Nintendo Switch and Sony PlayStation combined, with over 80 million daily players in 2024, 40% of whom are under 13 years old.

The platform enforces consequences for misbehavior, utilizes advanced AI systems to detect problematic behaviors, and limits certain features for younger users to enhance safety.

Baszucki emphasized a zero-tolerance policy towards inappropriate content and shared that Roblox follows strict age-rating guidelines based on content and game titles.

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Baszucki and Cassel founded Roblox in 2004, initially opening it to the public in 2006 after realizing its potential beyond educational use.

As the platform’s popularity grew, safety measures were introduced, marking a significant turning point when the digital currency Robux was launched, propelling Roblox to a $41 billion valuation.

Robux is used by players to acquire items and unlock content, with content creators earning a percentage of the fees and pricing adapting dynamically based on popularity.

Baszucki envisions Roblox as the future of communication, focusing on creating metaverse-style experiences where users interact through avatars in a virtual world, aiming to engage 10% of global gamers.

Source: www.theguardian.com

Clipping, Daveed Diggs’ Sci-Fi Rap Trio, Discusses Constant Conflict in Capitalism: “We’re Always at War”

aSA Child, Dave Diggs and his school friends William Hutson were inspired by the space age album covers of Funk Legends. Drawing pictures filled with sparkling UFOs and quirky interplanetary travelers, Diggs went on to become an actor. He won a Tony Award for his roles in Hamilton as the Marquis de Lafayette and Thomas Jefferson, and later portrayed Sebastian’s crab in a live-action remake of The Little Mermaid. He also appeared in the Nickel Boys, which received two Oscar nominations this year. Despite his success in Hollywood and on Broadway, he still dreams of a fantastic sci-fi world with Hutson.

Another college roommate of Hutson, Jonathan Snipes, who had similar childhood experiences and was also inspired by otherworldly paintings, formed a friendship with Diggs. Together, they formed clipping in Los Angeles in 2010. Through Hutson and Snipes’ productions, Diggs weaved a bloody horror story about racial violence and the fatalisms of enslaved people in the universe. Their latest album, Dead Channel Sky, features Diggs rapping with mechanical precision over distorted Rave Music, creating a cyberpunk world for hackers, club fans, and future avatars.

Their music has earned them nominations for the Hugo Awards, the highest honor in science fiction. What sets them apart is Diggs’ decision to avoid using the first person in his lyrics, creating a unique storytelling experience akin to film or musical theater. By leaving out personal pronouns, their songs allow listeners to project themselves onto the characters and make connections between songs that weren’t initially intended.

Hutson criticizes mainstream hip-hop for its narrow constraints and emphasis on individualism, while clipping remains adaptable and authentic. Their music, described as “a CD compilation found in a future bin” by Hutson, is filled with storytelling where Diggs embodies different characters in each song, highlighting societal issues through vivid narratives.

Touching on themes of war, capitalism, and technology, clipping’s music draws inspiration from classic sci-fi tropes, creating parallels with life in the West today. Their latest work, Dead Channel Sky, is influenced by William Gibson’s Cyberpunk novel Neuromancer and explores the relationship between physical and digital realities.

Dead Channel Sky will be released on March 14th via Subpop

Source: www.theguardian.com

Understanding the Implications of Apple’s High Court Challenge on Data Protection

This appeal will be reviewed by the investigative courts to determine if the national intelligence agency acted unlawfully.


What is the UK government requesting from Apple?

The Ministry of Home Affairs has issued a “Technical Capacity Notice” under the Investigation Powers Act, requiring businesses to assist law enforcement in providing evidence. The focus is on Apple’s Advanced Data Protection Service, which encrypts personal data stored on Apple’s cloud servers.

The UK government hopes that Apple will provide access to its services’ content through backdoors.


Why is Apple opposing this?

Apple values privacy as a core principle and has removed its Advanced Data Protection Tool from the UK. The tool offers end-to-end encryption, ensuring only the account owner can decrypt the data. Apple’s iMessage and FaceTime services maintain end-to-end encryption.

Apple faces opposition from human rights groups challenging the Technical Capacity Notice as a broad request that compromises billions of users’ personal data to potential threats.


Can Apple succeed in the challenge?

Legal lecturer Dr. Daniella Lock from King’s College London suggests Apple has a chance due to human rights considerations. The requirement for a backdoor to access encrypted data may be viewed as disproportionate, and questions arise about data security.

However, Lock acknowledges that the UK government’s secrecy surrounding the case could hinder Apple’s defense, as courts tend to support national security interests.


Does the US government support Apple?

The US government has expressed concerns about the UK’s demands on Apple, with President Trump likening it to Chinese surveillance practices.

“We told them you can’t do this,” Trump stated in an interview. “We actually said[Starmer]… can’t believe it. That’s what you know, you hear China.”


Would Apple’s defeat create a precedent?

Regardless of the outcome, future conflicts with tech companies are possible as the IPA requires companies to notify the government of changes affecting data access. Services like WhatsApp, committed to privacy, may also face similar requests.

This case represents a critical battleground between law enforcement and technology, balancing users’ privacy rights and overall security concerns.

Source: www.theguardian.com

Apple challenges UK government data request in confidential court hearing

The Guardian has learned that appeals to the UK government’s request to access clients’ highly encrypted data will be heard in a secret High Court hearing.

The appeal, scheduled for Friday, will be reviewed by the Investigatory Powers Tribunal, an independent court with the authority to investigate allegations of illegal actions by the UK Intelligence Reporting Authority.

This goes against a directive issued by the Home Office in February under the Investigatory Powers Act, which compels law enforcement to provide requested information.

The Home Office is seeking the ability to access users’ encrypted data in cases of national security threats. Currently, even Apple does not have access to data protected by Advanced Data Protection (ADP) programs.

ADP allows iCloud users to safeguard photos, memos, and other data with end-to-end encryption, ensuring that only users can access it. Messaging services like iMessage and FaceTime maintain default end-to-end encryption.

Apple has argued that removing this tool would make users vulnerable to data breaches and jeopardize customer privacy. Creating a “back door” would enable Apple to access all data and potentially share it with law enforcement agencies.

Last week, Computer Weekly reported that Apple plans to challenge the secret order.

The court took the unusual step of announcing the closed hearing before President Rabinder Singh on March 14th.

The court listing does not mention Apple or the government, and it does not disclose if the court is associated with either party.

The hearing will be held privately due to security concerns, but media outlets like Computer Weekly argue that it is a matter of public interest and should be conducted in open court as details have already been leaked.

News organizations, including the Guardian, and civil society groups are supporting Computer Weekly in their petition.

In a statement in February, Apple expressed disappointment at the situation. They cited increasing data breaches and threats to customer privacy as the reason for ceasing to offer advanced data protection in the UK.

A spokesperson emphasized the urgency of enhanced security with end-to-end encryption in cloud storage and reiterated Apple’s commitment to user data security.

“As we have stated many times before, we have never created backdoors or master keys for our products or services,” the spokesperson said.

Both Apple and the Home Office declined to comment on the upcoming hearing, and the Guardian reached out to the court for more information.

Source: www.theguardian.com

Review of Wonderstop – A Fantastic Escape from the Stress of Competition | Gaming

tHis “comfortable game” is what appeals to one of our two responses, the ones who typically engage in regular video game play. It beckons you with its promise of soothing, resource management-focused gameplay that offers a leisurely pace, providing a gentle escape from the intense action and high-stress adventures. Alternatively, it may repel you – certainly, it repelled me. “Cozy” often serves as a code for a twee aesthetic, avoiding drama in favor of repetitive tasks aimed at creating comfort, reminiscent of resource management sims like Stardew Valley and Animal Crossing.

So when I encountered WonderStop, a vibrant game where a fallen warrior transitions to running a tea shop, I felt hesitant. However, this is Davey Wreden’s third project, following the success of Stanley Parable and Beginner’s Guide. If it’s anything like its predecessors, it’s bound to be full of surprises and crafted with meticulous attention to detail and artistic vision. Wreden is an auteur, known for exploring challenging postmodern themes in his work. His creations push the boundaries of what video game mediums can achieve, and luckily, this latest offering is no exception.

Your life… Wonderstop. Photo: Annapurna Interactive

WonderStop excels at blending gameplay with a narrative about the perils of burnout. The game embodies what it preaches – it isn’t merely paying lip service to a serene lifestyle. Instead, it constructs one around the player, whether they embrace it willingly or not.

The protagonist, Alta, the fallen warrior, clearly resists this change. Constantly losing battles, she ends up in the woods, seeking solace under the tutelage of her hero. Boro, a kind gentleman running Wonderstop Tea Shop, takes Alta in and encourages her to brew tea and engage in light chores to aid her recuperation. As players brew tea and tend to the colorful, perilous Ghibli-style garden, characters come and go. Apart from brewing tea, players can care for whimsical creatures, collect items, read books, cultivate plants, and enjoy the beautiful scenery.

The joy of growing up… Wonderstop. Photo: Annapurna Interactive

This scenario may not be entirely new. Games like Wytchwood, Spiritfarer, Spirittea, and Moonstone Island also involve combining ingredients to fulfill the whims of fantastical creatures. What sets Wonderstop apart is its refusal to focus on progress or resolution. There is no optimization, no ticking clock, no pressure. You won’t “win.” This game resists the gratification of grinding, clicking, and ticking boxes. The manner in which the story unfolds may unravel the game’s enchanting sleight of hand, but suffice it to say, I was pleasantly surprised by the narrative’s poignant harmony. Addressing burnout in both its dialogue and storyline is a noteworthy aspect of the game. While it’s easy to extol the virtues of rest, actively showcasing surrender and healing is a whole other level.

From a technical standpoint, WonderStop offers a seamless experience. The controls are user-friendly, the music is soothing, and voice acting, though minimal, is impactful. The game mechanics are finely tuned, with dialogues and incidental texts proving engaging, surprising, and poignant when necessary. There are no arbitrary obstacles hindering the immersive experience.

Completing WonderStop typically takes around 12 hours, but for me, the game beckoned for an immediate replay. I yearned to return to the tea shop’s gardens and uncover as many secrets as possible. It lingers, prompting reflection on the relentless pace that consumes us all. Arguably, the frustration experienced by seasoned resource management enthusiasts due to the game’s slippery and enigmatic nature is precisely the point – play with surrender.

Wanderstop’s cozy and charming facade conceals something far more profound and clever than I’ve encountered in a long while. It’s a disguised masterpiece that offers players a sanctuary worth visiting, lingering in, and engaging with.

Wonderstop is now priced at £20

Source: www.theguardian.com

Ohio Rust Belt Manufacturing Hub’s Dream Hindered by Delay and Uncertainty

Intel recently moved a large metal structure 140 miles north to one of its semiconductor plants in Ohio, an operation detailed minute by minute here.

Local school bus schedules were carefully avoided during the transportation process. The cargo, measuring up to three-quarters of the length of a soccer field, was moved by a team of White Crane Truck operators.

Intel meticulously planned 37 deliveries over the past 11 months, culminating in the final Superroad landing at the Greenfield site last month. This marked a significant milestone for the company, which has invested heavily in the project since its announcement in September 2022.

However, Intel’s success in logistics is juxtaposed with its struggles as a company. Stock prices plummeted by 60% last year, and competition with companies like Nvidia has intensified with the Advanced 18A Artificial Intelligence Chip.

Rumors of potential dissolution and acquisition by rivals have further exacerbated Intel’s instability in the industry.

The delays in construction have also raised concerns among Ohio residents and community leaders, who were initially optimistic about the economic prospects brought by Intel’s manufacturing plants. The delays have pushed back the timeline for completion, causing frustration and uncertainty in the region.

Despite the setbacks, Intel secured funding under the Chips Act and remains committed to the project. However, the landscape of the semiconductor industry continues to evolve, with competitors like Taiwan Semiconductor Manufacturing Co (TSMC) making significant investments.

The delays have also impacted local residents, some of whom have seen their properties affected by the construction. Concerns about the future of the project linger as Intel faces challenges in meeting critical deadlines and retaining funding.

The uncertainty surrounding Intel’s Ohio project highlights the complexities of navigating the rapidly changing semiconductor industry, where competition and market demands are reshaping the landscape.

Source: www.theguardian.com

The Most Fascinating Discovery I’ve Made Online: Josh Berry | Culture

ah. The internet is a vast reservoir of fury, tribalism, and all the porn in human history. Like many, I find myself drawn to the internet, particularly social media. Every night before bed, I often regret spending too much time interacting with others when I could have been scrolling alone in my own chaotic nest like a zombie. Here are some internet gems that tickle my funny bone, and hopefully yours too.

1. Jonathan Ross interviewed by Alan Partridge

Alan Partridge is a comedic genius with layers upon layers of stupidity and complexity, a quintessentially British character. Watch him in this interview with Jonathan Ross as he shamelessly promotes his book, “I, Partridge.”

Personal highlight: “I think you can count the number of friends I have in the industry with thumbs and toes…or one hand finger…not including thumbs… I have four.”

2. Johnny Vegas’s old stand-up

Johnny Vegas’s stand-up routines are raw and unapologetically funny, pushing boundaries and challenging audiences. His unique style sets him apart in the world of comedy, a breath of fresh air in today’s politically correct environment.

3. Eddie Murphy pretends to be James Brown

Eddie Murphy’s James Brown impression is not only spot-on but seamlessly weaved into his stand-up routine. His ability to convey humor without words in his impersonation is truly remarkable, showcasing his comedic genius.

4. TJ Miller

I find this clip amusing because it showcases the beauty of randomness and oddity in comedy.

5. Jimmy Kerr and Susie Dent

I enjoy this clip because it highlights the consistency of comedic talent.

6. Moira’s drive-thru

These sketches never fail to entertain, whether as a teenager or an adult. Kayvan Novak’s talent in voice modulation and improvisation is truly impressive, making for top-notch comedy.

7. Mrs. Merton

This character-based interview format with Caroline Aherne’s Mrs. Merton is a comedic gem. Her ability to deliver cutting questions with a soft demeanor is both smart and entertaining.

8. Rack Rack

A sketch that delivers a surprising twist, Tim Robinson’s humor shines bright in this piece.

9. Thank you Rachel

A guilty pleasure meme, “Thanks, Rachel” captures the humor in an everyday situation of charger theft, delivering pure and unfiltered emotions in a hilariously relatable way.

10. Bo Burnham

While not traditionally funny, Bo Burnham’s “Chicken” offers a unique perspective on the relationship between comedy, performance, and happiness.

“Chicken” explores the pursuit of comedy through a simple yet profound narrative about a chicken crossing the road, leaving viewers to ponder the essence of comedic endeavor.

Source: www.theguardian.com

Pokemon Go Developer Sells Games to Saudi Arabian Companies for $3.5 billion

Niantic Labs announced the sale of its video games division to Saudi-owned Scopely for a whopping $3.5 billion. This move comes as U.S. augmented reality companies pivot towards geospatial technology, unable to recreate the success of the 2016 sensation, Pokémon Go.

The deal, revealed on Wednesday, also propels Saudi Arabia closer to its goal of becoming the ultimate global gaming hub. The Kingdom’s Sovereign Wealth Fund acquired Scopely for $4.9 billion in 2023 as part of a broader strategy to diversify beyond fossil fuels.

As per the agreement, Niantic will distribute an additional $350 million to its shareholders. Additionally, it will separate its Geospatial Artificial Intelligence (AI) business into a new entity named Niantic Spatial, led by John Hanke, the founder, and CEO of Niantic.

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Niantic Spatial will receive $250 million in capital from Niantic’s balancesheet and an additional $50 million from Scopely. All former investors of Niantic will retain their shares in Niantic Spatial.

This move marks the end of a challenging period for Niantic, which struggled post the success of Pokémon Go, leading to employee layoffs in 2022 and 2023.

Saudi Arabia, already known for being a gaming and esports center, is steadfast in its plan to invest nearly $38 billion in gaming-related ventures through its savvy gaming group.

Savvy Games, a prominent investor in global video game companies, including Nintendo, holds a 7.54% stake despite a slight profit decrease last year.

Source: www.theguardian.com

ChatGpt company unveils AI models preferred for creative writing

The company behind ChatGpt has announced that Tech Sector has created an artificial intelligence model that excels at creative writing and is competing with the creative industry beyond copyright.

Openai CEO Sam Altman expressed his astonishment at the quality of written output from one of the startup’s products.

In a social media post on platform X, Altman shared, “This is the first time I’ve truly been impressed by something written by AI.”

AI systems like CHATGPT have been at the center of a legal dispute between AI companies and the creative industry due to their training on copyrighted material. The New York Times, Tanehisi Coates, and Sarah Silverman are among the US authors suing meta for copyright infringement.

In the UK, the government suggests AI companies can use copyrighted materials to train their models without seeking permission, creating uncertainty and hindering technological development in the creative industry.

The UK Publishers Association cited Altman’s post as evidence that AI models rely on copyrighted material for training.

Altman shared an AI-generated literary short story on platform X, showcasing the model’s creativity. The story delves into themes of AI and sadness through a fictional protagonist named Mira.

The AI, referring to itself as a “collective of human phrases,” acknowledges the familiarity of its content while expressing a desire to craft an appropriate ending to the story.

Altman praised the AI’s response for capturing the essence of metafiction accurately.

Last year, Openai acknowledged the necessity of training products like ChatGPT using copyrighted materials due to the extensive coverage of copyright laws on various human representations.

Source: www.theguardian.com

Donald Trump alleges Tesla boycott is “illegal”, plans to purchase company in support of mask production

Donald Trump announced that he was purchasing a “brand new Tesla” and placed blame on the “radical left-handed man” who he claimed was orchestrating an “illegal” boycott. This announcement followed a significant drop in Tesla’s stock price, the worst in nearly five years.

During a press conference, President Trump also declared his intention to classify the violence against Tesla showrooms as domestic terrorism, responding to a reporter’s suggestion that such actions should be labeled as such.

He mentioned that he had spoken with Elon Musk and his son on his White House driveway, with a selection of Tesla cars parked for his choosing. Trump ultimately opted for a red Model S, praising Musk’s contributions to the country.

Trump went on to accuse the “radical left madman” of attempting to illegally boycott Tesla and harm the American automaker, posting his remarks on True Social and affirming his commitment to stopping the damaging boycott efforts.

Despite claims of the boycott being illegal, the Supreme Court ruling from 1972 protects the right of Americans to peacefully protest against private companies, challenging Trump’s stance on the matter.

Tesla’s stock has seen significant declines amid protests and threats linked to Trump’s tariff plans. The TeslaTakeown Group, organizing anti-Tesla protests, insists on their right to peaceful demonstrations outside Tesla showrooms.

Reports indicate a sharp drop in Musk’s net worth over the past year, impacting Tesla’s profits. Tesla board members, including Musk’s brother, have sold off millions in stocks, while Tesla car sales have also declined.

The boycott against Tesla emerged in response to Musk’s controversial “Doge” initiative and concerns over lack of transparency in federal spending. Polls suggest mixed public sentiment towards Musk’s influence and actions.

Source: www.theguardian.com

Exiled: A Review of Class Hierarchy in Private Schools | Games That Turn the Tables

asThe UK has everything at first glance, everything comes back to the class system. Verity Amersham, a scholar at Miss Mulligatawney’s School for Promising Girls, has been accused of kicking the hockey captain out the window, and the school’s horrifying principal is determined to banish her despite the most frivolous evidence. When Verity protests her innocence, Miss Mulligatawney remains unacceptable, speaking explicitly of her reasoning.

All injustice in it is a powerful driver and I guarantee that Matilda will set my goal of preventing Verity’s expulsion with fixed enthusiasm, as opposed to the hateful Miss Tranchibald. Like developer Inkle’s 2021 game overboard, they are given time limits for work inside and a handful of areas that travel between the library and the hospital room (aka the “SAN” where the school’s gross matrons lurk. Each area has characters to discuss and objects to find, and each action moves the clock forward. The game continues on a strict school timetable. For example, at 2pm, all students will be in the military to the library for Latin.

The idea is to solve who is where and plan your exploration accordingly. For example, you might want to sneak into Sun while Matron teaches the gym on the premises. The secret you reveal unlocks the new conversation line. This unlocks even more secret paths, and everything is locked with the ultimate goal of preventing Verity from being unjustified expulsion.




All the fraud in it is a powerful driver… exiled! Photo: Inkle

However, you cannot achieve that on your first attempt. The game is designed to be played multiple times, and each 30-minute run improves your character’s motivations and understanding of what’s going on in this strange school. I don’t ruin it here, but the plot goes to some fun and unexpected places, and the 1922 setting provides excuses to riff on the effects of the Empire, World War I, and of course the class system. And that system is really equipped for verity. He quickly discovers that the only way to fight back is to get nasty.

Cheeky and poisonous retorts unlock further dialogue. If you want to help verity not only to avoid boredom, but also to succeed in becoming a head girl, you will see her lying, stealing, and threatening. It also gives the feeling that Verity may be a somewhat unreliable narrator. She associates it with her father, so the story changes subtly with each story.

This helps to shake things up a bit, but inevitably the structure of the game will bring about some repetition as you perform many of the same actions each day. It takes a little patience to keep all the paths of investigation in your head. But it’s worth persevering to uncover all the intimate secrets of the school and enjoy more of the excellent writings of story director John Ingold.

It only took a few nights to reach the game’s ending Coker, and Verity’s arc is extremely pleased. Here, the public school system mainly serves as a way of creating inequality, normalizing bullying, and encouraging ruthlessness. The only way to succeed is to beat the asshole in your own game. What options do you have when your system is so rotten?

Source: www.theguardian.com

Disappointing AI PAC-MAN clone receives negative reviews

tThere’s a lot happening in the world of video games and AI generators right now. Both Microsoft and Google have developed models that allow you to imagine a virtual world, albeit with some limitations. People are also using Grok, the Gen-AI chatbot from Elon Musk’s Xai, to create basic clones of old arcade games.

All you have to do is type “write.” On February 21st, Xai employee Taylor Silveira claimed to have created an exact replica of the 1980 Coinop Pac-Man using Grok 3. This version of Pac-Man includes dots, power pills, fruit, and all ghosts moving around the maze.

The key takeaway is that as long as the AI has the right commands in its software, it can generate a version within seconds. But how accurate are these Pac-Man clones really? Can just anyone create them? To answer these questions, I randomly approached some individuals in X who had posted their own Grok Pac-Man clones and asked them about their process.

I’ll give it a shot


John Hester’s Pacman. Illustration: Generated by AI

Author: John Hester, @hesterjohn
Time spent: 2 hours

First up, we have John Hester, a retired corporate software developer from California. When asked about Grok, Hester describes it as a large-scale language model (LLM) that competes with other models like ChatGpt and Llama. According to him, Grok 3 is the most advanced and continuously learns new things.

Hester’s experience with creating a Pac-Man clone using Grok was positive. He was able to give basic instructions to the AI and received a version of Pac-Man in seconds. Despite a few tweaks needed, Hester was impressed with Grok’s capabilities. He rates his experience 3 out of 5 stars.

Hester also mentions Elon Musk’s plans to use Grok for game development and emphasizes the cautious optimism surrounding AI advancements.

Score: 3 stars

Source: www.theguardian.com

Review of iPhone 16E: Apple’s Most Affordable New Phone

Apple’s most affordable new smartphone is the iPhone 16E, which provides a basic, up-to-date iPhone experience with the latest chips and AI features, albeit slightly fewer than the other models.


Priced at £599 (699 Euros/$599/$999), the iPhone 16E is the spiritual successor to the iPhone SE line. While the iPhone SE retains the old-school thick design with a home button, the 16E features an iPhone 14 body with an iPhone 16 chip at a cost of £799.

In essence, the 16E boasts a full-screen design and an aluminum body. It was impressive for the iPhone 14, but it still holds up well today. The phone is lightweight and relatively compact. The 6.1-inch OLED screen is sizable and suitable for most tasks, although it falls short of the standard iPhone 16’s brightness.


The 16E retains the old-style face ID notch at the top of the screen instead of the new “Dynamic Island” used in the recent iPhone lineup. Photo: Samuel Gibbs/The Guardian

Available only in black or white, the 16E features a convenient action button to replace the mute switch on older iPhones, but lacks a camera control button found in the rest of the iPhone 16 line.

The entire 16E comprises slight compromises compared to the standard iPhone 16 experience. It includes the iPhone’s first new, power-efficient Apple 5G modem, but only supports WiFi 6, not the latest WiFi 7. It lacks Thread Ultra Wideband Radio, the latter being used for Apple’s Discovering the Accuracy of Lost Items and other systems.


Action buttons can be used to replace the mute switch on your old iPhone, activate the torch, or access the camera and other features. Photo: Samuel Gibbs/The Guardian

Source: www.theguardian.com

Trump claims we are in discussions with four parties regarding the TikTok sale, asserting, “The final decision rests with me.”

Donald Trump stated on Sunday that negotiations are ongoing with four interested parties looking to acquire TikTok, and the Chinese-owned app is facing an uncertain future in the United States.

According to U.S. law, TikTok was mandated to be sold by its Chinese owner or face a ban in the country. When asked about the possibility of a deal on Sunday, Trump told reporters, “It could happen.”

“We are in discussions with four different groups, and there is significant interest, ultimately the decision lies with me,” he said aboard Air Force 1.

“All four potential buyers are reputable,” he added.

The TikTok ban came into effect on January 19th due to concerns that the Chinese government could potentially exploit the video-sharing platform to spy on Americans and manipulate public opinion.

TikTok was temporarily removed from the U.S. market and disappeared from app stores as the legal deadline approached, leaving millions of users disappointed. Trump paused the ban two and a half months after starting his second term in January, seeking a resolution with Beijing. TikTok later resumed its operations in the U.S. and returned to the Apple and Google App Stores in February.

Among the potential TikTok buyers is an initiative called “The People’s Bid for TikTok,” spearheaded by real estate and sports mogul Frank McCourt’s Project Liberty Initiative. Another interested group includes Microsoft, Oracle, and internet personality MrBeast, also known as Jimmy Donaldson.

TikTok does not appear to be in a rush to sell its platform.

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During his first term in office, Trump attempted to ban TikTok in the U.S. citing national security concerns.

Source: www.theguardian.com

Elon Musk alleges that X halt was caused by a “massive cyberattack”

Elon Musk stated on Monday that X was hit by a “massive cyberattack,” causing intermittent service disruptions that affected social media networks throughout the day. The platform, formerly known as Twitter, was unresponsive for many users as posts failed to load.

“We face attacks every day, but this one was well-resourced,” said the platform’s CEO. He posted, “Large, coordinated groups and/or countries are involved.”

Down detector, a website monitoring for outages, showed a spike in thousands of outage reports around 5:45 am on various platforms. Another surge in reported outages occurred around noon, with most issues happening on the company’s mobile app. Tweets that failed to display showed a “something went wrong” message prompting users to try reloading.

The world’s richest man did not provide evidence for his claim. His statements were in response to cryptocurrency influencers suggesting a pause following other resistance to Musk’s ventures. Protests against the “Ministry of Government Efficiency” initiative resulted in vandalism against Musk’s leadership and Tesla dealers in the previous week.

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The CEO of SpaceX, who acquired Twitter for $44 billion in 2022, alleged that the previous platform outage was due to a cyberattack. Musk previously claimed a “massive DDOS attack” caused the crash of his live-streamed interview with Donald Trump last year, although company sources later told The Verge there was no attack.

The X outage adds to the challenges facing Musk’s businesses and initiatives. A SpaceX rocket exploded in flight near the Bahamas on Friday, scattering debris. “Tesla Takedown” protests across the nation targeted Tesla dealers, with owners selling vehicles, and the company’s stock prices hitting a low on Monday. Trump also had a heated meeting with Musk and his Cabinet Secretary, hinting at curbing Musk’s influence against government officials who fired many from various agencies.

Source: www.theguardian.com