Quirky Dates, Bisexual Mix-Ups, and Game-Changing Kisses: The Most Unusual Moments in Video Games

Posted on June 30, 2025 by Igor Mitreski

Charming Dates in Life Are Weird

Life, as a series, is peculiar, but for me, it blends seriousness with a touch of whimsy, leaving me committed to showcasing queer characters prominently. This has proven fruitful in many respects. While the ambiguous relationship between timid blue-haired Chloe and the enigmatic Chloe from 2015’s Original Life is Strange remains partially undefined, Alex Chen stands out as the oddity in life. However, my favorite queer moment from the series surfaced in last year’s double exposure.

Max Caulfield has grown up and now holds a photography residency at a small-town university. She has come to accept herself. She is attractive but takes a leap with Vince, the not-so-great IT guy on campus. But what about Amanda, the cool lesbian bartender at a local pub? She is both intriguing and complicated. I adore the fact that all bisexual people can find the cool lesbians both intimidating and alluring. If you successfully navigate a date with Amanda, you’re in for one of the most delightful scenes in gaming. They attend an imaginary concert, sharing riffs and laughter over nostalgic chaotic shows. It’s reminiscent of how Nathan Drake and Elena played Crash Bandicoot together in Uncharted 4, creating one of the most genuine relationship moments in the game. (And yes, even after the date goes well, Max stays hesitant to kiss her.)
— Keza McDonald, Video Game Editor for The Guardian

Ellie and Dina from The Last of Us Part II

Our Last Ellie and Dina: Part II Photo: Sony/Naughty Dog

Ellie and Dina’s relationship in The Last of Us Part II has garnered much attention, and rightfully so. There are not many narratives in media that steer clear of trauma. While recognizing the difficulties faced by marginalized groups is vital, it also highlights the importance of joy. It’s remarkable that in a game heavily laden with deep themes and tragic character arcs, these two can engage in a lighthearted, collaborative relationship. They aren’t solely defined by their challenges, but rather by the choices they make. The narrative evolution and eventual conflict stem directly from Ellie’s actions and decisions.
— Amanda Hafford, Producer (and voice of Ducky) Date Everything!, Now

Same-Sex Marriage in Fable

No Cheat Codes Required… Fable Photo: Lionhead

As a teenager, I discovered a game called Fable. I played through the tutorial and sought to enhance my experience using cheat codes, buffing my character considerably.

However, I soon felt uneasy, not because of cheating, but due to not fully identifying with my character.

Does this character truly reflect me? Am I allowed to act this way? I wasn’t sure.

Upon reaching my first town, I met a merchant, bought everything he had, and returned all my items.

I sensed my thoughts beginning to crystallize. Can I genuinely do this? I thought so.

I gifted him a wedding ring. The gay married. I acquired a house and never revisited the game.

–

I was a closeted teen, and everyone around me seemed to know, except for me.

I was a chubby child, a fact frequently pointed out by others.

It’s amusing now, as I was caught in the game’s narrative, yet I never revealed my own truth. How oddly our teenage minds operate.
— Tanat Boozayaangool, Developer at Tan Ant Games Building Relationships, Coming This Year

Bisexual Mayhem in Thirsty Suitors

Mischief and Sincerity… A Thirsty Suitor Photo: Annapurna Interactive

My passion for queer games exists on both ends of the spectrum. At one end is the “delicate nuance and subtlety,” while the other revels in “delightful confusion.” It resonates with my experience as a bisexual individual.

In the realm of nuance, my initial affection was for the catharsis found in going home and recognizing the peculiarities of my sister Sam and her struggles after being rejected by their parents. There was also the narrative growth that allowed space for new relationships after hardship. More recently, I saw beautiful development in the relationship between Henry and Hans within their kingdom.

On the flip side, there’s ample mischief and sincerity. Thirsty Suitors captures the messy interconnectedness of peculiar dating scenarios and the aftermath when someone is caught up in their own world. As for my game, Crescent County, it leans towards the chaotic side. There’s often a pressure to portray “perfect” queer expressions, which detracts from the characters’ depth and humanity. I get the allure of pure chaos, but we shouldn’t homogenize ourselves for acceptance!
— Anna Hollinlake, Creative Director Crescent County, Coming Next Year

A Wholesome Queer Family Unpacking

Experience Dantel’s Masterpiece… Unpacked Photo: Witch Beam

Reflecting on my journey through the gaming era, my kids affectionately refer to it as the “late 1900s” (I feel Dust accumulating on my bones), I recall that villains were often the only characters coded with diversity. Healthy, quirky moments were as uncommon as writers crafting new, original narratives.

That’s why I absolutely cherished Unpacking. While the game revolves around unpacking belongings as you transition between places, it’s a brilliant show-don’t-tell piece. You leave your parents’ home, share a space with a roommate, eventually move in with your boyfriend, who quickly minimizes your space and expression. I turned to my wife, exclaiming, “She’s gay!” But she didn’t take note because I often relate to characters I admire. However, I was right. As the narrative progresses, she encounters her new partner, grows closer, and eventually they have a child and unpack the nursery together. It concludes with what I believe to be the healthiest representation of a lesbian relationship I’ve seen in any video game.
— Nikkijay, Author Quantum Witch, Now

Source: www.theguardian.com

Microsoft Claims AI Systems Outperform Doctors in Diagnosing Complex Health Conditions

Posted on June 30, 2025 by Igor Mitreski

Microsoft is unveiling details about artificial intelligence systems that outperform human doctors in intricate health assessments, paving a “path to medical closeness.”

The company’s AI division, spearheaded by British engineer Mustafa Suleyman, has created a system that emulates a panel of specialized physicians handling “diagnostically complex and intellectually demanding” cases.

When integrated with OpenAI’s advanced O3 AI model, Microsoft claims its method “solved” more than eight out of ten carefully selected case studies for diagnostic challenges. In contrast, practice physicians with no access to colleagues, textbooks, or chatbots achieved an accuracy rate of only 2 out of 10 on these same case studies.

Microsoft also highlighted that this AI solution could be a more economical alternative to human doctors, as it streamlines the process of ordering tests.

While emphasizing potential cost reductions, Microsoft noted that it envisions AI as a complement to physician roles rather than a replacement.

“The clinical responsibilities of doctors extend beyond merely diagnosing; they must navigate uncertainty in ways that AI is not equipped to handle, and build trust with patients and their families,” the company explained in a blog post announcing the research intended for peer review.

Nevertheless, slogans like “The Road to Overmed Medical” hint at the possibility of transformative changes in the healthcare sector. Artificial General Intelligence (AGI) denotes systems that replicate human cognitive abilities for specific tasks, while superintelligence is a theoretical concept referring to systems that surpass overall human intellectual capacity.

In discussing the rationale for their study, Microsoft raised concerns about AI’s performance on U.S. medical licensing exams, a crucial assessment for acquiring medical licenses in the U.S. The multiple-choice format relies heavily on memorization, which may “exaggerate” AI capabilities compared to in-depth understanding.

Microsoft is working on a system that mimics real-world clinicians by taking step-by-step actions to arrive at a final diagnosis, such as asking targeted questions or requesting diagnostic tests. For instance, patients exhibiting cough or fever symptoms may need blood tests and chest x-rays prior to receiving a pneumonia diagnosis.

This innovative approach by Microsoft employs intricate case studies sourced from the New England Journal of Medicine (NEJM).

Suleyman’s team transformed over 300 of these studies into “interactive case challenges” to evaluate their method. Microsoft’s strategy incorporated existing AI models developed by ChatGPT creators OpenAI, Meta from Mark Zuckerberg, Anthropic, Grok from Elon Musk, and Google’s Gemini.

The company utilized a specific model for determining tests and diagnostics, employing AI systems such as tailored agents known as “diagnostic orchestrators.” These orchestrators effectively simulate a doctor’s panel, aiding in reaching a diagnosis.

Microsoft reported that in conjunction with OpenAI’s advanced O3 model, over eight of the ten NEJM case studies have been “solved.”

Microsoft believes its approach has the potential to encompass multiple medical fields, enabling a broad and in-depth application beyond individual practitioners.

“Enhancing this level of reasoning could potentially reform healthcare. AI can autonomously manage patients with routine care and offer clinicians sophisticated support for complex cases.”

However, Microsoft acknowledges that the technology is not yet ready for clinical implementation, noting that further testing with an “Orchestrator” is necessary to evaluate performance in more prevalent symptoms.

Source: www.theguardian.com

Report Reveals Over 25% of UK Companies Targeted by Cyberattacks Last Year | Job

Posted on June 30, 2025 by Igor Mitreski

Reports indicate that numerous companies across four UK sectors have fallen prey to cyberattacks, putting the situation at risk unless they take immediate measures.

A survey of facilities conducted by facility managers, service providers, and chartered surveyors under RICS and shared with the Guardian revealed that many buildings experienced cyberattacks in the last year. This figure has risen from 16% the previous year.

Nearly three-quarters of over 8,000 business leaders (73%) anticipate that cybersecurity incidents will impact their operations in the next 12-24 months. RICS has recognized cybersecurity and digital risks as significant and rapidly evolving threats for building owners and occupants.

Marks & Spencer had to pause orders on its website for nearly seven weeks following a major attack in April, causing clothing sales to fall significantly until May 25th. They lost market share to competitors such as Next, Zara, and H&M.

As cybercriminal techniques advance, incidents targeting critical infrastructure and data breaches have become increasingly frequent, as noted by RICS. This trend will likely intensify with the enhanced capabilities of artificial intelligence and rapid technological advancements.

RICS cautioned that some buildings might be relying on dangerously outdated operating systems. For instance, a building that was opened in 2013 might still be using Windows 7, which has not received security updates from Microsoft for over five years.

Paul Bagust, head of the property practice at RICS, remarked: “Buildings have transformed from mere bricks and mortar into smart, interconnected digital environments that leverage continuously evolving technology to enhance the experience of occupancy.

This technology collects data to inform decision-making. At the levels of property management, building users, occupants, and owners, these advancements provide various benefits, including enhanced efficiency and reduced environmental impact. However, they also present multiple risks and vulnerabilities that could be exploited by malicious entities.”

The report highlights operational technologies such as building management systems, CCTV networks, Internet of Things devices, and access control systems as potential risk areas. This encompasses everything from automated lighting and heating to building management systems and advanced security protocols.

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Bagust further commented: “It’s challenging to envision a scenario where technology does not continue to elevate the risks within building operations. Identifying these burgeoning digital challenges and implementing adequate security measures is essential but increasingly complex.”

Source: www.theguardian.com

AI-Generated Fake Videos of Diddy Trials Go Viral on YouTube, Garnering Millions of Views

Posted on June 29, 2025 by Igor Mitreski

This piece was reported by indicator, a publication focused on unearthing digital misinformation, in partnership with the Guardian.

Numerous YouTube channels have blended AI-generated visuals with misleading claims surrounding Sean “Diddy” Combs’s high-profile trial, attracting tens of millions of views and profiting from the spread of misinformation.

Data from YouTube reveals that 26 channels have garnered a staggering 705 million views from approximately 900 AI-influenced videos about Diddy over the last year.

These channels typically employ a standardized approach. Each video features an enticing title and AI-generated thumbnail that fabricates connections between celebrities and Diddy with outrageous claims, such as a celebrity’s testimony forcing them to engage in inappropriate acts or revealing shocking secrets about Diddy. Thumbnails regularly showcase well-known figures in courtroom settings alongside images of Diddy, with many featuring suggestive quotes designed to grab attention, including phrases like “f*cked me me me me me of me,” “ddy f*cked bieber life,” and “she sold him to Diddy.”

Channels indulging in Diddy’s “Slop,” a term for low-quality, AI-generated content, have previously demonstrated a penchant for disseminating false claims about various celebrities. Most of the 26 channels seem to be either repurposed or newly created, with at least 20 being eligible for advertising revenue.

Spreading sensational and erroneous “Diddy AI Slop” has become a quick avenue for monetization on YouTube. Wanner Aarts, managing numerous YouTube channels that employ AI-generated content, expressed his strategies for making money on the platform, noting his detachment from the Diddy trend.

“If someone asked, ‘How can I make $50,000 quickly?’ the first thing might be akin to dealing drugs, but the second option likely involves launching a Diddy channel,” Aarts (25) stated.

Fabricated Celebrity Involvement

The indicator analyzed hundreds of thumbnails and titles making false claims about celebrities including Brad Pitt, Will Smith, Justin Bieber, Oprah Winfrey, Eddie Murphy, Leonardo DiCaprio, Dwayne “Rock” Johnson, 50 Cent, Joe Logan, and numerous others. Notably, one channel, Fame Fuel, uploaded 20 consecutive videos featuring AI-generated thumbnails and misleading titles related to U.S. Attorney General Pam Bondy and Diddy.

Among the top-performing channels is Peeper, which has amassed over 74 million views since its inception in 2010, but pivoted to exclusively covering Diddy for at least the last eight months. Peeper boasts some of the most viral Diddy videos, including “Justin Bieber reveals Will Smith, Diddy and Clive Davis grooming him,” which alone attracted 2.3 million views. Peeper is currently being converted into a demo.

Channels named Secret Story, previously offering health advice in Vietnamese, shifted focus to Diddy content, while Hero Story transitioned from covering Ibrahim Traore, the military leader of Burkina Faso, to Diddy stories. A Brazilian channel that amassed millions from embroidery videos also pivoted to Diddy content just two weeks ago. A channel named Celebrity Topics earned over 1 million views across 11 Diddy videos in just three weeks, despite being created in early 2018 and appearing to have deleted prior videos. Both Secret Story and Hero Story were removed by YouTube following inquiries from the indicator, while Celebrity Topics has since undergone rebranding.

Shifting Focus to Diddy

For instance, around three weeks ago, the channel PAK GoV Update started releasing videos about Diddy, utilizing AI-generated thumbnails with fictitious quotes attributed to celebrities like Ausher and Jay-Z. One video labeled “Jay-Z breaks his silence on Diddy’s controversy,” included a tearful image of Jay-Z with the text “I Will Be Dod” superimposed.

The video achieved 113,000 views with nearly 30 minutes of AI-generated narration accompanied by clips from various TV news sources, lacking any new information from Jay-Z, who did not provide any of the attributed quotes.

The Pak Gov Update channel previously focused on Pakistan’s public pensions, generating modest views—its most popular being a poorly titled video about the pension system that garnered 18,000 views.

Monetizing Misinformation

Aarts commented that the strategy of exploiting Diddy Slop is both profitable and precarious. “Most of these channels are unlikely to endure,” he remarked, referencing the risk of being penalized for violating YouTube policies and potential legal actions from Diddy or other celebrities depicted in their thumbnails and videos.

Like PAK Gov Update, most videos uploaded by these channels predominantly utilize AI narration and fewer direct clips from news reports, often leaning on AI-generated images. The use of actual footage tends to skirt the boundaries of fair use.

The YouTube channel Pakreviews-F2Z has produced numerous fake videos surrounding the Diddy trial, disguised under the name Pak Gov Update. Photo: YouTube

AI Slop represents one of the many variations of Diddy-related content proliferating on YouTube. This niche appears to be expanding and proving lucrative. Similar Diddy-focused AI content has attracted engagement on Tiktok.

“We are fans of the world,” stated YouTube spokesperson Jack Maron in an email. Maron noted that the platform has removed 16 channels linked to this phenomena and confirmed that various channels, including Pak Gov Update, have faced similar actions.

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Faceless YouTube Meets Diddy

The Diddy phenomenon exemplifies the convergence of two prominent trends within YouTube: automation and faceless channels.

YouTube Automation hinges on the premise that anyone can establish a prosperous YouTube venture through the right niche and low-cost content creation strategies, including topic discovery, idea brainstorming, or employing international editors to churn out content at an automated rate.

With AI, it has become simpler than ever to embark on a faceless automation journey. Aarts indicated that anyone can generate scripts using ChatGPT or analogous language models, create images and thumbnails via MidJourney or similar software, utilize Google Veo 3 for video assembly, and implement AI voice-over using tools like ElevenLabs. He further mentioned that he often hires freelancers from the Philippines or other regions for video editing tasks.

“AI has democratized opportunities for budget-conscious individuals to engage in YouTube automation,” Aarts stated, highlighting it can cost under $10 per video. He reported earnings exceeding $130,000 from over 45 channels.

Muhammad Salman Abazai, who oversees As a Venture, a Pakistani firm offering video editing and YouTube channel management services, commented that Diddy video content has emerged as a “legitimate niche” on YouTube, showcasing successful Diddy videos created by his team.

“This endeavor has proven fruitful for us, as it has significantly boosted our subscriber count,” he noted.

International Diddy Slop

The pivot towards Diddy isn’t limited to English-speaking audiences. A Spanish channel, NV Historia, launched in January, previously produced sporadic AI-generated celebrity videos before transitioning to Diddy content. Its first breakout garnered attention with a video titled “Teacher laughs at black girls because his father said it was Chuck Norris until the teacher came to class,” accumulating only 140,000 views.

NV Historia shifted focus following the viral response to a Diddy-themed video titled “A minute ago: No one expected Dwayne Johnson to say this in court about Diddy,” featuring AI-generated images of Johnson and Diddy in court along with disturbing visuals of alleged incidents. The thumbnail showcased the quote “He gave me it.”

Johnson has neither testified nor had any connection to allegations against Diddy. This video has gathered over 200,000 views. Following this, NV Historia managed another video linking Oprah Winfrey and other celebrities to Diddy, which earned 45,000 views. Subsequently, the channel committed entirely to Diddy content and has since been removed by YouTube.

A French channel, Starbuzzfr, was launched in May and appears to exclusively publish Diddy-related content, deploying AI-generated thumbnails and narration to spin fabricated narratives, such as Brad Pitt’s supposed testimony against Diddy, claiming he experienced abuse by the mogul. Starbuzzfr notably utilizes sexualized AI-generated imagery featuring Diddy and celebrities like Pitt. As of this writing, the channel remains monetized.

Aarts noted that the general sentiment within the YouTube automation community respects anyone who manages to monetize their content.

“I applaud those who navigate this successfully,” he remarked.

Source: www.theguardian.com

Rise of the Drone Era: Enhancing Production and Uplifting Morale in Agri-Tech | Agriculture

Posted on June 29, 2025 by Igor Mitreski

“The inspiration originated from Instagram videos,” remarks Tom Amery. It provides a stunning view of one of three large drones acquired to aid in cultivating watercress on a farm in Hampshire.

This drone is equipped with four rotary blades and can transport up to 50kg of fertilizer, seeds, or feed for spraying, thanks to extensive research conducted by Amelie, who frequently utilizes various social media platforms focused on agricultural technology.

Amery and The Watercress Company, led by managing directors, are among the food producers striving to integrate advanced technology into one of the oldest professions to accelerate processes and increase output amid extreme weather challenges. This critical issue has drawn government attention, resulting in the inclusion of Agri-Tech in its industrial strategy earlier this month.

The firm allocated £80,000 for an Agras T50 drone, produced by the Chinese manufacturer DJI and specifically designed for agricultural use.

Applying potash or phosphates using a drone is “two to three times quicker than manual application,” notes Amery. This facilitates more precise application, thereby minimizing the quantity of fertilizer needed. The produce is packaged in a 25m bag of salad sold annually through the UK’s largest supermarket.

Despite ongoing discussions about the potential for machines to replace human labor in agriculture, Amelie believes that such investments elevate morale. “It’s about retaining staff by alleviating job hardships,” he states. “We offer higher wages. With increased salaries, retention rates improve.”

Though drones are already in use on farms in North and South America, their presence remains relatively novel in the UK. Currently, The Watercress Company’s drones await necessary permissions from the Civil Aviation Authority, the aviation regulatory body.

Amelie hopes that soon, hoppers will be fitted with the essential equipment to cover the growers’ 20 hectares across 12 farms in Hampshire and Dorset. Flight paths for each field can be pre-set, and 20-year-old George Matthews has been trained and licensed to operate the drone.

The Watercress Company continues to follow traditional growing methods that date back to the Victorian era. Although innovative, it remains focused on providing for those in urban areas, where watercress first gained popularity due to its nutritional value.

Currently, crops are cultivated in watercress beds fed by natural streams in use since the 1880s, while bespoke harvesters are deployed to cut the leaves between May and October.

crops. Photo: Joanna Partridge/The Guardian

Growers are also experimenting with multispectral cameras, which capture images across various wavelengths. These images generate a “heatmap” of the fields, which AI can analyze to identify crop issues.

The Watercress Company is driving the type of innovation that the National Farmers’ Union (NFU) aims to promote across more UK farms, striving for efficiency and sustainability.

Nevertheless, many farmers are feeling financial constraints, as the NFU observes that few possess the funds or confidence to invest in new, potentially untested technologies.

This progress is essential for enhancing productivity in agriculture, with the NFU warning that, without it, the UK risks lagging behind international competitors.

“We are eager to see future developments,” stated Tom Bradshaw, president of NFU. “Evidence from some European neighbors highlights that we’re behind in certain areas and less productive overall.”

Within the industrial strategy, Agri-Tech, alongside precision breeding, is designated a focus area in the growth sector plan, which the NFU believes will help make agriculture “more productive, sustainable, and resilient.”

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The government has earmarked £200 million for its agricultural innovation program until 2030, with the Ministry of Environment, Food and Rural Affairs (DEFRA) promising “targeted funding to foster agricultural innovation.”

“The push for innovation and growth in agri-tech is advantageous for the nation,” remarks Agriculture Minister Daniel Zechner. “Not only can we create jobs and enhance economic resilience, but we can also fortify food security and increase farmers’ and growers’ benefits through innovation.”

However, this announcement comes just days after the government cut the UK’s agricultural budget by £100 million annually. This reduction translates to a 2.7% decrease in DEFRA’s daily budget, a move that has been cautiously received by the NFU and agricultural organizations.

Back in Hampshire, the Watercress Company remains skeptical about benefiting from the funds allocated to its agricultural innovation program.

“Much of this funding is driven by high innovation levels but often fails to reach the farm gates or enhance production and productivity,” remarks Amery.

“It involves a significant investment in technology that hasn’t yet proven to yield results.”

The crop is harvested by the Watercress Company in Dorset. Photo: Finnbarr Webster/Getty

To date, growers have been bearing nearly all costs associated with innovation. They successfully obtained £20,000 in funding from the government’s shared prosperity fund through local councils, which accounts for about a quarter of their drone investment.

Nonetheless, Amery noted that the business rarely accesses funding avenues like R&D tax credits, available only to companies subject to corporate tax. Partnerships like the Watercress Company and many other agricultural entities don’t pay corporate tax and thus aren’t eligible.

This challenge hasn’t deterred growers from pursuing the latest advancements to enhance their crops. “Innovation typically stems from a desire to tackle challenges,” states Amery. “We generally experience a major innovation every five to ten years. This one is transformative.”

Source: www.theguardian.com

Why Elon Musk’s Vision for Self-Driving Tesla Taxis Misses the Mark: A Critique of Lidar

Posted on June 29, 2025 by Igor Mitreski

After years of promising investors that millions of Tesla Robotaxis would soon flood the streets, Elon Musk launched a limited driverless car service in Austin, Texas. The rollout faced significant challenges from the start.

The June 22nd debut was met with a barrage of videos from pro-Tesla influencers, who appeared to celebrate the service and showcased their rides. Musk heralded it as a milestone, and Tesla’s stock shot up nearly 10% the next day.

However, it soon became evident that some of the influencer footage painted a troubling picture of an autonomous vehicle that either broke traffic laws or struggled with basic functions. By Tuesday, the National Highway Traffic Safety Administration (NHTSA) had launched an investigation into these incidents and sought Tesla’s input.

If, as Musk boasted on X, this limited deployment is the result of over a decade of work, it symbolizes the complex technical choices and fixations embraced by the world’s richest person in pursuit of fully autonomous vehicles.

Musk framed the idea of a driverless car as integral to the company’s future. This year it experienced a severe decline but he vowed to rapidly expand the Robotaxi service. Nonetheless, this week’s rocky launch suggests Tesla grapples with the technical hurdles that have drawn scrutiny from regulators.

The Robotaxi pilot involved around 10 cars navigating a confined area in Austin, with safety drivers present in the front seats. Additional limitations included restrictions during adverse weather and at nighttime. Influencer rides were priced at $4.20 each, mirroring Musk’s penchant for cannabis-related memes.

“Tesla’s autonomous driving can be deployed in approved locations. There’s no need for extensive mapping or specialized equipment,” the official Tesla account tweeted on launch day. “It just works.”

However, footage from at least 11 rides indicated that the trial did not unfold as flawlessly as Tesla’s promotional materials suggested. In one instance, the Robotaxi failed to make a left turn, veering into oncoming traffic instead, and resolved the issue by driving along a double yellow line. Other clips showed the vehicle allegedly exceeding speed limits.

https://www.youtube-nocookie.com/embed/_s-h0YXtF0c?start=430&wmode=opaque&feature=oembed&start=430" title="First Tesla Robotaxi Ride [Full Drive]" height="480" width="854" allowfullscreen="

This footage caught the NHTSA’s attention, with the agency stating they were aware of the incidents and had reached out to Tesla for more details.

Meanwhile, Musk retweeted a pro-Tesla influencer praising the service amidst technical failures and ongoing regulatory inquiries. One tweet shared by Musk featured a video showing a Robotaxi halting for a peacock crossing the road, while another urged followers to “ignore the media.”

“Lidar is lame.”

Musk has long maintained that reliance solely on cameras for autonomous vehicles is the key to true self-driving capabilities. Tesla’s consumer models feature what are termed “Autopilot” and “Fully Autonomous” capabilities, enabling hands-free driving on highways. These systems are supported by numerous external cameras for navigation, maneuvering, and stopping. The Robotaxis use similar software while depending entirely on cameras.

This camera-centric approach starkly contrasts with other self-driving tech firms like Waymo and Zoox, which utilize a combination of cameras and sensors, including radars and lidars. For instance, Waymo’s latest driverless vehicles are equipped with about 40 cameras and sensors, while Tesla’s advanced model for fully autonomous driving employs around 8 cameras. Bloomberg analysis. Lidar and radar are beneficial for detecting obstacles under poor weather and lighting conditions.

Despite lidar’s advantages, Musk argues that Tesla operates without it. “Lidar is lame,” he declared during Tesla’s Autonomy Day in 2019. “Using it in a car is foolish. It’s costly and unnecessary.”

According to Bloomberg, Lidar systems can cost around $12,000 each, whereas cameras are typically much more affordable. Musk contends that camera-only technology mirrors how humans navigate using their vision.

Tesla Faces Lawsuits and Investigations Over Full Self-Driving Mode

Musk’s claims regarding camera-only technology have placed Tesla under scrutiny, particularly following a fatal accident involving drivers using its fully autonomous driving features. The company is currently embroiled in various government investigations and civil lawsuits, asserting that fully autonomous driving suffers from weather-related issues like sun glare, fog, dust, and darkness. There are reports of at least 736 accidents and 17 fatalities linked to this technology. Analysis by the Washington Post.

“Tesla maintains an almost obsessive view of running the system solely on cameras, despite the consensus among experts in the field,” commented Brett Schreiber, a lawyer representing several victims of Tesla’s autopilot failures.

“Anyone following collision avoidance technology since the ’90s understands that radar, lidar, and cameras are the optimal trio.”

Schreiber expressed little surprise at Tesla’s Robotaxi’s shaky development in Austin.

“The real tragedy here is that people continue to be harmed and killed due to this technology,” he said. “And this highlights issues like, ‘Look how cute it is that a car can’t even make a left turn.’

Tesla did not respond to inquiries regarding the ongoing lawsuits, investigations, and crash incidents related to its fully autonomous driving capabilities.

Tesla’s Tactics vs. Waymo’s Approach

The contrast between Waymo’s method of launching commercial autonomous driving services in densely populated cities and Tesla’s approach extends beyond discussions about lidar versus cameras. Waymo is often seen as a frontrunner in the U.S. autonomous vehicle landscape, which has seen its competitors sharply reduced.

There are numerous reasons Waymo has outlasted many of its rivals. Historically, the Google subsidiary dedicated extensive time to mapping urban areas and rigorously testing vehicles prior to launch. For example, in San Francisco, where Waymo first implemented a completely autonomous commercial service, the company had begun mapping and testing as early as 2021.

Initiated as part of Google’s X Research Lab in 2009, Waymo also encountered challenges with self-driving cars despite its cautious, step-by-step city-by-city rollout. Earlier this year, Waymo was compelled to recall over 1,200 vehicles due to software problems causing collisions with roadside objects, gates, and other barriers. Additionally, the NHTSA launched an investigation last year after receiving 22 reports of Waymo vehicles demonstrating erratic behaviors or violating traffic laws.

In contrast, Tesla is still in the trial phase with its service, yet the Robotaxi launch in Austin marks the first time the automaker has deployed its fully autonomous driving technology in real-world conditions. There has been no information disclosed regarding the duration or extent of mapping or testing this technology in Austin.

This launch evokes memories of Uber’s initial attempt at self-driving vehicle ride-sharing services in 2016, which was also conducted without the necessary approval from California regulators. On the very first day of their pilot project in San Francisco, Uber vehicles reportedly ran a red light. They were forced to suspend the service just a week later after the DMV revoked their registration. At the time, an autonomous driving executive at Uber had urged engineers to expedite the process.

Faced with a lawsuit from Waymo regarding its self-driving operations and struggling to stay competitive, Uber sold its autonomous driving division in 2020.

Like Uber, Tesla also did not seek permission to operate its Robotaxi Service in Austin, as Texas has no existing permit process, which is not expected to be established until September.

At this time, it remains uncertain how frequently Tesla plans to deploy its Robotaxi service behind the scenes, but it’s clear that automakers are under pressure to meet deadlines set by Musk.

With the introduction of Robotaxis, Musk has claimed that Teslas will achieve full automation since at least 2016, and he may be approaching the deadlines he has postponed several times over the last decade.

Source: www.theguardian.com

Famous Authors Sue Microsoft Over AI Training Using Their Books

Posted on June 28, 2025 by Igor Mitreski

A coalition of authors has accused Microsoft of utilizing nearly 200,000 pirated copies to develop an artificial intelligence model. This accusation adds to the ongoing legal struggles surrounding copyright issues between creative professionals and tech companies.

Kai Bird, Jia Tolentino, Daniel Okrent, and others argue that Microsoft intends to use a well-known digital version of their book to train Megatron AI for generating responses to user queries. Their lawsuit, filed in federal court in New York on Tuesday, is among several crucial cases initiated by authors, news outlets, and other copyright holders against tech firms regarding alleged misuse in AI training.

The authors are seeking a court order to prohibit statutory damages of up to $150,000 for each work that Microsoft is accused of misusing.

Generative AI products like Megatron can produce text, music, images, and videos based on user input. To develop these models, software engineers gather expansive databases of media and train AI to produce similar outputs.

The authors claim that Microsoft has utilized a trove of nearly 200,000 pirated books for training Megatron, which generates text responses to prompts. The complaint states that Microsoft employed these pirated datasets to “build not only computer models from the works of numerous creators and authors but also to produce a variety of representations replicating the syntax, sound, and themes of the copyrighted works.”

A Microsoft representative has yet to respond to inquiries about the lawsuit, while the authors’ attorney declined to comment.

This lawsuit against Microsoft was filed just after a federal judge in California ruled that the use of copyrighted material for AI training could be considered fair use, but acknowledged that they might still be liable for the utilization of pirated book versions. This marked the first US legal decision addressing the legality of using copyrighted materials without authorization for AI training. On the same day the complaint against Microsoft was filed, a California judge ruled in favor of Meta in a similar copyright dispute, attributing the decision more to the plaintiff’s weak argument than to the strength of the tech company’s defense.

The conflict over copyright and AI emerged soon after the launch of ChatGPT, encompassing various forms of media. The New York Times has taken legal action against OpenAI for copyright infringement related to article archives. Similarly, Dow Jones, the parent company of the Wall Street Journal and the New York Post, has filed a lawsuit against the perplexed AI. Major record labels are pursuing legal action against companies producing AI music generators. Getty Images has also sued Stability AI concerning a startup’s text-to-image product. Just last week, Disney and NBC Universal initiated legal proceedings against Midjourney, a company operating popular AI image generators that are believed to misuse iconic film and television characters.

Tech companies argue that being compelled to use copyrighted materials fairly to create new, transformative content and to compensate copyright holders could hinder the burgeoning AI industry. OpenAI CEO Sam Altman has stated that the development of ChatGPT was “impossible” without incorporating copyrighted works.

Source: www.theguardian.com

Six Arrested During Protest Against Palantir’s Deportation Software for Trump Officials

Posted on June 27, 2025 by Igor Mitreski

On Thursday morning, six demonstrators were arrested while protesting outside their offices in New York City. The protest aimed to spotlight businesses engaged in controversial practices that facilitate the deportation of immigrants in the United States.

The activists gathered in front of the Palantir office located on Manhattan Avenue, linking their arms to obstruct the building’s entrance, effectively stopping several individuals attempting to pass. At one point, some protesters entered the lobby of the building, holding signs that read “Palantir Powers ICE,” referencing the U.S. Immigration and Customs Enforcement.

Organized by Planet over Profit, a climate justice organization that addresses systemic inequality, the protest received support from the immigration rights group Mijente. After approximately an hour, police intervened, dispersing the crowd. The six arrested individuals were subsequently taken to the seventh precinct and released by 11:20 AM.

Protesters are arrested outside Palantir’s New York office. Photo: Luigi Morris

Caroline Chouinard, a Brooklyn resident among those arrested, stated that police began zip-tying individuals before fully complying with dispersal commands. Chouinard mentioned that some people identifying themselves as Palantir employees also physically advanced on the protesters. Video footage taken by Planet representatives did not confirm if those pushing the protesters were indeed Palantir employees. Chouinard was released on a subpoena for a court appearance regarding disorderly conduct charges.

“During the arrest, we faced significant physical violence,” Chouinard told the Guardian. “I didn’t plan to get arrested personally. I positioned my body to stand my ground. I was continually pushed down and grabbed.”

Chouinard expressed their reason for attending the protest was to oppose Palantir’s role in enabling institutions that “have harmed my neighbor and made them disappear.”

“We are interrupting Palantir’s normal operations because it doesn’t belong in NYC to create AI that strengthens and streamlines fascism,” Chouinard stated. “Palantir specializes in monitoring and tracking individuals. It’s our duty to keep them accountable. They collaborate with the Trump administration, ICE, and the IDF (Israeli Defense Forces). From New York to Los Angeles, fear is perpetuated by companies like Palantir.”

The company has not yet responded to requests for comments regarding the protest.

Protesters are demonstrating outside Palantir’s New York office. Photo: Luigi Morris

Founded in 2003 by billionaire investor Peter Thiel and currently led by CEO Alex Karp, Palantir, known for data mining, has garnered criticism due to its increasing contracts with the Department of Homeland Security and other federal agencies. In April, Palantir received a $30 million contract to develop an immigration surveillance platform for ICE, aimed at expediting the identification and apprehension of targeted immigrants. This contract adds to previous ICE contracts, with Palantir first awarded one during the Obama administration in 2014, subsequently renewed multiple times. The company is set to assist in creating “Mega APIs” for data access within the Internal Revenue Service.

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In a letter sent in mid-June, ten Democrats highlighted that Palantir’s initiative to construct a “mega-database” for the Trump administration would combine personal information from multiple government sources, risking violations of federal privacy laws according to reports from the New York Times.

The company refuted the claims made by the Democrats’ letter, asserting: “To clarify: Palantir does not create a master database, nor do we enable extensive surveillance of American citizens. We do not manage the system or determine its applications.”

Protesters did not expect any response from Palantir concerning their demands to cease collaborations with ICE or other federal entities. According to Liv Senghor, the lead organizer from Planet over Profit, their focus was on mobilizing “the average American.”

“We want everyday individuals who value freedom of speech and privacy to recognize how deeply ingrained Palantir is in not just our government and military, but also in our everyday lives,” Senghor stated. “Our objective is to stir sufficient anger and frustration toward Palantir, inciting a grassroots movement of common people who can be heard.”

The protest organizers are also planning to hold a demonstration in front of Palantir’s Palo Alto office on Thursday afternoon.

Source: www.theguardian.com

Alters: The Most Unexpected Parenting Game I’ve Played

Posted on June 27, 2025 by Igor Mitreski

oI often feel unprepared for parenting. During that wonderful time when they could enjoy games and vampire movies, they hadn’t yet turned into rebellious teenagers. As a new parent, I often felt superfluous and ineffective. I’ve found myself reminiscing about those days, and that’s alright. Nobody excels at everything. I can read texts upside down and backward, yet I consistently misplace my house keys. I’m fantastic at dancing to The Cure’s “The Lovecats” in Dance Stage Megamix, but I struggle with DIY projects.

Don’t get me wrong: my love for my child is immense. I enjoy social outings with them, as they’re both humorous and intelligent, but they’re always aware that I’m their dad.

Seizing the opportunity when they were away one weekend, I dedicated some uninterrupted father-son time to immerse myself in a new game without distractions. The game has changed my perspective.

I was captivated by the premise. You’re stranded on a planet and must clone different versions of yourself to build a base and survive. It’s incredibly clever. What’s even better is that you clone yourself by reflecting on your own life choices, selecting pivotal moments that shaped you into Jan Dorsky.

For instance, if you opt for studies instead of working in the mines like your father, you become January, the ace researcher. If you choose to work on an oil rig, you create Yang, the worker responsible for loading equipment. And should you decide to spend your days wordsmithing, you become a Yang Reiter. (Sadly, there isn’t a Yang Writer option. That clearly shows my struggle for survival.)

Choose from the fork paths of your life…change. Photo: 11 bit

The gameplay is thoroughly engaging, blending exploration, resource management, and problem-solving with philosophical musings about decision-making. It prompts you to consider how alternate choices might have changed your own life.

It’s somewhat unsettling and I wouldn’t recommend losing yourself in it. Focus on the game’s narrative, not your own.

The challenge escalates with each clone you alter; maintaining their health, hunger, and happiness proves daunting. Despite my best efforts—fresh food, captivating movies, or even intentionally losing at beer pong—my clones remained cranky. The Yang Miner was perpetually grumpy, while the Yang scientists fell into constant frustration.

Just when you feel you’ve managed your base well—setting up automatic production for essentials like radiation filters and assigning shifts to various clones—you realize the demands keep multiplying.

Can you guess where I’m going with this?

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Yand Doctor may be one of the most useful clones, but he is highly valuable. Photo: 11 bit

While Alterters is marketed as a sci-fi survival game, it feels more like a parenting simulation to me. Not exactly how I want to spend my leisure time. My failures in the game (and various aspects of life) feel like incessant screams from the flawed grass while resting for just five minutes. My neighbors might think my kids are still at home.

I’ve never felt so strongly that I was perhaps playing this game incorrectly. The script and narrative are striking, resembling an interactive version of Andy Weir’s “The Martian.” The philosophical themes, much like Camus’s, emphasize that true heroism lies not in grand achievements but in undertaking the ordinary challenges of life. The graphics, too, are stunning—akin to a futuristic rendition of “Howl’s Moving Castle.” The game raises profound questions about existence and what we ought to do within it, revealing the clones’ reactions to their new circumstances. Some admire you, while others despise you. Ultimately, we share collective memories ranging from whimsical childhood items to coping strategies for dealing with abusive parents.

The creative depth of this game is boundless, hinting at future novels and animated films filled with imagination and insight. If you’ve ever been childless and carefree in the 1990s, navigating interesting but demanding individuals (aka kids) may feel like a nostalgic but daunting game of life. While it was enjoyable as a board game as a kid, it becomes an arduous task when managing two squirming kids in the backseat. Perhaps “Alterters” is the ideal game for those contemplating parenthood. I wholeheartedly recommend that anyone of childbearing age try it out to gauge whether they are ready for real-life responsibilities, or if, like me, they discover parenting to be an incredibly challenging endeavor.

Source: www.theguardian.com

Trump’s Tax Bill Aims to Thwart AI Regulation, Experts Warn of Potential Global Consequences

Posted on June 27, 2025 by Igor Mitreski

US Republicans are advocating for the approval of significant spending legislation that contains measures to thwart states from implementing regulations on artificial intelligence. Experts caution that the unchecked expansion of AI could exacerbate the planet’s already perilous, overheating climates.

Research from Harvard University indicates that the industry’s massive energy consumption is finite, and carbon dioxide—amounting to around 1 billion tonnes according to the Guardian—is projected to be emitted in the US by AI over the next decade.

During this ten-year span, when Republicans aim to “suspend” state-level regulations on AI, there will be a substantial amount of electricity consumed in data centers for AI applications, contributing to greenhouse gas emissions in the US that surpass those of Japan. Every year, the emissions will be three times higher than those of the UK.

The actual emissions will rely on the efficiency of power plants and the degree of clean energy utilization in the coming years; however, the obstruction of regulations will also play a part, noted Genruka Guidi, a visiting scholar at Harvard’s School of Public Health.

“Restricting surveillance will hinder the shift away from fossil fuels and diminish incentives for more energy-efficient AI technologies,” Guidi stated.

“We often discuss what AI can do for us, but we rarely consider its impact on our planet. If we genuinely aim to leverage AI to enhance human welfare, we mustn’t overlook the detrimental effects on climate stability and public health.”

Donald Trump has declared that the United States will become the “world capital of artificial intelligence and crypto,” planning to eliminate safeguards surrounding AI development while dismantling regulations limiting greenhouse gas emissions.

The “Big Beautiful” spending bill approved by Republicans in the House of Representatives would prevent states from adopting their own AI regulations, with the GOP-controlled Senate also likely to pass a similar version.

However, the unrestricted usage of AI may significantly undermine efforts to combat the climate crisis while increasing power usage from the US grid. The dependence on fossil fuels like gas and coal continues to grow. AI is particularly energy-intensive, with a single query on ChatGPT consuming about ten times more power than a Google search.

The carbon emissions from US data centers have increased threefold since 2018, with recent Harvard research indicating that the largest “hyperscale” centers constitute 2% of the nation’s electricity usage.

“AI is poised to transform our world,” states Manu Asthana, CEO of PJM Interconnection, the largest grid in the US. Predictions suggest that nearly all increases in future electricity demand will arise from data centers. Asthana asserts this will equate to adding a new home’s worth of electricity to the grid every five years.

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Meanwhile, the rapid escalation of AI is intensifying the recent rollback of climate pledges made by major tech companies. Last year, Google acknowledged that greenhouse gas emissions from AI have surged by 48% since 2019 due to its advances. In effect, the deeper AI penetrates, “reducing emissions may prove challenging.”

Supporters of AI, along with some researchers, contend that advancements in AI could aid the fight against climate change by enhancing the efficiency of grid management and other improvements. Others, however, remain skeptical. “It’s merely an operation for greenwashing, and it’s clear as day,” critiques Alex Hanna, research director at the Institute of Decentralized AI. “Much of what we’ve heard is absolutely ridiculous. Big tech is mortgaging the present for a future that may never materialize.”

So far, no states have definitive regulations regarding AI, but state lawmakers may be aiming to establish such rules, especially in light of diminished federal environmental regulations. This could prompt Congress to reevaluate the ban. “If you were anticipating federal regulations around data centers, that’s definitely off the table right now,” Hanna observed. “It’s rather surprising to observe everything.”

But Republican lawmakers are undeterred. The proposed moratorium on local regulations for states and AI recently cleared a significant hurdle in the Senate over the weekend, as I’ve determined that this ban will allow Trump taxes and megavilles to proceed. Texas Senator Ted Cruz, chairing the Senate Committee on Commerce, Science and Transportation, has prohibited modifications to the language which would prevent spending bills from addressing “foreign issues.”

This clause entails a “temporary suspension” on regulations, substituting a moratorium. It additionally includes an extra $500 million to grant programs aimed at expanding nationwide broadband internet access, stipulating that states will not receive these funds should they attempt to regulate AI.

The suggestion to suspend AI regulations has raised significant alarm among Democrats. Massachusetts Senator Ed Markey, known for his climate advocacy, has indicated his readiness to propose amendments that would strip the bill of its “dangerous” provisions.

“The rapid advancement of artificial intelligence is already impacting our environment—raising energy prices for consumers, straining the grid’s capacity to maintain lighting, depleting local water resources, releasing toxic pollutants into our communities, and amplifying climate emissions,” Markey shared with the Guardian.

“But Republicans want to prohibit AI regulations for ten years, rather than enabling the nation to safeguard its citizenry and our planet. This is shortsighted and irresponsible.”

Massachusetts Assemblyman Jake Ochincross also labeled the proposal as “terrible and unpopular ideas.”

“I believe we must recognize that it is profoundly reckless to allow AI to swiftly and seamlessly fill various sectors such as healthcare, media, entertainment, and education while simultaneously imposing a ban on AI regulations for a decade,” he commented.

Some Republicans also oppose these provisions, including Tennessee Senator Marsha Blackburn and Missouri Senator Josh Hawley. The amendment to eliminate the suspension from the bill requires the backing of at least four Republican senators.

Hawley is reportedly ready to propose amendments to remove this provision later in the week if they are not ruled out beforehand.

Earlier this month, Georgia Representative Marjorie Taylor Greene admitted that she overlooked the provisions in the House’s bill, stating she would not support the legislation if she had been aware. Greene’s group, the Far-Right House Freedom Caucus, stands against the suspension of AI regulations.

Source: www.theguardian.com

Google’s Emissions Projected to Increase 51% Due to Rising AI Electricity Demands

Posted on June 27, 2025 by Igor Mitreski

Since 2019, Google’s carbon emissions have surged by 51%, with artificial intelligence proving to be a hindrance to tech firms’ sustainability initiatives.

While companies are pouring resources into renewable energy and carbon capture technologies, they struggle to manage emissions in Range 3, which originates further down the supply chain and is significantly influenced by the expanding data center capabilities required for artificial intelligence.

The company noted a 27% year-on-year increase as it grapples with decarbonization amidst rising energy demands.

Data centers are crucial for training and operating AI models like Google’s Gemini and OpenAI’s GPT-4. The International Energy Agency projects that the total electricity consumption of data centers could reach double the level from 2022, with Japan’s electricity demand expected to hit 1,000 TWh (terawatt hours) by 2026. AI accounts for 4.5% of global energy production, according to estimates from Semianalysis for the year 2030.

The report expresses concerns that the rapid advancement of AI may trigger “nonlinear growth in energy demand,” complicating predictions for future energy requirements and emissions trajectories.

Additionally, Google pointed out the slow progress in new low-carbon power generation technologies. Small Modular Reactors (SMRs), which are compact nuclear power plants designed for quick deployment to support the grid, are seen as a promising solution to lower the carbon footprint of data centers. Areas hosting numerous data centers could benefit from one or more SMRs to significantly cut down their electricity-related carbon emissions.

Google’s data center is situated in Grange Castle near Dublin. In 2022, Ireland’s energy grid operators halted the expansion of new data centers in Dublin until 2028. Photo: Patrick Bolger/Guardian

According to the report, the development of these technologies is lagging behind schedule. “The main obstacle is the slow rollout of large-scale carbon-free energy technologies, making it highly challenging to reach goals by 2030.

It further indicated that Scope 3 emissions pose a “challenge,” with Google’s total ambitions representing 11.5 million tons of CO2 equivalent, marking an 11% year-on-year rise since 2019, equating to a 51% increase. This is primarily driven by heightened emissions from the supply chain, with Scope 3 emissions surging by 22% in 2024.

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Google has made significant strides in acquiring clean energy, signing over 170 contracts for more than 22 gigawatts since 2010. In 2024, 25 of these contracts added 2.5GW of fresh clean energy to its operations, marking a record year in clean energy transactions with an agreement totaling 8GW.

The company has also achieved one of its environmental goals ahead of schedule by eliminating plastic packaging. Google announced that all new products launched and produced in 2024 will be entirely plastic-free. This goal was initially set for the end of 2025.

The report adds that AI may offer a “net positive potential” for the climate, with aspirations that emissions reductions facilitated by AI applications will outweigh the emissions generated by AI itself, including the energy used by data centers.

Google envisions aiding individuals, cities, and other partners in collectively lowering carbon equivalent emissions by 2030 through AI-powered products. These innovations can enhance energy usage predictions, reduce waste, and optimize solar panel placement to maximize energy generation.

Source: www.theguardian.com

Denmark Addresses Deepfakes by Granting Copyright to Individuals for Their Likeness and Functions

Posted on June 27, 2025 by Igor Mitreski

The Danish government is taking action to curb the creation and distribution of AI-generated deepfakes by revising copyright laws, ensuring that individuals hold rights over their own bodies, facial features, and voices.

On Thursday, Danish officials announced they would strengthen protections against digital imitation of personal identities, marking what they believe to be the first such law in Europe.

With support from a broad coalition across political parties, the Ministry of Culture is set to propose amendments to the existing law for consultation before the summer break, with the intention of submitting the changes in the fall.

Deepfake technology is described as an exceedingly realistic digital representation of an individual, including their appearance and voice.

Danish Minister of Culture, Jacob Engel Schmidt, expressed his hopes that the proposed legislation will convey a “clear message” to Parliament.

He stated to the Guardian: “We collectively send a clear message that everyone has the right to their body, their voice, and their facial features.”

He continued: “Humans can exploit digital duplication techniques for various malicious purposes. I will not accept that.”

The initiative reportedly enjoys support from 9 out of 10 MPs, reflecting rapid advancements in AI technology which have made it simpler than ever to create convincing fake images, videos, or sounds that mimic others.

If passed, the changes to Danish copyright law would allow citizens to request the removal of content from online platforms that is shared without their consent.

Additionally, the law would regulate “realistic and digitally generated imitations” of artistic performances without consent, with violations potentially leading to compensation for affected individuals.

The government has clarified that the new regulations will not interfere with parody and satire, which will still be allowed.

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“Certainly, this is a new foundation for us being dismantled, and we are prepared to take further actions if platforms do not comply,” Engel Schmidt remarked.

Other European nations are looking to follow Denmark’s example. He plans to utilize Denmark’s upcoming EU presidency to share the initiative with his fellow European leaders.

Should tech platforms fail to comply with the new law, they may face “significant fines,” which could escalate to a matter for the European Commission. “This is why I believe high-tech platforms will take this very seriously,” he added.

Source: www.theguardian.com

Revolutionary App Guides Cricket Fans with Visual Impairments Around Lord’s

Posted on June 26, 2025 by Igor Mitreski

“It’s 19 feet ahead,” announced the robotic voice from an iPhone held by Moshfik Ahmed, as he navigated through London’s Road Cricket Field in search of a seat.

“Up the stairs,” directed Ahmed, an English cricketer with visual impairment, as he tapped a white cane on his way to the Edrich Stand without any external assistance. “There’s one landing. We’re positioned at 9 o’clock at the base of the stairs. We’ve reached the fifth row.”

Ahmed was among the first to test the newly installed Wayfinding technology at Lord’s, designed for blind and partially sighted individuals, enabling disabled fans to enjoy live sports.

Waymap, the company behind this app-based navigation tool, asserts that the 31,000-seat cricket stadium is the first sports venue worldwide to offer personal GPS, specifically tailored to manage traffic in stadiums, shopping centers, and transportation systems.

Utilizing a £50,000 camera, Waymap meticulously mapped stairs, corridors, inclines, entrances, and concourses to develop a digital twin of this historic cricket ground, allowing the app to navigate users by meter precision.

This technology was implemented ahead of next month’s Test match between England and India. The Marylebone Cricket Club, which manages the venue, believes it can assist other cricket enthusiasts in discovering the most accessible routes throughout the premises.

“The concept is fantastic for the visually impaired,” said Ahmed, who tried the app upon the Guardian’s invitation after participating in a showcase match on Wednesday. “If it functions flawlessly, I can navigate to the station independently, cross the street by myself, arrive at the stadium, and find my way using the app. I know many sports enthusiasts who are visually impaired. This will make it completely accessible for them.”

Moshfik Ahmed at the cricket grounds on the road. Photo: Sean Smith/Guardian

It was Ahmed’s first experience with the app, which had some initial hiccups. At times, it mistakenly suggested he head in the wrong direction, pointing him to temporarily closed stairs, and even guided him to row 20 of the Edrich Stand instead of column 5.

However, it seemed that both the app and the user were still in the adaptation phase. For instance, the app should be customized to reflect the individual user’s walking pattern, which could clarify the misdirection he experienced.

“It must be precise and dependable,” stated Ahmed, who lost most of his vision in 2017.

“We’re dedicated to delivering an exceptional experience,” said Celso Zuccollo, CEO of WayMap. “WayMap represents a novel navigation approach. It usually requires multiple visits to fully grasp how to use the app effectively.”

“The objective is likely to extend this technology to venues like Wembley, various football stadiums, and we are in discussions with horse racing tracks,” he added.

Existing apps available for users of the Washington, DC public transport system do not adequately alert users to the movements of people around them, particularly those whom Ahmed noted can pose significant challenges in maneuvering safely and comfortably.

Source: www.theguardian.com

Real Concern: Video Game Developers Face Accusations of AI Usage Despite Not Implementing It.

Posted on June 26, 2025 by Igor Mitreski

In April, game developer Stamina Zero made a significant marketing move with the launch trailer for their game, Little Droid, available on PlayStation’s official YouTube channel. The developers were taken aback by the reaction; while many found the game intriguing, it was “smashed down” by claims of AI-generated art. However, the cover art, featured in its YouTube thumbnail, was indeed created by a person. Developer Lana Ro stated, “We know the artist and have seen her work, so this negative feedback was unexpected. Initially, we were unsure how to react; it left us confused.”

There’s validity in people’s concerns regarding AI in video games. It’s important to ensure that the media you support aligns with your values. Discussions surrounding generative AI often touch on environmental impact, art theft, and overall quality. Video game developers are navigating how generative AI influences their work. However, the unexpected issue is the strong aversion to generative AI now translating to “Please don’t use it.” Veteran game developer Josh Caratelli, Digital Director of Chess Plus, remarked, “I’m all for caution, but collateral damage can be painful.”

Karatelli and his game, Chess Plus, faced a similar backlash when he shared art on Reddit, explicitly stating it was created without AI assistance. However, he received comments and messages accusing him of dishonesty or suggesting he was deceived. “It’s clearly handcrafted,” he asserted. “We spent a substantial amount to hire an indie artist for the artwork; it was a worthy investment.”

Darth Vader will be appearing in Epic Games’ Fortnite. Photo: Epic Games/Disney/Lucasfilm

Increasingly, games are being scrutinized for instances perceived as AI replacing human labor. (Epic Games has recently faced criticism for AI-generated Darth Vader, as noted). Sometimes, this anger is misdirected at individuals and small businesses, where the assumption is made that AI has been utilized. For example, an artist for Magic: The Gathering faced false accusations about using AI, prompting Wizards of the Coast to issue a statement. Even Nintendo was implicated in using AI-generated images for in-game signs in Mario Kart World back in May, leading to a denial from the company.

Major companies like Wizards of the Coast and Nintendo may weather unfounded accusations, but indie studios with lesser visibility can find it challenging. Released in April, Little Droid features small robots traversing a lush, pixel-art landscape. On the other hand, the cover art showcases the droid in a distinct style, known for the glossy finish typical of AI-generated art. YouTube commenters pointed out details that “prove” the art was AI-generated due to symmetry issues, even though the robot itself is asymmetrical. Stamina Zero consistently maintained that AI was not utilized in creating their game or art.

The studio eventually shared a video claiming to demonstrate the art process, highlighting early art concepts and various layers in Adobe Photoshop to illustrate how the piece was created. “We contacted the artist and insisted on all available intermediate sketches and source PSDs,” Ro explained. “I quickly posted a collection of videos based on the files we had. It was a damage control strategy—a way to calm the situation and promote more productive conversations. We have nothing to hide.”

Some viewers accepted the video as proof that AI was not involved, while others remained skeptical. The video didn’t contain the actual drawings, making it impossible to share the artist’s entire process unless recorded. Some artists do this already, but it adds to their workload. As Stamina Zero knows, there will always be those who refuse to believe.

https://www.youtube-nocookie.com/embed/dfN5FxIs39w?wmode=opaque&feature=oembed" title="Little Droid – Launch Trailer | PS5 & PS4 Games" height="480" width="854" allowfullscreen="

Stamina Zero Little Droid trailer

“Honestly, we don’t have a clear strategy for the future,” Ro admits. “On Reddit, some suggested we avoid creating art resembling AI outcomes, which has triggered various reactions. This piece of advice might be effective.”

Karatelli also shares the community’s ethical worries surrounding AI, such as plagiarism, environmental concerns, and the ramifications for human creativity. However, he’s aware of the accusations against Chess Plus. “It’s exceptionally difficult for AI to create something meaningful. It’s a thousand small complexities that make a game exceptional… [That] work is often undervalued,” he concurred.

Both games illustrate how generative AI can taint creative processes. It doesn’t just end there. We can’t definitively know whether we’re witnessing human creation or AI output. For creatives and gamers alike, it ultimately boils down to a matter of trust.

Source: www.theguardian.com

Should YouTube Be Part of Australia’s Social Media Ban for Under-16s? Key Insights You Need to Know

Posted on June 26, 2025 by Igor Mitreski

Australia’s online safety regulators advise that YouTube should not be granted an exemption from a social media ban for individuals under 16, stating that video streaming platforms can expose children to dangerous content.

In contrast, YouTube contends that it should adhere to a proposed regulation indicating that the government will provide exemptions to the platform.

What are the advantages and disadvantages of regulating YouTube? And what implications does this have for a child watching YouTube if it becomes prohibited?

Why did the government consider exempting YouTube initially?

Last November, when Congress introduced legislation banning access to social media for children under 16, then Communications Minister Michelle Roland indicated that YouTube would be exempted.

This exemption was justified on the grounds that YouTube serves “an important purpose by providing youth with educational and health resources.”

The ban on social media in Australia for individuals under 16 is now law. Many details remain unclear – Video

This exemption came just 48 hours after revelations in April by Guardian Australia regarding the minister’s direct lobbying efforts involving the global CEO of YouTube.

This decision surprised YouTube competitors such as Meta, TikTok, and Snapchat. TikTok described it as a “special deal.” YouTube has launched vertical video products like Instagram and TikTok reels, leading its competitors to believe it should be included in the ban.

As new regulations regarding social media platforms were being formulated, the Minister consulted with eSafety Commissioner Julie Inman Grant.

In a recent report, Inman Grant highlighted findings from a youth survey indicating that 76% of individuals aged 10 to 15 use YouTube. The survey also showed that 37% of children who experienced potentially harmful content online encountered it on YouTube.

Additionally, it was observed that increased time spent on YouTube correlates with higher levels of depression, anxiety, and insomnia among youth, according to the Black Dog Institute.

“Currently, YouTube boasts persuasive design elements associated with health risks, including features that could encourage unnecessary or excessive usage (such as autoplay, social validations, and algorithm-driven content feeds),” noted Inman Grant.

“When combined, these elements can lead to excessive engagement without breaks and heighten exposure to harmful material.”

Inman Grant concluded that there is insufficient evidence to suggest that YouTube provides exclusively beneficial experiences for children under 16.

However, it’s noted that children may still view content on YouTube even if they are logged out and thereby prohibited from using accounts.

What is YouTube’s position?

In a recent statement, Rachel Lord, YouTube’s senior public policy manager for Australia and New Zealand, commented on the eSafety Commissioner’s advice which was examined and subsequently supported by Parliament. YouTube views the findings on community opinion regarding the platform’s suitability for younger audiences as being “inconsistent with government commitments.”

YouTube has been developing age-appropriate offerings for over ten years, and in Q1 of 2025, the company removed 192,856 videos for breaching its hate speech and abusive content policies, a 22% increase from the previous year.

The platform asserts its role primarily as a video hosting service rather than a promoter of social interaction. A survey conducted among Australian teachers revealed that 84% use YouTube monthly as a resource for student learning.

YouTube also stated that the eSafety Commission and potentially the Communications Minister may be reconsidering the exemption following pressures from YouTube’s competitors.

What about YouTube Kids?

YouTube asserts that it offers a platform tailored for younger users, restricting both the uploading of content and commenting features for children.

The company does not seek exemptions solely for its children’s products.

When questioned about YouTube Kids during the National Press Club event, it was indicated that the platform is considered low-risk, designed specifically for children, and possesses adequate safety measures. However, it was stated, “I cannot respond until I have seen the regulations.”

Can children access YouTube without an account?

Yes. Inman Grant confirmed that if teachers wish to show videos to their students, they can access YouTube without needing to log in.

She noted that YouTube has “opaque algorithms that create addictive ‘rabbit holes’,” and remarked that when she accessed the site while logged out, her experience was positive, empowering users to engage without being subjected to addictive technological features.

In response to YouTube’s assertions on Thursday, Inman Grant reiterated that the call for exclusion from the ban aims to “allow young Australians to access YouTube’s diverse content.” However, she clarified that her advice does not imply that children will lose access to YouTube’s educational resources.

“The new law strictly restricts children under 16 from holding their own accounts. They will not be able to access YouTube or other services while logged out,” she added.

“There is nothing preventing educators with their own accounts from continuing to share educational content on YouTube or other platforms approved for school use.”

What are the next steps?

The Minister will finalize the guidelines and identify the social media platforms covered by the ban in the upcoming months.

A trial on age verification technology is expected to be reported to the Minister by the end of July, which will establish the technology platforms must implement to prevent access for users under 16.

The government has announced that the ban is anticipated to come into force in early December.

Source: www.theguardian.com

Meta Prevails in AI Copyright Lawsuits as US Ruling Favors Company Over Authors

Posted on June 26, 2025 by Igor Mitreski

Mark Zuckerberg’s Meta has secured judicial backing in a copyright lawsuit initiated by a collective of authors this week, marking a second legal triumph for the American Artificial Intelligence Industry.

Prominent authors, including Sarah Silverman and Ta-Nehisi Coates, claimed that the owners of Facebook utilized their books without authorization to train AI systems, thereby violating copyright laws.

This ruling comes on the heels of a decision affirming that another major AI player, Humanity, did not infringe upon the authors’ copyrights.

In his ruling on the Meta case, US District Judge Vince Chhabria in San Francisco stated that the authors failed to present adequate evidence that the AI developed by tech companies would harm the market to establish an illegal infringement under US copyright law.

However, the judgment offered some encouragement to American creators who contended that training AI models without consent was unlawful.

Chhabria noted that using copyrighted material without permission for AI training is illegal in “many situations,” contrasting with another federal judge in San Francisco who recently concluded in a separate case that Humanity’s AI training constituted “fair use” of copyrighted works.

The fair use doctrine permits the utilization of copyrighted works under certain conditions without the copyright holder’s permission, which serves as a vital defense for high-tech firms.

“This ruling does not imply that Meta employs copyrighted content to train language models,” Chhabria remarked. “It merely indicates that these plaintiffs presented an incorrect argument and failed to establish a supportive record for their case.”

Humanity is also set to face further legal scrutiny this year after a judge determined that it had illegally utilized over 7 million books from the Central Library, infringing on the authors’ copyrights without fair use.

A representative for Boys Schiller Flexner, the law firm representing the authors against Meta, expressed disagreement with the judge’s ruling to favor Meta despite the “uncontroversial record” of the company’s “historically unprecedented copyright infringement.”

A spokesperson for Meta stated that the company valued the decision and characterized fair use as a “critical legal framework” for developing “transformative” AI technology.

In 2023, the authors filed a lawsuit against Meta, asserting that the company exploited unauthorized versions of their books to train the AI systems known as Llamas without consent or remuneration.

Copyright disputes are placing AI firms in opposition to publishers and creative sectors on both sides of the Atlantic. This tension arises because generative AI models, which form the foundation of powerful tools like ChatGPT chatbots, require extensive datasets to be trained, much of which is comprised of copyrighted material.

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This lawsuit is part of a series of copyright cases filed by authors, media organizations, and other copyright holders against OpenAI, Microsoft, and companies like Humanity regarding AI training.

AI enterprises claim they are fairly using copyrighted materials to develop systems that create new and innovative content, while asserting that imposing copyright fees on them could threaten the burgeoning AI sector.

Copyright holders maintain that AI firms are unlawfully replicating their works and generating rival content that jeopardizes their livelihoods. Chhabria conveyed empathy toward this argument during the May hearing, reiterating it on Wednesday.

The judge remarked that generative AI could inundate the market with endless images, songs, articles, and books, requiring only a fraction of the time and creativity involved in traditional creation.

“Consequently, by training generative AI models with copyrighted works, companies frequently produce outputs that significantly undermine the market for those original works, thereby greatly diminishing the incentives for humans to create in the conventional manner,” stated Chhabria.

Source: www.theguardian.com

Dan Russ: The Funniest Things I’ve Discovered Online | Comedy Insights

Posted on June 25, 2025 by Igor Mitreski

I plan to purchase the Guardian from the newspaper publisher. Digital mediums are intertwined with analog ones, allowing you to discover trends through print. I’ll grab it a bit later. I got some insights after reading the Economist last week.

I wish technology had paused in 1996, when playing Mario Kart was sufficient but not life-altering. Just a need for Microsoft Excel was all that was required.

Aidan Jones: 10 Funniest Things I’ve Encountered (On the Internet)

I avoid social media, leading others to think I possess mental clarity. Yet, I’ll attribute it to the shop hours of Harvey Norman.

Here are my favorite moments I’ve stumbled upon on TV via YouTube late at night. They all seem to speak for themselves.

1. Norm Macdonald on a Morning TV Show

https://www.youtube-nocookie.com/embed/GFQbLwaElt4?wmode=opaque&feature=oembed" title="Norm Macdonald on WGN Morning News – CHECK IT OUT (2011) Full Interview" height="480" width="854" allowfullscreen="

This is one of his numerous hilarious appearances across various platforms.

2. Rodney Dangerfield on Various Late-Night Shows

https://www.youtube-nocookie.com/embed/MecU2keW54I?wmode=opaque&feature=oembed" title="Rodney Dangerfield at the Top of His Game (1980)" height="480" width="854" allowfullscreen="

I’ve revisited this quite a bit.

3. Don Rickles in Various Late-Night Clips

https://www.youtube-nocookie.com/embed/vFJgDtDupJg?wmode=opaque&feature=oembed" title="The Very Best of Don Rickles" height="480" width="854" allowfullscreen="

This is another clip I frequently watch to uplift my mood. I tend to replay the same ten clips repeatedly. Many are featured here.

4. Joan Rivers

https://www.youtube-nocookie.com/embed/iUZavNQA9MM?wmode=opaque&feature=oembed" title="Joan Rivers Hilarious Stand Up Comedy (2006)" height="480" width="640" allowfullscreen="

I also enjoyed her documentary which she referred to as “the work.”

5. Isn’t Damien Power Quite Engaging?

https://www.youtube-nocookie.com/embed/F9s8kAIqFLM?wmode=opaque&feature=oembed" title="Damien Power | Not So Funny Now Is It?" height="480" width="854" allowfullscreen="

This one is truly intriguing.

6. John Curkshank’s Redfern Electrical

https://www.youtube-nocookie.com/embed/a-sWFZyVXFo?wmode=opaque&feature=oembed" title="Redfern Electrical" height="480" width="854" allowfullscreen="

He has his unique slang that is both subtle and bland simultaneously.

7. Eddie Pepitone: For the Masses

https://www.youtube-nocookie.com/embed/ik-skhmSFLI?wmode=opaque&feature=oembed" title="Eddie Pepitone | For The Masses (Full Comedy Special)" height="480" width="854" allowfullscreen="

We watched this during the pandemic, and it made for a great pairing.

8. Sam Campbell

https://www.youtube-nocookie.com/embed/RfVS_MAMNqk?wmode=opaque&feature=oembed" title="Grandmaster-level baddie Sam Campbell being ‘somewhat’ foolish @ Bill Murray comedy club" height="480" width="854" allowfullscreen="

He builds one gag at a time into something larger.

9. Robbie Hoffman’s Zero Personality Disorder

https://www.youtube-nocookie.com/embed/_ofQX6Xykhg?wmode=opaque&feature=oembed" title="Robby Hoffman – Zero Personality Disorder" height="480" width="854" allowfullscreen="

Another fantastic viewing experience during the pandemic.

10. Zach Galifianakis

https://www.youtube-nocookie.com/embed/XNlI-WuVHeQ?wmode=opaque&feature=oembed" title="Zach Galifianakis: Live at the Purple Onion (1/4) Zach And Seth (2007) HD" height="480" width="854" allowfullscreen="

It feels very immersive, as if you’re right there, even while feeling uncomfortable.

Dan Russ is a comedian. He will be performing his award-winning short “Tropical Death Paucity” at Monkey Barrel Cabaret Voltaire from July 31st to August 24th. Edinburgh Fringe.

Source: www.theguardian.com

Young Iranians Strive to Overcome Internet Blackout: It Feels Like Being Trapped by Walls

Posted on June 25, 2025 by Igor Mitreski

a Amir* hasn’t slept in days. From his apartment in northern Tehran, the 23-year-old has spent nights searching for a vulnerable digital connection that can temporarily bypass the internet blackouts.

For 13 days, Iran has faced a nearly complete internet shutdown, severely limiting access to information since the onset of Israel’s strike until the latter part of Wednesday. However, a group of young Iranians tirelessly works to ensure their voices are heard beyond their borders.

“Using a VPN is no longer effective. To navigate this internet blackout, we’re relying on a special proxy link—essentially a ‘secret tunnel’ that channels messages through non-Iranian servers.

“These links are built into the app’s features […] They direct traffic from internal servers. Each link only works for a few hours before it fails. So, I’m constantly on the lookout for new ways to communicate with my people.”

The Iranian government blames external forces for restricting internet access during the conflict with Israel, claiming the network is being exploited for military purposes. A local source informed the Guardian that only correspondents from approved foreign media can access the internet.

While domestic messaging apps are operational, many young Iranians lack confidence in their security.

Amir remarked: “We have local apps, but they’re utterly unreliable. The government takes every opportunity to surveil us, particularly targeting student leaders.”

Last week, Amnesty International urged the authorities to lift the communication blackouts, stating it would “prevent individuals from finding safe routes, accessing vital resources, and sharing information.”

Another student leader, Leila*, 22, residing in Abbas Abado, north of Tehran, mentioned that she managed to connect again during the shutdown thanks to assistance from abroad. “My boyfriend in Europe sent me a composition link via text. Without it, nothing works. The internet sporadically operates for a few minutes before shutting down again.”

The blackout not only severed connections with the outside world but also complicated life amid the ongoing Israeli bombardment. “It feels like being enclosed by a wall,” remarked Tehran student Arash*. “We’ve lost the ability to assist each other with independent news while the sound of bombs contrasts sharply with the silence of state media.”

For Amir, the most alarming aspect is how the perception of war is becoming normalized. “We’re starting to treat this as normal,” he expressed, “but war is anything but normal.” He noted their recognition that the rattling of windows signifies either an air raid or an explosion.

The blackouts intensified his fears amid the war. “That’s what erases us… it makes us invisible. Yet here we are. We still wish to connect with a free world.”

* The name has been changed

Source: www.theguardian.com

From Chimpanzee Banananini to Ballerina Cappuccina: How Gen Alpha Went Wild for Italian Brainwashed Animals

Posted on June 25, 2025 by Igor Mitreski

WOne of Tim’s eighth graders inquired about his “favorite Italian brain rot animal,” leading to some confusion. “My hearing isn’t the best, so I probably had to ask her to repeat it four or five times,” he reflects.

Tim (not his actual name) was aware of the phrase “brain corruption.” According to Oxford University Press’s Words of the Year for 2024, but he was puzzled by the Italian reference.

After instructing the students to continue their work, he opened his laptop and turned to Google.

He learned that “Italian Brain Corruption” involves a series of absurd, AI-generated animal characters with ridiculous Italian names (like Bombomini Gusini and Trippi Troppi), often showcased in TikTok videos with rapid, nonsensical Italian narration.

Essentially, it’s a meme popular among the emerging Generation Alpha (born 2010-2025) and the younger Gen Z (mostly born 1997-2012). For older individuals—whether they are heavily engaged online or consider themselves meme enthusiasts—it might seem perplexing, as Tim discovered while browsing.

As he shared his findings, he appeared horrified. “This one is Chimpanzee Banana: it’s a hybrid of a chimpanzee and a banana. Bombardiro Crocodilo is a crocodile that resembles a bomber plane. There are also characters that are just cappuccinos with legs…”

Ballerina Cappuccina. Photo: tiktok/@aironic.fun

That’s right, Ballerina Cappuccina: female ballet dancers are fused with coffee cups and often depicted in a relationship with Cappuccino Assassin (you can understand that).

“There’s a backstory to all these characters—lore,” Tim adds, pondering. “Some are even at war with each other, and there are songs about them.”

The kids in his class are intensely fascinated by it, unlike any trend Tim has seen before. “Once one person mentions it, the whole class starts buzzing. They’re obsessed with this Italian brain corruption.”

If you’re reading this and finding your own mind bewildered, it’s understandable. If you were born in a year that starts with a “1,” “Italian brain corruption” might not resonate with you.

However, its widespread popularity among the younger crowd is worth trying to understand, at least as a reflection of the evolution of online culture.

Tralala Rotralala. Photo: Tiktok

The first character to gain traction was Shark Sport Nike sneakers (three per fin); Torara Rotorarara. Shortly after, the voice of a male character first appeared, marking the start of Italian expressions on TikTok in early January.

New characters quickly proliferated on TikTok. Don Caldwell, Editor-in-Chief of Know Your Meme, identified Brr Brr Patapim as an example, describing it as a “material monkey that is also a tree.”

Tung Tung Tung Sahur. Photo: Tiktok/@noxaasht

Notably, there’s also brain rot in Indonesia. Tung Tung Tung Sahur (“This features a stick figure on a bat, telling people to wake up for food during Ramadan”) and Boneca Ambalabu (“A frog with a tire and human legs”) are examples.

Both are accompanied by AI-generated voices that, much like their Italian counterparts, aim to confuse rather than clarify.

“Audio is just as crucial, if not more so than visuals,” Caldwell explains. “They really amp it up, like Tra-la-.lero! tra-la-laLA!—that quintessential Italian sound.”

Is this offensive to Italians? “It seems like Italians are in on the joke,” Caldwell suggests. “I don’t think it is.”

The attraction of Italian (and Indonesian) brain corruption isn’t about being derogatory or harmful—it’s simply absurd.

Caldwell, who has been engaged with memes for 15 years, admits he doesn’t track every fleeting online trend. “But I genuinely enjoy this,” he remarks. “In my view, it’s the better side of memes.”

Bombardiro Crocodilo. Photo: Tiktok/@armenjiharhanyan

The simplicity and speed of creating these videos using tools like ChatGPT have contributed to the meme’s popularity. Users can prompt their AI to visualize something like Bombardiro Crocodilo in their preferred settings. “No prior video editing skills are necessary, nor do you have to use your own voice,” Caldwell notes.

For adults apprehensive of AI advancements, the Italian brain corruption can feel like a harmless indulgence. “It’s a non-threatening application of AI that doesn’t induce existential dread.”

Naturally, young people don’t view it in such a serious light. They spend more time online from an earlier age, significantly influencing digital culture. “You’ve got a super online kid today,” Caldwell remarks. “They grew up around iPads and TikTok, creating content and dictating the biggest cultural trends of the moment.”

Before Italian brain rot, there was the Skibidi Toilet meme, which spread virally from YouTube in 2023, captivating the younger generation of Gen Z, with millions of views.

Tim recalls discussing it in class: “The kids adore it. The term ‘Skibidi’ is now embedded in Gen Z and Gen Alpha vernacular.”

However, its meaning isn’t straightforward and is steeped in ironic ambiguity. “It can signify something good, something bad, or something bizarre… When they refer to it as ‘Skibidi,’ it’s a positive thing, and they’re laughing at it simultaneously.”

Both Skibidi Toilets and Italian brain corruption resist clear definitions, stimulating youthful imaginations with surreal imagery and crude humor while leaving adults scratching their heads with their more subdued humor.

Ebies.

“AI Art” isn’t just a shortcut for older users primarily active on Facebook, Caldwell states. Ebies example (please check). It increasingly cultivates its own lexicon, customs, and meanings that often elude many adults.

It’s intriguing to hear people declare that past memes were superior. Examine the originality of templates such as distracted boyfriends and layered visual jokes demonstrating endless possibilities for meaning-making. However, Caldwell—a millennial himself—suggests that Italian brain corruption represents another evolution in human creativity. “AI produces images, and text-to-speech gives voice, but the humor originates from the real person behind the screen.”

Tim is skeptical, noting that when he sets creative writing tasks for his class, many leap straight into their favorite Italian brain-rotting creatures. “I worry that the AI generation lacks moments for spontaneous imagination, as AI does so much for them. I tell them, ‘This must be entirely our creation. I don’t want chimpanzees bananini.'”

Nevertheless, he has started incorporating the students’ enthusiasm for Italian brain corruption into his lesson plans. In a multiple-choice quiz, one of the options is Tung Tung Tung Sahur.

He now confidently addresses his eighth graders. “My favorite is Blueberrinni Octopussini,” he shares. “It’s an octopus blended with blueberries.”

Source: www.theguardian.com

Utilizing Space and Underwater Curtain Mirrors: Will Technology Save the Arctic Ice Caps in Time?

Posted on June 25, 2025 by Igor Mitreski

wGlacier researcher John Moore began exploring the Arctic Circle in the 1980s. The continuous warming of this area has led to the disappearance of many glaciers, as noted in The Arctic heats 4 times faster. They have simply melted away, outpacing global averages.

Four decades later, Moore’s research network identified an Arctic university. 61 Potential Interventions aim to slow, halt, and reverse the impacts of regional climate change. These concepts are regularly updated. Some will be discussed at a meeting in Cambridge this week, where scientists and engineers will explore whether radical technical solutions can buy time and mitigate the loss of polar ice caps.

Dr. Sean Fitzgerald excavates the ice. Photo: Real Ice/Cambridge University

“We aim to distill them down to about 10 concrete ideas,” Moore asserts, although he hasn’t yet shared specific developments. He emphasizes that the study should exclude “non-starters and hopeless ideas.” If no action is taken over the next 30 years, it may indeed be too late.

The focus should be on rationally valuing these interventions; otherwise, they are merely speculation.

These include methods such as Solar Radiation Management (SRM), brightening Arctic clouds to stabilize ice sheets, giant underwater curtains to prevent warm water from melting glaciers, and deploying vast mirrors in space. Ideas once considered science fiction are becoming more mainstream.

“None of these ideas will solve every issue,” Moore states, emphasizing the need to weigh potential costs against perceived benefits.

Dr. Sean Fitzgerald, director of the Climate Restoration Center at Cambridge University, which is hosting the conference, reflects on a 30-year journey of “unpaid progress” that has slowed the climate crisis, shifting focus towards preserving the Arctic.

“I felt obligated to expand knowledge into broader fields,” he notes. Among the more unusual ideas discussed is the concept of a 10km sunshade suspended between airships the size of Zeppelins and creating corridors for fixed rafts to assist Arctic wildlife reliant on ice. Other measures, such as the initiative by British startup Real Ice and a Dutch company, are underway, which involve pumping water onto ice to refreeze it.

Critics voice concerns about the ethical and legal implications of many proposed interventions, making geoengineering a contentious topic. For instance, in 2021, the Sami Council, representing the Saami people in Finland, Norway, Sweden, and Russia, voiced opposition against Harvard-led pilot projects that aimed to test stratospheric aerosol injection (Science), which simulates volcanic eruptions by dispersing aerosols in the stratosphere to reflect sunlight. The Sami Council branded the plan as a “real moral hazard.”

Inuit hunters navigate through meltwater in West Greenland. Photo: Lawrence Hislop/Alendal

With these sensitivities in mind, the Cambridge Conference will address ethics, governance, sustainability, and general engagement.

The interventions have undergone extensive study, including those identified by Moore for mitigating the Arctic climate emergency. However, many proposals are unlikely to go beyond theoretical stages and require substantial funding or large-scale implementation.

Thus far, ocean-based concepts present additional uncertainties, limitations, and risks, and the study has deemed them “unsuitable for further consideration,” scoring very low against most evaluation criteria.

One such idea, modifying ocean currents, was first proposed during the Cold War, when suggestions were made to block the Bering Strait to enhance Arctic livability. Years later, climate activist Rolf Schttenhelm proposed a similar initiative aimed at increasing Arctic sea ice.

One small-scale solution currently being implemented involves pumping water onto ice to refreeze it. Photo: Real Ice/Cambridge University

“It’s very easy to make mistakes, and no one knows the definitive answer,” Moore reflects. “Local benefits must be balanced with the hope for global gains.”

Fitzgerald remains cautious about any solutions he considers to be frontrunners, underscoring the importance of keeping an open mind and exploring a variety of approaches.

Meanwhile, SAI and Marine Cloud Brightening (MCB) are drawing significant interest. Professor Peter Wadham, leader of the Polar Ocean Physics Group at Cambridge University, describes MCB as a “very powerful” option. “It’s advantageous because it can be implemented on a small scale, allowing for cessation of activities if negative impacts arise,” he asserts.

Wadham is less enthusiastic about SAI, labeling it a risky long-term strategy compared to MCB. Additionally, he finds the proposal to thicken sea ice unrealistic due to the sheer energy required. “It could work in limited scenarios,” he notes, “but not at an impactful scale. Marine Cloud Brightening stands out as the best and most thoughtfully designed approach.”

Hunters return to Kullorsuaq, the Inuit village in Greenland, nearby Melville Bay. Photo: Reda/Universal Images/Getty

Earlier this year, UK scientists announced plans for outdoor geoengineering trials, including Marine Cloud Brightening, funded by a £50 million government initiative. However, opposition has emerged from various sectors; a discussion was held in the UK Parliament this week, and the state of Tennessee has passed legislation banning geoengineering in the US.

In critique claiming that potential disasters outweigh the benefits, Fitzgerald advises: “The risks of attempting action should be assessed alongside those of inaction. Given the rapid pace of climate change, our research efforts must accelerate.”

He adds, “If we believe current conditions are dire, we must consider what the next century may hold.”

Source: www.theguardian.com

Did Hideo Kojima Craft Another Strange and Marvelous World?

Posted on June 25, 2025 by Igor Mitreski

A As a teen in South Australia during the late 1980s, I developed a fascination with Australian New Wave Cinema, partly due to the Mad Max trilogy. One day in class, my high school English teacher rolled in a TV trolley and presented us with a screening of Nicholas Roeg’s classic. We were spellbound. Fast forward 40 years, and I’m now immersed in Death Stranding 2, Hideo Kojima’s expansive apocalyptic saga. Occasionally, it feels like I’m reliving that classroom experience. The game unfolds in a devastated Australia, where cities have vanished, and the landscapes are as stunning and prophetic as those in Roeg’s films.

After 45 hours of gameplay, I’ve made minimal progress in the storyline. Instead, I’ve explored the wilderness and delivered packages to remote outposts. Set in a world ravaged by catastrophic events, the game showcases a supernatural explosion that transforms the landscape. As you traverse the expansive ochre desert towards the coast, you witness sunsets behind shimmering mountain ranges, and tides reflecting the sky. Unlike typical open-world games, where environments remain static save for day/night cycles, Australia in Death Stranding 2 feels magical and ever-changing. Earthquakes might send boulders tumbling down mountains or trigger a massive dust storm, while snowy avalanches can engulf you. Along your journey, you can construct roads, power generators, and jump pads, all of which other players can discover and utilize. Each visit to a location feels novel.

Kojima cites George Miller as his inspiration, and the influence of the Mad Max films — with their chaotic, desolate energy — permeates the game. It examines the interplay between technology and isolation, portraying feudal tribes and scarce resources amidst an adrenaline-fueled atmosphere. Yes, he’s influenced by Roeg as well; while there are hints of mythic resonance from Walkabout, the game may lack the profound undertones of colonial guilt. On the remote fringes of the game map, a rocky outcrop evokes memories of Peter Weir’s Picnic at Hanging Rock.

The hallucinatory strangeness of the sun attacked… a picnic at Hanging Rock.

I’ve spent countless hours driving along the highways of this game, picking up parcels and delivering them to remote locations. Why? Sitting in front of the screen until 2am, I felt compelled to ensure that a shelter received its fluffy pajamas. The magic lies in creating a timeless Australian landscape that is subject to moments of extreme change — echoing the transcendental techniques employed by Weir. This world is both enchanting and menacing, which is utterly captivating.

A few years back, Weir expressed this about Picnic at Hanging Rock: “What I aimed to achieve was an oppressive atmosphere of unresolved tension. To evoke claustrophobia within both place and relationships. We labored intensely to construct a hallucinatory, mesmerizing rhythm that made you lose track of reality.”

In essence, that’s my experience with Death Stranding 2. It’s a game filled with hallucinations and engaging rhythms. You drive and drive, eventually returning to the same locale hours later—only now there’s a road or a marker left by another player who perished during the night. This creative interpretation of Australian landscape captures what Grand Theft Auto has aspired to achieve in American cities. It’s about interpreting and distilling a sense of place from an outsider’s lens. So, when I finally unlocked a new area for exploration, the sense of wonder mirrored my first viewing of Walkabout on a rainy afternoon in Manchester. I’m certain it will take me months to uncover it all.

What to Play

A philosophical comedy… a Quantum Witch. Photo: Nikki J.

A few months ago, I interviewed the creator of Quantum Witch, a unique pixel art adventure about a shepherdess who lost her flock and was caught in a metaphysical conflict between clashing gods. Nikki Jay, raised in a religious cult, escaped to forge her own path, and her experiences deeply inspire the game.

Developed with minimal assistance from Paul Rose, the inventor of the iconic Teletext Gaming Gin digitizer for Channel 4, it blends point-and-click mechanics with a postmodern deconstruction of the genre, punctuated with eccentric undertones. If you enjoy irreverent humor, you’ve come to the right place, or you’re simply looking for something delightful and quirky.

Available at: PC
Estimated playtime: Five hours or more

What to Read

Bad news? …Mindseye. Photo: IO Interactive

In more troubling news for game industry employees—Mind-Annoyed Developers have begun to Make a Rocket Boy. Following a disastrous launch, the studio has seen significant layoffs. Games plagued by bugs and AI glitches have received negative reviews from both players and critics, with IGN reporting that up to 100 staff members have been let go. What a disaster.
Eurogamer features an amazing interview with voice actor Ashley Burch, discussing whether video games can positively impact mental health. Burch shares her own experiences with obsessive-compulsive disorder and how Harvest Moon 64 aided her coping mechanisms.
We love in-depth explorations of classic video games, and Gamespot has produced an amazing piece about how a designer crafted the best level in Deus Ex—the Aeon Storm, a legendary role-playing adventure from Dallas Studios, filled with intriguing details about the alternative rendition of Hong Kong.

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What to Click

Question Block

A peculiar narrative, a short play… The Rest of Edith Finch. Photo: Annapurna Interactive

This comes from Adam:

“I’ve been enjoying Be Brave, Barb, from the developers behind the fun Daddish series. I appreciate its straightforward, bite-sized gameplay, reminiscent of my experiences with the Game Boy Kirby titles.” What’s your favorite snack-sized game?

After my initial experience with the eerie short horror title Thin, I’m now obsessed with curious mini horror games, adding titles like Mouse Washing, Murder Case, and PT to my list. I’m also fond of classic PlayStation minigames like BISHIBASI Special and Point Blank. From the rest of the team, Keza is into WarioWare, The Lonely Mountain, and Pokémon Trading Card Game (“yes, still,” she says). Tom Regan enjoys Edith Finch’s Remains, Florence, and Inside; Christian Dongran mentions short-burst games like Loop Hero, Tetris Effect, and Sifu, while also noting, “Guardian Quick Cryptic is my favorite ten minutes of the week.” Sarah Maria Griffin loves Short Hike, and of course, the delightful Untitled Goose Game is a perfect little gem.

If you have questions or feedback regarding the newsletter, don’t hesitate to reply or email us at butingbuttons@theguardian.com.

Source: www.theguardian.com

Second Study Reveals Uber’s Profits Surge Through Opaque Algorithms

Posted on June 25, 2025 by Igor Mitreski

A prominent academic institution has accused Uber of utilizing opaque software algorithms to significantly boost profits while negatively impacting drivers and passengers using their ride-hailing platform.

Research conducted by scholars at Columbia Business School in New York determined that the Silicon Valley company has adopted a systematic and selective approach to “algorithmic price discrimination,” which “raises rider fares and severely diminishes driver earnings to the tune of billions.”

The Ivy League Business School’s findings are based on an analysis involving “tens of thousands of rides… amounting to over 2 million…” travel requests, and it builds upon a recent study from the University of Oxford concerning 1.5 million UK trips published the previous week.

The UK research revealed that many Uber drivers in the UK have reported “substantially reduced” earnings since the introduction of the “dynamic pricing” algorithm in 2023, correlating with the company capturing a significantly larger share of fare revenue.

The US report, authored by Len Sherman, highlights that as a passenger, acceptance appears less favorable, while he expresses amazement at what has been accomplished.

Sherman’s report remarked: Reducing driver payments while enhancing their take rate significantly contributes to improving cash flow during the study’s duration.

In 2024, Uber announced that it had generated $6.9 billion (£5 billion) in cash for the year, a stark contrast to their loss of $303 million in cash in 2022.

Sherman noted that the advanced pricing introduced in the U.S. in 2022 is akin to the UK dynamic pricing algorithm implemented in 2023, significantly affecting passenger fares.

Columbia’s study, which examined trips made by 24,532 U.S. Uber drivers, concluded that the new algorithm has “modified the distribution of net rider fares among driver incomes.”

The recent Oxford study found that following the rollout of dynamic pricing, Uber’s median take-rate per driver surged from 25% to 29%, with some trips exceeding 50%.

These findings contribute to a growing list of controversies surrounding technology companies, including a 2021 UK Supreme Court ruling affirming that Uber drivers are entitled to a minimum wage and paid leave, along with the 2022 disclosure of the Uber Files, a global investigation revealing the company’s efforts to bypass police and regulations while secretly lobbying governments worldwide.

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Following the release of the Uber Files, Jill Hazelbaker, Uber’s Vice President of Public Relations, stated:

An Uber spokesperson remarked, “Uber’s pricing structure aims to be transparent and equitable for both riders and drivers. The prepaid pricing is disclosed prior to booking, enabling drivers to make informed choices based on a full understanding of wages, distance, and expected duration.”

“Our dynamic pricing algorithms function to synchronize real-time supply and demand, enhancing the platform’s overall reliability. The prepaid pricing model is not personalized, and our pricing algorithms do not utilize personal information from individual riders or drivers.”

“Last week, the company reiterated: [the University of Oxford] Report. All drivers are guaranteed to earn at least the national living wage.”

Source: www.theguardian.com

Outer Worlds 2: The Priciest Xbox Game Yet | Gaming News

Posted on June 25, 2025 by Igor Mitreski

The Outer Worlds 2 from Obsidian is set to be his inaugural first-party Xbox release, priced at $80 (£70). While the cost of games on the Nintendo Switch 2 is notably high, particularly as Sony’s PlayStation 5 titles have been trending in that direction, you might assume this development wouldn’t ignite a debate among gamers. Yet, it has. The increasing prices of video games continue to be a hot-button issue, especially with the ballooning budgets typically associated with blockbuster titles today. Nevertheless, Outer Worlds 2 promises a more expansive and intricate experience compared to its 2019 comedic sci-fi predecessor, and one could reasonably argue that the price reflects this enhanced value.

I thoroughly enjoyed the original Outer Worlds. It was vibrant with the signature dark humor expected from an Obsidian RPG (the studio behind Fallout: New Vegas). The lush, saturated universe filled with vibrant flora, bumbling activities, and eccentric characters provided joy for approximately 20 hours, although the combat left something to be desired.

According to game director Brandon Adler, Obsidian was aware that gunplay in the Outer Worlds required enhancements from the outset, especially when developing a sequel. “We valued this feedback, so we completely reassessed our approach,” he mentioned during an interview following the Outer Worlds 2 presentation in Los Angeles. “We also consulted with Hello. Everyone…they provided us with an extensive list of suggestions, advising us on what to target and how to improve our weapon analytics.”

https://www.youtube-nocookie.com/embed/EQ_PNu2c87A?wmode=opaque&feature=oembed" title="The Outer Worlds 2 – Official Gameplay Trailer" height="480" width="854" allowfullscreen="

Obsidian’s research has yielded impressive results. Not only are there more weapons to engage with in Outer Worlds 2, but they also feel rewarding to fire and offer a variety of combat tactics based on different encounters. A solid stealth approach allows players to sneak into enemy territory without a trace, should they choose to avoid confrontation. In the original game, firing was fun but could often lead to moments of disdain before entering into large battles. This has shifted in the sequel; I found enjoyment in every encounter, skillfully aiming and executing moves as I descended upon my targets.

“We didn’t want mere tweaks. Every weapon feels distinctly unique, each with its individual purpose,” Adler expresses. “You can take these weapons, apply mods, and create all sorts of imaginative combinations.”

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The game also harnesses the capabilities of its upgraded engine (Unreal Engine 5) and modern hardware, making the world feel larger than before. For instance, entering a building no longer requires loading screens that could momentarily pull players out of the immersive experience. “These small details contribute significantly to the overall atmosphere,” Adler states. “Exploration is paramount for me; I want players to feel compelled to delve into this expansive universe, explore every avenue, and investigate even the tiniest features.”

Outer Worlds 2 promises a more expansive setting, refined combat mechanics, and an abundance of customization options, alongside its role-playing elements that can dramatically affect gameplay, including enhanced character perks and flaws. Although Adler refrained from commenting on the $80 price point, it is evident that this sequel stands on its own merit.

Source: www.theguardian.com

Investigating Tesla’s Robotaxi Launch: Irregular Driving Captured in Video

Posted on June 25, 2025 by Igor Mitreski

Major US transportation safety regulators are seeking information from Tesla following videos that appear to show the vehicles exceeding speed limits and autonomous robotaxis driving in the wrong lanes. The company unveiled its service in Austin, Texas, over the weekend.

Tesla has notably expedited the initial limited rollout of its Robotaxis, with some influencers being paid to showcase their experiences. However, rather than serve as effective promotion, these videos seem to have drawn the scrutiny of the National Highway Traffic Safety Administration (NHTSA), particularly as the cars struggled to adhere to traffic regulations.

“The NHTSA is aware of the mentioned case and is in communication with the manufacturer to gather further information,” the agency stated.

The debut of Robotaxi over the weekend featured about 10 “safety drivers” in the passenger seats navigating Austin’s designated areas. Tesla CEO Elon Musk promoted the launch as a significant achievement and committed to enhancing driving safety, but some influencers shared videos that appeared to show glitches or speeding incidents involving the Robotaxis.

One video shared by a Tesla investor, who previously hosted a podcast regarding the brand, displayed a Robotaxi wobbling after misinterpreting a left turn, crossing over a double yellow line before correcting itself. During this time, there were no oncoming vehicles.

In another clip, a pro-Tesla YouTuber praised a car for maintaining speed within legal limits.

Musk has placed significant stakes on the future of the carmaker tied to the Robotaxi program, having long presented a vision where millions of self-driving cars traverse cities globally. Both regulators and investors are closely examining whether Tesla can convert these prospects into tangible outcomes and if it can sustain its operations. Musk’s prolonged history of unmet promises.

“We anticipate millions of Teslas to function entirely autonomously by next year,” Musk declared during an earnings call in April, having made a similar assertion in 2019.

The NHTSA has not pre-emptively greenlit new technologies or driving systems, the statement mentioned. Instead, the manufacturer affirms that the vehicle meets the agency’s standards, while investigators assess potential safety defects. The NHTSA reviews the reports and related information to determine how to tackle road safety concerns.

“NHTSA will persist in enforcing regulations for all automobile manufacturers in accordance with the Automobile Safety Act and our data-driven, risk-based investigation methodology,” the agency remarked.

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Robotaxis has gained heightened significance for Tesla this year, particularly as first-quarter sales declined and profits plummeted by 71% year-on-year. Despite diminishing revenues, Musk asserted that Tesla’s Robotaxis are destined to be the future of transportation.

In addition to a preliminary inquiry into Robotaxis, the NHTSA is also conducting an open investigation that began in 2024 to assess the safety of Tesla’s “full self-driving” mode under conditions of reduced visibility. Tesla was reported to have deployed autonomous functions which resulted in a fatality of a 71-year-old woman in 2023 while driving in Arizona during sunset when glare affected road visibility.

Source: www.theguardian.com

John Oliver on AI Concerns: “Some of These Might Be Quite Dangerous”

Posted on June 24, 2025 by Igor Mitreski

On his weekly HBO show, John Oliver discussed the alarming risks of AI, labeling it “worrisomely corrosive” to our society.

During “Last Week Tonight,” Oliver remarked, “The rampant use of AI generation tools has made it effortlessly simple to clutter social media platforms with cheap, professional, and often bizarre content, coining the term AI Slop to categorize everything.”

He described it as “the latest version of spam,” with peculiar images and videos overwhelming users’ feeds, leading people to say, “I have no idea that this isn’t the real thing.”

“It’s highly probable that this content will flood platforms in the near future,” Oliver warned.

With such content, “The main goal is to grab your attention,” and barriers to entry have significantly lowered due to its ease of creation.

Meta has jumped into the fray with its own tools and has also refined its algorithm. This means more than a third of the content in your feed originates from accounts that currently do not comply. “That’s how the slops infiltrate without your consent,” he noted.

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A monetization program has emerged for those who manage to make their content go viral, and numerous AI slop experts are now offering to teach individuals the tricks of the trade for a small fee.

This has become “ultimately a spam-like volume game in all forms,” resulting in AI generators appropriating the work of real artists without credit. However, “Due to the tales of wealth linked to these slop gurus, the amount of money involved can be relatively minimal.”

It might only be a few hundred dollars, sometimes even less, leading to what can be termed a megavirus. Much of this originates from nations where financial advancements are notable, such as India, Thailand, Indonesia, and Pakistan.

One challenge is having to explain to your parents that the content isn’t genuine. “There’s this really adorable animal, but I can assure you it’s not Moo Deng; it’s AI,” he stated.

Additionally, there are environmental repercussions regarding the resources necessary to produce this content, along with a concerning proliferation of misinformation.

Oliver highlighted numerous fake disasters depicted through images and videos, showcasing tornadoes, explosions, and plane crashes. “Air travel is stressful enough without the creation of new disasters,” he lamented.

AI-generated content has also been utilized during the Israeli-Iran conflict, complicating situations for first responders during last year’s floods in North Carolina. Republicans likewise exploited it to suggest that Biden was mishandling the latter crisis.

“It’s a conundrum for those who have been yelling ‘fake news’ over the last decade and are now suddenly more vocal in denouncing actual fake news,” he remarked.

The impact of these spreads wasn’t as damaging as some had feared during last year’s U.S. elections, but AI is “already considerably more advanced than it was at that time.”

He concluded: “Not only will you be deceived by fakes, but your very existence may cause you to dismiss authentic videos and images as forgeries from bad actors.”

Oliver argues that this all contributes to “corroding the very notion of objective reality,” and finds it increasingly difficult to identify AI content on these platforms.

“I’m not suggesting that some of this content isn’t entertaining, but some of it is potentially quite dangerous,” he warned.

Source: www.theguardian.com

Strategies in the Iran-Israel Conflict: Internet Blackouts, Cryptocurrency Destruction, and Home Surveillance

Posted on June 24, 2025 by Igor Mitreski

The ongoing conflict between Israel and Iran is not only a confrontation involving combatants, drones, and explosive devices but is also intensifying in the digital domain. Both nations have a rich history of engaging in cyber warfare. A significant point of contention is Iran’s nuclear initiative, which was famously attacked by the sophisticated Stuxnet worm—one of the early forms of cyber sabotage aimed at causing real-world damage.

In response to perceived threats, Iran recently enacted a near-total internet blackout. My colleague Johanna Bouyan provides insights:

According to CloudFlare, a cybersecurity firm, Iranian internet traffic is “currently averaging around 97% or lower compared to levels from a week ago.”

The reduction in internet speeds follows claims from an anti-Iranian hacking group, possibly linked to Israel, stating they had breached Iran’s state-owned bank, Sepa. A government spokesperson from Iran, Fateme Mohajelani, indicated on Twitter/X that officials were limiting internet access to thwart further cyber intrusion.

On Wednesday, concerns in Iran were validated. My colleague Dan Mirmo reports:

Hacking groups associated with Israel are purportedly behind a $900 million (£67 million) heist at Iran’s cryptocurrency exchange.

The group calling itself Gonjeshke Dalande, known for its predatory tactics, announced it had successfully hacked the Novitex exchange, mere days after asserting it had destroyed data at Iran’s state-owned bank.

Elliptic, a consultancy specializing in cryptocurrency crime, reported identifying over $900 million in cryptocurrency transfers to hacker wallets from Nobitex. The hackers effectively “burn” these assets, storing them in “vanity addresses” that lack encryption keys, thereby rendering them inaccessible, according to Elliptic.

Iran has attempted to retaliate; however, much like the broader conflict, Israel’s strikes appear to be more effective and disruptive. Israeli authorities have warned citizens that Iran is seizing internet-connected home security cameras to gather real-time intelligence. Bloomberg reports. Cybersecurity experts assert that Hamas and Russian hackers have employed similar tactics. While home security cameras may represent a new front in the cyber conflict, they lack the capability to interfere with central banking systems, as Israel has done.

By the end of Friday, Iran seemed to have lifted internet restrictions for some users, as reported by The New York Times. However, even those with limited access felt their connections were precarious.

City of Love? PornHub Takes a Stand Against Paris Over Children’s Age Verification Online

Photo: Nikolas Kokovlis/Nurphoto/Rex/Shutterstock

PornHub, widely regarded as the most visited adult content site globally, resumed operations in France after a three-week blackout.

The platform’s owner, Iro, suspended access in protest against a new French regulation requiring adult websites to verify user ages using credit cards or identification. Instead of implementing the age restriction, Pornhub opted to withdraw access for approximately 70 million users.

Following this, Pornhub returned online after French courts temporarily put the law on hold while reviewing its compliance with the European Union’s constitution. However, the dispute between Paris and Pornhub signifies a growing global dialogue around online age verification.

This debate occupies a challenging intersection of differing online regulations aimed at protecting children and upholding privacy and freedom of expression—an area fraught with complexity, even in the U.S., where digital regulations often aim for practicality.

As of now, over 20 states have enacted age verification laws affecting adult content websites. Pornhub has been forced to block access in 17 of these states. Texas, which boasts a population of 31 million, serves as a prime example. The state legislature passed a law in September 2023 mandating ID verification for accessing adult sites, causing Pornhub to go dark in Texas by March—greeting users with a message calling the law “invalid, accidental, dangerous.” Meanwhile, while access is still allowed in Louisiana under similar laws, site traffic has plummeted by 80%. This serves as a barrier to ID requirements. The U.S. Supreme Court is considering whether such laws infringe on constitutional rights to free speech.

Research on U.S. law indicates that these laws are ineffective in achieving their stated goals. Online search data suggests that individuals in states with age verification laws are searching for non-compliant adult sites to bypass age restrictions and using VPNs to disguise their locations from internet service providers.

Other battlegrounds extending beyond age verification include restrictions on social media for underage users. Australia, which has enacted a ban on minors accessing social media, is currently testing various enforcement technologies but has found them lacking.

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The UK is emerging as the next battleground. New online safety legislation mandating age verification for adult content will take effect in July. Will London mirror Paris, or follow Texas?

Dissecting the Trump Phone

Composite: Guardian/Getty Images/Trump Mobile/Trump Watch/eBay

Last week, Donald Trump introduced a mobile phone brand named “T1,” elegantly designed with his name and emblazoned with an American flag. It is especially marketed in Alabama, California, and Florida, with a monthly service plan priced at $47.45.

However, the T1 phones face significant challenges in delivering on their promises. The manufacturer will be subject to similar market pressures as other manufacturers, where both inexpensive labor and specialized electronics expertise are largely based in China, not the U.S. This partly explains why Apple products are labeled “Designed in California.”

Looking forward, analysts predict that Trump’s proposed tariffs could cause smartphone prices to soar by double or even triple digits. Currently, the U.S. lacks a developed electronics supply chain capable of fully assembling mobile phones domestically. In April, analysts at UBS cautioned that the cost of an iPhone 16 Pro Max with 256GB might potentially rise by 79%, from $1,199 to approximately $2,150, if a total tariff of 145% were implemented. Apple seemed to acknowledge this forecast by expediting the shipment of nearly $2 billion worth of iPhones to the U.S. before tariffs on China were instituted.

An example of a mobile phone that has been assembled in the U.S., known as the Liberty Phone, is operational but not entirely manufactured there. Trump’s offerings could potentially cost around four times more than $2,000. The Liberty Phones source certain components domestically, but still require screens, batteries, and cameras that are manufactured overseas. According to the Wall Street Journal, the CEO of Purism, the company that manufactures these devices, stated that its operating system can run only basic applications like calculators and web browsers.

Although the specs for the Liberty Phone are inferior compared to the Trump T1, its price will be steeper, and the likelihood of the T1 reaching the market as promised appears slim. Many of the anticipated technical features of the T1 come at a price point nearly double that of what Trump has claimed. A comprehensive list compiled by The Verge suggests that Chinese firms might manufacture phones under Trump’s brand label.

Eric Trump, who co-manages this venture alongside his brother Donald Jr., admitted that the initial batch of T1 phones was not made in the U.S. “Eventually, every phone will be produced in the United States,” Eric Trump reassured. He added last week. I understand.

Read more: Why can’t mobile phones be repaired in the U.S. to avoid Trump’s tariffs?

Wider Technology

Source: www.theguardian.com

WhatsApp Banned on All US House of Representatives Devices

Posted on June 24, 2025 by Igor Mitreski

All U.S. House representatives have banned the use of WhatsApp messaging services, as detailed in a memo distributed to House staff on Monday.

The notification to House staff indicated that “the Cybersecurity office deems WhatsApp problematic due to a lack of transparency regarding user data protection, insufficient data encryption at rest, and the potential security risks associated with its use.”

The Chief Admin Note suggested alternative messaging applications, including Microsoft’s Teams, Wickr, Amazon’s Signal, Apple’s iMessage, and FaceTime.

A spokesperson for META, the parent company of WhatsApp, stated: “We strongly oppose the stance taken by the highest administrative officers of the House of Representatives and recognize that members and their staff frequently rely on WhatsApp.

“WhatsApp offers end-to-end encryption by default, ensuring that messages can only be accessed by recipients and not even WhatsApp itself. This level of security surpasses that of most apps on the CAO’s approved list.

Signal, which employs end-to-end encrypted messaging similar to WhatsApp, has recently been involved in a controversy after Defense Secretary Pete Hegges shared sensitive information about a planned Yemen attack within at least two private Signal group chats.

One of these chats was initiated by national security adviser Mike Waltz and included senior U.S. security officials, along with journalist Jeffrey Goldberg from Atlantic. Other chats were organized by Hegges himself, involving his family and approximately 12 others.

The Pentagon previously cautioned employees against using Signal due to its technical vulnerabilities, as reported by NPR. A “OPSEC special bulletin” shared on March 18 warned that Russian hacking groups could exploit Signal’s vulnerabilities to surveil encrypted organizations and target “individuals of interest.”

Pentagon-wide communications permit the use of “third-party messaging apps” for sharing unclassified information, but prohibit their use for sending “private” unclassified details.

Reuters contributed to this report

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YouTube Revives Efforts to Include Platforms in Australia’s Under-16 Social Media Ban

Posted on June 24, 2025 by Igor Mitreski

YouTube has expressed its discontent with the nation’s online safety authorities for sidelining parents and educators, advocating to be included in the proposed social media restriction for users under 16.

Julie Inman Grant from the eSafety Commissioner’s office has called on the government to reconsider its choice to exclude video-sharing platforms from the age restrictions that apply to apps like TikTok, Snapchat, and Instagram.

In response, YouTube insists the government should adhere to the draft regulations and disregard Inman Grant’s recommendations.

“The current stance from the eSafety Commissioner offers inconsistent and contradictory guidance by attempting to ban previously acknowledged concerns,” remarked Rachel Lord, YouTube’s public policy and government relations manager.

“eSafety’s advice overlooks the perspectives of Australian families, educators, the wider community, and the government’s own conclusions.”

Inman Grant highlighted in her National Press Club address on Tuesday that the proposed age limits for social media would be termed “delays” rather than outright “bans,” and are scheduled to take effect in mid-December. However, details on how age verification will be implemented for social media users remain unclear, though Australians should brace for a “waterfall of tools and techniques.”

Guardian Australia reported that various social media platforms have voiced concerns over their lack of clarity regarding legal obligations, expressing skepticism about the feasibility of developing age verification systems within six months of the impending deadline.

Inman Grant pointed out that age verification should occur on individual platforms rather than at the device or App Store level, noting that many social media platforms are already utilizing methods to assess or confirm user ages. She mentioned the need for platforms to update eSafety on their progress in utilizing these tools effectively to ensure the removal of underage users.

Nevertheless, Inman Grant acknowledged the imperfections of the system. “For the first time, I’m aware that companies may not get it right. These technologies won’t solve everything, but using them in conjunction can lead to a greater rate of success.”

“The social media restrictions aren’t a panacea, but they introduce some friction into the system. This pioneering legislation aims to reduce harm for parents and caregivers and shifts the responsibility back to the companies themselves,” Inman Grant stated.

“We regard large tech firms as akin to an extraction industry. Australia is calling on these businesses to provide the safety measures and support we expect from nearly every other consumer industry.”

YouTube has committed to adhering to regulations outlined by former Communications Minister Michelle Rowland, who included specific exemptions for resources such as the Kids Helpline and Google Classroom to facilitate access to educational and health support for children.

Communications Minister Annika Wells indicated that a decision regarding the commissioner’s recommendations on the draft rules will be made within weeks, according to a federal source.

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YouTube emphasized that its service focuses on video viewing and streaming rather than social interaction.

They asserted their position as a leader in creating age-appropriate products and addressing potential threats, denying any changes to policies that would adversely impact younger users. YouTube reported removing over 192,000 videos for violating hate speech and abuse policies just in the first quarter of 2025, and they have developed a product specifically designed for young children.

Lord urged that the government should maintain a consistent stance by not exempting YouTube from the restrictions.

“The eSafety advice contradicts the government’s own commitments, its research into community sentiment, independent studies, and perspectives from key stakeholders involved in this matter.”

Shadow Communications Minister Melissa Mackintosh emphasized the need for clarity regarding the forthcoming reforms from the government.

“The government must clarify the expectations placed on social media platforms and families to safeguard children from prevalent online negativity,” she asserted.

“There are more questions than answers regarding this matter. This includes the necessary verification techniques and those platforms will need to adopt to implement the minimum social media age standard by December 10, 2025.”

Source: www.theguardian.com

Bezos Movement in a Boundless Space: ‘One Man Renting a City for Three Days? That’s Unacceptable’

Posted on June 24, 2025 by Igor Mitreski

wHeather Jane Johnson heard that Jeff Bezos got married in Venice this June, but she felt worse than ever. Twenty-five years ago, she closed her bookstore in Boston, Massachusetts. “I lost a lot because of Bezos and the American accomplices behind Amazon’s rise,” states the 53-year-old. “The primary reason I moved to Italy was my sense of betrayal by my homeland.”

When a public meeting was announced in the city, she immediately attended. Since then, she has participated in every gathering of anti-Bezos activists, including the one right before last week’s wedding. “These young people have truly restored my faith in humanity,” Johnson remarks.

Many activists part of the “Bezos No Spaces” movement are based at Laboratorio Accupatato Morion, which identifies as “an anti-fascist, anti-capitalist, anti-racist, and transfeminist political space.” Federica Toninero, 33, describes it as “the home of many struggles.” The venue boasts the same vaulted ceilings and grandeur as others nearby, but is adorned with banners and placards ready to transform Venice in anticipation of Bezos’ wedding festivities, starting Thursday. (During my visit on Sunday, I didn’t spot any billionaires; their inclination for invisibility is strong.) It is all visually stunning, reminiscent of one of Venice’s countercultural spaces, filled with striking graphics from past campaigns against big ships, cruises, and tourists. A grassroots movement emerges here, advocating for refugees, with feminist unions popping up to address issues such as climate crises and urban poverty.

“I don’t think he’s welcome”… his fiancées, Lauren Sanchez and Bezos. Photo: Bruce Glikas/Wireimage

Noemi Donà, a 19-year-old activist from USG (a slowly growing union of young leftists), mentions Oliver, 43, who works as a receptionist in a historic Venetian hotel, not one of the hyper-luxury ones, but rather a “small 14th-century palace.” “Bezos can pay and stay here,” he says, “but thousands of Italian shops have closed due to Amazon’s rise. There are universities aligning with us, many of which occupied campuses last year to protest against the Israeli bombings of Gaza.”

The atmosphere is charged with the scent of aerosols and felt-tip pens. Some banners proclaim “Free Palestine,” while others demand the cessation of bombings in Iran. The Palestinian Libre organization actively condemns the U.S. attack on Iran, which feels particularly shocking just under 24 hours since it occurred. Yet, in opposition to Bezos, Marta Sottoliva, a 34-year-old middle school teacher, asserts, “This isn’t just a group; it’s a platform.”

“If Bezos had announced his wedding here without our movement, the media’s narrative would have centered on a luxurious hotel, VIPs, and gossip,” Sottliva reflects. “We aimed to highlight the obscene wealth that enables men like him to monopolize a city.”

On June 12th, the activists unfurled a massive 8-meter banner featuring Bezos’ name encircled in red. Tonyelo jokes about their lively banter on social media, saying, “You must be embarrassed!” A similar banner was displayed on the Rialto Bridge shortly after.

Protest at San Giorgio Maggiore. Photo: Marta Sottoriva

The activists have shifted their focus from merely questioning, “How much money does he have?” to “What conversation will arise from Bezos’ presence? What numbers will they draw?” As Elon Musk captures the public’s attention, there’s a growing discontent regarding the high purchasing power of elites in the face of societal upheavals. One aspect Bezos cannot buy is public goodwill—nor respect for his fiancée, Lauren Sanchez, nor for the 200 guests he plans to invite. That, indeed, is significant.

Not all demonstrations will be publicized, but one detail is clear: a protest will block access to the Scola Grande della Misericordia this Saturday, where Bezos is set to host the celebration.

On a Sunday evening stroll around the venue, I analyzed the logistics for a protest designed to obstruct any chance of the Kardashian presence. A three-meter-wide strip runs along the canal, with a steep drop, creating a narrow bridge that unexpectedly terminates at metal gates in Venice. On the west side, a pavement parallels the canal, leading to a small bridge that could facilitate both police and protesters, but only permits slow movements. With so many stunning bridges dotting Venice, this is the most beautiful, though not conducive to fast access. A square lies at one end and a canal at the other. If 200 protesters show up, they could indeed create significant disruption.

Rumor has it that Bezos isn’t relying solely on police protection but is also engaging former Marlins, hoping to bolster his public image. “How can I get someone away from the water without causing harm?” Toninero muses, her tone playful rather than anxious. “We use our bodies to convey, ‘Stop it, we don’t want this.’”

According to reports Monday, Bezos has been compelled to relocate the party to a different venue.

Rialto Bridge banner. Photo: Manuel Silvestri/Reuters

Even as the city showcases its exquisite eccentricities, it’s difficult to imagine hosting a lavish party in such a locale with a dead-end bridge resembling a 14th-century lagoon. If you spread the word to just 15 people that you’re not welcome, you realize how inherently impossible it is to execute a glamorous, star-studded event here. Perhaps Venice is a mere facade, and the real celebration is set for Maui.

The activist assembly aired their views amidst all this. Critics argue Bezos and Sanchez may not be ideal foes for the anti-tourism sentiment. Yet, many Venetians recognize a common disregard from local authorities. In their quest to appease billionaires, the city effectively shuts down its center. They exert significant influence over short-term rentals yet refuse to take action. Last year’s initiative, taxing tourists €5 a day, was believed to address the situation, but as Sottoliva points out, locals feel they “are like animals in a zoo or cartoon characters from Disneyland.”

Sofia, 26, originally from Barcelona, has engaged in numerous discussions regarding overtourism, but she sees a uniquely vibrant community within Venice, supporting one another beyond mere intellectual endeavors.

Venice’s politically radical lens, influenced largely by its tourism, contrasts sharply with Bezos’ wedding deal, revealing inconsistencies in his values. His conduct as an employer and his apparent disregard for corporate tax responsibilities reflect a divide that becomes glaringly visible in such discussions.

Michael Jordan’s yacht docked in Venice ahead of Bezos’ wedding. Photo: Yara Nardi/Reuters

Climate change activists have also voiced concerns about promoting a culture of extreme consumption, as noted by Stella Faye, a 27-year-old university researcher.

Politically, Bezos’ transition from a perceived mild Democratic supporter to an active Trump advocate has not gone unnoticed. “We are witnessing a disturbing fusion between the private interests of digital capitalism and fascism,” argues Sottoliva. “This is not just confined to Venice.”

Perhaps most troubling for Bezos is the emerging critique of billionaires not just as individuals, but as systemic forces. “There’s a rise in anti-wealth movements,” states Robin Piazzo, a political scientist at the University of Turin. Traditionally, Marxist discourse focused less on billionaires as individuals, instead analyzing capitalism as a collective system. The grassroots movements increasingly question the narratives around the affluent, especially as they light on the influence of wealth over politics and media.

Yet, within grassroots movements, a consistent anti-Western critique is evident, bridging both religious and political sentiments. Piazzo, who also serves on the city council for the Democratic Party, recounts a 90-year-old woman approaching him post-meeting, saying, “You must act against the rich; I detest them.” She aligned herself with the sentiments expressed by Pope Francis. “This is a critical juncture for ultra-high-net-worth individuals,” he warns, as wealth’s perception shifts to a self-serving entity, starkly contrasted with the struggles faced by the less fortunate.

Wealth is showing its sharper edge once again. In 2001, during the G8 summit in Genoa, police responses were harsh and swift after a protester named Carlo Giuliani was killed by Carabinieri. During that tumultuous time, a leftist in England warned that if pushed, resisting police involved serious risks. The memories of such violence linger deeply.

After Giuliani’s death, a specialized police unit was deployed, known for its distinctive blue uniforms and aggressive tactics. Most surreal was the heavy steel fence constructed to shield leaders at the G8. However, despite the barriers, a single protester managed to break through and was quickly arrested. The show of force reflected a stark division between state officials and protesters—clearly demonstrating that their interests were at odds.

Twenty-four years later, Bezos’ wedding symbolizes everything he represents—wage reduction, rampant consumerism, environmental degradation, and wealth supremacy—casting a shadow over a city struggling to maintain its identity. “Honestly, it terrifies me,” states Noemi Donà. “But I’m here.”

Source: www.theguardian.com

“Amidst the Chaos of Trauma: Jessica Curry’s New Album ‘Shielding Songs'”

Posted on June 24, 2025 by Igor Mitreski

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fortunately for us, the memory of the Covid lockdown has become a distant past. After several years, we’ve stepped back into life, rebuilding our careers and relationships, exploring the world anew. However, that’s not the case for everyone. Acclaimed composer Jessica Curry has crafted a captivating and refined soundtrack and has recently released projects like Everyone’s Dear Esther and Esther’s Dear Esther. After being diagnosed with a degenerative illness in her mid-20s, she began her own quarantine at the onset of the pandemic, remaining at home for almost five years. During that time, she was unable to create or write, and her world felt as though it was crumbling.

“Like many, I endured a challenging pandemic,” she reflects. “I witnessed my father passing away on Zoom, along with my aunt and other family members. Following the discovery of a tumor in my ovaries, I had major abdominal surgery, but the surgery was unsuccessful in 2022. It was only then that I found myself able to listen to music again.”

Last year, the turning point came when Curry decided to revisit her music. Although she wasn’t ready to start composing, she began organizing her works after years of low productivity. This led to the creation of *Shield Song*, an album that prominently features new interpretations of her favorite pieces. The album is enveloped in an ethereal choir sound performed by the esteemed London choir. “Shield Songs represent a gathering, almost a manifesto. What do I stand for as a composer? What is my legacy? I thought it might be my final statement.”

A recording session aimed at capturing the song with a beautiful ethereal voice. Photo: Jessica Curry

The album comprises four pieces that evoke joy. It is based on a game about an apocalypse viewed through the lens of a quaint English village, for which Curry received a BAFTA for the soundtrack. The game was developed by The Chinese Room, a studio co-founded by Curry and her husband, Dan Pinchbeck. He praised the stunning idyllic surroundings and deeply emotional scores, influenced by composers Elgar and Vaughan Williams. This music remains among her most beloved works.

“I’ll still get emails about it in ten years,” she shares. “So many fans have tattoos inspired by it. I often receive messages from people who listen to death metal but love this soundtrack. While the game centers on human relationships, I wanted to reimagine the music.”

Another reason *Rapture* resonates in the new album is its thematic parallel between isolation at the end of the world and experiences during the Covid years. “Games are about the human experience—what does it mean to love?” she reflects. “Interestingly, many themes connect to global events, like the pandemic, and how we cope with them.” Curry describes the shield songs as a reflection on love and sorrow, yet they also offer a hopeful exploration of human resilience. The four tracks draw from the enduring light of her anti-war requiem, first performed in 2011, responding to the nuclear bombings of Hiroshima and Nagasaki, infused with a sense of optimism for the future.

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The album also features a blend of works from The Chinese Room’s VR sci-fi adventures. The titular track is a haunting choral piece inspired by John Dowland, while the remaining tracks lean toward experimentation, showcasing her evolving musical direction. “You could say it’s mine, but it blends minimalism with a classical twist, and it evokes a cinematic quality,” Curry explains. “It has that epic space opera feel, and I loved how everything came together in the score.”

After selling The Chinese Room to SUMO Digital in 2018, Curry set off on her own journey, while Pinchbeck remained as creative director, guiding the BAFTA Award-winning game *Oil Rig Horror Adventure*, before departing in 2023. “Maybe we’re insane,” she muses, “but I believe we have a talent for creating games, Dan and I. We have stories to tell.” Although Curry is still battling illness and apprehensive about going out—especially given the aggressive attitudes some have towards masked individuals—she has returned to composing.

“For the first time in a long while, I can truly hear music in my mind,” she expresses. “I never imagined I’d experience that again, and I believe it will yield something new. This will be Jessica Curry, but I am not the same person I was before. When something profoundly bad happens, you transform.”

Source: www.theguardian.com

Affordable Yet Unsustainable: The Growing Waste Crisis of Fast Tech

Posted on June 24, 2025 by Igor Mitreski

It’s affordable, frequently subpar, and often ends up stuffed in a bottle or hidden among other miscellaneous items, takeout menus, and birthday candles in kitchen drawers.

Referred to as “First Technology,” these budget-friendly electronic gadgets are becoming more prevalent, ranging from mini fans and electric toothbrushes to portable chargers and LED toilet seats.

However, there is a significant issue lurking behind these low prices. Many of these gadgets are challenging to repair, lack recycling options, and are often discarded rapidly. E-waste is one of the fastest-growing waste streams globally, and experts indicate that rapid technology advancement plays an increasingly crucial role.

In the UK, over 11.4 billion of these small electronic devices (including steam gadgets) are purchased annually, with nearly half (589m) disposed of simultaneously.

“We’ve been consuming fast food. There was fast fashion. Now we’re in the era of fast technology,” states Scott Butler, executive director of Material Focus. “We’re not technological moralists, but our concern lies with the volume of low-quality, cheap, and flimsy products flooding the market, which ultimately ends up in the trash or unused.”

Studies reveal that over a third of the British population views their purchases as disposable, primarily due to low prices, according to Butler. “[It] may be inexpensive, but it’s not disposable. In reality, anything that plugs in, runs on batteries, or has a cable is far from garbage. These items are rich in valuable metals and can be reused,” he adds.

Butler highlights “FAD” first technology as a key issue, often involving cheap items bought for specific occasions, like mini fans during the UK’s warmer months or festive Christmas jumpers. Last year, around 7.1 million mini fans were sold in the UK, with over 3.5 million being discarded or forgotten in drawers afterwards.

“We just experienced a heat wave, and I’m certain mini fan sales surged during that time. While it’s perfectly fine to try and cool down, we’re missing out on the potential for longer-lasting alternatives that can be beneficial beyond the summer,” he noted.

Environmental scientist and advocate Laura Young states that Fast Tech poses a new kind of environmental threat, not just due to the toxic chemicals some devices may contain but also because of their sheer volume and disposability.

“We’ve never encountered this level of disposable technology before,” she remarks. “Many people may not even realize that these small devices contain electronic components.

Many users are unaware that e-vapor products contain batteries. Photo: Bennphoto/Shutterstock

“Many users of steam products have asked, ‘Is there a battery in there?’

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“All electronics, including toasters, kettles, washing machines, laptops, iPads, and mobile phones, all feature either wall power or rechargeable options. There is no such thing as disposable technology.

While it’s unlikely that the prevalence of fast technology in the market will soon wane, Butler emphasizes the need to shift our mindset. “Ultimately, these items are available because people purchase them. If there’s no demand, they obviously won’t be on the shelves.”

“Be a bit more thoughtful about what you choose to buy, how you utilize it, and what happens when you no longer need it. Don’t toss it just because it’s broken,” he advises. Use the online locator to find your nearest recycling center.

There’s also a drive for better repair, reuse, and borrowing options. Young points out community initiatives like repair cafes and tool libraries, where equipment can be borrowed instead of purchased anew.

“I joined the Tools Library and no longer purchase DIY tools.” Adapting to fast technology requires “a different mindset,” as she puts it, moving away from the notion of needing to own everything.

Source: www.theguardian.com

As Watchdog Acts, Google May Be Required to Alter UK Search Practices

Posted on June 24, 2025 by Igor Mitreski

Google may be compelled to implement a range of modifications in its search operations, including allowing internet users to select alternative services, following suggestions from the UK’s competition regulator to strengthen regulations on the company.

The Competition and Markets Authority (CMA) is set to classify the leading search engine as having “strategic market status,” a designation that empowers regulators to impose stricter controls on major tech firms deemed to hold substantial market influence.

The CMA expressed its intention to introduce tailored regulatory measures for U.S. companies, which may include offering users a “selection screen” to ensure a fair ranking of search results, thereby gaining more oversight on content usage, including AI-generated responses.

Should the CMA finalize its decision in October, Google will be the first company subjected to new regulatory powers established this year.

CMA CEO Sarah Cardell highlighted that this announcement signifies a “major milestone” in the newly enacted regulatory framework stemming from recent digital market, competition, and consumer legislation.

Cardell remarked, “These proportionate measures will create greater opportunities for UK businesses and consumers, providing them with more choices and control over their engagement with Google’s search services, as well as fostering innovation within the UK’s tech industry and the economy at large.”

Google has stated that this move could significantly impact businesses and consumers in the UK.

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“We are worried that the breadth of CMA’s considerations is excessive and unfocused, and that various interventions are being contemplated prior to the collection of sufficient evidence,” stated Oliver Bethell, senior director at Google.

Source: www.theguardian.com

Death Stranding 2: A Hypnotic Art House Experience with an A-List Cast | Review

Posted on June 23, 2025 by Igor Mitreski

wIs the hat on a path to oblivion? This is a question that often crosses my mind while experiencing the second installment of Kojima Hideo’s hypnotic, enigmatic, and patiently paced cargo management simulator series. It’s due, in part, to the lengthy, tranquil treks that transcend the surreal landscape of Mexico and Australia, granting ample time for reflection on that small yet significant detail and to ponder the intricacies of what you just witnessed. Additionally, such questions often illuminate deeper truths.

The ability to engage in prolonged contemplation is a hallmark of the artistry embedded in this game. No one is scribbling notes to uncover Doom. The Middle Ages scrutinizes the cutscenes of Marvel’s counterparts for insights. It’s uncommon for any game to invite this level of examination. However, Death Stranding 2 diverges from convention, excelling in both atmosphere and narrative delivery, while maintaining a tactile storytelling quality that enriches its extensive gameplay system. The tension between these elements renders it compelling. Initially, each aspect demands courage, but over time, you’ll savor both experiences.

For those who missed the inaugural Stranding, yes, this is indeed the sequel in a series that revolves around transporting cargo between waypoints, whether on foot or via vehicles. Like a post-apocalyptic Amazon delivery driver, it provides essentials, technology, and luxurious packages. The first game introduced a mystical shift that allowed the deceased to return as spectral entities known as Beach Things (BTS). When a BT claims a human life, it results in a tragic event termed a “void-out.”

Screenshot from Death Stranding 2: On the Beach

With humanity divided and isolated in subterranean bunkers, the protagonist, Sam Porter Bridges (Norman Reedus), is tasked with connecting the remaining enclaves of American civilization to a global technological network known as the “chiral network,” thereby restoring hope for a brighter future. He accomplishes this by traveling across the continent with Lou, a supernatural infant carried in an artificial womb. At the start of this sequel, he enjoys a secluded existence in Mexico with Lou, who has now grown into a toddler.

And believe me, these are significant cliff notes. Death Stranding 2 opens with an impressive six-minute cutscene aimed at immersing players in the peculiar sci-fi universe and poetic metaphors crafted by the Isle. Unraveling this mystery constitutes half the enjoyment (the other half is cargo shifting), but even if you’re not fully invested in the world, it operates on a dreamlike logic that feels intuitive. It’s uncertain whether this environment resembles something we recognize or if it has always been a blend of Icelandic tundra, snow-capped mountains, and colorful deserts, or perhaps it once resembled the Australian landscapes of Death Stranding 2. The crucial point is that it feels coherent throughout.

While it is contemplative, this is not a game about watching Sam retire for 50 hours and revel in fatherhood. He is inevitably drawn back into action, reconnecting Mexican and Australian populations to the Chiral Network for a venture named Ngubridge, a logistics company backed by an enigmatic benefactor and featuring returning character vulnerabilities (Rare Saidoo). If that sounds rather dull, consider it a quirky scenario with fragile Greta Garbo gloves around her neck!

Elle Fanning in Death Stranding 2. Photo: Sony Interactive Entertainment

A colorful cast surrounds DHV Magellan, a ship featuring more A-listers than the Cannes red carpet, aiding Sam in his missions. Seydoux, George Miller, Guillermo Del Toro, Nicolas Winding Refn, Elle Fanning, and Shioli Kutsuna deliver equally stellar performances alongside veteran voice actor Troy Baker as Chief Villain Higgs. The principal characters function mainly as poetic devices and unique metaphors. Rain (Kutsuna) is an optimistic outcast who summons rain each time he steps outdoors. Tarman (Miller) sacrificed his hand to supernatural tar and now guides the boat through its mysterious waters. Hartman (Darren Jacobs) faces death and rebirth every few minutes. Though they ought to be too peculiar to elicit sympathy, rare moments link their stories with human emotions in a poignant manner. If you don’t feel a lump in your throat watching Rain and Tomorrow (Fanning) sing together, then it’s not only Deadman who’s lost their humanity.

Interestingly, package delivery is showcased at the pinnacle of gameplay standards. It may sound mundane, but the intricate workings of these detailed systems easily draw you in. In the previous installment, combat felt secondary, but this time, missions clash not only with BTS but also other humans, benefitting from a fluid mechanic that fires hand-held bullets and executes neck snaps. You can craft ladders, climbing ropes, and other gear when the risk of attack is heightened. The joy resonates as much in preparation as in action. It feels rewarding to impose order on a chaotic world that might otherwise seem disordered. It’s likely why many of us baked countless loaves of banana bread during the lockdown.

The Isle originally drafted a story for Death Stranding 2 before the Covid-19 crisis but restructured it entirely after enduring lockdown alongside the rest of the world. The effects are evident. We promise to shield you from the profound loneliness embodied in Sam’s role as a porter who traverses desolate landscapes.

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Effectively, you can interact with other players, albeit at a distance, sharing equipment, constructing structures, and leaving holographic signs and commendations for others in your game. This feature serves as a satirical commentary on entrapment. Over time, the world becomes cluttered with flickering icons and increasing structures, leading to a constant bombardment of “like” symbols. It feels akin to the attention spans dulled by social media, but it’s likely no coincidence.

The first game presented a surprising advantage. The two sequels do not. Many of the thrilling and tedious elements that defined the first are also present here, yet they have been refined, rendering the gameplay mechanically rich and meaningful. Combat feels more impactful, the world maps exhibit greater craftsmanship, and the missions offer enhanced variety. Tasking them with recreating the same gameplay in an entirely new narrative could feel like a jest, but it presents layers of mechanical depth that are anything but trivial.

Among the many themes Death Stranding 2 seeks to convey, the most prominent is that you are never truly alone. Global calamities, vast technologies, and even the specter of death may abstract the ways we connect, yet they can never fully sever our bonds. Not bad for a game centered on delivering packages.

Source: www.theguardian.com

OpenAI Triumphs Over Jony Ive’s Trademark Reference in IO

Posted on June 23, 2025 by Igor Mitreski

OpenAI has taken down online content regarding Jony Ive’s recent partnership with the hardware startup IO following a trademark dispute.

The AI firm has retracted promotional content, which comprised a video featuring Ive, the former Apple designer of the iPhone, talking with OpenAI’s CEO Sam Altman about the $6.4 billion (£4.8 billion) agreement. Nonetheless, you can still watch the 9-minute video on YouTube.

OpenAI, the creator of ChatGPT, was compelled to respond after receiving a legal notice from IYO, a startup specializing in AI-powered earphones.

OpenAI stated it had removed the page from the website announcing the acquisition of IO. This deal involves Ive’s company which will lend creative and design expertise across the organization. OpenAI emphasized that the dispute does not impact the transaction itself.

Promotional videos featuring Jony Ive and Sam Altman. Photo: YouTube

“This page is temporarily down after a court order resulting from a trademark lawsuit filed by IYO regarding the use of the name ‘io.’ We disagree with these claims and are exploring our options,” remarked a spokesperson for OpenAI.

Ive departed from Apple in 2019 after a 27-year tenure as one of the company’s prominent product designers.

The IO promotional video detailed Ive and Altman’s ambitious visions for the partnership revealed last month. Originally from the UK, Ive expressed, “I feel a growing sense that everything I’ve learned over the past 30 years has led me to this moment.”

In the video, Altman mentioned that he had tested prototype devices from Ive, stating, “I believe this is the most exciting technology the world has ever seen.”

The outcomes of the Ive-OpenAI collaboration are not anticipated until next year. Reports indicate that these AI-integrated devices will be “seamless” and will offer comprehensive insights into users’ environments and lives. According to the Wall Street Journal, they will be designed to sit on a user’s desk alongside the MacBook Pro and iPhone.

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Ive has shared his concerns about the “unintended” adverse effects of smartphones, although Altman has clarified that this new initiative isn’t aimed at phasing out the iPhone.

“I don’t think the goal is to replace the phone, just like smartphones didn’t replace laptops. It’s an entirely new category,” Altman stated in a Bloomberg interview in May.

IYO has been approached for further comment.

Source: www.theguardian.com

Exploring Privilege: Allison Williams and the Toxic Momfluencer Culture in M3GAN

Posted on June 23, 2025 by Igor Mitreski

IIf you wandered onto the set of M3GAN 2.0 last year, you might have stumbled upon M3GAN, an eerie humanoid doll. Alison Williams shares with a nervous chuckle, “The challenge is whether to turn her around to face the wall or send her back to her room. Neither option feels right.”

In the sequel to the sci-fi horror film, Williams reprises her role as Gemma, a robotics expert-turned-advocate against the reckless development of AI after creating M3GAN for orphans. (She is also a producer on the sequel.)

Discussing M3GAN’s challenging role via a video call from her New York hotel room, Williams noted that the character was sometimes portrayed by a 15-year-old dancer named Amie Donald, but often by a robotic doll operated by a small team. “After a while, her eyelids get sticky,” Williams explains. “The handler uses a brush to apply lubricant to her eyes, and if you catch yourself thinking she’s alive, that’s a problem.”

Williams is best known for her breakout role as Marnie in Lena Dunham’s landmark series, Girls. Her first significant film project post-Girls was the Oscar-winning dark comedy, Get Out. Both IT and M3GAN were relatively low-budget films that became cultural phenomena. M3GAN particularly tackles racial politics and the perils of AI, highlighting M3GAN’s own disarray.

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M3GAN 2.0 – Watch the video trailer.

Williams has long been intrigued by AI. She knows Sam Altman, co-founder and CEO of OpenAI, who developed ChatGPT, and engaged with robotics experts while preparing for her role as Gemma. The film raises ethical questions about AI, exploring not only the threats posed by AI gone rogue but also the “rights” of our devices. “It’s easy to anthropomorphize something like our little robot vacuum at home,” she remarks.

Is she apprehensive about AI taking over jobs in the near future? She chuckles, “If you pose a question that begins with ‘me,’ the answer is always yes. I have an endless capacity to worry about things.”

Yet she suggests that whether it’s human acting or other work, “We will all be replaced eventually. But so far, especially in art, I haven’t witnessed anything that replicates human output in a way that truly feels human.” She smiles, adding, “But it’s not that it doesn’t concern me.”

M3GAN poses questions about the technology we give to children. “You wouldn’t give your child cocaine,” Gemma asserts in M3GAN 2.0. “So why hand them a smartphone?” With three sons of her own, Williams is cautious about this. “He asks such profound questions; it’s incredible. Often, I don’t have answers.” Recently, she shared an explanation about rocket launches using ChatGPT. “Watching his reaction reminded me of Gemma observing a child interacting with M3GAN. It struck me how I had to note to take him to the library to get a book next time. It’s hard to justify logically,” she adds. “It felt like an instinctive decision.”

A cultural phenomenon… I’m dating Daniel Kaluuya. Photo: Justin Rubin/PA

Parenting is the focal point of a new podcast that Williams launched this month alongside two friends, early childhood educator Hope Klemer and therapist Jamie Oppenheim. It originated from a group chat delving into motherhood, aging, and life’s complexities. Upcoming episodes will touch upon the guilt many mothers grapple with, a theme echoed in M3GAN 2.0. Do our expectations of mothers evolve? “I certainly hope so,” Williams responds. “Guilt thrives in the absence of a community where you can express those feelings.”

She expresses frustration regarding the prevalent “mama content” on platforms like Instagram and TikTok, often portraying an idealized version of motherhood. “Many times, it just makes people feel bad. The emotional toll can be immense,” she shares with a laugh, addressing the unrealistic portrayals of influencer-packed lunches filled with nutritious options. “Without our nanny, I would be a mess, especially while my husband is working in London. I’m so grateful for her support. It’s unrealistic to expect anyone to handle everything alone. What about the help?”

“We were easy targets”…(From left) Lena Dunham, Zosia Mamet, Jemima Kirke, and Williams in Girls. Photo: PR’s Distribution Material

In another podcast episode, she tackles societal standards regarding aging and the unrealistic expectations of beauty. With a chuckle, she remarks, “But there’s not much that can be done about my forehead now. Yet, someone could glance at me and think, ‘I should be able to have a wrinkle-free forehead.’ No, my lack of wrinkles doesn’t make me better than you.”

Williams reflects on the perception that once celebrities achieve fame and fortune, maintaining genuine friendships can become challenging. “I don’t walk the world feeling like a celebrity,” she notes. “I experienced that during my twenties while shooting in New York, but now, dropping my son off at kindergarten makes me feel like a regular person among others. My job might be public and unique, but I’m still just a person.”

Recently, she realized that her son is at the same age she was when she began considering acting as a possible career (his father, Alexander Dreymon, is also an actor). They met while filming the 2020 thriller Horizon. Williams recalls how movies like Mary Poppins shaped her perception of acting, “Julie Andrews was like a goddess to me.”

Her parents, former NBC News anchor Brian Williams and producer Jane Stoddard Williams, encouraged her education (Yale) over entering the acting world as a child. “I’m thankful they didn’t push me into this industry too early. It was tough enough starting my career at 23 when Girls premiered.”

Williams’ experience is rather atypical. Growing up in a household with famous parents meant her father, Brian Williams, reached millions before the media landscape shifted dramatically. In 2015, his reputation was called into question when it was revealed he embellished a story about being shot at while covering the Iraq War, leading to a six-month suspension and eventual departure from NBC.

What was it like to navigate such circumstances as a family? “When you feel the weight of public scrutiny and chatter, it can be daunting,” Williams admits. “It’s a harsh side of the media; they often turn on their own.”

In discussing the criticism surrounding “nepotism babies,” Williams approaches the topic positively, recognizing her advantages. “One of the privileges is the ability to pursue acting without the stress of providing for myself. Growing up around people who were doing what I aspired to do—like the Hanks family—made it feel attainable. By high school, I was already working as a production assistant for Robert Altman on Horizon, landing a spot in a star-studded ensemble alongside Meryl Streep. That experience surely gave me a head start.”

Gratitude is a recurring theme in Williams’ life. She feels fortunate not to be starting her career now. There was a considerable buzz surrounding Girls during its six-year run ending in 2017, but she can’t fathom what it would be like navigating social media scrutiny today. (Williams left Instagram in 2020, feeling the platform became increasingly toxic and cynical.) “We treated each episode as if it mattered significantly,” she reflects.

“When she’s been working for a while, her eyelids can get sticky”… with Gemma (Alison Williams), Cady (Violet McGraw), and M3GAN in the original film. Photo: Geoffrey Short/Universal Pictures

While some criticisms were valid—like the predominantly white setting of the show—several were driven by misogyny, undermining constructive critique. Williams laughs, recalling how some reviews failed to refer to the characters by name, instead labeling them as “daughters of famous parents.” “We were easy targets, and I acknowledge that,” she admits.

For a while, Williams struggled with people conflating her identity with her character, Marnie, who grapples with sociopathy. “I wanted to create distance because I thought it was important for people to respect the act of acting. Our characters were heard and seen, but we chose not to reveal that. It felt odd for people not to recognize the characters as distinct from us.”

Despite the challenges, she emphasizes that the experience was overwhelmingly positive. Is there a chance for a reunion? “I would love that,” Williams responds. “I know Zosia [Mamet, who played Shoshanna] is promoting spin-offs. I’m eager to find my own path to elbow into that. I want us all back together; working on that show was a blast and marked the start of my career, a time I now recognize as exceptionally special.”

For fans of Girls, a reunion would be an ideal scenario: four dynamic women against the backdrop of an unsettling AI doll.

Source: www.theguardian.com

Investment Apps for Beginners: Which One Offers the Best Features?

Posted on June 22, 2025 by Igor Mitreski

RAchel Reeves and her fellow government officials are eager to promote stock market investments among more Britons. She recently stated, “When you invested in stocks and stock markets, you could achieve better returns and had a substantial amount in your cash savings account.”

The encouraging news is that the emergence of DIY tools and mobile applications has made investing simpler than ever. However, the extensive range of options can make it challenging to determine where to begin.

For novice investors lacking the time or confidence to manage their portfolios, a “robo-advisor” is a wise choice. These may seem like concepts from sci-fi films, but they are essentially online platforms that utilize technology to automate processes. Most are app-based and typically provide pre-designed investment portfolios customized to individual preferences.

Generally, you complete a brief questionnaire to identify your objectives and determine the level of investment time and risk you’re comfortable with.

In most cases, the longer your investment horizon, the more risk you can afford to take. However, it’s crucial to assess your personal approach to risk. Historically, stocks have generated more significant returns than savings accounts, but they also carry the potential for losses and fluctuations.

A pre-assembled portfolio usually invests in a range of exchange-traded funds (ETFs). These low-cost funds track the performance of specific indices, such as the UK or US stock markets, government bonds (like UK gilt or US Treasury bills), or commodities such as gold.

The app consolidates these fund selections to formulate a balanced portfolio that distributes funds across diverse assets.

So, which app (if any) is the right fit for you? We’ve explored some of the most popular options and compared their offerings.

Exchange-Traded Funds (ETFs) track selected indices, such as the UK and US stock markets or government bonds. Photo: Hannah McKay/Reuters

Nutmeg

Who? Nutmeg, one of the pioneers in the robo-advisor market, launched in 2012 and was acquired by investment firm JPMorgan Chase in 2021. The UK platform boasts over 200,000 users and has seen more than £4.5 billion invested through the app.

Minimum investment: ISAs and pensions start at £500, while lifetime ISAs and junior ISAs require £100.

Investment Choice: Nutmeg offers various service tiers that influence costs. With fully managed options, investors can select from 1 to 10 risk levels, and the team actively monitors and adjusts the portfolio. The fixed allocation option features five risk levels, with the portfolio determined by the investment team annually.

Fee: For the fully managed option, Nutmeg charges a total fee of 0.98%. If investing £3,000, the annual fee would be about £29.40. The fee for fixed allocations is 0.65%, roughly £19.60 in the same scenario.

We like: Nutmeg’s transparency regarding performance allows users to see how a fully managed portfolio has performed over the past decade. For instance, a 6/10 risk portfolio yielded 43.4% over ten years, significantly exceeding the average return of 36.7% with similar funds. The 5/10 risk portfolio grew by 31.9% during the same timeframe, against a comparison of 36.7% with its peers.

Any other? Those seeking additional assistance can access complimentary guidance for general inquiries or receive full financial advice starting from £900.

MoneyBox

MoneyBox reportedly has over 1.5 million customers. Photo: Mundishima/Arami

Who? Founded in 2016, MoneyBox focuses on savings and investment, boasting over 1.5 million users and overseeing assets exceeding £10 billion.

Minimum investment: You can initiate an account with just £1.

Investment Choice: MoneyBox provides three primary options: cautious, balanced, and adventurous. The cautious option minimizes risk with a portfolio comprising only 15% company stock, 40% bonds, and 40% cash, whereas the adventurous option allocates 80% to stocks, 15% to cash, and 5% to bonds.

Fee: A single monthly subscription fee encompasses transaction costs. Subsequently, in addition to a platform fee of 0.45%, there’s an actual investment cost of 0.17% for core funds. Thus, anyone investing £3,000 in a balanced fund will incur approximately 0.85% in total costs, around £25.60 annually.

We like: The Roundup function. By linking your bank account or credit card to the app, you can round up your spending to the nearest pound, automatically investing the difference. For instance, if you spend £1.87, 13p will be rounded up to £2 and invested. This is a convenient method to enhance your contributions.

Any other? Confident investors may opt to select their own ETFs to invest in rather than choosing a pre-made portfolio. Alternatively, those interested in picking specific companies have limited options, as only US stocks are currently available.

Doddle

Who? DODL, a newcomer that debuted in 2022, is operated by wealth management powerhouse AJ Bell, established in 1995. DODL simplifies the process with lower minimum investment amounts than its parent firm, although it offers limited investment choices.

Minimum investment: Direct debits can start from £100 or £25 per month.

Fee: The annual fee includes 0.15% for management, £1 monthly, and 0.31% for core investments, totaling around £19.30 yearly for those investing £3,000.

Investment Choice: DODL offers a selection of off-the-shelf funds categorized by risk, from cautious to global growth. You can also pick individual stocks, browsing by region (UK or US) and sector (financial, health, technology, etc.).

We like: The variety of themed investment options. This enables access to relevant ETFs based on emerging trends. For example, the “Above the World” theme invests in the HSBC FTSE All-World index, comprising multiple large companies globally, with a fee of 0.13%. Other themes include the “home team” for UK-centric investments and the “robo revolution” for funds focused on robotics companies.

Any other? Enjoy competitive interest rates of 4.25% (variable) on uninvested cash.

DODL’s “Robo Revolution” fund invests in robotics companies. Photo: costfoto/nurphoto/rex/shutterstock

Wealthify

Who? Established in 2014 and currently owned by insurance leader Aviva, Wealthify serves around 100,000 users with a strong emphasis on simplicity and avoiding jargon.

Minimum investment: Currently, ISAs start at £1, and pensions require £50, but from June 25th, junior ISAs will also start at £1 while stocks and shares ISAs and pensions will begin at £500.

Investment Choice: Wealthify has five risk levels: cautious, tentative, confident, ambitious, and adventurous. The cautious portfolio contains 85% government debt assets and just 5% company stock. In contrast, the adventurous options comprise 74% stocks and 14% government bonds, including investments in real estate and infrastructure.

Fee: A platform fee of 0.6% covers portfolio management costs. The investment cost can be 0.16% for typical portfolios and 0.7% for ethical options. This results in an annual fee of £22.80 for a £3,000 investment in a standard portfolio or £39 for ethical options. There’s no minimum fee.

We like: The Outlook page provides a concise overview of investment regions and assets, offering a convenient way for investors to gain insights without extensive research.

Any other? Wealthify showcases numerous customer service awards on its site—a reminder to consider factors beyond fees and investment variety. Always conduct your own research and review independent evaluations before choosing a provider.

MoneyFarm

Who? Originating in Italy, MoneyFarm expanded to the UK market in 2016. It currently supports around 160,000 active users and manages over £5 billion in assets, backed by major investment firms including M&G and Allianz.

Minimum investment: £500.

Investment Choice: Managed funds feature seven risk levels, regularly revised by their investment teams. For example, the 6/7 risk option includes 72% developed market company assets and 10% from emerging markets, while the 2/7 risk option primarily invests in bonds.

Fee: Those investing £3,000 in a proactively managed option incur a 0.3% fee in addition to a 0.75% management fee, totaling approximately £31.56 a year. For fixed allocation options adjusted annually, the management fee ranges from 0.17% to 0.45%, resulting in a total of around 0.62% or about £18.60 annually.

We like: The platform provides a clear breakdown of each portfolio, detailing investments by asset type, region, and sector, along with concise explanations.

Any other? Similar to many of these apps, MoneyFarm allows you to apply environmental, social, and governance (ESG) criteria to your investments, which can lead to tailored options excluding industries like heavy polluters and companies with poor human rights records. However, opting for this may increase costs.

Some ETFs (Exchange Traded Funds) track the prices of products, such as gold. Photo: LeonhardFöger/Reuters

You need to know

Before opting for a robo-advice app or service, ensure that the firm is regulated by the UK’s Financial Conduct Authority (FCA).
Make sure the provider is a member of the Financial Services Compensation Scheme (FSC), which safeguards up to £85,000 in funds should the provider collapse.
Most platforms have various account types available, but ISA stocks and shares typically offer the best returns. You can contribute up to £20,000 per year into an ISA, allowing all interest and growth to be exempt from HMRC, keeping all your earnings intact.
Regarding fees, expect a percentage of your investment to be charged. For instance, investing £1,000 with a 1% fee would incur a £10 annual charge. However, be sure to verify the exact fees, as minimum charges may apply.

Source: www.theguardian.com

Is This the Solution to the Housing Crisis? YouTube Series Spotlights Chic, Compact Abodes

Posted on June 22, 2025 by Igor Mitreski

I received invitations to experience the homes of an architect in Buenos Aires, a Vogue designer in Hong Kong, a community organizer in Sydney, and a writer in Paris.

In reality, I spend my time watching episodes of “Never Too Small” on YouTube. Never Too Small is a media company that produces magazines and online documentaries focused on “designing and living with small footprints.” For me, “Never Too Small” equals “the source of my favorite TV shows.” I enjoy watching while snacking on toast.

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New episodes are released every week, totaling over 100. Their duration, usually under 10 minutes, is just right. The calming visuals of historic architecture and busy urban streets exude charm. The gentle background music envelops you like a warm bath. As you dive into these videos, you realize you can’t have just one; suddenly, over 100 episodes feel like just a handful. It’s reminiscent of that moment when you first taste chocolate and are told it’s simply an “occasional” treat.

At its core, this series aims to illustrate that one doesn’t need a grand cathedral to feel comfortable as a human being. This appeals to the Australian mindset, often suggesting that without property—taking up a day and a half of each day—we might as well be dead. (Just blame Banjo Patterson or McLeod’s Daughters.) Even a participant in “Grand Designs” hinted that his fixation on grand Aussie homes was somewhat rebellious! He might not have used those exact words, but you get the drift. Rarely do we see people worldwide transforming tiny townhouses and pint-sized apartments into remarkably cozy homes—more so than the dreams spun by the girls from McLeod’s.

Now, I’ve come to love the concept of “too small.” I adore compact spaces. I dream of curling up to the 16th, slipping into an envelope, and surrendering myself to a petite mail slot belonging to a small beret-wearing rabbit. That said, I must admit: some of these dwellings don’t feel small at all!

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“Is this small?” I sometimes ask my partner while enjoying toast. “Is this truly small?” he returns, as we both get lost in the ambiguity. Which one is “smaller”? Is it simply a trick of perception? These spaces even feature courtyards!

The viewing area—so crucial at the start of each episode—is undeniably charming. “I live in a tiny house, and I don’t complain about it,” you might think, but do you have a Wes Anderson-inspired décor? Or perhaps a community library with great ventilation? What about a cabin where you can sleep under the stars (while still in bed; after all, you’re not a caveman)? If not, then these diminutive homes are uniquely special.

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It’s intriguing how these spaces evolve. (It’s disheartening when an owner describes their previous space as “monotonous,” as it resembles their current apartment closely.) The bus is often the first to go, and I find myself in the way. If they enjoy dining out, the oven might also be sacrificed. Occasionally, there’s neither a bathtub nor an oven, but rather a climbing wall instead.

The hosts are always impeccably dressed, stylish sneakers on their feet, engaging in fascinating activities. Even their pets seem to have a deeper understanding of life (you can just tell by the raised eyebrows). “When hosting dinner parties, we pull out this custom bench seat to accommodate 8-10 guests,” they boast. Can you imagine being someone who hosts a dinner party? Picture knowing 8-10 people!

The renowned writer, scientist, and sage Johann Wolfgang von Goethe once mused about life’s complexities. Yet, I find tranquility in observing others’ clever homes via video. We’re all just a recycled wooden dining table or a small piano away from pure bliss. Let’s not shy away; embrace the beauty of being too small.

Source: www.theguardian.com

Imposter Alert: Thief Swipes Classic TikToks for Mass-Produced Merchandise

Posted on June 22, 2025 by Igor Mitreski

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IThis April, Daisy Elicek stumbled upon something peculiar while browsing TikTok. She discovered videos featuring her 84-year-old father, George Tsaftarides, who operates a small tailoring business in Ohio. However, the video she encountered did not originate from Tsaftarides’ official page, but rather from an account claiming to be a “sad old man” at risk of losing his cat sanctuary, boasting nearly 41,000 followers.

The video text expressed, “I poured my love into my life because I couldn’t bear to close the cat shelter,” suggesting that the sanctuary would sell slippers to raise extra funds. This plea resonated with many viewers, leading to comments from millions and tens of thousands of users. One commenter wrote, “I just ordered two! Sending love to these kittens.” Another added, “Thank you for everything you do for these babies.” Others inquired about a GoFundMe link to donate directly to the cat shelters.

Yelichek and her father were taken aback. Tsaftarides does not operate any shelters. The accounts promoting these funding requests appear to be part of scams aimed at selling mass-produced slippers. Some followers who actually ordered the slippers received fuzzy footwear labeled “Made in China,” indicating they were not handmade by an elderly man running a struggling cat sanctuary.

“These individuals are using my identity for profit, but I can’t understand why,” Tsaftarides stated. “It’s theft, it’s dishonest, and it’s wrong.”

Tsaftarides isn’t the only TikTok user to have their likeness misappropriated. Charles Ray, an 85-year-old retiree from Michigan, has also been targeted by accounts using doctored video clips of his portrait. He began his own TikTok account in January to share jokes with his followers.

“At the start of the year, my pastor made a joke about a frog, and I thought, ‘This should make people smile,’ so I found a way to create an account and made a joke, and it took off from there,” he recounted.

Ray’s videos all follow a similar formula. Shot in selfie mode, he delivers a quick joke. He was disheartened to discover his content was used not only to “spread joy” but also to exploit and scam others. In one clip, he appears to be rubbing his eyes, while another repost suggests he is crying. One video uses a clip of a woman sobbing about an unrelated topic, while another includes a user in a hospital bed.

Since Yelichek first identified the misuse of her father’s image, she has cataloged over 100 accounts using unrelated videos to promote mass-produced items like slippers, headphone cases, and blankets. According to a list compiled by Yelichek and analyzed by the Guardian, around 20 accounts can be traced across Instagram and YouTube, employing similar tactics.

At one point, Yelichek reached out to the account, which had manipulated her father’s image, pleading for them to cease their actions. The individual behind the account claimed to be a struggling 17-year-old boy in Greece.

“I understand your situation, but I hope you can understand mine as well,” he responded.

This scam resembles a video trend on TikTok that has successfully promoted sales for small businesses through heartfelt messages about struggling local shops and eateries. A typical post imitates a community appeal for support.

In the case of Yelichek’s viral video, many commenters moved by the fabricated tale attempted to amplify it, mentioning the names of celebrities and generating further engagement that TikTok seems to prioritize. One comment noted, “Fun fact,” regarding another similar video claiming to support a diligent cow sanctuary. “If you engage, you’ll receive more replies! See other popular channels like Chapel Lawn and Taylor Swift to reach more people.” The video states that these accounts also recontextualize clips from genuine TikTok users to create misleading narratives before deleting them, which amassed 1.4 million likes and 26,000 comments.

Tsaftarides feels particularly frustrated, as his own content, which he intended to promote small businesses—including his own—has been co-opted to market mass-produced products.

“We aim to showcase our store and educate people about sewing,” he explained. “I won’t profit from my TikTok account.”

Yelichek mentioned that she and her father filed a police report with the Jackson Township police in Ohio. The local police have been actively working to liaise with social networks to address the issue of identity theft and remove the stolen content. While Yelichek noted that Instagram has removed several of the profiles she reported, TikTok—a platform grappling with a more significant issue—has been less responsive.

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“When we comment on [these videos] and label them as spam, our comments are often swiftly deleted, leading TikTok to assert they’re not violating their community guidelines,” Yelichek shared, along with a screenshot of the message.

TikTok users who are wise to the scheme have taken to commenting on the videos to label them as scams. Like Yelichek, some users have noted that TikTok has responded to their reports by claiming the content doesn’t violate community guidelines.

In an official statement, TikTok emphasized that their community guidelines prohibit any accounts or content that infringe upon others’ intellectual property rights. Reports of copyright infringement may require proof of ownership, such as links to the original content or evidence of the infringing material. Meta echoed similar sentiments, stating the same Terms of use on Instagram prohibit posting content that violates intellectual property rights, including copyrights and trademarks, and such infractions can be reported on Instagram. For more information, please visit their Help Page.

Ray, the 85-year-old jokester, also attempted to report the fraudulent video but received a response indicating that the flagged content did not violate TikTok’s community standards. Like Yelichek, he has faced frequent removal of his comments cautioning followers against scams, lamenting that he “hasn’t received any assistance from TikTok” and is unsure how to communicate further with the platform.

In a statement, TikTok reiterated its commitment to combating copyright violations, noting that 94% of content removed for breaching community guidelines regarding fake engagement in the last quarter was removed in response to reports.

Meanwhile, some users are becoming increasingly aware of this specific type of emotional manipulation. In recent viral videos, warnings about fraudulent posts claiming to support cat shelters, cow farms, and other heartbreaking narratives are spreading like wildfire.

While awareness increases, misleading videos continue to circulate. Instead of being disheartened, Ray has opted to create a video, recalling that many of his 13,000 followers express anticipation for his daily posts.

“Everything going on today makes people need a reason to smile,” he stated. “If my followers can smile, even briefly forget their troubles, then that’s all I hope to achieve—making people smile. This isn’t going to stop me.”

Feel free to let me know if you’d like any further changes!

Source: www.theguardian.com

Will Electric Cars Lead to a More Kathic Society? | Technology

Posted on June 21, 2025 by Igor Mitreski

Illustration: Guardian/Charles Desmalice

Electric vehicles (EVs) are swiftly rising in popularity worldwide; in 2024, 22% of new car sales were electric, up from 18% in 2023. Research indicates that an increasing number of people perceive EVs as superior to traditional gasoline and diesel vehicles. Anecdotal experiences on feeling unwell in an electric vehicle’s passenger or rear seat have sparked social media discussions and raised questions among prospective buyers about motion sickness.

Nonetheless, several academic studies provide scientific explanations for why some individuals may experience more sickness in EVs.

“Increased illness in EVs can be attributed to a lack of prior experience, both as drivers and passengers. The brain depends on past experiences in other vehicle types, complicating the estimation of motor skills.”

While EVs are becoming increasingly accepted, conventional gasoline vehicles still hold a strong presence. Drivers have a long-established familiarity with gas cars, enabling them to adapt more readily to specific cues. For instance, a person who has predominantly driven combustion engine cars will anticipate acceleration after the engine revs, which signals a change in speed. In contrast, electric vehicles produce minimal engine noise.

Research has identified connections between certain features of electric vehicles and motion sickness. A study conducted in 2024 found a significant correlation between motion sickness severity and seat vibrations in EVs. Meanwhile, a separate 2020 study revealed that the absence of engine noise may play a critical role in exacerbating feelings of nausea.

“Those accustomed to driving conventional vehicles learn to perceive car movements through cues such as engine revs, vibrations, and torque. Therefore, experiencing an EV for the first time presents a unique movement environment that the brain needs to adapt to,” explains Emond.

Furthermore, regenerative braking technology in EVs, which enables the motor to convert kinetic energy into electricity while slowing down, results in smooth deceleration. This gradual slowing can lead to a higher likelihood of motion sickness.

A piece of 2024 research indicated that this phenomenon may serve as a key trigger for motion sickness in EVs. The authors noted: [“regenerative braking] might direct motion sickness.”

Motion sickness is believed to arise from inconsistencies among varied sensory inputs. The brain receives simultaneous signals from the body, particularly from the inner ear, which maintains balance, alongside visual information. When there’s a conflict between these signals, the brain interprets this “neurological mismatch” as a conflict situation.

“Improved understanding of self-movement is critical for predicting motor skills to mitigate motion sickness. When the estimations of motor skills by the brain vary from actual experiences, this conflict can reach a threshold that triggers symptoms resembling ‘motion sickness,'” states Emond. “If such a conflict continues, it can lead to physiological reactions often associated with motion sickness.”

Predicting vehicle movement is crucial for mitigating motion sickness, which means that drivers are generally less likely to experience such symptoms. They have the foresight of what to expect.

As these vehicles provide fewer cues about upcoming movements, the interaction between predicted and experienced motion may contribute to the heightened incidence of motion sickness in EVs.

“When navigating a new movement environment, the brain must form new habits, lacking any prior experience to guide it. This is akin to how most individuals feel nauseous in zero-gravity contexts,” remarks Emond.

As the adoption of EVs continues to increase, researchers are exploring potential solutions to combat car-related nausea. Various studies propose that motion sickness in autonomous electric vehicles might be alleviated using visual signals, such as interactive displays and ambient lighting, or through vibration cues that enable passengers’ brains to anticipate movement changes, thereby reducing sudden sensations during electric vehicle rides.

Source: www.theguardian.com

Amazon Faces UK Investigation Over Alleged Late Payments to Suppliers

Posted on June 20, 2025 by Igor Mitreski

The UK’s grocery watchdog has initiated an investigation into Amazon amid claims that retail and tech firms have been remiss in timely payments to suppliers.

The Groceries Code Adjudicator (GCA) indicated that there was a “reasonable basis” for suspecting Amazon of breaching certain grocery supply codes.

This scrutiny comes nearly a year after the GCA urged online retailers to take “swift and inclusive actions.” to enhance adherence to industry regulations intended to safeguard suppliers.

The GCA oversees the relationship between the 14 largest grocery retailers in the UK and their direct suppliers, which includes major supermarkets like Tesco and Sainsbury’s.

This investigation into Amazon’s grocery sector marks the third since the GCA was established in 2013, following inquiries into Tesco and Co-op. The watchdog has the authority to impose fines of up to 1% of a company’s sales if it is found to have breached grocery codes.

Judge Mark White remarked: “Payment delays can severely damage suppliers. Such allegations could expose Amazon’s suppliers to undue risks and unforeseen costs, potentially hindering their capacity for investment and innovation.”

In the UK, Amazon retails food through its Fresh branded stores and online platforms, in addition to managing the Whole Foods chain, acquired in 2017 for $13.7 billion (£10.2 billion).

According to a GCA survey conducted in 2024, suppliers have reported more issues with Amazon than with other retailers.

Following a warning to Amazon last July, the GCA stated it has been monitoring retailers’ conduct and has gathered detailed testimonies regarding suppliers’ experiences.

On Friday, the GCA noted it has grounds to believe that Amazon violated paragraph 5 of its grocery code between March 1, 2022, and June 20, 2025. However, it intends to concentrate its investigation on the period starting at the beginning of 2024 to gain clearer insights into Amazon’s present practices.

The watchdog is calling on suppliers to submit evidence by August 8th, assuring them that all submissions will remain confidential.

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The GCA also stated it has received information about various other concerns related to Amazon, asserting it would “not hesitate” to initiate additional investigations as needed.

In a previous case, the GCA criticized Tesco for its treatment of suppliers after a year-long inquiry but found the Co-op unpunishable in 2015 due to the timing of the alleged misconduct relative to the enhanced powers given to the GCA by the government.

Amazon commented that it takes the groceries code of practice seriously and that it “works closely with the arbitrator.”

A spokesperson stated: “While we are disappointed by this decision, we welcome the chance to further demonstrate our continued compliance with this specific section of the Code.

“We have already made significant improvements to the experience of our grocery suppliers, particularly regarding payment practices.

“We will continue to listen and collaborate with grocery suppliers as we implement further changes.”

Source: www.theguardian.com

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Category Archives: Technology

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Charming Dates in Life Are Weird

Ellie and Dina from The Last of Us Part II

Same-Sex Marriage in Fable

Bisexual Mayhem in Thirsty Suitors

A Wholesome Queer Family Unpacking

Fabricated Celebrity Involvement

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Faceless YouTube Meets Diddy

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“Lidar is lame.”

Tesla Faces Lawsuits and Investigations Over Full Self-Driving Mode

Tesla’s Tactics vs. Waymo’s Approach

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Why did the government consider exempting YouTube initially?

What led the eSafety Commissioner to recommend banning YouTube?

What is YouTube’s position?

What about YouTube Kids?

Can children access YouTube without an account?

What are the next steps?

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